Jazz artist Wynton Marsalis (second from left) performing in concert with his team at Emirates Palace as part of the Abu Dhabi festival in Abu Dhabi, 2017. Ravindranath K / The National
Jazz artist Wynton Marsalis (second from left) performing in concert with his team at Emirates Palace as part of the Abu Dhabi festival in Abu Dhabi, 2017. Ravindranath K / The National
Jazz artist Wynton Marsalis (second from left) performing in concert with his team at Emirates Palace as part of the Abu Dhabi festival in Abu Dhabi, 2017. Ravindranath K / The National
Jazz artist Wynton Marsalis (second from left) performing in concert with his team at Emirates Palace as part of the Abu Dhabi festival in Abu Dhabi, 2017. Ravindranath K / The National

Culture and the creative spirit have great value in these uncertain times


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On 9 August, 1942 at the height of the Second World War, in a besieged Russian city, a concert was about to take place. Leningrad (now St Petersburg) was surrounded by an enemy who showed no mercy. Soviet composer Dmitri Shostakovich wanted his Seventh Symphony to be performed in the city of his birth.

Under conditions of deprivation, musicians from the Leningrad Radio Orchestra, supplemented by those in the military, performed the concert in what was to become the legendary artistic performance of the war.

For the suffering citizens of that great city, the performance represented defiance. For the country, it represented hope. For the enemy, it marked the beginning of their end. Such is the inspirational power of music.

As we are all united in our frail humanity to adapt to a new reality, we can do with being reminded of the extraordinary power of culture.Over the past few weeks, the world has been forced to cope with an insidious, silent threat.

Culture comes from the Latin ‘cultura’ in the agricultural sense: to cultivate. Agriculture at the time was the quintessential activity of human will over nature; to adapt and adopt, to survive in varied environments.

And yet, amid the excesses of today that have pushed the world to global warming and immense peril, we may have forgotten the humility nature asks of us.

Culture, as a human activity, is filled with a sense of care and humility. And so, at a time when we must collectively organise to overcome and survive our greatest threat, we must care for each other.

And yet we must also ponder the lessons in humility that nature is sharing with us.

A year ago a fire broke out on the roof of the Notre Dame Cathedral in Paris. Centuries of history were being engulfed in flames and people were weeping as the world looked on in disbelief.

The roof was utterly destroyed, and the wooden spire collapsed in on itself.

Miraculously, the beautiful stained glass of the church’s enormous and stunning rose windows was unscathed.

A few days later the world pledged to resuscitate Paris’ grand lady to its former glory. This spirit of solidarity in the face of adversity displays the best of humanity.

Culture in this time of crisis must also be pragmatic. As we now find ourselves in a strange new circumstance of confinement, torn abruptly from our world of unrestricted freedom of commerce and travel, a lockdown is a social, psychological and economic shock.

During this time, culture becomes a way to manage the mental shock of confinement, the psychological pressure of uncertainty and the slow trickling away of time.

This is particularly true of our elders. They are more isolated because they are less comfortable with the digital tools of socialisation than younger generations.

Their isolation is even more necessary because coronavirus is particularly fatal to the elderly, and more painful because morale is a vital part of their ability to withstand confinement. And again, culture can be a way to lift their spirits.

Culture teaches us mutual recognition, collaboration and the importance of being mindful of others, all qualities necessary to fight Covid-19. We cannot solve the crisis in Europe and let it reignite in Africa.

The UAE was quick to act for the benefit and safety of its citizens and residents. The country also extended a helping hand to other countries. But such a responsible attitude is not a given. If anything, it is probably the exception.

And as a nation, a region and a member of the global community, we cannot allow self-interest and short-sightedness to limit our efforts.

Again and again, culture has been used to create the conditions for co-operation. Arte, the cultural TV channel created jointly by Germany and France, allows both countries to learn more about each other, to create a communal culture and to move away from former belligerence and enter a mutually profitable era of peace and co-operation.

Culture teaches us mutual recognition, collaboration and the importance of being mindful of others, all necessary to fight Covid-19

Over the years, Abu Dhabi Music and Arts Foundation has been successful in promoting shared values. Through the Abu Dhabi Festival, magnificent musicians have gathered from around the world to collaborate with amazing multicultural audiences.

Through the dissemination of culture, people discover themselves in each other. And if people recognise themselves in each other, it can make global policies against the virus and in favour of health and the economy more effective.

I recall an event that took place a few years ago here in Abu Dhabi, in which a wonderful person and master musician from the US, Wynton Marsalis, welcomed onto his stage Naseer Shamma, a virtuoso from Iraq.

Wynton Marsalis and Naseer Shamma at the Abu Dhabi festival in 2017. Credit: ADMAF
Wynton Marsalis and Naseer Shamma at the Abu Dhabi festival in 2017. Credit: ADMAF

At the time, American forces were occupying Shamma’s country, and yet the power of music brought him and Marsalis together. Suddenly, borders and nationalities did not matter, only a human spirit joined by a creative energy was important.

The ensuing concert left the audience in stunned silence, followed by a rapturous standing ovation.

Examples like these show that we must continue to plan, to work, to reach out to the world and bridge our differences, to make possible the coming together of people and performers and artists, and to showcase our similarities and break down the barriers that exist in the mind.

In other words, in a world where our options are shrinking, culture broadens possibilities and offers options. It is an enabler of the many when the few are powerless.

The crisis we now face has made the fragile more fragile. People with chronic illnesses, or those who have been in the hospital for long stays, are particularly susceptible to the virus.

Having worked with hospitals in the Emirates, we know that everything counts when it comes to making illness more bearable. Music might not be a vaccine but it certainly helps strengthen the will to fight back.

Huda I. Alkhamis-Kanoo, Founder, Abu Dhabi Music & Arts Foundation and Founder & Artistic Director, Abu Dhabi Festival

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Cricket World Cup League 2

UAE squad

Rahul Chopra (captain), Aayan Afzal Khan, Ali Naseer, Aryansh Sharma, Basil Hameed, Dhruv Parashar, Junaid Siddique, Muhammad Farooq, Muhammad Jawadullah, Muhammad Waseem, Omid Rahman, Rahul Bhatia, Tanish Suri, Vishnu Sukumaran, Vriitya Aravind

Fixtures

Friday, November 1 – Oman v UAE
Sunday, November 3 – UAE v Netherlands
Thursday, November 7 – UAE v Oman
Saturday, November 9 – Netherlands v UAE

Conflict, drought, famine

Estimates of the number of deaths caused by the famine range from 400,000 to 1 million, according to a document prepared for the UK House of Lords in 2024.
It has been claimed that the policies of the Ethiopian government, which took control after deposing Emperor Haile Selassie in a military-led revolution in 1974, contributed to the scale of the famine.
Dr Miriam Bradley, senior lecturer in humanitarian studies at the University of Manchester, has argued that, by the early 1980s, “several government policies combined to cause, rather than prevent, a famine which lasted from 1983 to 1985. Mengistu’s government imposed Stalinist-model agricultural policies involving forced collectivisation and villagisation [relocation of communities into planned villages].
The West became aware of the catastrophe through a series of BBC News reports by journalist Michael Buerk in October 1984 describing a “biblical famine” and containing graphic images of thousands of people, including children, facing starvation.

Band Aid

Bob Geldof, singer with the Irish rock group The Boomtown Rats, formed Band Aid in response to the horrific images shown in the news broadcasts.
With Midge Ure of the band Ultravox, he wrote the hit charity single Do They Know it’s Christmas in December 1984, featuring a string of high-profile musicians.
Following the single’s success, the idea to stage a rock concert evolved.
Live Aid was a series of simultaneous concerts that took place at Wembley Stadium in London, John F Kennedy Stadium in Philadelphia, the US, and at various other venues across the world.
The combined event was broadcast to an estimated worldwide audience of 1.5 billion.

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Gully Boy

Director: Zoya Akhtar
Producer: Excel Entertainment & Tiger Baby
Cast: Ranveer Singh, Alia Bhatt, Kalki Koechlin, Siddhant Chaturvedi​​​​​​​
Rating: 4/5 stars

Tightening the screw on rogue recruiters

The UAE overhauled the procedure to recruit housemaids and domestic workers with a law in 2017 to protect low-income labour from being exploited.

 Only recruitment companies authorised by the government are permitted as part of Tadbeer, a network of labour ministry-regulated centres.

A contract must be drawn up for domestic workers, the wages and job offer clearly stating the nature of work.

The contract stating the wages, work entailed and accommodation must be sent to the employee in their home country before they depart for the UAE.

The contract will be signed by the employer and employee when the domestic worker arrives in the UAE.

Only recruitment agencies registered with the ministry can undertake recruitment and employment applications for domestic workers.

Penalties for illegal recruitment in the UAE include fines of up to Dh100,000 and imprisonment

But agents not authorised by the government sidestep the law by illegally getting women into the country on visit visas.

Pharaoh's curse

British aristocrat Lord Carnarvon, who funded the expedition to find the Tutankhamun tomb, died in a Cairo hotel four months after the crypt was opened.
He had been in poor health for many years after a car crash, and a mosquito bite made worse by a shaving cut led to blood poisoning and pneumonia.
Reports at the time said Lord Carnarvon suffered from “pain as the inflammation affected the nasal passages and eyes”.
Decades later, scientists contended he had died of aspergillosis after inhaling spores of the fungus aspergillus in the tomb, which can lie dormant for months. The fact several others who entered were also found dead withiin a short time led to the myth of the curse.