Suzuka a difficult and technical circuit


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Suzuka is my home race but there are lots of circuits on the calendar that I know a lot better mainly because I moved to Europe when I was much younger to pursue my racing career. Before last year's race, the last time I'd driven here was in 2003 in Formula Toyota but that was on the short track and not the grand prix circuit and, anyway, it feels like a different lifetime as I was only 17 years old.

Last year at Suzuka was great for me to drive there although it was unfortunate it had to happen because Timo Glock was sick. Unfortunately, I wasn't allowed to take part in the race but I still got a flavour in the Friday practice sessions. This year, I can't wait to take part in the race. I've been told there's a Kamui Kobayashi corner at turns two and three, and some of my friends will be there among the fans. I won't get much of a chance to look up but it's good to know the support is there.

Despite my relative inexperience at Suzuka, when I have driven here I've loved it and most drivers on the grid agree it's one of the most exciting circuits on the calendar. And it's the one I want to do the best at - you always want to do best in front of your home crowd. To start with, it is a rarity in that it is shaped in the figure of eight. It's a very difficult and technical circuit. At the start, there's a rush to the first corner - a double right-hand corner that you get into almost straight away.

It's taken in second gear and out of it you accelerate before slowing right down for a series of different corners. Before that corner, the end of the straight is a good opportunity for overtaking so you will see late braking and some puffs of smoke during the race right here. You come out quickly to another straight before the Esses where it's left, right, left, right and left again, and it's one of the places where you can lose speed easily and lose a lot of time. You need to get your entry to the first corner right or else you're off line and you end up battling to keep your speed up.

It's actually a very tough part of the circuit and you're in third gear for most of it on the limit as much as you can be without sliding off the circuit. As you come out of the final corner there, the Dunlop Curve, you accelerate on to a straight and into top gear before dropping down suddenly to second at the crossover. From there, you go under the bridge with cars passing overhead - well, hopefully only the backmarkers overhead! - and there's a small right-hand corner before a sharp left-hand hairpin. Again this is one of the most challenging parts of the circuit.

Then comes a right-hand corner in which you're almost flat out and you have to take a risk and brake as hard and as late as you possibly can. It's tough to get it just right and it's a place where you tend to make many mistakes and crashes. Once you survive that, there's a nice easy right-hand turn up to Spoon Curve, a double left-hand corner. The first you can take relatively fast - usually in fourth gear - but then you drop almost to a standstill before the home straight.

That straight seems to go on for a long, long time as you go back to sixth gear and about 320kph. It takes you over the bridge this time with a very fast corner and this time with the cars below you. There's not a lot of room for error here as the run-off area is virtually nothing but you still have to gamble or else you lose a lot of speed for the remainder of the straight. This section of the track, known as 130R and Japan's answer to Spa's Eau Rouge, has changed a lot following some accidents in 2002 and also 2003. It's less dangerous than it used to be but it is still a difficult challenge for us drivers.

After that comes the slowest bit of the circuit - a tight chicane going right and left. It's easy to get wrong as you cannot judge the braking points that easily in advance. Coming out of that takes you onto the main straight and up to sixth gear by the time you cross the finishing line and hopefully in a good position. For us at Sauber, the nature of the track should suit our car pretty well so I hope to be up in the points at the end of it.

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SPEC%20SHEET%3A%20APPLE%20IPAD%20PRO%20(12.9%22%2C%202022)
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What the law says

Micro-retirement is not a recognised concept or employment status under Federal Decree Law No. 33 of 2021 on the Regulation of Labour Relations (as amended) (UAE Labour Law). As such, it reflects a voluntary work-life balance practice, rather than a recognised legal employment category, according to Dilini Loku, senior associate for law firm Gateley Middle East.

“Some companies may offer formal sabbatical policies or career break programmes; however, beyond such arrangements, there is no automatic right or statutory entitlement to extended breaks,” she explains.

“Any leave taken beyond statutory entitlements, such as annual leave, is typically regarded as unpaid leave in accordance with Article 33 of the UAE Labour Law. While employees may legally take unpaid leave, such requests are subject to the employer’s discretion and require approval.”

If an employee resigns to pursue micro-retirement, the employment contract is terminated, and the employer is under no legal obligation to rehire the employee in the future unless specific contractual agreements are in place (such as return-to-work arrangements), which are generally uncommon, Ms Loku adds.

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Touch is derived from rugby league. Teams consist of up to 14 players with a maximum of six on the field at any time.

Teams can make as many substitutions as they want during the 40 minute matches.

Similar to rugby league, the attacking team has six attempts - or touches - before possession changes over.

A touch is any contact between the player with the ball and a defender, and must be with minimum force.

After a touch the player performs a “roll-ball” - similar to the play-the-ball in league - stepping over or rolling the ball between the feet.

At the roll-ball, the defenders have to retreat a minimum of five metres.

A touchdown is scored when an attacking player places the ball on or over the score-line.

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