“You know, maybe we don’t ever have to travel again to get a story.”
A fellow foreign correspondent who was previously based in the Middle East and Africa, and now lives in Europe, recently shared this thought with me over lunch, as he told me how he spent six hours on a zoom call with someone for a story that takes place in Thailand.
Last week, I was part of a British literary festival that took place over Zoom. This kind of event is the new normal, as the great global literary festivals like Hay, Brooklyn Books, Jaipur or the Palestine Literary Festival are affected by the coronavirus pandemic.
It felt a little strange, at first, to face a large audience over video conference, but after the first few questions it was fine. We are adapting this new world because, frankly, we have to.
One of the questions was about how foreign correspondents would continue to work in the present climate, with countries locked down and borders sealed. Where foreign reporting once involved risk (especially in war zones) or annoying bureaucratic paperwork (e.g. visas and press cards), today reporting from abroad may mean getting infected with a virus.
One of the panellists, an editor from a major British newspaper, noted that fewer reporters would now be sent overseas, as budgets are shrinking drastically.
Practically speaking, it is going to be difficult for newsrooms to go back to the “old-school” model of reporting. Air travel, when it does begin to open up, will be risky and expensive. More editors will be unwilling to send journalists into the field now that we have all seen how three months of working via Zoom or Skype has yielded pretty impressive results.
Those who are used to reporting abroad will not get the same colour or atmosphere that comes from operating on the ground, but for the most part, they will probably get the exact same quotes.
If this is the future, there are both positive and negative repercussions on the media landscape. If we start living in a world where we do not have objective eyes and ears on the ground to witness world events – for instance, Minnesota burning or protests in Hong Kong – how will we know what is really happening?
French freelance reporter Pierre Torres talks to an AFP journalist based at AFP's Middle East and North Africa headquarters in Nicosia, Cyprus, via Skype direct from the Syrian northern city of Aleppo on July 30, 2012. AFP
All of this, however, can also open up an interesting, viable alternative to the old model. The people the foreign press often refer to somewhat patronisingly as “fixers”, who are usually local reporters crucial in helping us to get our jobs done, might at last have receive well-deserved attention.
I am on the international board of an NGO called the Institute of War and Peace Reporting, founded during the Balkan Wars in the 1990s by Anthony Borden, then a young reporter in the field. The aim is to support and train local journalists in war zones. We help them to thrive and to keep safe, training them in how to deliver credible stories from places like Aleppo or Baghdad.
Technology makes this possible. When I started out as a foreign correspondent 30 years ago, my main challenge was to find a way to get my story back to London or New York – sometimes having to bribe someone for a satellite telephone over which I could dictate my copy. Now you just need a mobile phone to Zoom into headquarters a thousand miles away.
You can Google information that I used to have to knock on doors to get, and you can shoot video from your mobile.
Fewer reporters may be sent overseas, as budgets are shrinking drastically
Of course, in the era of “fake news”, there is a major challenge in ensuring that the local reporters we work with are nonpartisan. Getting the most accurate version of a story is not easy when the person reporting it is from a community under siege. But objectivity is possible. After all, developed countries rely on local reporters to tell local stories without worrying too much about bias.
Then again, it is also difficult if you are working from places with forces that actively obstruct the truth from emerging. Nevertheless, many local reporters are indeed aware of this, and work twice as hard to uphold the ideals of credible journalism. It is also worth pointing out that the list of such places seems to be getting ever longer, arguably growing even to include places like the United States.
I recently had a conversation with a young reporter whose family came from the Balkans. She related how, in the 1990s, she resented foreign reporters coming to her country to tell the story of her people.
“It’s not your story to tell,” she said to me, and I had to agree, although it is worth noting that the work me and my colleagues did in those days did play a significant role in shifting worldviews and policies towards those wars.
I have had similar conversations with writers from the Middle East who have felt that foreigners cannot fully understand the region’s nuances, and therefore have a limited ability to write about them.
These are viewpoints worth listening to. In a few months, I will begin a UN-funded project training local reporters in Iraq, Yemen and Syria on the use of narrative nonfiction to tell the stories of the wars taking place in their countries.
The first lesson I teach will be about objectivity, and I am thinking hard about how to present this. How, after all, do you describe your own country, hometown, city or even family coming under a hail of bombs in a nonpartisan manner?
Covid-19 has changed nearly every aspect of our lives, economically and socially. Now, it is even going to change the way we report the news. Perhaps that is not necessarily a bad thing. Perhaps it is time to pass the baton to a new breed of reporters to tell the story of their own countries with compassion, empathy and pragmatism.
Truth-telling, after all, does not always have to come from foreign reporters. It can come from local people who are seeing, hearing and feeling the news in real time – not just from the other side of a Zoom call.
Janine di Giovanni is a Senior Fellow at Yale’s Jackson Institute for Global Affairs
Estimates of the number of deaths caused by the famine range from 400,000 to 1 million, according to a document prepared for the UK House of Lords in 2024. It has been claimed that the policies of the Ethiopian government, which took control after deposing Emperor Haile Selassie in a military-led revolution in 1974, contributed to the scale of the famine. Dr Miriam Bradley, senior lecturer in humanitarian studies at the University of Manchester, has argued that, by the early 1980s, “several government policies combined to cause, rather than prevent, a famine which lasted from 1983 to 1985. Mengistu’s government imposed Stalinist-model agricultural policies involving forced collectivisation and villagisation [relocation of communities into planned villages]. The West became aware of the catastrophe through a series of BBC News reports by journalist Michael Buerk in October 1984 describing a “biblical famine” and containing graphic images of thousands of people, including children, facing starvation.
Band Aid
Bob Geldof, singer with the Irish rock group The Boomtown Rats, formed Band Aid in response to the horrific images shown in the news broadcasts. With Midge Ure of the band Ultravox, he wrote the hit charity single Do They Know it’s Christmas in December 1984, featuring a string of high-profile musicians. Following the single’s success, the idea to stage a rock concert evolved. Live Aid was a series of simultaneous concerts that took place at Wembley Stadium in London, John F Kennedy Stadium in Philadelphia, the US, and at various other venues across the world. The combined event was broadcast to an estimated worldwide audience of 1.5 billion.
Saturday Benevento v Atalanta (2pm), Genoa v Bologna (5pm), AC Milan v Torino (7.45pm)
Sunday Roma v Inter Milan (3.30pm), Udinese v Napoli, Hellas Verona v Crotone, Parma v Lazio (2pm), Fiorentina v Cagliari (9pm), Juventus v Sassuolo (11.45pm)
The flights
Whether you trek after mountain gorillas in Rwanda, Uganda or the Congo, the most convenient international airport is in Rwanda’s capital city, Kigali. There are direct flights from Dubai a couple of days a week with RwandAir. Otherwise, an indirect route is available via Nairobi with Kenya Airways. Flydubai flies to Kinshasa in the Democratic Republic of Congo, via Entebbe in Uganda. Expect to pay from US$350 (Dh1,286) return, including taxes. The tours
Superb ape-watching tours that take in all three gorilla countries mentioned above are run by Natural World Safaris. In September, the company will be operating a unique Ugandan ape safari guided by well-known primatologist Ben Garrod.
In the Democratic Republic of Congo, local operator Kivu Travel can organise pretty much any kind of safari throughout the Virunga National Park and elsewhere in eastern Congo.
British aristocrat Lord Carnarvon, who funded the expedition to find the Tutankhamun tomb, died in a Cairo hotel four months after the crypt was opened. He had been in poor health for many years after a car crash, and a mosquito bite made worse by a shaving cut led to blood poisoning and pneumonia. Reports at the time said Lord Carnarvon suffered from “pain as the inflammation affected the nasal passages and eyes”. Decades later, scientists contended he had died of aspergillosis after inhaling spores of the fungus aspergillus in the tomb, which can lie dormant for months. The fact several others who entered were also found dead withiin a short time led to the myth of the curse.
Ahmad El Sayed is Senior Associate at Charles Russell Speechlys, a law firm headquartered in London with offices in the UK, Europe, the Middle East and Hong Kong.
Experience: Commercial litigator who has assisted clients with overseas judgments before UAE courts. His specialties are cases related to banking, real estate, shareholder disputes, company liquidations and criminal matters as well as employment related litigation.
Education: Sagesse University, Beirut, Lebanon, in 2005.
