In a trial run in Amman, Handheld introduces refugee Palestinian children to video equipment and techniques, gaining practical insights for the West Bank project.
In a trial run in Amman, Handheld introduces refugee Palestinian children to video equipment and techniques, gaining practical insights for the West Bank project.

Dubai man aims to enable filmmaking skills among West Bank youngsters



Youngsters on the West Bank will have the chance to benefit creatively from a new project this summer. From the beginning of July, Handheld Stories plans to teach filmmaking skills to groups between eight and 16 years old from youth centres and refugee camps in East Jerusalem, Nablus and Hebron, while also giving them video equipment, computers and software. After six weeks, the films that come out of the project will be uploaded to a dedicated YouTube channel and to Handheld Stories’ own website.

“To say that these kids’ voices are underrepresented is something of an understatement,” says Guy Brooks, the founder of Handheld Stories and a lecturer at Dubai Men’s College. “We don’t ever hear their story. There’s always something much louder going on and it’s all political and all adults. It’s the kids that are really suffering and they’re not being heard.”

The idea behind Handheld is ­apolitical, which Brooks admits is a difficult concept in an area so heavily entrenched in politics. “My goal is not to go over there and do a political story, there are enough of those. This is about kids caught up in politics who are just trying to be kids. I’m not going over there to discuss Israeli policy towards the Palestinians. When you start going into that you go into centuries-old conflicts and ideas. Ideas can be argued, but feelings can’t, or so my wife tells me all the time.”

Brooks spent several weeks travelling around the West Bank last year to arrange the logistics of the project, meeting various groups and finding fixers on the ground. A trial run earlier this year in a Palestinian refugee camp in Amman helped him to refine the idea and pinpoint potential pitfalls.

The result of all this work was the selection of three locations for the first phase of the project. In Nablus, the participants will be chosen from the Balata refugee camp, in which more than 30,000 people – 70 per cent of them under 18 – live in an area about a quarter of a square kilometre in size. In East Jerusalem, they will come from Burj al Luq Luq, a community centre working with marginalised Palestinian children in one of the city’s poorest neighbourhoods. And in Hebron, the group will be working with the Dreams Theatre, a community centre in the old town.

“We’re probably going to start with about 12 students in each place,” says Brooks. “We’ll set them up with the training and have the teachers rolling back and forth between the locations. We’ll teach them one part – say composition and framing – and then move to the next place. When we come back up, we’ll see what they’ve done, give the camera to another kid and teach them narrative styles and move finally to how to edit their stories.”

To do the teaching, Brooks has enlisted the help of a cameraman who has worked with the BBC, industry professionals and several lecturers working in the UAE. They’re designing a curriculum specifically for their prospective students. “Our curriculum should get the kids up to speed very quickly. It’ll include using flash cards, showing the basics about zooming, tilting getting a good shot and a steady shot, that sort of thing. It’ll be quite intensive, but should be comprehensive enough so that if they aspire to do this as a vocation, they’ve got the skills.”

The stories that the youngsters shoot will be of their own choosing. “If they want to tell the story from a political stance, that’s entirely their choice, we want them to decide. We’ll be showing them other narrative and movies to help give them inspiration.”

For funding, Brooks says he has been approaching community organisations. He’s also hoping to work with various electronics companies to see if he can get them to donate some of the video equipment and computers needed.

In terms of equipment, with prices falling dramatically, Brooks hopes to kit his West Bank students out with fairly robust “prosumer” video cameras, and perhaps a smaller handheld video camera such as the Flip. “The production value that these kids could get would really benefit the project and people’s perception of what’s going on. I think it’s important to have such high production rather than standard definition and shaky camera.”

One of the most powerful aspects of the Handheld Stories programme is not just the training and equipment, but the platforms it will provide for the young Palestinians to showcase their creations. Apart from YouTube and the Handheld Stories website (www.handheldstories.com), some of the best videos will also be packaged by the Palestinian News Network, which will broadcast them across the whole of Palestine – the West Bank and Gaza – at the same time. “Because of travel restrictions, the kids don’t get to go to other villages, so this is a great opportunity for them to interact with each other.”

On top of this, some of the videos will feature in a documentary that Brooks will direct, which will follow Lafi, a Palestinian member of his team who will be visiting the West Bank for the first time since he left at the age of 13. For this side of the project, which has a working title of No Direction Home, Brooks has brought on board as producer the rising Emirati director (and former Dubai Men's College pupil) Rashid Al Marri, whose documentary Letters to Palestine made its debut at last year's Dubai International Film Festival.

The hope is to turn the programme into a scheme that can continue after Brooks and the other teachers have left. “We’re going to take a couple of the students from each place and train them up to be teacher trainers themselves, either for the rest of the summer or next year, so that after we’re gone it can continue into the future, becoming a legacy project.”

Brooks, who has been in Dubai more than three years, says that encouraging young people to make documentaries is what he does at Dubai Men’s College, with several of his students picking up awards for their work at UAE film festivals. But the idea to take it further came to him – in part – from a report he saw about the YouTube revolution. “It was fantastic,” he says, “and the proletarian in me thought, ‘not everybody has a camera, not everybody has a mobile phone, not everybody has this opportunity’. Rather than someone singing a pop song into their webcam and getting a million hits, surely we could be using this for better things. There is a really powerful use of this, but it’s not being exploited because people don’t have the kit.”

The Handheld Stories idea is not limited to the West Bank. “Unfortunately, the possibilities are endless for underrepresented youth worldwide who are living in less-than-decent circumstances,” says Brooks. “Someone told me about the Roma kids in Europe. Nobody hears their stories, plus the soundtrack would be wicked.”

Follow us on Twitter and keep up to date with the latest in arts and lifestyle news at twitter.com/LifeNationalUAE

PREMIER LEAGUE STATS

Romelu Lukaku's goalscoring statistics in the Premier League 
Season/club/appearances (substitute)/goals

2011/12 Chelsea: 8(7) - 0
2012/13 West Brom (loan): 35(15) - 17
2013/14 Chelsea: 2(2) - 0
2013/14 Everton (loan): 31(2) - 15
2014/15 Everton: 36(4) - 10
2015/16 Everton: 37(1) - 18
2016/17 Everton: 37(1) - 25  

In numbers: PKK’s money network in Europe

Germany: PKK collectors typically bring in $18 million in cash a year – amount has trebled since 2010

Revolutionary tax: Investigators say about $2 million a year raised from ‘tax collection’ around Marseille

Extortion: Gunman convicted in 2023 of demanding $10,000 from Kurdish businessman in Stockholm

Drug trade: PKK income claimed by Turkish anti-drugs force in 2024 to be as high as $500 million a year

Denmark: PKK one of two terrorist groups along with Iranian separatists ASMLA to raise “two-digit million amounts”

Contributions: Hundreds of euros expected from typical Kurdish families and thousands from business owners

TV channel: Kurdish Roj TV accounts frozen and went bankrupt after Denmark fined it more than $1 million over PKK links in 2013 

The%20specs
%3Cp%3E%3Cstrong%3EPowertrain%3A%20%3C%2Fstrong%3ESingle%20electric%20motor%0D%3Cbr%3E%3Cstrong%3EPower%3A%20%3C%2Fstrong%3E201hp%0D%3Cbr%3E%3Cstrong%3ETorque%3A%20%3C%2Fstrong%3E310Nm%0D%3Cbr%3E%3Cstrong%3ETransmission%3A%20%3C%2Fstrong%3ESingle-speed%20auto%0D%3Cbr%3E%3Cstrong%3EBattery%3A%20%3C%2Fstrong%3E53kWh%20lithium-ion%20battery%20pack%20(GS%20base%20model)%3B%2070kWh%20battery%20pack%20(GF)%0D%3Cbr%3E%3Cstrong%3ETouring%20range%3A%20%3C%2Fstrong%3E350km%20(GS)%3B%20480km%20(GF)%0D%3Cbr%3E%3Cstrong%3EPrice%3A%20%3C%2Fstrong%3EFrom%20Dh129%2C900%20(GS)%3B%20Dh149%2C000%20(GF)%0D%3Cbr%3E%3Cstrong%3EOn%20sale%3A%3C%2Fstrong%3E%20Now%3C%2Fp%3E%0A
The White Lotus: Season three

Creator: Mike White

Starring: Walton Goggins, Jason Isaacs, Natasha Rothwell

Rating: 4.5/5

UPI facts

More than 2.2 million Indian tourists arrived in UAE in 2023
More than 3.5 million Indians reside in UAE
Indian tourists can make purchases in UAE using rupee accounts in India through QR-code-based UPI real-time payment systems
Indian residents in UAE can use their non-resident NRO and NRE accounts held in Indian banks linked to a UAE mobile number for UPI transactions

MATCH INFO

Manchester United v Manchester City, Wednesday, 11pm (UAE)

Match is on BeIN Sports

WHAT IS A BLACK HOLE?

1. Black holes are objects whose gravity is so strong not even light can escape their pull

2. They can be created when massive stars collapse under their own weight

3. Large black holes can also be formed when smaller ones collide and merge

4. The biggest black holes lurk at the centre of many galaxies, including our own

5. Astronomers believe that when the universe was very young, black holes affected how galaxies formed

Fireball

Moscow claimed it hit the largest military fuel storage facility in Ukraine, triggering a huge fireball at the site.

A plume of black smoke rose from a fuel storage facility in the village of Kalynivka outside Kyiv on Friday after Russia said it had destroyed the military site with Kalibr cruise missiles.

"On the evening of March 24, Kalibr high-precision sea-based cruise missiles attacked a fuel base in the village of Kalynivka near Kyiv," the Russian defence ministry said in a statement.

Ukraine confirmed the strike, saying the village some 40 kilometres south-west of Kyiv was targeted.

Temple numbers

Expected completion: 2022

Height: 24 meters

Ground floor banquet hall: 370 square metres to accommodate about 750 people

Ground floor multipurpose hall: 92 square metres for up to 200 people

First floor main Prayer Hall: 465 square metres to hold 1,500 people at a time

First floor terrace areas: 2,30 square metres  

Temple will be spread over 6,900 square metres

Structure includes two basements, ground and first floor 

WandaVision

Starring: Elizabeth Olsen, Paul Bettany

Directed by: Matt Shakman

Rating: Four stars

Key facilities
  • Olympic-size swimming pool with a split bulkhead for multi-use configurations, including water polo and 50m/25m training lanes
  • Premier League-standard football pitch
  • 400m Olympic running track
  • NBA-spec basketball court with auditorium
  • 600-seat auditorium
  • Spaces for historical and cultural exploration
  • An elevated football field that doubles as a helipad
  • Specialist robotics and science laboratories
  • AR and VR-enabled learning centres
  • Disruption Lab and Research Centre for developing entrepreneurial skills
SPEC%20SHEET%3A%20APPLE%20IPHONE%2015%20PRO%20MAX
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Company%C2%A0profile
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The distance learning plan

Spring break will be from March 8 - 19

Public school pupils will undergo distance learning from March 22 - April 2. School hours will be 8.30am to 1.30pm

Staff will be trained in distance learning programmes from March 15 - 19

Teaching hours will be 8am to 2pm during distance learning

Pupils will return to school for normal lessons from April 5

Mercer, the investment consulting arm of US services company Marsh & McLennan, expects its wealth division to at least double its assets under management (AUM) in the Middle East as wealth in the region continues to grow despite economic headwinds, a company official said.

Mercer Wealth, which globally has $160 billion in AUM, plans to boost its AUM in the region to $2-$3bn in the next 2-3 years from the present $1bn, said Yasir AbuShaban, a Dubai-based principal with Mercer Wealth.

Within the next two to three years, we are looking at reaching $2 to $3 billion as a conservative estimate and we do see an opportunity to do so,” said Mr AbuShaban.

Mercer does not directly make investments, but allocates clients’ money they have discretion to, to professional asset managers. They also provide advice to clients.

“We have buying power. We can negotiate on their (client’s) behalf with asset managers to provide them lower fees than they otherwise would have to get on their own,” he added.

Mercer Wealth’s clients include sovereign wealth funds, family offices, and insurance companies among others.

From its office in Dubai, Mercer also looks after Africa, India and Turkey, where they also see opportunity for growth.

Wealth creation in Middle East and Africa (MEA) grew 8.5 per cent to $8.1 trillion last year from $7.5tn in 2015, higher than last year’s global average of 6 per cent and the second-highest growth in a region after Asia-Pacific which grew 9.9 per cent, according to consultancy Boston Consulting Group (BCG). In the region, where wealth grew just 1.9 per cent in 2015 compared with 2014, a pickup in oil prices has helped in wealth generation.

BCG is forecasting MEA wealth will rise to $12tn by 2021, growing at an annual average of 8 per cent.

Drivers of wealth generation in the region will be split evenly between new wealth creation and growth of performance of existing assets, according to BCG.

Another general trend in the region is clients’ looking for a comprehensive approach to investing, according to Mr AbuShaban.

“Institutional investors or some of the families are seeing a slowdown in the available capital they have to invest and in that sense they are looking at optimizing the way they manage their portfolios and making sure they are not investing haphazardly and different parts of their investment are working together,” said Mr AbuShaban.

Some clients also have a higher appetite for risk, given the low interest-rate environment that does not provide enough yield for some institutional investors. These clients are keen to invest in illiquid assets, such as private equity and infrastructure.

“What we have seen is a desire for higher returns in what has been a low-return environment specifically in various fixed income or bonds,” he said.

“In this environment, we have seen a de facto increase in the risk that clients are taking in things like illiquid investments, private equity investments, infrastructure and private debt, those kind of investments were higher illiquidity results in incrementally higher returns.”

The Abu Dhabi Investment Authority, one of the largest sovereign wealth funds, said in its 2016 report that has gradually increased its exposure in direct private equity and private credit transactions, mainly in Asian markets and especially in China and India. The authority’s private equity department focused on structured equities owing to “their defensive characteristics.”