Sheikh Zayed and UAE Minister of State Zaki Nusseibeh covered in petals during a trip to India, 1975. Courtesy of the Personal Archive of Zaki Nusseibeh
Sheikh Zayed and UAE Minister of State Zaki Nusseibeh covered in petals during a trip to India, 1975. Courtesy of the Personal Archive of Zaki Nusseibeh
Sheikh Zayed and UAE Minister of State Zaki Nusseibeh covered in petals during a trip to India, 1975. Courtesy of the Personal Archive of Zaki Nusseibeh
Sheikh Zayed and UAE Minister of State Zaki Nusseibeh covered in petals during a trip to India, 1975. Courtesy of the Personal Archive of Zaki Nusseibeh

Culture must lie at the heart of our response to the Covid-19 crisis


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There can be no doubt that the coronavirus pandemic presents a serious challenge to humanity. Yet we must ensure that it is our core humanity, and the values of collaboration, compassion and creativity, that remain at the very heart of our response to this crisis.

Given my responsibility for overseeing the UAE’s cultural diplomacy, I understand the vital role that culture plays in expressing and reinforcing these values. Therefore, I also know that, despite the obvious practical challenges, now is not the time to pause our cultural diplomacy; instead, we must accelerate it.

Therefore, while theatres, concert halls and galleries have closed, the Ministry of Foreign Affairs and International Co-operation has been working hard to keep the stage lights shining. Several UAE ambassadors have conducted a series of discussions in an online symposium with cultural leaders in their host countries, from Australia to Singapore, from the UK to Japan and from Chile to the US.

This global dialogue has revealed that cultural institutions everywhere are struggling to deal with the impact of the pandemic, but they are also innovating and finding new ways to reach their audiences. Most importantly, the conversations have consistently highlighted how cultural exchange can help to ensure we emerge stronger from this human tragedy, with our progressive values reinforced.

The first of those values is collaboration. We cannot defeat this virus alone. We depend on others in our community to behave responsibly and care for each other, and the same is true of the international community. Countries should not put up walls in response to this threat; they must recognise that the only way out of this pandemic is through co-operation. So we need to break down barriers and show we are all in this together.

Connecting to our common humanity through culture is one of the best ways to do that. As one UAE ambassador put it in the symposium: “It is our duty to reach the hearts and minds of the people of the countries we are in”.

Cultural exchange can be a powerful antidote to the politics of division.
In the Japanese edition of the symposium, we learned how these human connections can be reflected in architecture. Ahmed Bukhash's design for the Expo Live Pavilion was inspired by a meeting in a bedouin tent between Sheikh Zayed and Sheikh Rashid, which initiated the co-operation that led to the founding of the UAE. But the Pavilion's design is also influenced by Japanese origami art, intertwining the spirit of collaboration between two emirates with that between two nations.

The second value that will help us to overcome this virus is compassion. There is a risk that people and countries turn inwards during crises, to focus exclusively on the needs of their own families or citizens. This is, of course, their primary responsibility. But this pandemic has revealed that we are only as strong as the weakest link, and the only way for humanity to emerge stronger from it is if we care for the vulnerable.

The symposium has heard much from cultural leaders about the role of culture in engaging, entertaining and even providing solace to vulnerable people in these stressful times. When people are isolated, when loved ones are sick and when the world outside appears alienating, cultural engagement can make people feel part of a shared experience – that they are not alone.

This same compassion is reflected in the provision of aid to vulnerable communities around the world. As of mid-May, the UAE had provided 523 tonnes of medical and food aid to 47 countries. As the UAE ambassador to Chile reminded symposium attendees, it is important to send a message that "we don't forget anyone".

An act of kindness can say a lot about a country's culture. Sheikh Abdullah bin Zayed, the UAE's Minister of Foreign Affairs and International Co-operation, said recently that he will "always remember the friends and partners who have supported us during this difficult time". As such, acts of kindness can also serve as powerful examples of public diplomacy.

The third value is that of creativity. Producing culture always demands creativity, but the Covid-19 pandemic has required even more extraordinary innovation when it comes to producing cultural output and delivering it to audiences.

In the symposium, we heard about the "museum without walls", a concept by the Aga Khan Museum in Toronto that allows visitors to tour its collections online. During the crisis, the curators have been doing 3D video walk-throughs of their collections, bringing them to life for viewers.

Indeed, despite all of the challenges, we have heard how many are seeing the crisis as an opportunity to experiment. They recognise that going online gives them the chance to reach a much wider audience. They are putting their creative minds to work on questions such as how to maintain the same quality of experience in the digital space. This innovative process will have lasting benefits.

However, it would be wrong to paint too rosy a picture. We have heard repeatedly of the struggle of many cultural institutions and their employees, as well as many artists, musicians and writers, as their revenues have disappeared overnight. If we value their work, which we all surely do, then we need to collectively make sure that they survive the crisis and open their doors again when it becomes safe to do so.

This crisis, like all crises, will leave its mark on culture. Our experience will be represented in cultural works for generations to come. They will express the pain of this period, but I also hope they will show the beauty of how humanity came together in its response.

For now however, my priority is to ensure that we make use of culture to help us get through this pandemic more united, more compassionate and more creative than ever before. Given what I have seen so far in this global cultural dialogue, I am convinced that we will succeed.

Zaki Nusseibeh is UAE Minister of State

Indoor cricket in a nutshell

Indoor Cricket World Cup - Sep 16-20, Insportz, Dubai

16 Indoor cricket matches are 16 overs per side

8 There are eight players per team

There have been nine Indoor Cricket World Cups for men. Australia have won every one.

5 Five runs are deducted from the score when a wickets falls

Batsmen bat in pairs, facing four overs per partnership

Scoring In indoor cricket, runs are scored by way of both physical and bonus runs. Physical runs are scored by both batsmen completing a run from one crease to the other. Bonus runs are scored when the ball hits a net in different zones, but only when at least one physical run is score.

Zones

A Front net, behind the striker and wicketkeeper: 0 runs

B Side nets, between the striker and halfway down the pitch: 1 run

Side nets between halfway and the bowlers end: 2 runs

Back net: 4 runs on the bounce, 6 runs on the full

BUNDESLIGA FIXTURES

Friday (UAE kick-off times)

Cologne v Hoffenheim (11.30pm)

Saturday

Hertha Berlin v RB Leipzig (6.30pm)

Schalke v Fortuna Dusseldof (6.30pm)

Mainz v Union Berlin (6.30pm)

Paderborn v Augsburg (6.30pm)

Bayern Munich v Borussia Dortmund (9.30pm)

Sunday

Borussia Monchengladbach v Werder Bremen (4.30pm)

Wolfsburg v Bayer Leverkusen (6.30pm)

SC Freiburg v Eintracht Frankfurt (9on)

Key findings of Jenkins report
  • Founder of the Muslim Brotherhood, Hassan al Banna, "accepted the political utility of violence"
  • Views of key Muslim Brotherhood ideologue, Sayyid Qutb, have “consistently been understood” as permitting “the use of extreme violence in the pursuit of the perfect Islamic society” and “never been institutionally disowned” by the movement.
  • Muslim Brotherhood at all levels has repeatedly defended Hamas attacks against Israel, including the use of suicide bombers and the killing of civilians.
  • Laying out the report in the House of Commons, David Cameron told MPs: "The main findings of the review support the conclusion that membership of, association with, or influence by the Muslim Brotherhood should be considered as a possible indicator of extremism."
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%3Cp%3E%3Cstrong%3EDeveloper%3A%3C%2Fstrong%3E%20Sucker%20Punch%20Productions%3Cbr%3E%3Cstrong%3EPublisher%3A%3C%2Fstrong%3E%20Sony%20Computer%20Entertainment%3Cbr%3E%3Cstrong%3EConsole%3A%3C%2Fstrong%3E%20PlayStation%202%20to%205%3Cbr%3E%3Cstrong%3ERating%3A%3C%2Fstrong%3E%205%2F5%3C%2Fp%3E%0A
How much do leading UAE’s UK curriculum schools charge for Year 6?
  1. Nord Anglia International School (Dubai) – Dh85,032
  2. Kings School Al Barsha (Dubai) – Dh71,905
  3. Brighton College Abu Dhabi - Dh68,560
  4. Jumeirah English Speaking School (Dubai) – Dh59,728
  5. Gems Wellington International School – Dubai Branch – Dh58,488
  6. The British School Al Khubairat (Abu Dhabi) - Dh54,170
  7. Dubai English Speaking School – Dh51,269

*Annual tuition fees covering the 2024/2025 academic year

What sanctions would be reimposed?

Under ‘snapback’, measures imposed on Iran by the UN Security Council in six resolutions would be restored, including:

  • An arms embargo
  • A ban on uranium enrichment and reprocessing
  • A ban on launches and other activities with ballistic missiles capable of delivering nuclear weapons, as well as ballistic missile technology transfer and technical assistance
  • A targeted global asset freeze and travel ban on Iranian individuals and entities
  • Authorisation for countries to inspect Iran Air Cargo and Islamic Republic of Iran Shipping Lines cargoes for banned goods
Conflict, drought, famine

Estimates of the number of deaths caused by the famine range from 400,000 to 1 million, according to a document prepared for the UK House of Lords in 2024.
It has been claimed that the policies of the Ethiopian government, which took control after deposing Emperor Haile Selassie in a military-led revolution in 1974, contributed to the scale of the famine.
Dr Miriam Bradley, senior lecturer in humanitarian studies at the University of Manchester, has argued that, by the early 1980s, “several government policies combined to cause, rather than prevent, a famine which lasted from 1983 to 1985. Mengistu’s government imposed Stalinist-model agricultural policies involving forced collectivisation and villagisation [relocation of communities into planned villages].
The West became aware of the catastrophe through a series of BBC News reports by journalist Michael Buerk in October 1984 describing a “biblical famine” and containing graphic images of thousands of people, including children, facing starvation.

Band Aid

Bob Geldof, singer with the Irish rock group The Boomtown Rats, formed Band Aid in response to the horrific images shown in the news broadcasts.
With Midge Ure of the band Ultravox, he wrote the hit charity single Do They Know it’s Christmas in December 1984, featuring a string of high-profile musicians.
Following the single’s success, the idea to stage a rock concert evolved.
Live Aid was a series of simultaneous concerts that took place at Wembley Stadium in London, John F Kennedy Stadium in Philadelphia, the US, and at various other venues across the world.
The combined event was broadcast to an estimated worldwide audience of 1.5 billion.

The Settlers

Director: Louis Theroux

Starring: Daniella Weiss, Ari Abramowitz

Rating: 5/5

The specs

AT4 Ultimate, as tested

Engine: 6.2-litre V8

Power: 420hp

Torque: 623Nm

Transmission: 10-speed automatic

Price: From Dh330,800 (Elevation: Dh236,400; AT4: Dh286,800; Denali: Dh345,800)

On sale: Now