The Goldfish Generation refers to those who grew up in a constant flow of digital content that some believe shortens attention spans. AFP
The Goldfish Generation refers to those who grew up in a constant flow of digital content that some believe shortens attention spans. AFP
The Goldfish Generation refers to those who grew up in a constant flow of digital content that some believe shortens attention spans. AFP
The Goldfish Generation refers to those who grew up in a constant flow of digital content that some believe shortens attention spans. AFP

What is the Goldfish Generation and has it changed media habits for ever?


Cody Combs
  • English
  • Arabic

It is often said that goldfish have very short memories. While researchers continue to debate whether or not that is actually true, the idea has been attached to younger media consumers, who have been called the Goldfish Generation.

The Goldfish Generation generally refers to younger millennials, Gen Z and Generation Alpha – basically anyone who grew up with smartphones, screens and the ability to have digital content in front of their eyes within seconds.

They tend to lack the patience to sit through advertisements that their predecessors had to endure for decades. They also know full well that they can change the content to fit their mood at the blink of an eye and the swipe of the finger. At a very young age they learnt how to use tablets and smartphones, and navigate YouTube, TikTok and Instagram Reels. Once in a while, you will even notice a young child trying to swipe a physical book as though it were an iPad.

Most controversially, the Goldfish Generation has the been assigned the unfortunate stigma of having a shorter attention span, although the evidence behind that accusation is mixed.

Nevertheless, there is something distinctly different about how younger audiences are consuming content. That in turn is changing how content is created, distributed and ultimately rewarded monetarily.

At the 2024 Global Media Congress in Abu Dhabi, the Generation Goldfish label was the topic of a panel discussion with long-time media professionals from Vice, TikTok and Blinx.

“I do believe that calling this the Goldfish Generation is unfair,” said Rafael Lavor, head of strategy at Vice, a digital media and broadcast company. “Our minds have been the same for millions of years,” he said, before turning to how social media platforms such as TikTok and Instagram have cracked the code of users' brains.

“They can release a payoff for each one of the users in a few seconds and this is the reality we are in right now. It's addictive, so that's why they're a bit hooked, it's not that the attention spans are shorter, but rather, we found a way to keep audiences hooked with small videos,” he said, referring to dopamine and how long-form cinema uses similar strategies, albeit on a smaller scale.

Shadi Kandil, general manager of global business solutions for TikTok, also disagreed with the notion that user attention spans were getting shorter and agreed that the Generation Goldfish label was somewhat unfair.

“This is not new,” he explained to the panel audience, referencing the research of Nobel laureate Daniel Kahneman on decision-making and psychology.

Shadi Kandil of TikTok told the Global Media Congress in Abu Dhabi he took issue with the accuracy of the Goldfish Generation label. Picture: Global Media Congress
Shadi Kandil of TikTok told the Global Media Congress in Abu Dhabi he took issue with the accuracy of the Goldfish Generation label. Picture: Global Media Congress

“In the context of science, this has been around for the longest time. What has changed is the volume of content we're dealing with on a daily basis … as well as the immediacy of the content,” he said. The mind is capable of coping with the information onslaught, he added.

“If we want to subject ourselves to a certain piece of content or want to deal with a task, we give it our attention to get to the bottom of it, but if it's something we want to shun … we tend to avoid it, and it's the same of media,” he said.

Mr Lavor and Mr Kandil both agreed that what appeals to newer audiences was changing slightly, and authenticity seemed to be a common thread through successful content across multiple social platforms.

Authenticity, according to Mr Lavor, was key to the successful videos for Vice. “We try to be the one with the most authentic voice, especially with the younger audiences. The more authentic we are we feel like it resonates better, so we're bringing artistry back into content making,” he said.

Mr Kandil echoed those sentiments, with some additional context. “Media and content is a utility and that utility needs to serve a purpose. People seek content because they want to be informed, they want to be entertained, they want to increase knowledge about a specific area. That doesn't change,” he said.

Cody Combs, left, Future Editor for The National hosted a discussion at the congress with panellists from Blinx, TikTok and Vice Media.
Cody Combs, left, Future Editor for The National hosted a discussion at the congress with panellists from Blinx, TikTok and Vice Media.

While TikTok is a platform and not a content producer like Vice, Mr Kandil explained how the company's app helped to make it easier for content to be discovered, and noted how the technology behind that app is changing how all generations find content.

“Our engine that serves up the content, we've built an immaculate piece of engineering” he explained, referring to TikTok's algorithm that is the envy of much of the social media world.

“We source out the content that users are putting out there and we find the right moment in time when another user is looking for that piece of content and we match the two together,” he said.

Also taking issue with the Goldfish Generation label was Fadi Radi, chief creative officer at Blinx, a Dubai-based digital media hub focused on Middle Eastern youth content. However, Mr Radi did say that, because of the interfaces of high-speed data transfers of many social media apps, the first three seconds of video content were more crucial than ever to grab users' attention.

THE BIO: Martin Van Almsick

Hometown: Cologne, Germany

Family: Wife Hanan Ahmed and their three children, Marrah (23), Tibijan (19), Amon (13)

Favourite dessert: Umm Ali with dark camel milk chocolate flakes

Favourite hobby: Football

Breakfast routine: a tall glass of camel milk

The Buckingham Murders

Starring: Kareena Kapoor Khan, Ash Tandon, Prabhleen Sandhu

Director: Hansal Mehta

Rating: 4 / 5

Moral education needed in a 'rapidly changing world'

Moral education lessons for young people is needed in a rapidly changing world, the head of the programme said.

Alanood Al Kaabi, head of programmes at the Education Affairs Office of the Crown Price Court - Abu Dhabi, said: "The Crown Price Court is fully behind this initiative and have already seen the curriculum succeed in empowering young people and providing them with the necessary tools to succeed in building the future of the nation at all levels.

"Moral education touches on every aspect and subject that children engage in.

"It is not just limited to science or maths but it is involved in all subjects and it is helping children to adapt to integral moral practises.

"The moral education programme has been designed to develop children holistically in a world being rapidly transformed by technology and globalisation."

Groom and Two Brides

Director: Elie Semaan

Starring: Abdullah Boushehri, Laila Abdallah, Lulwa Almulla

Rating: 3/5

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Kandahar%20
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Key facilities
  • Olympic-size swimming pool with a split bulkhead for multi-use configurations, including water polo and 50m/25m training lanes
  • Premier League-standard football pitch
  • 400m Olympic running track
  • NBA-spec basketball court with auditorium
  • 600-seat auditorium
  • Spaces for historical and cultural exploration
  • An elevated football field that doubles as a helipad
  • Specialist robotics and science laboratories
  • AR and VR-enabled learning centres
  • Disruption Lab and Research Centre for developing entrepreneurial skills
RESULTS

6.30pm Al Maktoum Challenge Round-2 – Group 1 (PA) $49,000 (Dirt) 1,900m

Winner RB Frynchh Dude, Pat Cosgrave (jockey), Helal Al Alawi (trainer)

7.05pm Al Bastakiya Trial – Conditions (TB) $50,000 (D) 1,900m

Winner El Patriota, Vagner Leal, Antonio Cintra

7.40pm Zabeel Turf – Listed (TB) $88,000 (Turf) 2,000m

Winner Ya Hayati, Mickael Barzalona, Charlie Appleby

8.15pm Cape Verdi – Group 2 (TB) $163,000 (T) 1,600m

Winner Althiqa, James Doyle, Charlie Appleby

8.50pm UAE 1000 Guineas – Listed (TB) $125,000 (D) 1,600m

Winner Soft Whisper, Frankie Dettori, Saeed bin Suroor

9.25pm Handicap (TB) $68,000 (T) 1,600m

Winner Bedouin’s Story, Frankie Dettori, Saeed bin Suroor

Wicked: For Good

Director: Jon M Chu

Starring: Ariana Grande, Cynthia Erivo, Jonathan Bailey, Jeff Goldblum, Michelle Yeoh, Ethan Slater

Rating: 4/5

The biog

Favourite book: You Are the Placebo – Making your mind matter, by Dr Joe Dispenza

Hobby: Running and watching Welsh rugby

Travel destination: Cyprus in the summer

Life goals: To be an aspirational and passionate University educator, enjoy life, be healthy and be the best dad possible.

Updated: November 26, 2024, 3:57 PM