Painting damaged by boy in Taiwan ‘could be a fake’



TAIPEI // Doubts emerged Wednesday over the authenticity of an Italian painting supposedly worth $1.5 mn, which hit headlines after a 12-year-old boy punched a hole through it as he tripped and fell during an exhibition in Taiwan.

Organisers said the “Flowers” painting, which forms part of a collection of 55 artworks in Taipei, was by Italian artist Paolo Porpora and dated back to the 1600s.

But a report in Taiwan’s Apple Daily said the painting seemed identical to an artwork entitled “Composizione con vaso di fiori,” a 17th-century piece by Mario Nuzzi, which was listed in the 2012 catalogue of the Della Rocca Casa d’Aste auction house, with a guide price of 25,000 to 30,000 euros ($28,700-$34,000). The work went unsold.

David Sun, head of TST Art of Discovery Co which sponsored the Taiwan exhibition, insisted that the two paintings were different, without going into details.

His defence of the show, however, has failed to quell suspicions from professionals and the media.

“From a professional’s perspective, if the paintings are so old and expensive, they should not have been exposed to an environment without constant temperature and humidity,” curator Sean Hu of Taipei-based Hu’s Art Company told AFP.

“There are too many questions about it ... No one knows if the paintings are genuine or fake.”

Video footage released by the organisers shows the boy on Sunday tripping over a platform in front of the artwork and then bracing himself against the painting to break his fall. He then looks around helplessly before walking away.

The 200-centimetre painting was restored on site Monday and is now back on display. The organisers decided not to seek damages from the boy’s family, according to Taiwan’s Central News Agency.

A self-portrait by Leonardo da Vinci worth 200 million euros ($231 million) is also on display, according to the exhibition’s website.

* Agence France-Presse

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Funding to date: $116m in two funding rounds  

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The smuggler

Eldarir had arrived at JFK in January 2020 with three suitcases, containing goods he valued at $300, when he was directed to a search area.
Officers found 41 gold artefacts among the bags, including amulets from a funerary set which prepared the deceased for the afterlife.
Also found was a cartouche of a Ptolemaic king on a relief that was originally part of a royal building or temple. 
The largest single group of items found in Eldarir’s cases were 400 shabtis, or figurines.

Khouli conviction

Khouli smuggled items into the US by making false declarations to customs about the country of origin and value of the items.
According to Immigration and Customs Enforcement, he provided “false provenances which stated that [two] Egyptian antiquities were part of a collection assembled by Khouli's father in Israel in the 1960s” when in fact “Khouli acquired the Egyptian antiquities from other dealers”.
He was sentenced to one year of probation, six months of home confinement and 200 hours of community service in 2012 after admitting buying and smuggling Egyptian antiquities, including coffins, funerary boats and limestone figures.

For sale

A number of other items said to come from the collection of Ezeldeen Taha Eldarir are currently or recently for sale.
Their provenance is described in near identical terms as the British Museum shabti: bought from Salahaddin Sirmali, "authenticated and appraised" by Hossen Rashed, then imported to the US in 1948.

- An Egyptian Mummy mask dating from 700BC-30BC, is on offer for £11,807 ($15,275) online by a seller in Mexico

- A coffin lid dating back to 664BC-332BC was offered for sale by a Colorado-based art dealer, with a starting price of $65,000

- A shabti that was on sale through a Chicago-based coin dealer, dating from 1567BC-1085BC, is up for $1,950

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Basquiat in Abu Dhabi

One of Basquiat’s paintings, the vibrant Cabra (1981–82), now hangs in Louvre Abu Dhabi temporarily, on loan from the Guggenheim Abu Dhabi. 

The latter museum is not open physically, but has assembled a collection and puts together a series of events called Talking Art, such as this discussion, moderated by writer Chaedria LaBouvier. 

It's something of a Basquiat season in Abu Dhabi at the moment. Last week, The Radiant Child, a documentary on Basquiat was shown at Manarat Al Saadiyat, and tonight (April 18) the Guggenheim Abu Dhabi is throwing the re-creation of a party tonight, of the legendary Canal Zone party thrown in 1979, which epitomised the collaborative scene of the time. It was at Canal Zone that Basquiat met prominent members of the art world and moved from unknown graffiti artist into someone in the spotlight.  

“We’ve invited local resident arists, we’ll have spray cans at the ready,” says curator Maisa Al Qassemi of the Guggenheim Abu Dhabi. 

Guggenheim Abu Dhabi's Canal Zone Remix is at Manarat Al Saadiyat, Thursday April 18, from 8pm. Free entry to all. Basquiat's Cabra is on view at Louvre Abu Dhabi until October

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UAE currency: the story behind the money in your pockets
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Founders: Feras Jalbout and Kunal Taneja
Based: Dubai and Bahrain
Sector: FinTech
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CDU: "Now is the time to control the German borders and enforce strict border rejections" 

SPD: "Border closures and blanket rejections at internal borders contradict the spirit of a common area of freedom" 

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