Iraqi designer Hozan Zangana created his piece for the Abwab pavilion at Dubai Design Week during the pandemic. Courtesy Hozan Zangana
Iraqi designer Hozan Zangana created his piece for the Abwab pavilion at Dubai Design Week during the pandemic. Courtesy Hozan Zangana
Iraqi designer Hozan Zangana created his piece for the Abwab pavilion at Dubai Design Week during the pandemic. Courtesy Hozan Zangana
Iraqi designer Hozan Zangana created his piece for the Abwab pavilion at Dubai Design Week during the pandemic. Courtesy Hozan Zangana

Iraqi designer Hozan Zangana on the meaning behind his Abwab pavilion installation at Dubai Design Week


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The prestigious Abwab exhibition at Dubai Design Week typically features several pavilions from countries in the Middle East, North Africa and South Asia, offering an insight into the region's rich design scene.

This year, however, just one pavilion was commissioned, with the job falling to Iraqi designer Hozan Zangana, who created the work Fata Morgana entirely under quarantine conditions.

Naturally, the pandemic defined the piece he ultimately produced. Fata Morgana is an open-plan arrangement of seating components around a central origin point. The installation is meant to represent the framework of a modern-day city, in that it acknowledges the necessity for social interaction, albeit in a way that adapts to today's requirement for physical distancing. Its seven pillars, meanwhile, represent the UAE's seven emirates, and its construction is inspired by Middle Eastern techniques.

Here, Zangana explains more about the concept.

Hozan Zangana's work, 'Fata Morgana', aims to 'amplify the necessity to cross each other’s paths by presenting a pivotal intersection'. Courtesy Dubai Design Week
Hozan Zangana's work, 'Fata Morgana', aims to 'amplify the necessity to cross each other’s paths by presenting a pivotal intersection'. Courtesy Dubai Design Week

What did it mean to be awarded the 2020 Abwab Pavilion commission?

It was an honour, and an experience shared with an amazing team at Generous Studio and Woodcast Design. To have finished the Fata Morgana installation in its intended place at Dubai Design District, and see people experience it for the first time, made the long hours and hard work worth it.

Much of 'Fata Morgana' was created under lockdown conditions. How did this affect the work?

The pandemic has been a challenging time for everybody in the world. In the early days, it was clear that a lack of interaction would have a great impact on society. The concept aims to amplify the necessity of crossing each other's paths by presenting a pivotal intersection, demanding interaction between people and reactivating the connection with each other on a social level in a safe environment.

Tell us more about the historical Middle Eastern construction techniques used for ‘Fata Morgana’ ...

It was important to us that Fata Morgana would be relevant both in its location and for its time. The rammed earth technique [whereby materials such as gravel, sand, silt and clay are forced in between panels] was used to build the different elements of the pavilion and symbolises the earth, which is the foundation of culture and heritage.

The installation, with its different height levels, can be seen as a skyline with the seven pillars [for each emirate] in the middle and the smaller ones around them. The table and circular seating is inspired by the traditional way people meet and come together.

The Iraqi designer's work is this year's Abwab Pavilion commission. Courtesy Dubai Design Week
The Iraqi designer's work is this year's Abwab Pavilion commission. Courtesy Dubai Design Week

What are you looking forward to seeing during this year’s Dubai Design Week?

It's always an exciting time to meet new artists and find new voices that inspire. I'm looking forward to seeing some of the beautiful works from local designers, especially the works at Tashkeel, because this is the new generation of designers. I admire the work Lateefa bint Maktoum [founder of Tashkeel] is doing for the design community. She is someone who –within our culture – is investing her time and energy to protect beauty and heritage.

What are you working on next?

My next project will be revisiting one I had started before the pandemic, which would have been featured during Milan Design Week. Unfortunately, because of the pandemic, plans changed. In the new year, I hope to complete and show the installation Arbela: A Visual Guide in collaboration with Generous Studio. It will be an interactive experience including projection mapping, interactive soundscapes and a short film. Before a physical exhibition, we plan to launch the short film and a virtual reality event.

Dubai Design Week 2020 is on until Saturday, November 14; dubaidesignweek.ae

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Tailors and retailers miss out on back-to-school rush

Tailors and retailers across the city said it was an ominous start to what is usually a busy season for sales.
With many parents opting to continue home learning for their children, the usual rush to buy school uniforms was muted this year.
“So far we have taken about 70 to 80 orders for items like shirts and trousers,” said Vikram Attrai, manager at Stallion Bespoke Tailors in Dubai.
“Last year in the same period we had about 200 orders and lots of demand.
“We custom fit uniform pieces and use materials such as cotton, wool and cashmere.
“Depending on size, a white shirt with logo is priced at about Dh100 to Dh150 and shorts, trousers, skirts and dresses cost between Dh150 to Dh250 a piece.”

A spokesman for Threads, a uniform shop based in Times Square Centre Dubai, said customer footfall had slowed down dramatically over the past few months.

“Now parents have the option to keep children doing online learning they don’t need uniforms so it has quietened down.”

Company%20Profile
%3Cp%3E%3Cstrong%3ECompany%20name%3A%3C%2Fstrong%3E%20Cargoz%3Cbr%3E%3Cstrong%3EDate%20started%3A%3C%2Fstrong%3E%20January%202022%3Cbr%3E%3Cstrong%3EFounders%3A%3C%2Fstrong%3E%20Premlal%20Pullisserry%20and%20Lijo%20Antony%3Cbr%3E%3Cstrong%3EBased%3A%3C%2Fstrong%3E%20Dubai%3Cbr%3E%3Cstrong%3ENumber%20of%20staff%3A%3C%2Fstrong%3E%2030%3Cbr%3E%3Cstrong%3EInvestment%20stage%3A%3C%2Fstrong%3E%20Seed%3C%2Fp%3E%0A
French business

France has organised a delegation of leading businesses to travel to Syria. The group was led by French shipping giant CMA CGM, which struck a 30-year contract in May with the Syrian government to develop and run Latakia port. Also present were water and waste management company Suez, defence multinational Thales, and Ellipse Group, which is currently looking into rehabilitating Syrian hospitals.

The past Palme d'Or winners

2018 Shoplifters, Hirokazu Kore-eda

2017 The Square, Ruben Ostlund

2016 I, Daniel Blake, Ken Loach

2015 DheepanJacques Audiard

2014 Winter Sleep (Kış Uykusu), Nuri Bilge Ceylan

2013 Blue is the Warmest Colour (La Vie d'Adèle: Chapitres 1 et 2), Abdellatif Kechiche, Adele Exarchopoulos and Lea Seydoux

2012 Amour, Michael Haneke

2011 The Tree of LifeTerrence Malick

2010 Uncle Boonmee Who Can Recall His Past Lives (Lung Bunmi Raluek Chat), Apichatpong Weerasethakul

2009 The White Ribbon (Eine deutsche Kindergeschichte), Michael Haneke

2008 The Class (Entre les murs), Laurent Cantet

Muslim Council of Elders condemns terrorism on religious sites

The Muslim Council of Elders has strongly condemned the criminal attacks on religious sites in Britain.

It firmly rejected “acts of terrorism, which constitute a flagrant violation of the sanctity of houses of worship”.

“Attacking places of worship is a form of terrorism and extremism that threatens peace and stability within societies,” it said.

The council also warned against the rise of hate speech, racism, extremism and Islamophobia. It urged the international community to join efforts to promote tolerance and peaceful coexistence.

The National's picks

4.35pm: Tilal Al Khalediah
5.10pm: Continous
5.45pm: Raging Torrent
6.20pm: West Acre
7pm: Flood Zone
7.40pm: Straight No Chaser
8.15pm: Romantic Warrior
8.50pm: Calandogan
9.30pm: Forever Young

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%3Cp%3EStarring%3A%20Elia%20Suleiman%2C%20Manal%20Khader%2C%20Amer%20Daher%3C%2Fp%3E%0A%3Cp%3EDirector%3A%20Elia%20Suleiman%3C%2Fp%3E%0A%3Cp%3ERating%3A%204.5%2F5%3C%2Fp%3E%0A
What are the influencer academy modules?
  1. Mastery of audio-visual content creation. 
  2. Cinematography, shots and movement.
  3. All aspects of post-production.
  4. Emerging technologies and VFX with AI and CGI.
  5. Understanding of marketing objectives and audience engagement.
  6. Tourism industry knowledge.
  7. Professional ethics.