Shamsia Hassani''s art on a Kabul wall. Musical instruments are a common theme in her work, which signify women's need to use tools other than their voices to be heard. Courtesy of Shamsia Hassani
Shamsia Hassani''s art on a Kabul wall. Musical instruments are a common theme in her work, which signify women's need to use tools other than their voices to be heard. Courtesy of Shamsia Hassani
Shamsia Hassani''s art on a Kabul wall. Musical instruments are a common theme in her work, which signify women's need to use tools other than their voices to be heard. Courtesy of Shamsia Hassani
Shortly after the Taliban fell in Kabul in November 2001 following the US-led invasion of Afghanistan, I got a message from my then foreign editor back in London. “Go to a hairdresser that just opened,” he wrote in an email. “See what the women have to say. Get some stories of their miserable lives under the Taliban.”
I was furious. I had spent months travelling in Afghanistan with the opposition Northern Alliance – and living rough. I wanted to report about the new government, the American troops landing in the cave complex of Tora Bora, and the information available on hard disks that the Taliban had left behind. In my view, those were much more hard-hitting stories. I didn’t want to write about the women’s angle.
Fortunately, one of my male colleagues knew of our conversation and said: “I’ll go talk to the women.” He saw the "soft feature" as a novelty. As he trotted off in search of a hairdresser, I made my way to the Presidential Palace.
Armenian women make camouflage net to be sent to a frontline in Karabakh in Yerevan last week. AFP
In retrospect, it would have been interesting to sit for a few hours listening to women who were allowed out in public for the first time in years. Later, I did seek out women to hear their stories. But what annoyed me then was that I was the only female in a team of male correspondents, and the "soft angle" inevitably fell to me – although I was the only one who had toughed it out in northern Afghanistan for months and the one who had the most experience in war zones.
From the beginning of my career, I was always told to go to hospitals and schools, to refugee camps and places where I could find women to get the “human angle".
As journalists and storytellers, we can focus more on stories of empowerment
This angle typically involved a broken woman who was desperate to survive and protect her family. There were always tears involved, sometimes anger and fear. This was backed up by a dramatic photograph, and it usually made the front page of a newspaper.
I resented victimising women, which involved portraying a traumatised rape victim or a refugee mother struggling to feed her children. A few years ago, when I attended a memorial of the Srebrenica genocide, it hit me that we were doing a great disservice to women.
Afghan politician and women's rights activist Fawzia Koofi became the first woman deputy speaker of her country's parliament. EPA
We went to the Bosnian city of Zenica, which was the scene of terrible war crimes, including systematic rape. But the first person who was brought out to us to give testimony was not a woman, but a man. He wept as he talked about enduring rape while held prisoner. In my decades of reporting, it was the first time a man was shown as a victim of sexual violence. Why was it always a woman’s face then?
War reporting often distorts women’s role in peace and security. Mainstream journalists, including myself, tend to focus on the stories that the public would feel comfortable reading. When we read about the plight of Syrian refugees, it’s usually about women alone, struggling to take care of their children because their husbands are either fighting or dead.
According to a UN-backed global study on women, peace and security, only 13 per cent of stories in the news media on peace and security-related themes include women as the subject. Women are central to the story in only six per cent of the cases. Regardless of the topic, only four per cent of stories portray women as leaders in conflict and post-conflict countries and only two per cent highlight gender equality or inequality issues.
We can relate to a woman who has lost her power. A man who is powerless makes us uncomfortable; so does a woman who is too willful or strong. We don't read much about the brave women who fought in Aleppo or those who stood up to ISIS. What if we had amplified the voices of strong women recounting their experiences of war worldwide, such as the female commanders in Kurdistan or the Yazidi women who chose not to be broken by ISIS-imposed slavery but turned their trauma into a way of escalating women's position in society?
Iraqi human rights activist Nadia Murad and Congolese gynaecologist Denis Mukwege were jointly awarded the Nobel Peace Prize in 2018. AFP
Is there an alternative that would strengthen women's voices, a feminist media perspective on war reporting? One way to do so would be to look at women's efforts to build peace. Women are so often shunted from the negotiating table – unless they are assistants sitting in the back row taking notes behind men with power.
I have always argued for women to have a vital role to play in peacebuilding. They don't have to be just female commanders or military leaders, but wives of commanders who have influence, or community leaders, or faith-based leaders.
Even in patriarchal societies, women wield influence at their own tables. So why can't they use their leverage to bring about peace? This is essential in Track 2 and Track 3 diplomatic efforts, which include more people-to-people talks than discussions involving high-level political and military leaders focused on ceasefires and treaties.
What really matters after a war is the reconstruction of a country and the delivery of justice. Rwanda and Sierra Leone, two countries that witnessed horrible conflicts, are good examples of countries where women played an essential role in peacebuilding. In 1994, women were being slaughtered and raped during the genocide in Rwanda. Yet the country boasts of more women parliamentarians today than any other country in the world.
Stephanie Williams, the Acting Special Representative of the Secretary-General and Head of the United Nations Support Mission in Libya, has helped secure a permanent ceasefire in the North African country. AP
The United Nations, which plays an important role in preventing and ending wars, lacks enough women in senior positions. Yet studies prove that gender-equal participation contributes to longer, and lasting peace after conflict. UN Women, an entity for gender equality and the empowerment of women, demonstrated that, in UN-sponsored peace processes, women's participation in delegations involved in negotiations has not improved in recent years. In 2018, out of six active UN-led or co-led processes, women were included in just 14 out of 19 delegations.
According to the US-based think tank Council on Foreign Relations, between 1992 and 2018, women constituted 13 per cent of negotiators, three per cent of mediators and only four per cent of signatories in major peace processes.
So what can we do to reverse this? As journalists and storytellers, we can focus more on stories of empowerment. We can train more women in post-conflict countries to tell their own stories, rather than rely on foreign reporters. We can make a case for the allocation of more peacebuilding funds and bilateral aid to promote gender equality and women’s rights in fragile states. We can push the UN Security Council to pass more resolutions involving women and security.
The photograph and the storyline might not be as explicit. In the old days of British tabloids reporting the kind of stories that used to grab their readers used to be referred to by editors as the “Shock Horror”.
There is no "shock horror" in telling stories of powerful women during war. But we would be doing a huge favour to women everywhere if we stopped portraying them as victims and gave them back their agency.
Janine di Giovanni is a Senior Fellow at Yale University’s Jackson Institute for Global Affairs
From Europe to the Middle East, economic success brings wealth - and lifestyle diseases
A rise in obesity figures and the need for more public spending is a familiar trend in the developing world as western lifestyles are adopted.
One in five deaths around the world is now caused by bad diet, with obesity the fastest growing global risk. A high body mass index is also the top cause of metabolic diseases relating to death and disability in Kuwait, Qatar and Oman – and second on the list in Bahrain.
In Britain, heart disease, lung cancer and Alzheimer’s remain among the leading causes of death, and people there are spending more time suffering from health problems.
The UK is expected to spend $421.4 billion on healthcare by 2040, up from $239.3 billion in 2014.
And development assistance for health is talking about the financial aid given to governments to support social, environmental development of developing countries.
George Sainsbury of the supermarket dynasty, sugar magnate William Park Lyle and actress Dame Gracie Fields were residents in the 1930s when the street was only known as ‘Millionaires’ Row’.
Then came the international super rich, including the last king of Greece, Constantine II, the Sultan of Brunei and Indian steel magnate Lakshmi Mittal who was at one point ranked the third richest person in the world.
Turkish tycoon Halis Torprak sold his mansion for £50m in 2008 after spending just two days there. The House of Saud sold 10 properties on the road in 2013 for almost £80m.
Other residents have included Iraqi businessman Nemir Kirdar, singer Ariana Grande, holiday camp impresario Sir Billy Butlin, businessman Asil Nadir, Paul McCartney’s former wife Heather Mills.
Hunting park to luxury living
Land was originally the Bishop of London's hunting park, hence the name
The road was laid out in the mid 19th Century, meandering through woodland and farmland
Its earliest houses at the turn of the 20th Century were substantial detached properties with extensive grounds
PROFILE OF SWVL
Started: April 2017
Founders: Mostafa Kandil, Ahmed Sabbah and Mahmoud Nouh
Based: Cairo, Egypt
Sector: transport
Size: 450 employees
Investment: approximately $80 million
Investors include: Dubai’s Beco Capital, US’s Endeavor Catalyst, China’s MSA, Egypt’s Sawari Ventures, Sweden’s Vostok New Ventures, Property Finder CEO Michael Lahyani
Your rights as an employee
The government has taken an increasingly tough line against companies that fail to pay employees on time. Three years ago, the Cabinet passed a decree allowing the government to halt the granting of work permits to companies with wage backlogs.
If wages are 10 days late, the new measures kick in and the company is alerted it is in breach of labour rules. If wages remain unpaid for a total of 16 days, the authorities can cancel work permits, effectively shutting off operations. Fines of up to Dh5,000 per unpaid employee follow after 60 days.
Despite those measures, late payments remain an issue, particularly in the construction sector. Smaller contractors, such as electrical, plumbing and fit-out businesses, often blame the bigger companies that hire them for wages being late.
The authorities have urged employees to report their companies at the labour ministry or Tawafuq service centres — there are 15 in Abu Dhabi.
Five expert hiking tips
Always check the weather forecast before setting off
Make sure you have plenty of water
Set off early to avoid sudden weather changes in the afternoon
Wear appropriate clothing and footwear
Take your litter home with you
The Nobel Prize was created by wealthy Swedish chemist and entrepreneur Alfred Nobel.
In his will he dictated that the bulk of his estate should be used to fund "prizes to those who, during the preceding year, have conferred the greatest benefit to humankind".
Nobel is best known as the inventor of dynamite, but also wrote poetry and drama and could speak Russian, French, English and German by the age of 17. The five original prize categories reflect the interests closest to his heart.
Nobel died in 1896 but it took until 1901, following a legal battle over his will, before the first prizes were awarded.
Name: Thndr Started: 2019 Co-founders: Ahmad Hammouda and Seif Amr Sector: FinTech Headquarters: Egypt UAE base: Hub71, Abu Dhabi Current number of staff: More than 150 Funds raised: $22 million
Ministry of Interior Ministry of Defence General Intelligence Directorate Air Force Intelligence Agency Political Security Directorate Syrian National Security Bureau Military Intelligence Directorate Army Supply Bureau General Organisation of Radio and TV Al Watan newspaper Cham Press TV Sama TV
