Tashkeel is celebrating its 15th anniversary by rolling out its biggest exhibition.
Made in Tashkeel, now running at Alserkal Avenue, aims to reflect how much the institution has grown and how it continues to mentor artists in the UAE.
It is also Tashkeel’s largest exhibition, encompassing the diversity of UAE artists and designers, including those who have been part of its professional development programmes.
“The exhibition shows the power of community first of all. It also reveals the broadening and deepening of not only mediums but practice and production quality as well,” Lisa Ball-Lechgar, deputy director at Tashkeel, tells The National.
“I came here [to Dubai] in 2005 and the shift in attitudes towards the arts, the development of the creative and cultural industries and the quality of the work reflects the broadening and diversifying of the sector."
Curated by Sheikha Lateefa bint Maktoum, the owner, founder and director of Tashkeel, the exhibition includes 343 artworks by 136 artists representing 40 nationalities, all of whom live in the UAE. Works by 72 Emirati artists are featured as well as one by Lavanya Chandpurkar, who is only 12 years old, and works by people with disabilities.
It's an eclectic collection that includes painting, sculpture, photography, wearable art and graphic design.
“A lot of the work here reflects a sense of belonging to this country, whatever nationality you are,” Ball-Lechgar says. “It also shows a deeper, more intrinsic investigation into what ties us together not only as humans, but also how we are tied to the environment, whether that's rural or urban.”
One of the most impressive pieces is a large charcoal graphite drawing by Emirati artist Hamad Alshamsi. Working in mediums such as oil, acrylic, charcoal and digital art, Alshamsi’s style of realism creates engaging portraits full of life and detail.
In one portrait, the young sitter, Alia, is adorned in talli, a traditional form of Emirati jewellery while holding a bouquet of bougainvillaea flowers. The work shows off Alshamsi’s craftsmanship while celebrating many aspects of the UAE’s cultural heritage.
The work of Ibrahim Zaki is also a bold and fun addition to the exhibition. Zaki, also a senior graphic designer working at Tashkeel, has eight designs on display. Combining the aesthetic qualities of Arabic calligraphy with contemporary design, Zaki blends two different styles to create a unique and engaging series.
First-time creatives are also displaying their work at the exhibition.
Maitha Bughanoum's work is where science, environmental conservation and art intersect. As part of her job at the Environment Agency in Abu Dhabi, she uses drone technology and aerial photography to follow the dugong populations around the Abu Dhabi coastline and monitor the development of natural mangroves. The aerial photographs show the coastline and mangroves from a perspective not often seen by the public.
Painter Mason Rempfer displays the latest hyper-realistic miniature paintings from his series Little Bits of the UAE.
Each work is the size of a Dh1 coin and is made from cross-hatching – without a magnifying glass. From Burj Khalifa to a pearl and a traditional Emirati kettle, Rempfer depicts some of the UAE’s most recognisable architectural and cultural elements.
Sahar Bonyanpour's three wearable art pieces from her Mermaid Collection are also part of the exhibition. The pieces, Avant Garde Garment, Cropped Poncho and Net Poncho, are created with discarded synthetic materials to create geometrically wearable and eco-conscious designs.
One of the most surreal pieces in the exhibition is papercut and printmaking artist Debjani Bhardwaj’s Dreams Within Dreams. The immersive installation uses paper and lights to transport the viewer into a visual story full of stylised figures, flora and animals inspired by Emirati and Omani folktales.
Made in Tashkeel is running at Alserkal Avenue, Dubai, until September 8
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Schedule:
Pakistan v Sri Lanka:
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6-10 Oct, 2nd Test (day-night), Dubai
13 Oct, 1st ODI, Dubai
16 Oct, 2nd ODI, Abu Dhabi
18 Oct, 3rd ODI, Abu Dhabi
20 Oct, 4th ODI, Sharjah
23 Oct, 5th ODI, Sharjah
26 Oct, 1st T20I, Abu Dhabi
27 Oct, 2nd T20I, Abu Dhabi
29 Oct, 3rd T20I, Lahore
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Dubai World Cup factbox
Most wins by a trainer: Godolphin’s Saeed bin Suroor(9)
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Date of birth: April 18, 1998
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Pharaoh's curse
British aristocrat Lord Carnarvon, who funded the expedition to find the Tutankhamun tomb, died in a Cairo hotel four months after the crypt was opened.
He had been in poor health for many years after a car crash, and a mosquito bite made worse by a shaving cut led to blood poisoning and pneumonia.
Reports at the time said Lord Carnarvon suffered from “pain as the inflammation affected the nasal passages and eyes”.
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Basquiat in Abu Dhabi
One of Basquiat’s paintings, the vibrant Cabra (1981–82), now hangs in Louvre Abu Dhabi temporarily, on loan from the Guggenheim Abu Dhabi.
The latter museum is not open physically, but has assembled a collection and puts together a series of events called Talking Art, such as this discussion, moderated by writer Chaedria LaBouvier.
It's something of a Basquiat season in Abu Dhabi at the moment. Last week, The Radiant Child, a documentary on Basquiat was shown at Manarat Al Saadiyat, and tonight (April 18) the Guggenheim Abu Dhabi is throwing the re-creation of a party tonight, of the legendary Canal Zone party thrown in 1979, which epitomised the collaborative scene of the time. It was at Canal Zone that Basquiat met prominent members of the art world and moved from unknown graffiti artist into someone in the spotlight.
“We’ve invited local resident arists, we’ll have spray cans at the ready,” says curator Maisa Al Qassemi of the Guggenheim Abu Dhabi.
Guggenheim Abu Dhabi's Canal Zone Remix is at Manarat Al Saadiyat, Thursday April 18, from 8pm. Free entry to all. Basquiat's Cabra is on view at Louvre Abu Dhabi until October
