The recent debate over changes to the original texts of Roald Dahl’s books became so intense in the UK that it prompted an interjection from Prime Minister Rishi Sunak, who said in a statement that fiction should be preserved not airbrushed.
Mr Sunak’s comments were made after it was reported that Dahl’s UK publisher said it had edited such classics as Matilda and The BFG to bring their language up to date for modern audiences, a decision that attracted widespread condemnation in literary circles and beyond.
An Associated Press report on the changes said that Augustus Gloop from Charlie and the Chocolate Factory would be described as “enormous” in the edited versions rather than “enormously fat” descriptor of the originals. Other edits included a character described as an “old crow” in the new editions, updated from “old hag” in the originals.
Those who object to changes being made to Dahl’s work describe them as vandalism and censorship and argue that when you alter someone’s work it is no longer theirs. Salman Rushdie said the publisher and Dahl’s estate should be “ashamed” for undertaking the process.
Those on the other side of the debate say that leaving the original texts to fester as artefacts from a less inclusive past is equally abusive, although it has been almost impossible to hear those voices amid the cacophony of outrage generated by those who maintain Dahl’s texts are untouchable.
Whether you see sensitivity readers as a latter-day literary vandal or a necessary part of contemporary society lies at the heart of this debate
A compromise of sorts has now been reached with the UK publishers saying they will publish two versions of its Roald Dahl Classic Collection of stories: one in unedited form and the other that updated the parts of his classic stories that dealt with issues such as weight and race, among others.
The decision to publish both versions seems tailored to please no one while attempting to please everyone, although the publisher said its intention was to offer readers “the choice to decide how they experience Roald Dahl’s magical, marvellous stories”.
But clearly the decision is commercial as well, with Dahl’s books continuing to sell in large numbers and his characters regularly featuring in celebrations to mark World Book Day, which was this week.
The whole episode also brought opprobrium to the door of the sensitivity readers who are employed by publishers to look at texts and make suggestions to bring them up to date for modern audiences. Dahl’s texts were reviewed using this form of editorial oversight.
One sensitivity reader interviewed by DW said her role was “looking for things that may not come across in the way the author intended to be”. Tellingly, she also said that people regularly dismiss her job as being part of a “woke mob” intent on ruining the books of our lives.
Whether you see sensitivity readers as a latter-day literary vandal or a necessary part of contemporary society lies at the heart of this debate.
I can see their value and, generally, editorial processes require multiple sets of hands to ensure a piece of writing is fit for publication. This process also depends on the skill and dexterity demonstrated by the editor to move a text forwards in an appropriate way. Conversely, there can’t be many people who don’t benefit from a fresh set of eyes looking at a piece of work and making suggestions and comments.
Why then is it so bad for someone to edit if the work itself is deemed important enough to still be consumed and in circulation? Surely an important facet of society is to question, analyse and constantly improve.
More than that, language lives and changes all the time. What was standard usage yesterday may turn out to be the most old-fashioned and regressive form of communication tomorrow.
We are all aware of films or TV shows that we once watched in large numbers but are completely inappropriate for modern audiences because they use outdated conventions or language.
It is also common for art exhibitions to run with text boards to provide nuance and context to the visitor about the works they are seeing and what may have motivated a particular treatment or movement.
No one can honestly say that the world we live in or the way people think and act is the same as it was in the mid-1960s when Charlie and the Chocolate Factory was written. Culture moves constantly and we should be reevaluating texts for meaning, relevance and, yes, their ability to cause offence.
There is a third way through this issue, which was suggested by author Philip Pullman. He told the BBC that “if Dahl offends us, let him go out of print”.
Given the choice, I would pick nuance over non-circulation of classic texts or wilful non-intervention.
Mr Sunak’s statement on the matter said that “we shouldn’t gobblefunk around with words”, but we shouldn’t be afraid to challenge outmoded language either. There should always be room for sympathetic preservation.
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To successfully install ToTok, users are asked to enter their phone number and then create a nickname.
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Users can also invite other contacts to download ToTok to allow them to make contact through the app.
Dubai Creek Open in numbers
- The Dubai Creek Open is the 10th tournament on this year's Mena Tour
- It is the first of five events before the season-concluding Mena Tour Championship
- This week's field comprises 120 players, 21 of which are amateurs
- 15 previous Mena Tour winners are competing at Dubai Creek Golf and Yacht Club
Tamkeen's offering
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- Option 2: 50% across three years
- Option 3: 30% across five years
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Changing visa rules
For decades the UAE has granted two and three year visas to foreign workers, tied to their current employer. Now that's changing.
Last year, the UAE cabinet also approved providing 10-year visas to foreigners with investments in the UAE of at least Dh10 million, if non-real estate assets account for at least 60 per cent of the total. Investors can bring their spouses and children into the country.
It also approved five-year residency to owners of UAE real estate worth at least 5 million dirhams.
The government also said that leading academics, medical doctors, scientists, engineers and star students would be eligible for similar long-term visas, without the need for financial investments in the country.
The first batch - 20 finalists for the Mohammed bin Rashid Medal for Scientific Distinction.- were awarded in January and more are expected to follow.
Day 1, Dubai Test: At a glance
Moment of the day Sadeera Samarawickrama set pulses racing with his strokeplay on his introduction to Test cricket. It reached a feverish peak when he stepped down the wicket and launched Yasir Shah, who many regard as the world’s leading spinner, back over his head for six. No matter that he was out soon after: it felt as though the future had arrived.
Stat of the day - 5 The last time Sri Lanka played a Test in Dubai – they won here in 2013 – they had four players in their XI who were known as wicketkeepers. This time they have gone one better. Each of Dinesh Chandimal, Kaushal Silva, Samarawickrama, Kusal Mendis, and Niroshan Dickwella – the nominated gloveman here – can keep wicket.
The verdict Sri Lanka want to make history by becoming the first team to beat Pakistan in a full Test series in the UAE. They could not have made a better start, first by winning the toss, then by scoring freely on an easy-paced pitch. The fact Yasir Shah found some turn on Day 1, too, will have interested their own spin bowlers.
Scores
Oman 109-3 in 18.4 overs (Aqib Ilyas 45 not out, Aamir Kaleem 27) beat UAE 108-9 in 20 overs (Usman 27, Mustafa 24, Fayyaz 3-16, Bilal 3-23)
Killing of Qassem Suleimani
The Lowdown
Kesari
Rating: 2.5/5 stars
Produced by: Dharma Productions, Azure Entertainment
Directed by: Anubhav Singh
Cast: Akshay Kumar, Parineeti Chopra
The%20specs
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Used as teaching spaces.
Study microorganisms such as Staphylococcus which causes food poisoning.
Biosafety Level 2
These labs deal with pathogens that can be harmful to people and the environment such as Hepatitis, HIV and salmonella.
Working in Level 2 requires special training in handling pathogenic agents.
Extra safety and security precautions are taken in addition to those at Level 1
Biosafety Level 3
These labs contain material that can be lethal if inhaled. This includes SARS coronavirus, MERS, and yellow fever.
Significant extra precautions are taken with staff given specific immunisations when dealing with certain diseases.
Infectious material is examined in a biological safety cabinet.
Personnel must wear protective gowns that must be discarded or decontaminated after use.
Strict safety and handling procedures are in place. There must be double entrances to the building and they must contain self-closing doors to reduce risk of pathogen aerosols escaping.
Windows must be sealed. Air from must be filtered before it can be recirculated.
Biosafety Level 4
The highest level for biosafety precautions. Scientist work with highly dangerous diseases that have no vaccine or cure.
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Entry is severely restricted to trained and authorised personnel. All entries are recorded.
Entrance must be via airlocks.
UAE currency: the story behind the money in your pockets
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