Ghostbusters: Dimension is a hyper-reality experience that is available for punters to in Dubai. Courtesy The Void
Ghostbusters: Dimension is a hyper-reality experience that is available for punters to in Dubai. Courtesy The Void

Review: The Void, Ghostbusters Dimension ‘hyper-reality’ experience at JBR in Dubai



The latest attraction at JBR's The Beach promises users a 'hyper-reality' experience, based on the popular adventures of the fearless ghost hunters, Ghostbusters. Straight out of New York — the home of both the first Void and Ghostbusters themselves — the Dubai branch is the first global Void location outside the United States.

So what is hyper-reality you may ask? We weren’t quite sure ourselves, so we headed down to road test the attraction out ahead of its official opening on tomorrow [March 24].

Although the attraction hadn't even opened yet, there were already crowds of curious beachgoers gathered around as the much-loved Ghostbusters theme tune rang out over the boardwalk — the recent Ghostbusters movie reboot may not have drawn the crowds, but it looks like the chance of an interactive encounter with the original movie's popular spirits and monsters including Slimer and The Stay Puft Marshmallow man just might.

On entering, you’re shown a brief safety video before being strapped into a vest and given a blaster (technically a proton gun, neutrona wand or particle thrower if we’re being faithful to Ghostbuster’s lore, but The Void can be forgiven for sticking to the catch all “blaster” for simplicity’s sake) and helmet, along with a few more instructions. It’s a pretty simple affair, and our instructor probably put it most succinctly when she advised: “You’ll see three colours on your blaster — red, orange and green. When it’s red, you can’t shoot because you don’t need to. When it goes green, just destroy everything.”

With that we're ready to go, and as our visors came down everything starts to make sense. Suddenly, my suit and T-shirt-clad team members are gone and I'm surrounded by fully kitted out Ghostbusters, their moves all corresponding to my teammates'. A creaky door opens, and we're into ghostbusting territory.

At its heart, this is a multiplayer VR video game, though it takes things a step further. Players are required to physically move through the game rather than sitting in a chair or standing in an empty room with a headset on. As they do so, the physical interacts with the virtual.

There are the cold winds, smells and raindrops that will be familiar to fans of 4DX cinema, but more than this, many parts of the set that you see in your headset are actually tactile and, unlike your usual VR experience can be touched or held.

This proved a useful realisation when I found myself zapping gargoyles from a precarious section of scaffolding high above the New York streets. As someone who’s not particularly comfortable with heights, I could hold onto the scaffolding in front of me for support. The view was genuinely gut churning, even though I was logically aware that I was merely at sea level, wearing a headset.

On the subject of the headset, though the visuals are impressive, the down side is that I found the VR experience a little disorienting, in common with other VR and 3D experiences I’ve tried. This is seemingly very much an individual thing, so if you’ve tried VR before you probably already know whether it affects you or not, and if so whether it does so sufficiently enough to put you off trying the Ghostbusters Experience. The actual VR part of the experience lasts just under 10 minutes, and the wooziness does settle down with perseverance, so I’d certainly be prepared to revisit.

Players battle through five scenarios, including travelling up and down virtual lifts, moving in and out of virtual buildings and, of course, blasting pesky spirits, and anything else in your way, with your blaster.

Fans of the films will be familiar with many of the scenarios, such as Capture Gertrude and Roasted Marshmallow, and will be pleased to hear that the experience was developed in association with Ghostbusters creator Ivan Reitman. The Void’s CEO back in the States, meanwhile, is former Lucasfilm technologist Chris Plumer, so the attraction certainly has pedigree that shows in the quality of the VR. Plumer told the New York Times confidently last month: “I have seen a lot of great VR experiences, and nothing comes close to what the Void is doing. If anything is going to inspire mass consumer adoption of virtual reality, this is it.”

The Void Ghostbusters: Dimension is open 10am till 10pm on weekdays and 10am till midnight on weekends. Tickets cost Dh110 from www.thevoid.com or in person at The Void, The Beach, JBR (close to Roxy Cinemas). Visitors should be at least 1.2 metres tall and 10 years old to experience it, due to the weight of equipment and mildly scary sequences. The Void can accommodate groups of one to four at a time.

cnewbould@thenational.ae

The smuggler

Eldarir had arrived at JFK in January 2020 with three suitcases, containing goods he valued at $300, when he was directed to a search area.
Officers found 41 gold artefacts among the bags, including amulets from a funerary set which prepared the deceased for the afterlife.
Also found was a cartouche of a Ptolemaic king on a relief that was originally part of a royal building or temple. 
The largest single group of items found in Eldarir’s cases were 400 shabtis, or figurines.

Khouli conviction

Khouli smuggled items into the US by making false declarations to customs about the country of origin and value of the items.
According to Immigration and Customs Enforcement, he provided “false provenances which stated that [two] Egyptian antiquities were part of a collection assembled by Khouli's father in Israel in the 1960s” when in fact “Khouli acquired the Egyptian antiquities from other dealers”.
He was sentenced to one year of probation, six months of home confinement and 200 hours of community service in 2012 after admitting buying and smuggling Egyptian antiquities, including coffins, funerary boats and limestone figures.

For sale

A number of other items said to come from the collection of Ezeldeen Taha Eldarir are currently or recently for sale.
Their provenance is described in near identical terms as the British Museum shabti: bought from Salahaddin Sirmali, "authenticated and appraised" by Hossen Rashed, then imported to the US in 1948.

- An Egyptian Mummy mask dating from 700BC-30BC, is on offer for £11,807 ($15,275) online by a seller in Mexico

- A coffin lid dating back to 664BC-332BC was offered for sale by a Colorado-based art dealer, with a starting price of $65,000

- A shabti that was on sale through a Chicago-based coin dealer, dating from 1567BC-1085BC, is up for $1,950

Remaining Fixtures

Wednesday: West Indies v Scotland
Thursday: UAE v Zimbabwe
Friday: Afghanistan v Ireland
Sunday: Final

NO OTHER LAND

Director: Basel Adra, Yuval Abraham, Rachel Szor, Hamdan Ballal

Stars: Basel Adra, Yuval Abraham

Rating: 3.5/5

Long read

Mageed Yahia, director of WFP in UAE: Coronavirus knows no borders, and neither should the response

In numbers: PKK’s money network in Europe

Germany: PKK collectors typically bring in $18 million in cash a year – amount has trebled since 2010

Revolutionary tax: Investigators say about $2 million a year raised from ‘tax collection’ around Marseille

Extortion: Gunman convicted in 2023 of demanding $10,000 from Kurdish businessman in Stockholm

Drug trade: PKK income claimed by Turkish anti-drugs force in 2024 to be as high as $500 million a year

Denmark: PKK one of two terrorist groups along with Iranian separatists ASMLA to raise “two-digit million amounts”

Contributions: Hundreds of euros expected from typical Kurdish families and thousands from business owners

TV channel: Kurdish Roj TV accounts frozen and went bankrupt after Denmark fined it more than $1 million over PKK links in 2013 

The burning issue

The internal combustion engine is facing a watershed moment – major manufacturer Volvo is to stop producing petroleum-powered vehicles by 2021 and countries in Europe, including the UK, have vowed to ban their sale before 2040. The National takes a look at the story of one of the most successful technologies of the last 100 years and how it has impacted life in the UAE. 

Read part four: an affection for classic cars lives on

Read part three: the age of the electric vehicle begins

Read part two: how climate change drove the race for an alternative 

The White Lotus: Season three

Creator: Mike White

Starring: Walton Goggins, Jason Isaacs, Natasha Rothwell

Rating: 4.5/5

Key facilities
  • Olympic-size swimming pool with a split bulkhead for multi-use configurations, including water polo and 50m/25m training lanes
  • Premier League-standard football pitch
  • 400m Olympic running track
  • NBA-spec basketball court with auditorium
  • 600-seat auditorium
  • Spaces for historical and cultural exploration
  • An elevated football field that doubles as a helipad
  • Specialist robotics and science laboratories
  • AR and VR-enabled learning centres
  • Disruption Lab and Research Centre for developing entrepreneurial skills