Popularity was once measured by how many friends you had in school – now it is benchmarked against the number of strangers vicariously consuming your content. Unsplash / Gian Cescon
Popularity was once measured by how many friends you had in school – now it is benchmarked against the number of strangers vicariously consuming your content. Unsplash / Gian Cescon
Popularity was once measured by how many friends you had in school – now it is benchmarked against the number of strangers vicariously consuming your content. Unsplash / Gian Cescon
Popularity was once measured by how many friends you had in school – now it is benchmarked against the number of strangers vicariously consuming your content. Unsplash / Gian Cescon

Why I'm glad Instagram wasn't around when I was growing up


Selina Denman
  • English
  • Arabic

I was a terrible teenager – full of angst and misplaced rebellion and the belief that I knew everything about everything.

I rallied against the constraints of my stuffy private school and felt disconnected from my parents, as is a teenager’s wont.

I was able to make my mistakes without an audience of hundreds, or even thousands, of social media followers

I struggled as my body morphed into something that didn’t feel like it belonged to me, and became increasingly conscious of what I looked like – and of how much, as a young woman, that shaped how I was perceived by the rest of the world. When one of my best friends made the same realisation, she took to making herself throw up after every meal.

At the time, we compared ourselves to the women we saw in issues of Just Seventeen or Cosmopolitan, or on the three television stations that were then available in Cyprus, where I grew up. Even with such limited exposure to society's narrow ideals of female beauty, we became fixated on all the ways we didn't add up.

We made mistakes. In the grand scheme of things, they were tiny (except for my predilection for smoking, which lingers to this day), but at the time, tiny mistakes felt all-consuming and took on end-of-the-world proportions.

We were conscious, as all young women must be, even in this “enlightened” age of equality, of getting a bad reputation.

Luckily, I was able to make my mistakes without an audience of hundreds, or even thousands, of social media followers. My mistakes were quickly forgotten by my peers, rather than living on in digital form.

Life in a fish bowl

I used to play squash competitively, at a national level. And as I proceeded through my teenage years, I grew to hate it. I remember being on court and feeling like I was in a fish bowl – all those spectators peering at me through the glass walls, watching and scrutinising my every move.

I imagine that’s what daily life feels like for teenagers in this social-media-fuelled age. Viewed through the lens of Instagram, or other social media platforms, life becomes a sporting event, your every move out there to be judged and commented on.

Teenagers need space to make mistakes, which can then be relegated to the footnotes of history. They need the freedom to discover who they are, without being judged for it.

When Instagram is telling you on a daily basis what your 'best self' should look like, reality invariably pales in comparison. Connor Olson / Unsplash
When Instagram is telling you on a daily basis what your 'best self' should look like, reality invariably pales in comparison. Connor Olson / Unsplash

With a platform that single-mindedly promotes aesthetics, the focus becomes entirely on the visual. Self-worth is measured in likes and shares, distorting an already confusing paradigm. Bombarded with doctored pictures of perfection, and snapshots of lifestyles that are entirely unattainable, there’s a huge chunk of Instagram that peddles in making people feel “less than”.

Bullying shifts from the playground to a battleground that's permanently attached to the end of your arm

And so the quest for validation becomes unending, played out daily over hundreds of scrolls, clicks and uploads. Bullying shifts from the playground to a battleground that’s permanently attached to the end of your arm.

Popularity was once measured by how many friends you had in school – now it is benchmarked against the number of strangers vicariously consuming your content. Finding your angles is a rite of passage and predatory behaviour is socially sanctioned. Everybody wants to become an "influencer", with no real thought to the responsibility that comes with the role.

In my day, you could at least retreat into the safety of your home; today, social media follows you in to your home, meaning there are very few safe havens left for young adults battling their insecurities.

Young women are brainwashed, on a daily basis, into believing their worth is entirely linked to what they look like. The women we used to see on the pages of Cosmo were skinny and beautiful, but at least they weren't, for the most part, distorted by filters and fillers and implants. When Instagram is telling you on a daily basis what your "best self" should look like, reality invariably pales in comparison.

That’s dangerous enough for the 39-year-old me – I can’t even begin to imagine what impact it would have had on my teenage self.  It’s no coincidence that many of the people responsible for building these platforms won’t let their children anywhere near them.

SPECS
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Company profile

Date started: 2015

Founder: John Tsioris and Ioanna Angelidaki

Based: Dubai

Sector: Online grocery delivery

Staff: 200

Funding: Undisclosed, but investors include the Jabbar Internet Group and Venture Friends

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Company Profile

Name: Thndr
Started: 2019
Co-founders: Ahmad Hammouda and Seif Amr
Sector: FinTech
Headquarters: Egypt
UAE base: Hub71, Abu Dhabi
Current number of staff: More than 150
Funds raised: $22 million

THE SIXTH SENSE

Starring: Bruce Willis, Toni Collette, Hayley Joel Osment

Director: M. Night Shyamalan

Rating: 5/5

The specs
Engine: 4.0-litre flat-six
Power: 510hp at 9,000rpm
Torque: 450Nm at 6,100rpm
Transmission: 7-speed PDK auto or 6-speed manual
Fuel economy, combined: 13.8L/100km
On sale: Available to order now
Price: From Dh801,800
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APPLE IPAD MINI (A17 PRO)

Display: 21cm Liquid Retina Display, 2266 x 1488, 326ppi, 500 nits

Chip: Apple A17 Pro, 6-core CPU, 5-core GPU, 16-core Neural Engine

Storage: 128/256/512GB

Main camera: 12MP wide, f/1.8, digital zoom up to 5x, Smart HDR 4

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Biometrics: Touch ID, Face ID

Colours: Blue, purple, space grey, starlight

In the box: iPad mini, USB-C cable, 20W USB-C power adapter

Price: From Dh2,099

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WISH
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COMPANY%20PROFILE
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Company%20profile%20
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UAE squad

Esha Oza (captain), Al Maseera Jahangir, Emily Thomas, Heena Hotchandani, Indhuja Nandakumar, Katie Thompson, Lavanya Keny, Mehak Thakur, Michelle Botha, Rinitha Rajith, Samaira Dharnidharka, Siya Gokhale, Sashikala Silva, Suraksha Kotte, Theertha Satish (wicketkeeper) Udeni Kuruppuarachchige, Vaishnave Mahesh.

UAE tour of Zimbabwe

All matches in Bulawayo
Friday, Sept 26 – First ODI
Sunday, Sept 28 – Second ODI
Tuesday, Sept 30 – Third ODI
Thursday, Oct 2 – Fourth ODI
Sunday, Oct 5 – First T20I
Monday, Oct 6 – Second T20I

SQUADS

Bangladesh (from): Shadman Islam, Mominul Haque, Soumya Sarkar, Shakib Al Hasan (capt), Mahmudullah Riyad, Mohammad Mithun, Mushfiqur Rahim, Liton Das, Taijul Islam, Mosaddek Hossain, Nayeem Hasan, Mehedi Hasan, Taskin Ahmed, Ebadat Hossain, Abu Jayed

Afghanistan (from): Rashid Khan (capt), Ihsanullah Janat, Javid Ahmadi, Ibrahim Zadran, Rahmat Shah, Hashmatullah Shahidi, Asghar Afghan, Ikram Alikhil, Mohammad Nabi, Qais Ahmad, Sayed Ahmad Shirzad, Yamin Ahmadzai, Zahir Khan Pakteen, Afsar Zazai, Shapoor Zadran

THE LIGHT

Director: Tom Tykwer

Starring: Tala Al Deen, Nicolette Krebitz, Lars Eidinger

Rating: 3/5

EMERGENCY PHONE NUMBERS

Estijaba – 8001717 –  number to call to request coronavirus testing

Ministry of Health and Prevention – 80011111

Dubai Health Authority – 800342 – The number to book a free video or voice consultation with a doctor or connect to a local health centre

Emirates airline – 600555555

Etihad Airways – 600555666

Ambulance – 998

Knowledge and Human Development Authority – 8005432 ext. 4 for Covid-19 queries