The leader of the UN Conference on Trade and Development has urged countries to support and grow the creative and cultural sectors and increase their contribution to the economy.
Rebeca Grynspan, secretary general of Unctad, highlighted the urgency to strengthen these sectors, promoting a more inclusive entrepreneurial ecosystem and ensuring it is prepared for any challenges brought about by the era of digital transformation.
"This is the ideal moment to set an agenda for the future, for a future for the creative economy builds momentum towards a resilient and inclusive world. Many lives and many more livelihoods depend on us succeeding in this agenda," Ms Grynspan said at the opening of the World Conference on Creative Economy at Expo 2020 Dubai on Tuesday.
"While you cannot replace handicrafts, walking through artisan markets or listening to live music, we have seen that culture makes digital more human – and only a digital world that is human can lead to sustainable development."
The cultural and creative industries, while niche segments, contribute about 3 per cent to global gross domestic product, generating revenue of almost $2.5 trillion annually with exports of more than $250 billion, Unctad said. About 30 million people are employed by these industries, with almost half of them women.
The contribution of the cultural and creative industries to Dubai's GDP increased to 2.7 per cent in 2019, from 2.6 per cent in 2018, a study released this year by the Dubai Culture and Arts Authority showed.
During this period, the number of profitable institutions operating in those industries rose 17 per cent from 8,352 to 9,772. Job opportunities in these sectors grew 9.6 per cent to 75,998, from 69,341 while the number of micro, small and medium-sized companies in operation grew to 9,749 in 2019, representing 99 per cent of the total number of companies in the sector.
Dubai launched its Creative Economy Strategy in April, while the UAE's 10-year National Strategy for the Cultural and Creative Industries, the first in the Arab world, was unveiled last week.
Growing these industries will create a domino effect not only from within.
"Thriving [ecosystems] give them countries the chance and the opportunity for their creatives to get on to the global market and be successful," Sylvie Forbin, deputy director general for the copyright and industries sector at the World Intellectual Property Organisation, said at the WCCE.
"It's not only for big countries, like in the past. The sectors are growing and it gives chances for other countries. We have choices now and we need to reach these points for equal chances."
Clusters of talent growth
To achieve these goals, there is a need to develop clusters of growth within countries that should serve as a platform to support the creative and cultural sectors in an end-to-end manner.
"It should create a value chain – from ideation, production, reproduction, promotion, dissemination and distribution – with accessibility to data and digitalisation that allows participants to have full access to that value chain," Hala Badri, director general of Dubai Culture, said at the WCCE.
About 97 per cent of creatives in the emirate are entrepreneurs, a sign of how the industry plays a key role in the economy and its potential to contribute more, she said.
A strong leadership, an ambitious strategy, an agile legislation system, infrastructure and future-focused initiatives all contribute to attracting talent, which would be for naught if not for these attributes.
"It's not only about the talent, but how they can thrive and grow," Ms Badri said.
Andrea Dempster Chung, co-founder and executive director of the Kingston Cultural District in Jamaica, also urged countries to nurture their respective creative and cultural sectors to avoid a drain of talent.
To be global creative city, there has to be a relationship that benefits the creators of the culture. You can't call yourself a global creative city if your creators are not doing well for themselves, families and communities, and immigrating to the UK or US to tap into their ecosystems so they can succeed
Andrea Dempster Chung,
co-founder and executive director of the Kingston Cultural District
"To be global creative city, there has to be a relationship that benefits the creators of the culture. You can't call yourself a global creative city if your creators are not doing well for themselves, families and communities, and immigrating to the UK or US to tap into their ecosystems so they can succeed," she said at the WCCE.
Simplifying processes is the most important aspect to consider when helping the creative and cultural industries thrive, Ms Badri said. Initiatives such as provision of an online trader licence within seven minutes – instead of visiting nine different entities – in Dubai make it easier for entrepreneurs to move faster.
Education, she said, is also vital, as well as access to and sustainability of finance sources. Most of the creative community are micro firms and SMEs, so programmes must be in place to support them in each step of their business journey.
Name: Peter Dicce
Title: Assistant dean of students and director of athletics
Favourite sport: soccer
Favourite team: Bayern Munich
Favourite player: Franz Beckenbauer
Favourite activity in Abu Dhabi: scuba diving in the Northern Emirates
Timeline
2012-2015
The company offers payments/bribes to win key contracts in the Middle East
May 2017
The UK SFO officially opens investigation into Petrofac’s use of agents, corruption, and potential bribery to secure contracts
September 2021
Petrofac pleads guilty to seven counts of failing to prevent bribery under the UK Bribery Act
October 2021
Court fines Petrofac £77 million for bribery. Former executive receives a two-year suspended sentence
December 2024
Petrofac enters into comprehensive restructuring to strengthen the financial position of the group
May 2025
The High Court of England and Wales approves the company’s restructuring plan
July 2025
The Court of Appeal issues a judgment challenging parts of the restructuring plan
August 2025
Petrofac issues a business update to execute the restructuring and confirms it will appeal the Court of Appeal decision
October 2025
Petrofac loses a major TenneT offshore wind contract worth €13 billion. Holding company files for administration in the UK. Petrofac delisted from the London Stock Exchange
November 2025
180 Petrofac employees laid off in the UAE
UAE currency: the story behind the money in your pockets
Marathon results
Men:
1. Titus Ekiru(KEN) 2:06:13
2. Alphonce Simbu(TAN) 2:07:50
3. Reuben Kipyego(KEN) 2:08:25
4. Abel Kirui(KEN) 2:08:46
5. Felix Kemutai(KEN) 2:10:48
Women:
1. Judith Korir(KEN) 2:22:30
2. Eunice Chumba(BHR) 2:26:01
3. Immaculate Chemutai(UGA) 2:28:30
4. Abebech Bekele(ETH) 2:29:43
5. Aleksandra Morozova(RUS) 2:33:01
UAE currency: the story behind the money in your pockets
UAE currency: the story behind the money in your pockets
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Investor: Opportunity Venture (Asia)
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His life in brief: Born in a village near Galilee, he lived in exile for most of his life and started writing poetry after high school. He was arrested several times by Israel for what were deemed to be inciteful poems. Most of his work focused on the love and yearning for his homeland, and he was regarded the Palestinian poet of resistance. Over the course of his life, he published more than 30 poetry collections and books of prose, with his work translated into more than 20 languages. Many of his poems were set to music by Arab composers, most significantly Marcel Khalife. Darwish died on August 9, 2008 after undergoing heart surgery in the United States. He was later buried in Ramallah where a shrine was erected in his honour.
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Stars: Dr Ghassan Abu-Sittah
Rating: 4/5
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