Sandra Choi, creative director Jimmy Choo. Photo: Jimmy Choo
Sandra Choi, creative director Jimmy Choo. Photo: Jimmy Choo
Sandra Choi, creative director Jimmy Choo. Photo: Jimmy Choo
Sandra Choi, creative director Jimmy Choo. Photo: Jimmy Choo

Jimmy Choo and Emirati artist Shaikha Al Mazrou joins forces for new art project


  • English
  • Arabic

The words “Jimmy Choo” spark visions of elevated, glamorous shoes, brimming with sensual charm. Since founding in 1996, the British brand has added bags, eyewear and perfumes to that lexicon and, in 2024, its exploring yet another facet – an art platform.

The brainchild of creative director Sandra Choi, the concept will bring commissioned art into Jimmy Choo boutiques to reside alongside the high-end goods, sourced furniture and found objects that already decorate some of its spaces in Paris, Miami and beyond. “Art is personal and it can transport you to other places,” Choi tells The National. “It adds a different dynamic and that, for me, is important.”

Speaking ahead of her visit to the region, where she will take part in an art forum to launch the platform here, she explains why Dubai was the natural choice for this latest evolution. “Every time I go to Dubai, it gets me very excited because, unlike other places, it has the luxury of space.

“You can dream the biggest dream you want, you can build the biggest building you want. That openness and sense of space is inspiring.”

Having been at Jimmy Choo since its conception 28 years ago, Choi is keeper of the flame first ignited by couture shoemaker Jimmy Choo and entrepreneur Tamara Mellon. Their singular quest was to bring beautiful footwear to London in the mid-1990s.

Shaikha Al Mazrou has the power to build something so tremendous and there's an inner strength in her, but she is quiet. I love that
Sandra Choi,
creative director, Jimmy Choo

Looking to keep that vision constantly dynamic, Choi has learnt a thing or two about staying inspired. “I want to get the essence, and what I originally think of as an idea, to come through,” she explains of her design process. “Maybe there's a picture still on the moodboard that I haven't touched? How do we make a stiletto-pump – that we do really well – new again? I just constantly feel like the job is not done.”

This searching has now led to art and what role it may have within the Jimmy Choo universe. “It is our responsibility. We are a luxury brand and, at this level, we have to share the thought process and inspirations with the community we're trying to build.”

In the Middle East, this journey begins with a brand-new collaboration with Emirati artist Shaikha Al Mazrou. Having studied at the University of Sharjah, Al Mazrou earned her master's in fine arts at Chelsea College of Art in London. In choosing the artist to create a site-specific artwork for the Dubai store, the Jimmy Choo team understood that the person selected had to come with a new voice and perspective.

Shaikha Al Mazrou’s site-specific artwork for Jimmy Choo. Photo: Jimmy Choo
Shaikha Al Mazrou’s site-specific artwork for Jimmy Choo. Photo: Jimmy Choo

Seen as one of the most promising artists of her generation, Al Mazrou is known for work that is large-scale, monumental almost, and uses painted metal to explore scale, form and abstraction.

Her 2022 work Red Stack, for example, was shown in Regent’s Park as part of London's contemporary art fair Frieze. A pile of eight cushions cast in metal, it rose several metres into the sky.

“She's this young woman who's got a point of view and this incredible volume,” says Choi. “She has the power to build something so tremendous and there's an inner strength in her, but she is quiet. I love that.”

The opposition of scale and materials in Al Mazrou's work also connected with Choi on a creative level. “Contradiction is a word that I adore because I love glamour but, at the same time, I love it to be a bit more raw. To go from something quite obvious to something that has depth and beauty, contradiction for me is everything.”

Red Stack (2022) by Emirati artist Shaikha Al Mazrou at Regent's Park in London. Photo: Frieze / Lawrie Shabibi
Red Stack (2022) by Emirati artist Shaikha Al Mazrou at Regent's Park in London. Photo: Frieze / Lawrie Shabibi

For this commission, Al Mazrou has scaled down her work, bringing it closer to the intimacy of footwear. The result is a circular, concave dish patterned with lines that could be the facets of a gemstone or the intricate folds of origami. The ambiguity of the work is its beauty and power in equal parts, Choi explains.

“She was explaining to me how she was starting to form her ideas for this, and it was all about folding a piece of paper and seeing where the lines go.” The result is a round sculpture in a deep shade of red, that feels precious and feminine while the concave shape lures the viewer closer, into a more confidential distance.

In choosing to echo a cut gemstone, Al Mazrou skillfully draws parallels with the jewelled stones used across Jimmy Choo, while sparking dialogue about preciousness and luxury. It is a rich analogy, Choi explains. “A diamond is multifaceted and treasured. It can be raw, but depending on how you work with it, it becomes beautiful. When the light comes in, it glows, but if there's no light, it will never glow. And that whole theory to me works really well for Jimmy Choo.”

I believe objects are timeless
Sandra Choi

Given the artwork will go on permanent display in the boutique from next year, its ability to spark a new dialogue with the clients who flock to Jimmy Choo in search of perfectly crafted footwear was a key priority. Around the world, the brand's boutiques are filled with furniture that has had previous lives and, most recently, with artworks that are modern and relevant. “I believe objects are timeless. I've got pieces my husband thinks are rubbish, but for me are treasures filled with memories from my parents. It can be personal,” says Choi.

Ultimately, what will drive this wider project forward is how it examines the space where art and design intersect. “Art is different to design,” Choi explains. “In design, you are given a brief and it is commerce-driven. With art, you don't need to figure out how to wear it or how to buckle it up, or have that relationship with your body.

“Yes, it can be shoes, handbags, perfumes, eyewear and all the things you can actually make a transaction on. But it's more than that. It is having the taste and the flair that we can share with our clients, and really build on that personality.”

Stage 2

1. Mathieu van der Poel (NED) Alpecin-Fenix 4:18:30

2. Tadej Pogacar (SLV) UAE Team Emirates 0:00:06

3.  Primoz Roglic (SLV) Jumbo-Visma 0:00:06

4. Wilco Kelderman (NED) Bora-Hansgrohe 0:00:06

5. Julian Alaphilippe (FRA) Deceuninck-QuickStep 0:00:08

The specs

Engine: 2.0-litre 4cyl turbo

Power: 261hp at 5,500rpm

Torque: 405Nm at 1,750-3,500rpm

Transmission: 9-speed auto

Fuel consumption: 6.9L/100km

On sale: Now

Price: From Dh117,059

UK-EU trade at a glance

EU fishing vessels guaranteed access to UK waters for 12 years

Co-operation on security initiatives and procurement of defence products

Youth experience scheme to work, study or volunteer in UK and EU countries

Smoother border management with use of e-gates

Cutting red tape on import and export of food

UAE currency: the story behind the money in your pockets

Frankenstein in Baghdad
Ahmed Saadawi
​​​​​​​Penguin Press

Poacher
%3Cp%3E%3Cstrong%3EDirector%3A%20%3C%2Fstrong%3ERichie%20Mehta%26nbsp%3B%3C%2Fp%3E%0A%3Cp%3E%3Cstrong%3EStarring%3A%3C%2Fstrong%3E%20Nimisha%20Sajayan%2C%20Roshan%20Mathew%2C%20Dibyendu%20Bhattacharya%3C%2Fp%3E%0A%3Cp%3E%3Cstrong%3ERating%3A%20%3C%2Fstrong%3E3%2F5%3C%2Fp%3E%0A
Dust and sand storms compared

Sand storm

  • Particle size: Larger, heavier sand grains
  • Visibility: Often dramatic with thick "walls" of sand
  • Duration: Short-lived, typically localised
  • Travel distance: Limited 
  • Source: Open desert areas with strong winds

Dust storm

  • Particle size: Much finer, lightweight particles
  • Visibility: Hazy skies but less intense
  • Duration: Can linger for days
  • Travel distance: Long-range, up to thousands of kilometres
  • Source: Can be carried from distant regions
if you go

The flights

Air Astana flies direct from Dubai to Almaty from Dh2,440 per person return, and to Astana (via Almaty) from Dh2,930 return, both including taxes. 

The hotels

Rooms at the Ritz-Carlton Almaty cost from Dh1,944 per night including taxes; and in Astana the new Ritz-Carlton Astana (www.marriott) costs from Dh1,325; alternatively, the new St Regis Astana costs from Dh1,458 per night including taxes. 

When to visit

March-May and September-November

Visas

Citizens of many countries, including the UAE do not need a visa to enter Kazakhstan for up to 30 days. Contact the nearest Kazakhstan embassy or consulate.

The five pillars of Islam

1. Fasting 

2. Prayer 

3. Hajj 

4. Shahada 

5. Zakat 

About Housecall

Date started: July 2020

Founders: Omar and Humaid Alzaabi

Based: Abu Dhabi

Sector: HealthTech

# of staff: 10

Funding to date: Self-funded

Kanguva
Director: Siva
Stars: Suriya, Bobby Deol, Disha Patani, Yogi Babu, Redin Kingsley
Rating: 2/5
 
Guide to intelligent investing
Investing success often hinges on discipline and perspective. As markets fluctuate, remember these guiding principles:
  • Stay invested: Time in the market, not timing the market, is critical to long-term gains.
  • Rational thinking: Breathe and avoid emotional decision-making; let logic and planning guide your actions.
  • Strategic patience: Understand why you’re investing and allow time for your strategies to unfold.
 
 
UAE v Gibraltar

What: International friendly

When: 7pm kick off

Where: Rugby Park, Dubai Sports City

Admission: Free

Online: The match will be broadcast live on Dubai Exiles’ Facebook page

UAE squad: Lucas Waddington (Dubai Exiles), Gio Fourie (Exiles), Craig Nutt (Abu Dhabi Harlequins), Phil Brady (Harlequins), Daniel Perry (Dubai Hurricanes), Esekaia Dranibota (Harlequins), Matt Mills (Exiles), Jaen Botes (Exiles), Kristian Stinson (Exiles), Murray Reason (Abu Dhabi Saracens), Dave Knight (Hurricanes), Ross Samson (Jebel Ali Dragons), DuRandt Gerber (Exiles), Saki Naisau (Dragons), Andrew Powell (Hurricanes), Emosi Vacanau (Harlequins), Niko Volavola (Dragons), Matt Richards (Dragons), Luke Stevenson (Harlequins), Josh Ives (Dubai Sports City Eagles), Sean Stevens (Saracens), Thinus Steyn (Exiles)

The National's picks

4.35pm: Tilal Al Khalediah
5.10pm: Continous
5.45pm: Raging Torrent
6.20pm: West Acre
7pm: Flood Zone
7.40pm: Straight No Chaser
8.15pm: Romantic Warrior
8.50pm: Calandogan
9.30pm: Forever Young

Key figures in the life of the fort

Sheikh Dhiyab bin Isa (ruled 1761-1793) Built Qasr Al Hosn as a watchtower to guard over the only freshwater well on Abu Dhabi island.

Sheikh Shakhbut bin Dhiyab (ruled 1793-1816) Expanded the tower into a small fort and transferred his ruling place of residence from Liwa Oasis to the fort on the island.

Sheikh Tahnoon bin Shakhbut (ruled 1818-1833) Expanded Qasr Al Hosn further as Abu Dhabi grew from a small village of palm huts to a town of more than 5,000 inhabitants.

Sheikh Khalifa bin Shakhbut (ruled 1833-1845) Repaired and fortified the fort.

Sheikh Saeed bin Tahnoon (ruled 1845-1855) Turned Qasr Al Hosn into a strong two-storied structure.

Sheikh Zayed bin Khalifa (ruled 1855-1909) Expanded Qasr Al Hosn further to reflect the emirate's increasing prominence.

Sheikh Shakhbut bin Sultan (ruled 1928-1966) Renovated and enlarged Qasr Al Hosn, adding a decorative arch and two new villas.

Sheikh Zayed bin Sultan (ruled 1966-2004) Moved the royal residence to Al Manhal palace and kept his diwan at Qasr Al Hosn.

Sources: Jayanti Maitra, www.adach.ae

UAE currency: the story behind the money in your pockets
Updated: October 21, 2024, 1:42 PM`