Thanks Netflix.
I’ve spent the past 15 years trying to convince people that Dubai is not a one-dimensional playground for the rich… and in one bling-tastic piece of lazy, stereotype-affirming programming, you have undone all my efforts.
I will start this with the caveat, that I have only watched one episode of Dubai Bling. I can’t really afford to lose the number of brain cells that would involve me watching any more. There is the possibility that the show miraculously evolves into something watchable after episode one, but I’ll bet my non-Birkin handbag that’s not the case.
It serves up all the tired old tropes — the yacht parties and stretch limos; Michelin-starred dinners and slow-mo exits from private jets; billowing couture gowns and women being compared to Barbie dolls. There's lots of cattiness and so, so, so, so many shots of the Burj Khalifa.
Meanwhile, our erstwhile cast navigate the perils of not having enough wardrobe space, going on the most awkward blind date in history and selecting exactly the right Dh10 million necklace. It manages to be boring and cringeworthy and visually uninspiring all at the same time.
I do not begrudge the cast their diamonds or their supercars or their sea-facing villas and petty squabbles. If this is how they choose to enjoy their wealth and influence, more power to them. A couple of the women, if presented in a different, more considered context, may even be quite inspiring.
And I have no issue with programmes like this being made. I love a bit of trashy reality TV as much as the next girl. Much of my past week has been spent languishing in the third season of Love Is Blind. A woman who is willing to believe that people can fall in love through a wall is not one to be casting aspersions on other people's viewing habits.
We can’t deny that Dubai has a propensity for flashiness and that there are plenty of people here just like those starring in Dubai Bling. The problem occurs when this — and things like The Real Housewives of Dubai — are the only programmes being held up in front a global audience.
When it is not presented alongside an opposing view, Dubai Bling only serves to prop up negative perceptions of Dubai. If this is the only narrative being presented to the outside world, complemented by the odd disparaging article in the Daily Mail, how will anyone ever understand the multi-faceted nature and cultural nuances of this city?
A few weeks ago I was in the UK, trying to explain to a member of my extended family why I love this place so much. I talked about the sense of entrepreneurship and dynamism that is pervasive, at a time when so much of the rest of the world is stagnating. There’s that constant sense of possibility — not to get rich but to build lives, careers and futures that might not be possible in our home countries.
I talked about the people you meet, from all over the world, who bring such layered experiences and viewpoints. I talked about the relationships you form with these people, how they become your family when you are so far from your own. Dubai has opened my mind and given me opportunities that I could not have dreamt of, growing up on the tiny island of Cyprus. What it has provided cannot be measured in designer bags or fancy dresses.
Where are the Netflix shows highlighting all that? Where are the series showing Dubai’s incredible creatives, or entrepreneurs, or the women breaking stereotypes and barriers? Where are the shows exploring the dichotomy of a country that is speeding into the future while carefully trying to preserve its cultural integrity?
Where are all the incredible people I meet on a daily basis through my work as a journalist, who may not be millionaires but who have enriched my life all the same?
Netflix has created genre-subverting content across many languages. It has managed to convince me to watch shows in Spanish, Korean and Swahili. So why, when it comes to Dubai, has it decided to propagate the most tired, dumb and obvious cliches? It doesn't even pretend to try to scratch beneath the surface of this fascinating, so-often-misinterpreted place.
And as a long-time resident of this city, I find that offensive.
Dubai Bling will not be seen as the sensationalised antics of a small segment of society — but as an affirmation of the crassness of us all.
Who has been sanctioned?
Daniella Weiss and Nachala
Described as 'the grandmother of the settler movement', she has encouraged the expansion of settlements for decades. The 79 year old leads radical settler movement Nachala, whose aim is for Israel to annex Gaza and the occupied West Bank, where it helps settlers built outposts.
Harel Libi & Libi Construction and Infrastructure
Libi has been involved in threatening and perpetuating acts of aggression and violence against Palestinians. His firm has provided logistical and financial support for the establishment of illegal outposts.
Zohar Sabah
Runs a settler outpost named Zohar’s Farm and has previously faced charges of violence against Palestinians. He was indicted by Israel’s State Attorney’s Office in September for allegedly participating in a violent attack against Palestinians and activists in the West Bank village of Muarrajat.
Coco’s Farm and Neria’s Farm
These are illegal outposts in the West Bank, which are at the vanguard of the settler movement. According to the UK, they are associated with people who have been involved in enabling, inciting, promoting or providing support for activities that amount to “serious abuse”.
Conflict, drought, famine
Estimates of the number of deaths caused by the famine range from 400,000 to 1 million, according to a document prepared for the UK House of Lords in 2024.
It has been claimed that the policies of the Ethiopian government, which took control after deposing Emperor Haile Selassie in a military-led revolution in 1974, contributed to the scale of the famine.
Dr Miriam Bradley, senior lecturer in humanitarian studies at the University of Manchester, has argued that, by the early 1980s, “several government policies combined to cause, rather than prevent, a famine which lasted from 1983 to 1985. Mengistu’s government imposed Stalinist-model agricultural policies involving forced collectivisation and villagisation [relocation of communities into planned villages].
The West became aware of the catastrophe through a series of BBC News reports by journalist Michael Buerk in October 1984 describing a “biblical famine” and containing graphic images of thousands of people, including children, facing starvation.
Band Aid
Bob Geldof, singer with the Irish rock group The Boomtown Rats, formed Band Aid in response to the horrific images shown in the news broadcasts.
With Midge Ure of the band Ultravox, he wrote the hit charity single Do They Know it’s Christmas in December 1984, featuring a string of high-profile musicians.
Following the single’s success, the idea to stage a rock concert evolved.
Live Aid was a series of simultaneous concerts that took place at Wembley Stadium in London, John F Kennedy Stadium in Philadelphia, the US, and at various other venues across the world.
The combined event was broadcast to an estimated worldwide audience of 1.5 billion.
Six large-scale objects on show
- Concrete wall and windows from the now demolished Robin Hood Gardens housing estate in Poplar
- The 17th Century Agra Colonnade, from the bathhouse of the fort of Agra in India
- A stagecloth for The Ballet Russes that is 10m high – the largest Picasso in the world
- Frank Lloyd Wright’s 1930s Kaufmann Office
- A full-scale Frankfurt Kitchen designed by Margarete Schütte-Lihotzky, which transformed kitchen design in the 20th century
- Torrijos Palace dome
Sole survivors
- Cecelia Crocker was on board Northwest Airlines Flight 255 in 1987 when it crashed in Detroit, killing 154 people, including her parents and brother. The plane had hit a light pole on take off
- George Lamson Jr, from Minnesota, was on a Galaxy Airlines flight that crashed in Reno in 1985, killing 68 people. His entire seat was launched out of the plane
- Bahia Bakari, then 12, survived when a Yemenia Airways flight crashed near the Comoros in 2009, killing 152. She was found clinging to wreckage after floating in the ocean for 13 hours.
- Jim Polehinke was the co-pilot and sole survivor of a 2006 Comair flight that crashed in Lexington, Kentucky, killing 49.
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UAE currency: the story behind the money in your pockets