Ayad Akhtar’s writing career may have begun with a whimper, but aspiring writers and literary historians may someday study his early years for clues to his eventual meteoric rise.
In a freshman-year fiction class at the University of Rochester, in New York, Akhtar's professor urged him to send one of his short stories to The New Yorker for publication.
“I never sent it, I was too scared,” the 41-year-old recalled during a recent interview at the American Theatre Company on Chicago’s North Side. “I felt I was going to be called out as a fake. So I stopped writing and didn’t write for seven years.”
Akhtar fell into theatre, teaching acting in New York and Europe before studying film and writing screenplays. He gained confidence, life experience and a firmer grasp of drama. Then, several years ago, he found his voice and tapped into a geyser of creativity.
His script for the 2005 film The War Within – in which he played the lead role – earned several screenwriting honours. More recently, critics have lavished praise on his debut novel, American Dervish, published last month. His first play has won mostly positive notices since its late January premiere in Chicago, and its producers hope to move it to Broadway. To top it off, another Akhtar play will debut in the United States in March.
“This is an embarrassment of riches that I don’t understand,” he says with a shrug and a bewildered grin. “I think this business, show business, is a business of attrition. Sooner or later your relationships, your craft and your voice will coalesce into something, but you have to stick it out.”
Born in 1970 outside Milwaukee, Akhtar grew up in a mostly white, well-to-do suburb. Both of his Punjab-born parents worked as doctors. Much like the parents of Hayat Shah, the 10-year-old, Milwaukee-reared protagonist of his novel, Akhtar’s parents maintained a certain distance from the local Pakistani community, and from Islam.
Today, Akhtar lives in New York City’s Harlem. He is slim and poised, with long, elegant fingers and a standard expression of Midwestern welcome. He moves with an actor’s deliberateness and speaks with the confidence of a man in firm grasp of his art.
He remembers being drawn to Islam at nine years old. "There was something about the Quran and stories of the Prophet that pointed at an unfathomable depth of experience," he says, before recalling a less austere touchstone from that period. "In the Empire Strikes Back, Yoda's discourses on reality with Luke Skywalker resonated in the same way."
A similarly open-minded approach to identity stands out in his work. In Dervish, a key Jewish character considers converting to Islam for marriage, while the young protagonist negotiates between the minimalist Islam of his parents, the devout Islam of a live-in family friend and the liberated Muslim adolescents of 1980s Wisconsin.
After swearing off writing, Akhtar transferred to Brown University, in Rhode Island, to study theatre. He earned a film degree from Columbia University and, by age 25, had become a struggling screenwriter.
“I worked with all these amazing producers and got beat up,” says Akhtar, citing executives from Lars von Trier’s Zentropa Pictures and Mark Burnett, of reality TV fame, among his mentors. “That four-year apprenticeship in writing screenplays taught me so much.”
The main lesson may have been a shift in perspective. After years of writing about external, less familiar subjects, he returned to his own life, to Pakistani-Americans, and writing became a joy. “At some point I realised I was avoiding who I really was, and that’s when people started connecting with my work,” says Akhtar.
Over the next eight years he wrote The War Within (with a Columbia film school classmate), American Dervish and his two plays, Disgraced and Invisible Hand. The day after his agent sent it out to publishers, the novel sold to Little, Brown and Company, a top literary firm, for six figures. Within a fortnight the rights had been snapped up in nearly 20 countries.
The plays may be a more difficult sell, with their grim portraits of contemporary Muslim life. In Disgraced, the cousin of the protagonist, Amir, advocates taqiyyah, or dissembling to protect one’s faith. In a recollection from his childhood, Amir’s mother spits on her own son for his adolescent interest in a Jewish girl – a dismissal he in turn passes on to the girl. Beaten down by the delicate politics of post-9/11 America, Amir ultimately destroys his marriage and his life.
In Invisible Hand, which opens next month at St. Louis' Repertory Theatre, an American investment banker working on emerging markets in Pakistan is kidnapped by extremists who force him to generate his own ransom by trading stocks. The story draws a connection between violent extremism and the havoc wreaked by the global financial system.
Akhtar admits that his stage works – set in the post-9/11 world – are darker and less optimistic than his novel. “The plays are both pretty dystopian,” he says. “They pose dark questions about the realities of where we are politically.”
Kimberly Senior, the director of Disgraced, reads three or four plays a week and watches close to 100 every year. Yet she saw something new in Akhtar’s first play. “It blew me away,” she says, “I was shocked and couldn’t believe that Ayad had gone there. This is a story that hasn’t been told.”
New York’s Araca Group, which recently produced A View from the Bridge, starring Scarlett Johannson, co-produced the Chicago production of Disgraced with ATC and hopes to take the play to Broadway.
Akhtar is doing his best to stay grounded. He calls himself “deeply devout”. His disdain for bigotry against women is clear in his work, particularly in the character of Mina Ali.
Intelligent and strikingly beautiful, Mina is an undeniably charismatic presence in American Dervish. She is also a devout Muslim and, as Akhtar wrote in a recent essay for The Daily Beast, “subject – in tragic ways – to a patriarchal order with which she struggles”.
The New York Times described American Dervish as “effortlessly told” and “immensely entertaining”, comparing it to the work of Jhumpa Lahiri and Neil Simon. The latter reference greatly pleased Akhtar, who cites Jewish-American writers such as Simon, Woody Allen, Philip Roth and Jerry Seinfeld among his influences.
“I feel like they’ve given me a way to tell stories about a religious minority in the American project,” he says. “That’s really the sensibility that’s informed me more than any Muslim writers of my generation.”
In his writing Akhtar strives only to give pleasure and to be guided by the truth. It’s an artistic mandate that appears to be working. He’s completed his third play, a comedy. He’s talking to Hollywood about producing one of his screenplays. And he’s waist-deep into his next novel, involving a Pakistani-American artist living in Vienna. “It’s about young western Muslims dealing with identity in a very highly politicised environment,” he says. “Things in Europe are of course disastrous right now.” On a recent trip, says Akhtar, German border guards rudely asked only the Muslims aboard a train from Austria for their papers. Days later, a German villager, muttering under his breath, called Akhtar a “Taliban” and told him to get out of the country.
Much as Europeans are grappling with a staggering influx of immigrants and their unfamiliar culture, Akhtar sees Muslims the world over struggling to balance modern life with Islam. Some are moving towards a more fundamentalist interpretation, while others have embraced a more moderate stance. “The jury is still out as to what direction this is going to take,” says Akhtar.
Though his writing focuses on Muslim life in the West, Akhtar has a message for those looking to anoint him as the spokesperson for Muslim America. “People expect a writer to be a spokesman for a community,” says Akhtar. “I am not a spokesman for anything. I’m an artist, and I should be judged on how convincing my portrayals are.”
David Lepeska is a freelance writer who contributes to The New York Times, Financial Times and Monocle, and previously served as The National’s Qatar correspondent. He lives in Chicago.
2025 Fifa Club World Cup groups
Group A: Palmeiras, Porto, Al Ahly, Inter Miami.
Group B: Paris Saint-Germain, Atletico Madrid, Botafogo, Seattle.
Group C: Bayern Munich, Auckland City, Boca Juniors, Benfica.
Group D: Flamengo, ES Tunis, Chelsea, (Leon banned).
Group E: River Plate, Urawa, Monterrey, Inter Milan.
Group F: Fluminense, Borussia Dortmund, Ulsan, Mamelodi Sundowns.
Group G: Manchester City, Wydad, Al Ain, Juventus.
Group H: Real Madrid, Al Hilal, Pachuca, Salzburg.
The National's picks
4.35pm: Tilal Al Khalediah
5.10pm: Continous
5.45pm: Raging Torrent
6.20pm: West Acre
7pm: Flood Zone
7.40pm: Straight No Chaser
8.15pm: Romantic Warrior
8.50pm: Calandogan
9.30pm: Forever Young
Specs
Engine: Dual-motor all-wheel-drive electric
Range: Up to 610km
Power: 905hp
Torque: 985Nm
Price: From Dh439,000
Available: Now
A MINECRAFT MOVIE
Director: Jared Hess
Starring: Jack Black, Jennifer Coolidge, Jason Momoa
Rating: 3/5
Living in...
This article is part of a guide on where to live in the UAE. Our reporters will profile some of the country’s most desirable districts, provide an estimate of rental prices and introduce you to some of the residents who call each area home.
Kill%20
%3Cp%3E%3Cstrong%3EDirector%3A%3C%2Fstrong%3E%20Nikhil%20Nagesh%20Bhat%3C%2Fp%3E%0A%3Cp%3E%3Cstrong%3EStarring%3C%2Fstrong%3E%3A%20Lakshya%2C%20Tanya%20Maniktala%2C%20Ashish%20Vidyarthi%2C%20Harsh%20Chhaya%2C%20Raghav%20Juyal%3C%2Fp%3E%0A%3Cp%3E%3Cstrong%3ERating%3A%3C%2Fstrong%3E%204.5%2F5%3Cbr%3E%3C%2Fp%3E%0A
Cry Macho
Director: Clint Eastwood
Stars: Clint Eastwood, Dwight Yoakam
Rating:**
Mercer, the investment consulting arm of US services company Marsh & McLennan, expects its wealth division to at least double its assets under management (AUM) in the Middle East as wealth in the region continues to grow despite economic headwinds, a company official said.
Mercer Wealth, which globally has $160 billion in AUM, plans to boost its AUM in the region to $2-$3bn in the next 2-3 years from the present $1bn, said Yasir AbuShaban, a Dubai-based principal with Mercer Wealth.
“Within the next two to three years, we are looking at reaching $2 to $3 billion as a conservative estimate and we do see an opportunity to do so,” said Mr AbuShaban.
Mercer does not directly make investments, but allocates clients’ money they have discretion to, to professional asset managers. They also provide advice to clients.
“We have buying power. We can negotiate on their (client’s) behalf with asset managers to provide them lower fees than they otherwise would have to get on their own,” he added.
Mercer Wealth’s clients include sovereign wealth funds, family offices, and insurance companies among others.
From its office in Dubai, Mercer also looks after Africa, India and Turkey, where they also see opportunity for growth.
Wealth creation in Middle East and Africa (MEA) grew 8.5 per cent to $8.1 trillion last year from $7.5tn in 2015, higher than last year’s global average of 6 per cent and the second-highest growth in a region after Asia-Pacific which grew 9.9 per cent, according to consultancy Boston Consulting Group (BCG). In the region, where wealth grew just 1.9 per cent in 2015 compared with 2014, a pickup in oil prices has helped in wealth generation.
BCG is forecasting MEA wealth will rise to $12tn by 2021, growing at an annual average of 8 per cent.
Drivers of wealth generation in the region will be split evenly between new wealth creation and growth of performance of existing assets, according to BCG.
Another general trend in the region is clients’ looking for a comprehensive approach to investing, according to Mr AbuShaban.
“Institutional investors or some of the families are seeing a slowdown in the available capital they have to invest and in that sense they are looking at optimizing the way they manage their portfolios and making sure they are not investing haphazardly and different parts of their investment are working together,” said Mr AbuShaban.
Some clients also have a higher appetite for risk, given the low interest-rate environment that does not provide enough yield for some institutional investors. These clients are keen to invest in illiquid assets, such as private equity and infrastructure.
“What we have seen is a desire for higher returns in what has been a low-return environment specifically in various fixed income or bonds,” he said.
“In this environment, we have seen a de facto increase in the risk that clients are taking in things like illiquid investments, private equity investments, infrastructure and private debt, those kind of investments were higher illiquidity results in incrementally higher returns.”
The Abu Dhabi Investment Authority, one of the largest sovereign wealth funds, said in its 2016 report that has gradually increased its exposure in direct private equity and private credit transactions, mainly in Asian markets and especially in China and India. The authority’s private equity department focused on structured equities owing to “their defensive characteristics.”
Key facilities
- Olympic-size swimming pool with a split bulkhead for multi-use configurations, including water polo and 50m/25m training lanes
- Premier League-standard football pitch
- 400m Olympic running track
- NBA-spec basketball court with auditorium
- 600-seat auditorium
- Spaces for historical and cultural exploration
- An elevated football field that doubles as a helipad
- Specialist robotics and science laboratories
- AR and VR-enabled learning centres
- Disruption Lab and Research Centre for developing entrepreneurial skills
At a glance
Global events: Much of the UK’s economic woes were blamed on “increased global uncertainty”, which can be interpreted as the economic impact of the Ukraine war and the uncertainty over Donald Trump’s tariffs.
Growth forecasts: Cut for 2025 from 2 per cent to 1 per cent. The OBR watchdog also estimated inflation will average 3.2 per cent this year
Welfare: Universal credit health element cut by 50 per cent and frozen for new claimants, building on cuts to the disability and incapacity bill set out earlier this month
Spending cuts: Overall day-to day-spending across government cut by £6.1bn in 2029-30
Tax evasion: Steps to crack down on tax evasion to raise “£6.5bn per year” for the public purse
Defence: New high-tech weaponry, upgrading HM Naval Base in Portsmouth
Housing: Housebuilding to reach its highest in 40 years, with planning reforms helping generate an extra £3.4bn for public finances
The White Lotus: Season three
Creator: Mike White
Starring: Walton Goggins, Jason Isaacs, Natasha Rothwell
Rating: 4.5/5
Squad for first two ODIs
Kohli (c), Rohit, Dhawan, Rayudu, Pandey, Dhoni (wk), Pant, Jadeja, Chahal, Kuldeep, Khaleel, Shami, Thakur, Rahul.
The permutations for UAE going to the 2018 World Cup finals
To qualify automatically
UAE must beat Iraq.
Australia must lose in Japan and at home to Thailand, with their losing margins and the UAE's winning margin over Iraq being enough to overturn a goal difference gap of eight.
Saudi Arabia must lose to Japan, with their losing margin and the UAE's winning margin over Iraq being enough to overturn a goal difference gap of eight.
To finish third and go into a play-off with the other third-placed AFC side for a chance to reach the inter-confederation play-off match
UAE must beat Iraq.
Saudi Arabia must lose to Japan, with their losing margin and the UAE's winning margin over Iraq being enough to overturn a goal difference gap of eight.
The Dictionary of Animal Languages
Heidi Sopinka
Scribe
RESULTS
Bantamweight title:
Vinicius de Oliveira (BRA) bt Xavier Alaoui (MAR)
(KO round 2)
Catchweight 68kg:
Sean Soriano (USA) bt Noad Lahat (ISR)
(TKO round 1)
Middleweight:
Denis Tiuliulin (RUS) bt Juscelino Ferreira (BRA)
(TKO round 1)
Lightweight:
Anas Siraj Mounir (MAR) bt Joachim Tollefsen (DEN)
(Unanimous decision)
Catchweight 68kg:
Austin Arnett (USA) bt Daniel Vega (MEX)
(TKO round 3)
Lightweight:
Carrington Banks (USA) bt Marcio Andrade (BRA)
(Unanimous decision)
Catchweight 58kg:
Corinne Laframboise (CAN) bt Malin Hermansson (SWE)
(Submission round 2)
Bantamweight:
Jalal Al Daaja (CAN) bt Juares Dea (CMR)
(Split decision)
Middleweight:
Mohamad Osseili (LEB) bt Ivan Slynko (UKR)
(TKO round 1)
Featherweight:
Tarun Grigoryan (ARM) bt Islam Makhamadjanov (UZB)
(Unanimous decision)
Catchweight 54kg:
Mariagiovanna Vai (ITA) bt Daniella Shutov (ISR)
(Submission round 1)
Middleweight:
Joan Arastey (ESP) bt Omran Chaaban (LEB)
(Unanimous decision)
Welterweight:
Bruno Carvalho (POR) bt Souhil Tahiri (ALG)
(TKO)
Director: Shady Ali
Cast: Boumi Fouad , Mohamed Tharout and Hisham Ismael
Rating: 3/5
Company%20Profile
%3Cp%3E%3Cstrong%3ECompany%3A%3C%2Fstrong%3E%20Astra%20Tech%3Cbr%3E%3Cstrong%3EStarted%3A%20%3C%2Fstrong%3EMarch%202022%3Cbr%3E%3Cstrong%3EBased%3A%20%3C%2Fstrong%3EDubai%3Cbr%3E%3Cstrong%3EFounder%3A%20%3C%2Fstrong%3EAbdallah%20Abu%20Sheikh%3Cbr%3E%3Cstrong%3EIndustry%3A%3C%2Fstrong%3E%20technology%20investment%20and%20development%3Cbr%3E%3Cstrong%3EFunding%20size%3A%3C%2Fstrong%3E%20%24500m%3C%2Fp%3E%0A
Three ways to get a gratitude glow
By committing to at least one of these daily, you can bring more gratitude into your life, says Ong.
- During your morning skincare routine, name five things you are thankful for about yourself.
- As you finish your skincare routine, look yourself in the eye and speak an affirmation, such as: “I am grateful for every part of me, including my ability to take care of my skin.”
- In the evening, take some deep breaths, notice how your skin feels, and listen for what your skin is grateful for.
Results:
Men's 100m T34: 1. Walid Ktila (TUN) 15 sec; 2. Rheed McCracken (AUS) 15.40; 3. Mohammed Al Hammadi (UAE) 15.75. Men's 400m T34: 1. Walid Ktila (TUN) 50.56; 2. Mohammed Al Hammadi (UAE) 50.94; 3. Henry Manni (FIN) 52.24.
Results
2pm: Handicap (PA) Dh80,000 1,600m; Winner: AF Al Baher, Bernardo Pinheiro (jockey), Ernst Oertel (trainer).
2.30pm: Handicap (TB) Dh100,000 1,600m; Winner: Talento Puma, Xavier Ziani, Salem bin Ghadayer.
3pm: Handicap (TB) Dh90,000 1,950m; Winner: Tailor’s Row, Royston Ffrench, Salem bin Ghadayer.
3.30pm: Jebel Ali Stakes Listed (TB) Dh500,000 1,950m; Winner: Mark Of Approval, Patrick Cosgrave, Mahmood Hussain.
4pm: Conditions (TB) Dh125,000 1,400m; Winner: Dead-heat Raakez, Jim Crowley, Nicholas Bachalard/Attribution, Xavier Ziani, Salem bin Ghadayer.
4.30pm: Jebel Ali Sprint (TB) Dh500,000 1,000m; Winner: AlKaraama, Antonio Fresu, Musabah Al Muhairi.
5pm: Handicap (TB) Dh100,000 1,200m; Winner: Wafy, Richard Mullen, Satish Seemar.
5.30pm: Handicap (TB) Dh90,000 1,400m; Winner: Cachao, Tadhg O’Shea, Satish Seemar.
Company%20profile
%3Cp%3EName%3A%20Tabby%3Cbr%3EFounded%3A%20August%202019%3B%20platform%20went%20live%20in%20February%202020%3Cbr%3EFounder%2FCEO%3A%20Hosam%20Arab%2C%20co-founder%3A%20Daniil%20Barkalov%3Cbr%3EBased%3A%20Dubai%2C%20UAE%3Cbr%3ESector%3A%20Payments%3Cbr%3ESize%3A%2040-50%20employees%3Cbr%3EStage%3A%20Series%20A%3Cbr%3EInvestors%3A%20Arbor%20Ventures%2C%20Mubadala%20Capital%2C%20Wamda%20Capital%2C%20STV%2C%20Raed%20Ventures%2C%20Global%20Founders%20Capital%2C%20JIMCO%2C%20Global%20Ventures%2C%20Venture%20Souq%2C%20Outliers%20VC%2C%20MSA%20Capital%2C%20HOF%20and%20AB%20Accelerator.%3Cbr%3E%3C%2Fp%3E%0A
WORLD RECORD FEES FOR GOALKEEPERS
1) Kepa Arrizabalaga, Athletic Bilbao to Chelsea (£72m)
2) Alisson, Roma to Liverpool (£67m)
3) Ederson, Benfica to Manchester City (£35m)
4) Gianluigi Buffon, Parma to Juventus (£33m)
5) Angelo Peruzzi, Inter Milan to Lazio (£15.7m
The stats
Ship name: MSC Bellissima
Ship class: Meraviglia Class
Delivery date: February 27, 2019
Gross tonnage: 171,598 GT
Passenger capacity: 5,686
Crew members: 1,536
Number of cabins: 2,217
Length: 315.3 metres
Maximum speed: 22.7 knots (42kph)
Yemen's Bahais and the charges they often face
The Baha'i faith was made known in Yemen in the 19th century, first introduced by an Iranian man named Ali Muhammad Al Shirazi, considered the Herald of the Baha'i faith in 1844.
The Baha'i faith has had a growing number of followers in recent years despite persecution in Yemen and Iran.
Today, some 2,000 Baha'is reside in Yemen, according to Insaf.
"The 24 defendants represented by the House of Justice, which has intelligence outfits from the uS and the UK working to carry out an espionage scheme in Yemen under the guise of religion.. aimed to impant and found the Bahai sect on Yemeni soil by bringing foreign Bahais from abroad and homing them in Yemen," the charge sheet said.
Baha'Ullah, the founder of the Bahai faith, was exiled by the Ottoman Empire in 1868 from Iran to what is now Israel. Now, the Bahai faith's highest governing body, known as the Universal House of Justice, is based in the Israeli city of Haifa, which the Bahais turn towards during prayer.
The Houthis cite this as collective "evidence" of Bahai "links" to Israel - which the Houthis consider their enemy.
How to help
Send “thenational” to the following numbers or call the hotline on: 0502955999
2289 – Dh10
2252 – Dh 50
6025 – Dh20
6027 – Dh 100
6026 – Dh 200
Water waste
In the UAE’s arid climate, small shrubs, bushes and flower beds usually require about six litres of water per square metre, daily. That increases to 12 litres per square metre a day for small trees, and 300 litres for palm trees.
Horticulturists suggest the best time for watering is before 8am or after 6pm, when water won't be dried up by the sun.
A global report published by the Water Resources Institute in August, ranked the UAE 10th out of 164 nations where water supplies are most stretched.
The Emirates is the world’s third largest per capita water consumer after the US and Canada.
UAE's final round of matches
- Sep 1, 2016 Beat Japan 2-1 (away)
- Sep 6, 2016 Lost to Australia 1-0 (home)
- Oct 6, 2016 Beat Thailand 3-1 (home)
- Oct 11, 2016 Lost to Saudi Arabia 3-0 (away)
- Nov 15, 2016 Beat Iraq 2-0 (home)
- Mar 23, 2017 Lost to Japan 2-0 (home)
- Mar 28, 2017 Lost to Australia 2-0 (away)
- June 13, 2017 Drew 1-1 with Thailand (away)
- Aug 29, 2017 v Saudi Arabia (home)
- Sep 5, 2017 v Iraq (away)
Match info:
Wolves 1
Boly (57')
Manchester City 1
Laporte (69')
