The design of The Pebbles interprets local traditions in a modern context.
The design of The Pebbles interprets local traditions in a modern context.
The design of The Pebbles interprets local traditions in a modern context.
The design of The Pebbles interprets local traditions in a modern context.

Function meets form


  • English
  • Arabic

David Marks and Julia Barfield have earned the right to call themselves designers of iconic structures; after all, they conceived, designed and built the London Eye. However, they believe that apart from those rare buildings that are from the outset indubitably iconic - those instantly recognisable properties such as Burj Al Arab, for example - good buildings should be more about function, experience, and context than profile.

And it is that guiding philosophy that will help shape The Pebbles, the three compact residential structures that make up a key element of one of Dubai's new developments, Dubai Arts District (DAD). Inspired by the shapes and colours of the land - compact, softly rounded, gentle - the designers behind Marks Barfield Architects, the award-winning London-based practice, are aiming for an organic look that is informed by nature.

DAD, a project by Abyaar, a Kuwaiti boutique real estate developer, is a 26-hectare commercial, residential and retail project within Dubai's International Media Production Zone. And Marks Barfield has been commissioned to design several core components of it: 11 residential buildings with a gross built area of 2.1 million sq. ft., a central clubhouse, children's playground and seven retail units. Central to the project will be the three Pebble buildings. Construction is scheduled for completion in the last quarter of 2011.

In designing the trio, Marks and Barfield set out to deliver a plan that would stand up to the elements, while at the same time meet their commitment to work that is underpinned by values of quality of life, community responsibility and sustainability. "It is such an incredibly harsh environment that our instinct with The Pebbles was to try to create something soft and flowing, easy on the eye and sympathetic to context," Marks says. Hence the reference to the shapes and colours of the earth. "You could say, too, that our proposal was a reaction to the severity of some of the design one is seeing in Dubai." Sand and stone tones will also be used on the exterior.

More important than this form, however, is function: for example, deeply recessed balconies will provide shaded outdoor living spaces for use in the cooler months while at the same time increasing privacy - an important aspect of UAE family life. This means that the balconies are incorporated into the living area in a way that is rare in this part of the world. The functionality intersects with sustainability here, in that the depth of the balconies will prevent direct sunlight, thereby assisting with cooling, while the round aerodynamic shape and compact form of the buildings will channel the prevailing wind to provide some cooling to the outdoor area of every apartment.

"We are interested in understanding and interpreting the fundamental principles behind local traditions and heritage and interpreting them appropriately to the 21st century using modern materials and technology, rather than merely repeating symbols from the past in an over-scaled traditional pastiche, or an out-of-context western modernism," says Barfield. Marks and Barfield recognise that minimising environmental impact in the UAE is not easy but they are committed to this approach. Features such as waste water recovery and ease of maintenance and cleaning, for example, are at the heart of The Pebbles' design.

The intention is for the unpretentious scheme of the exterior to flow through to the interiors, all of which are being designed by the German architectural firm Hollin + Radoske, known for their minimalist approach. Typical apartments, which range from studio to three bedrooms, will be uncluttered, with open-plan living and dining areas. The Pebbles are most certainly intended to be striking and aesthetically appealing, a positive addition to the Dubai landscape. But as for "iconic", Marks and Barfield will leave that to the passage of time.

The Bio

Hometown: Bogota, Colombia
Favourite place to relax in UAE: the desert around Al Mleiha in Sharjah or the eastern mangroves in Abu Dhabi
The one book everyone should read: 100 Years of Solitude by Gabriel Garcia Marquez. It will make your mind fly
Favourite documentary: Chasing Coral by Jeff Orlowski. It's a good reality check about one of the most valued ecosystems for humanity

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The smuggler

Eldarir had arrived at JFK in January 2020 with three suitcases, containing goods he valued at $300, when he was directed to a search area.
Officers found 41 gold artefacts among the bags, including amulets from a funerary set which prepared the deceased for the afterlife.
Also found was a cartouche of a Ptolemaic king on a relief that was originally part of a royal building or temple. 
The largest single group of items found in Eldarir’s cases were 400 shabtis, or figurines.

Khouli conviction

Khouli smuggled items into the US by making false declarations to customs about the country of origin and value of the items.
According to Immigration and Customs Enforcement, he provided “false provenances which stated that [two] Egyptian antiquities were part of a collection assembled by Khouli's father in Israel in the 1960s” when in fact “Khouli acquired the Egyptian antiquities from other dealers”.
He was sentenced to one year of probation, six months of home confinement and 200 hours of community service in 2012 after admitting buying and smuggling Egyptian antiquities, including coffins, funerary boats and limestone figures.

For sale

A number of other items said to come from the collection of Ezeldeen Taha Eldarir are currently or recently for sale.
Their provenance is described in near identical terms as the British Museum shabti: bought from Salahaddin Sirmali, "authenticated and appraised" by Hossen Rashed, then imported to the US in 1948.

- An Egyptian Mummy mask dating from 700BC-30BC, is on offer for £11,807 ($15,275) online by a seller in Mexico

- A coffin lid dating back to 664BC-332BC was offered for sale by a Colorado-based art dealer, with a starting price of $65,000

- A shabti that was on sale through a Chicago-based coin dealer, dating from 1567BC-1085BC, is up for $1,950

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