A model shows off a dress designed with special needs at Raffles Hotel Dubai.
A model shows off a dress designed with special needs at Raffles Hotel Dubai.

Dreams on design



A tear trickles down the fashion designer Marwan Harzallah's cheek. "I'm sorry," he says. "Excuse me. I'm so happy for the girls, you know? So happy." He takes some deep breaths and rubs his eyes. The girls who have had such a strong effect on Harzallah are a group of women aged between 19 and 37, whose special needs have until now limited their contact with the world beyond their families, curtailed their life ambitions and hampered their interaction with people. Over the course of two years - one year of preparation, one year of working closely with the girls at the Rashid Pediatric Therapy Centre in Dubai's Al Qusais - Harzallah has changed everything for them and their families, nurturing their artistic tendencies and turning them into fully trained fashion designers. From a field of 80 applicants in the Emirates, the designer chose the 19 - of whom 17 are deaf and mute, the other two are wheelchair-bound with varying levels of limb impairment - based on his own sense of their nascent artistic ability, to take part in the newly established Development Program for Talented Special Needs Fashion Designers.

"Four years ago I met some of them here in the Emirates and they showed me their drawings. Some drawings were very simple, but I can feel that they are talented but they couldn't show me what they wanted. I chose the people who cannot hear, cannot talk. These people are really clever because when they see you they don't hear you: they look at you, so they start thinking more than other people." Last Wednesday, the graduates of Harzallah's course put on a catwalk show at Raffles Hotel in Dubai, with the support of a number of fashion sponsors and under the patronage of the Dubai Culture and Arts Authority and The Events Agency. An array of colourful evening wear, in chiffons, silks and embroidery, was displayed in a lavish show themed "Dubai Makes Dreams Come True" in front of an audience of ambassadors, designers, entrepreneurs and government ministers.

"Now they can draw, they can choose a good design, they know how to take measurements, they know how to cut the pieces," said Harzallah a few days before the show, as I took a sneak preview of the collection. "Their collection, when you see it in the fashion show, it's the same as international fashion designers," he insisted. "I'm not saying this because I am their teacher. Really, everyone who has seen the collection says the same." Looking at the girls' meticulously executed sketches, the true point of the event was rammed home: these are genuine fashion designers who merely happen to have special needs.

"These people are as talented as other people, but they cannot talk and no one believes in them," says Harzallah. "People see special needs people and think they are unfortunate, they are babies, so just give them a gift and let them stay in the house. But my students and talented people like them don't want people to look at them as if they are poor or sick. No, they can do more than other people, really."

Saeed al Nabouda, the chief projects officer at Dubai Culture and Arts Authority, who has been involved in the project throughout the last year, is also careful to emphasise that this is about bringing untapped talents to bear in the UAE's cultural scene, not making token gestures. "We're looking at a fashion industry here, and we're just giving them the right platform to showcase their talent. It's not just a fashion show. For me it's very important as it really got them into the studies of design. By them graduating they are not just amateur fashion designers: it's very much at a higher level, so we are really proud of the 19 who'll be graduating tomorrow. We're not going to touch much on the trading aspect or the commercial aspect as they're determined themselves to make it on their own. So we're going to be there as support but we very much want them to act as normal designers who have to go and make their mark, with a go-getting attitude."

But go-getting or not, painful family issues are never easy to tackle, and Harzallah had to fight tooth and claw to persuade some of the girls' guardians that this was a worthwhile project. When some parents saw no benefit to the scheme, he refused to give up on his dream for them. "Firstly some of their families said: 'My daughter, she uses a wheelchair or she cannot talk. I am scared for my daughter, please keep this in my house.' But I knew that these girls were talented and I had very strong talks with their parents. One man, he said: 'Don't take my daughter; she will not answer your phone calls.' I went to his house and knocked, knocked, knocked on the door. I said: 'Your daughter has a gift, so please let the gift grow.' And now he is very happy and he is the one who brings his daughter to me."

For Harzallah, this project has turned from a mission to a vocation: "It's not just my dream; it's a dream for all of the world, really. They are very happy. In the beginning I was thinking to prove myself. Now I don't go to my own house, sometimes - I sleep in here at the centre. All night I am with the students on videophone if they have any problems." This, of course, is a reminder that the course was never going to be easy, as Harzallah tried to find ways to communicate with girls who, on top of their hearing and speaking problems, do not, in most cases, read or write. A mixture of teaching methods, discovered by trial and error, included translation, sign language, visual methods and short gestural narratives. "I had problems with them at first," admits Harzallah. "Then we started teaching as if we were creating small movies; we took them to so many places - tailors, fabric shops - and we made them feel they are already famous by surrounding them with a police escort when we travelled, from Dubai Police. And we'd record what was happening with TV cameras."

It was a hard-won battle, but Harzallah has succeeded in earning the trust of the girls and their families. "In the beginning they didn't trust anyone, especially the people who cannot talk or hear. But later on they trusted me. And their families were difficult too, but now everyone is so happy; they trust me so much." So what now for the graduates of Harzallah's course? Armed with sewing, pattern-cutting, drawing and measuring skills - not to mention the ability to communicate with tailors, to buy exactly the right fabrics at a good price and to oversee garment production - both their teacher and their sponsors are keen to see the designers continue in their careers, and the course to continue to produce and encourage new designers.

"It's just the beginning," says al Nabouda. "When this event's finished we will have a full report on it and then we sit and we take the next steps. I'm sure we can look at brighter horizons once we gauge the response to the fashion show and then we can look at how further to take this. But this programme can be universal, it can go from the UAE to the Gulf to the Arab world - there is no limitation."

Indeed when the project was first announced a year ago, Harzallah received requests for his services from Saudi Arabia, Jordan, Qatar, Tunis and Egypt, so while he plans to stay in Dubai for the next few years he sees no geographical limits for the idea itself. Continuing to act as mentor for this year's graduates, he has also seen a surge in interest in their designs from commercial entities. "The girls will continue to design. I have already had calls from fashion houses here inside the Emirates who want them, and I promised them to stay with them for two years as a manager for them. And we're going to open a tailoring shop here inside the club, so people can come and choose their design and they will make it for them. And also some people here in Dubai have called me, who want to open a fashion house or tailoring house."

For al Nabouda, the fashion show is just the start of a campaign to ensure that the private sector start to understand the talents that are on offer throughout society rather than only among the able-bodied. "These special needs girls have just been, I believe, overlooked - I won't say neglected, but I think it was from both ends, they were just waiting for an opportunity. To my surprise, within one year they have mastered this craft, and credit goes to Marwan for really believing in them: hats off this gentleman who really went ahead and made it happen.

"We want to show that if you have the right talent, the right will, nobody can stop you." That's a sentiment with which all involved can now, wholeheartedly, agree. gchamp@thenational.ae

A MINECRAFT MOVIE

Director: Jared Hess

Starring: Jack Black, Jennifer Coolidge, Jason Momoa

Rating: 3/5

if you go

The flights

Etihad flies direct from Abu Dhabi to San Francisco from Dh5,760 return including taxes. 

The car

Etihad Guest members get a 10 per cent worldwide discount when booking with Hertz, as well as earning miles on their rentals (more at www.hertz.com/etihad). A week's car hire costs from Dh1,500 including taxes.

The hotels

Along the route, Motel 6 (www.motel6.com) offers good value and comfort, with rooms from $55 (Dh202) per night including taxes. In Portland, the Jupiter Hotel (https://jupiterhotel.com/) has rooms from $165 (Dh606) per night including taxes. The Society Hotel https://thesocietyhotel.com/ has rooms from $130 (Dh478) per night including taxes. 

More info

To keep up with constant developments in Portland, visit www.travelportland.com

 

Mercer, the investment consulting arm of US services company Marsh & McLennan, expects its wealth division to at least double its assets under management (AUM) in the Middle East as wealth in the region continues to grow despite economic headwinds, a company official said.

Mercer Wealth, which globally has $160 billion in AUM, plans to boost its AUM in the region to $2-$3bn in the next 2-3 years from the present $1bn, said Yasir AbuShaban, a Dubai-based principal with Mercer Wealth.

Within the next two to three years, we are looking at reaching $2 to $3 billion as a conservative estimate and we do see an opportunity to do so,” said Mr AbuShaban.

Mercer does not directly make investments, but allocates clients’ money they have discretion to, to professional asset managers. They also provide advice to clients.

“We have buying power. We can negotiate on their (client’s) behalf with asset managers to provide them lower fees than they otherwise would have to get on their own,” he added.

Mercer Wealth’s clients include sovereign wealth funds, family offices, and insurance companies among others.

From its office in Dubai, Mercer also looks after Africa, India and Turkey, where they also see opportunity for growth.

Wealth creation in Middle East and Africa (MEA) grew 8.5 per cent to $8.1 trillion last year from $7.5tn in 2015, higher than last year’s global average of 6 per cent and the second-highest growth in a region after Asia-Pacific which grew 9.9 per cent, according to consultancy Boston Consulting Group (BCG). In the region, where wealth grew just 1.9 per cent in 2015 compared with 2014, a pickup in oil prices has helped in wealth generation.

BCG is forecasting MEA wealth will rise to $12tn by 2021, growing at an annual average of 8 per cent.

Drivers of wealth generation in the region will be split evenly between new wealth creation and growth of performance of existing assets, according to BCG.

Another general trend in the region is clients’ looking for a comprehensive approach to investing, according to Mr AbuShaban.

“Institutional investors or some of the families are seeing a slowdown in the available capital they have to invest and in that sense they are looking at optimizing the way they manage their portfolios and making sure they are not investing haphazardly and different parts of their investment are working together,” said Mr AbuShaban.

Some clients also have a higher appetite for risk, given the low interest-rate environment that does not provide enough yield for some institutional investors. These clients are keen to invest in illiquid assets, such as private equity and infrastructure.

“What we have seen is a desire for higher returns in what has been a low-return environment specifically in various fixed income or bonds,” he said.

“In this environment, we have seen a de facto increase in the risk that clients are taking in things like illiquid investments, private equity investments, infrastructure and private debt, those kind of investments were higher illiquidity results in incrementally higher returns.”

The Abu Dhabi Investment Authority, one of the largest sovereign wealth funds, said in its 2016 report that has gradually increased its exposure in direct private equity and private credit transactions, mainly in Asian markets and especially in China and India. The authority’s private equity department focused on structured equities owing to “their defensive characteristics.”

Panipat

Director Ashutosh Gowariker

Produced Ashutosh Gowariker, Rohit Shelatkar, Reliance Entertainment

Cast Arjun Kapoor, Sanjay Dutt, Kriti Sanon, Mohnish Behl, Padmini Kolhapure, Zeenat Aman

Rating 3 /stars

The National's picks

4.35pm: Tilal Al Khalediah
5.10pm: Continous
5.45pm: Raging Torrent
6.20pm: West Acre
7pm: Flood Zone
7.40pm: Straight No Chaser
8.15pm: Romantic Warrior
8.50pm: Calandogan
9.30pm: Forever Young

Key facilities
  • Olympic-size swimming pool with a split bulkhead for multi-use configurations, including water polo and 50m/25m training lanes
  • Premier League-standard football pitch
  • 400m Olympic running track
  • NBA-spec basketball court with auditorium
  • 600-seat auditorium
  • Spaces for historical and cultural exploration
  • An elevated football field that doubles as a helipad
  • Specialist robotics and science laboratories
  • AR and VR-enabled learning centres
  • Disruption Lab and Research Centre for developing entrepreneurial skills
The smuggler

Eldarir had arrived at JFK in January 2020 with three suitcases, containing goods he valued at $300, when he was directed to a search area.
Officers found 41 gold artefacts among the bags, including amulets from a funerary set which prepared the deceased for the afterlife.
Also found was a cartouche of a Ptolemaic king on a relief that was originally part of a royal building or temple. 
The largest single group of items found in Eldarir’s cases were 400 shabtis, or figurines.

Khouli conviction

Khouli smuggled items into the US by making false declarations to customs about the country of origin and value of the items.
According to Immigration and Customs Enforcement, he provided “false provenances which stated that [two] Egyptian antiquities were part of a collection assembled by Khouli's father in Israel in the 1960s” when in fact “Khouli acquired the Egyptian antiquities from other dealers”.
He was sentenced to one year of probation, six months of home confinement and 200 hours of community service in 2012 after admitting buying and smuggling Egyptian antiquities, including coffins, funerary boats and limestone figures.

For sale

A number of other items said to come from the collection of Ezeldeen Taha Eldarir are currently or recently for sale.
Their provenance is described in near identical terms as the British Museum shabti: bought from Salahaddin Sirmali, "authenticated and appraised" by Hossen Rashed, then imported to the US in 1948.

- An Egyptian Mummy mask dating from 700BC-30BC, is on offer for £11,807 ($15,275) online by a seller in Mexico

- A coffin lid dating back to 664BC-332BC was offered for sale by a Colorado-based art dealer, with a starting price of $65,000

- A shabti that was on sale through a Chicago-based coin dealer, dating from 1567BC-1085BC, is up for $1,950