The Austrian writer’s book has been translated by Rachel McNicholl.
The Austrian writer’s book has been translated by Rachel McNicholl.
The Austrian writer’s book has been translated by Rachel McNicholl.
The Austrian writer’s book has been translated by Rachel McNicholl.

Book review: Sometimes I Lie and Sometimes I Don’t, by Nadja Spiegel, touches on identity from the inside and out


  • English
  • Arabic

It’s difficult to write about Nadja Spiegel’s debut collection of very short stories: they’re so slippery. They “spool” and “rewind” (these are her words about the voice of “Ophelia”, who is old, but somehow also isn’t, until she’s dead and the whole thing is hardly resolved). The creations of the Austrian author, who is still in her very early 20s, can at first glance seem slight: vignettes of contemporary romantic and family relationships whose elusive protagonists do “nothing in particular” – until they reveal themselves as something a lot darker and more complex. At the start of her tales, most of which are told as internal monologues, it is often unclear how characters are related to each other, or even whether they are male or female.

Many feature doubles, twins, and couples without boundaries: where does one character start and the other finish? There is an intimacy that could be romantic but could be familial, which, in several stories does get too close for comfort. There is no difference between skin and skin, of sisters in particular: “We said nothing for so long that I couldn’t tell where my body ended and hers began.”

For Spiegel, bodies are unreliable indicators of personality. “We were actually pretty alike, we just had different shells,” says an ugly sister of the one she believes to be more beautiful. People are a mystery, because they are often not quite as they appear: “my problem,” says one narrator who has a relationship with her life-class model, “was trying to dissociate Milo’s outer shell from Milo himself.” When he, in turn, paints her: “The way he looked at me made my body irrelevant; it was an artist’s gaze.” She refuses to display the resulting abstract painting in case anyone sees “her” naked.

Spiegel writes on experiencing beauty as an observer who breaks the body down into spare parts in the name of love, or art. As they have only a glancing association with identity, the way bodies fragment is sometimes funny and sometimes horrific, but this fragmented sensibility also allows for moments of awkward sensuality: “Hannes pointed at my thigh, at the hole in my tights, and touched his index finger to my skin; it fit perfectly into the rim of the hole.”

There are many liminal states of dress and undress in the collection: characters are draped in nighties, sheets, towels. Evasive, fey as indie-pop, these are emo stories in which teenagers and twentysomethings make advances to each other via little compliments and gifts. Spiegel’s protagonists drink “hot milk and honey”, they eat Nutella, they offer “a packet of chocolate biscuits”. There are many small, cute things, that somehow turn big and dark, and the stories are littered with sudden images (and acts) of violence: “When Paula played the piano, her face was a derailed train.” There’s a lot of music in these stories and musicians, for music is an alternative to words, which are untrustworthy. Even the stories’ titles are set in shy (or petulant?) lower-case.

The inadequacy of language is particularly evident in Speigel’s mistrust of names: “For three weeks I never heard Malika say anything other than I am Malika,” says one narrator, who fails to know Malika any better via the use of that word. Sometimes Spiegel’s characters are called K and X; sometimes they are called “Marie” but at the same time, “Eiske”; sometimes just “the mother” and “the son”. This use of formalism links Spiegel to other Austrian writers, particularly Elfriede Jelinek, and Thomas Bernhard.

In the end, the collection is about the failures of language, especially to describe human identity: “I can’t find the words for the sentence. I can never find words for my sentences,” says one of Speigel’s protagonists. “And if someone were to ask me Whatisyourname, my answer would be: I don’t know,” says another.

What is left? Things that can be suggested, but not solved by anything Spiegel can put on the page. We’re left with an equation of coexistent facts, equal and opposite: “a) What everyone knows: Meta plays the violin. b) What no one knows.”

This book is available on Amazon.

Joanna Walsh is the author of Vertigo. She edits fiction at 3:AM magazine and runs @read_women.

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Sheer grandeur

The Owo building is 14 storeys high, seven of which are below ground, with the 30,000 square feet of amenities located subterranean, including a 16-seat private cinema, seven lounges, a gym, games room, treatment suites and bicycle storage.

A clear distinction between the residences and the Raffles hotel with the amenities operated separately.

What the law says

Micro-retirement is not a recognised concept or employment status under Federal Decree Law No. 33 of 2021 on the Regulation of Labour Relations (as amended) (UAE Labour Law). As such, it reflects a voluntary work-life balance practice, rather than a recognised legal employment category, according to Dilini Loku, senior associate for law firm Gateley Middle East.

“Some companies may offer formal sabbatical policies or career break programmes; however, beyond such arrangements, there is no automatic right or statutory entitlement to extended breaks,” she explains.

“Any leave taken beyond statutory entitlements, such as annual leave, is typically regarded as unpaid leave in accordance with Article 33 of the UAE Labour Law. While employees may legally take unpaid leave, such requests are subject to the employer’s discretion and require approval.”

If an employee resigns to pursue micro-retirement, the employment contract is terminated, and the employer is under no legal obligation to rehire the employee in the future unless specific contractual agreements are in place (such as return-to-work arrangements), which are generally uncommon, Ms Loku adds.

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The flights

Emirates flies from Dubai to Phnom Penh via Yangon from Dh2,700 return including taxes. Cambodia Bayon Airlines and Cambodia Angkor Air offer return flights from Phnom Penh to Siem Reap from Dh250 return including taxes. The flight takes about 45 minutes.

The hotels

Rooms at the Raffles Le Royal in Phnom Penh cost from $225 (Dh826) per night including taxes. Rooms at the Grand Hotel d'Angkor cost from $261 (Dh960) per night including taxes.

The tours

A cyclo architecture tour of Phnom Penh costs from $20 (Dh75) per person for about three hours, with Khmer Architecture Tours. Tailor-made tours of all of Cambodia, or sites like Angkor alone, can be arranged by About Asia Travel. Emirates Holidays also offers packages. 

Ipaf in numbers

Established: 2008

Prize money:  $50,000 (Dh183,650) for winners and $10,000 for those on the shortlist.

Winning novels: 13

Shortlisted novels: 66

Longlisted novels: 111

Total number of novels submitted: 1,780

Novels translated internationally: 66

Our legal consultants

Name: Hassan Mohsen Elhais

Position: legal consultant with Al Rowaad Advocates and Legal Consultants.

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Torque: 175Nm

Price: From Dh98,800

Available: Now

Mica

Director: Ismael Ferroukhi

Stars: Zakaria Inan, Sabrina Ouazani

3 stars

In numbers: China in Dubai

The number of Chinese people living in Dubai: An estimated 200,000

Number of Chinese people in International City: Almost 50,000

Daily visitors to Dragon Mart in 2018/19: 120,000

Daily visitors to Dragon Mart in 2010: 20,000

Percentage increase in visitors in eight years: 500 per cent

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Oppenheimer
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COMPANY PROFILE
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SPECS
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Top investing tips for UAE residents in 2021

Build an emergency fund: Make sure you have enough cash to cover six months of expenses as a buffer against unexpected problems before you begin investing, advises Steve Cronin, the founder of DeadSimpleSaving.com.

Think long-term: When you invest, you need to have a long-term mindset, so don’t worry about momentary ups and downs in the stock market.

Invest worldwide: Diversify your investments globally, ideally by way of a global stock index fund.

Is your money tied up: Avoid anything where you cannot get your money back in full within a month at any time without any penalty.

Skip past the promises: “If an investment product is offering more than 10 per cent return per year, it is either extremely risky or a scam,” Mr Cronin says.

Choose plans with low fees: Make sure that any funds you buy do not charge more than 1 per cent in fees, Mr Cronin says. “If you invest by yourself, you can easily stay below this figure.” Managed funds and commissionable investments often come with higher fees.

Be sceptical about recommendations: If someone suggests an investment to you, ask if they stand to gain, advises Mr Cronin. “If they are receiving commission, they are unlikely to recommend an investment that’s best for you.”

Get financially independent: Mr Cronin advises UAE residents to pursue financial independence. Start with a Google search and improve your knowledge via expat investing websites or Facebook groups such as SimplyFI. 

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Champions League quarter-final, first leg

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