When Omid Djalili sets foot on the Dubai Opera stage this week, he will be full of gratitude. And who could blame him?
The British-Iranian comic has had six months of gigs cancelled because of the pandemic, but is fortunate enough to leave the UK just as the country enters a second national lockdown.
Speaking to The National before his show on Saturday, October 7, Djalili says he is raring to go.
“I haven’t really performed since March, so what the audience will see in Dubai is, first and foremost, a grateful man,” he says. “Every moment will be savoured. Every single joke and routine I will perform with absolute appreciation and gratitude to God. It will be an almost a religious experience.”
No laughing matter
That shift in perspective will also permeate Djalili’s material. While his work has always been laced with piercing insights on society and politics, he feels the pandemic has the potential to alter stand-up comedy as we know it.
He predicts cheap laughs will be replaced with more thoughtful and soulful content.
"The world has changed and, because of that, we as people have changed," he says. "I see this every day with the people I talk to. There are no more meaningless conversations. I mean, there is some chitchat, but people are getting to the point quicker. And that will change the way we do comedy."
This means Djalili will waste no time in getting to the heart of the matter. Where, previously, the opening minutes of his shows were spent warming up the crowd with rapid-fire puns, he plans to immediately delve into some of his learnings amid the pandemic.
One of which, he has discovered, is to keep busy. “For me, I realised that I needed to continue creating, whatever it is, I need to keep on with that,” he says.
This led Djalili to a realisation.
“I forgot that I actually had an Instagram account,” he says, chuckling. “It was actually created for me by a comedy club years ago and it had like 3,000 followers. So I thought, 'why don’t I take it over and create little videos that become like a diary of what I am doing?'”
Now with 16,000 followers, the account is home to some wonderfully eclectic posts, from quirky commentary on news events to a whimsical video in which Djalili pays tribute to his late father.
Working within the boundaries
That balance of hilarity and heart has always stood Djalili in good stead.
It gave him a diverse audience over a three-decade career with shows played in edgy clubs in New York and London, as well as headlining gala events attended by members of the British royal family.
Djalili dismisses the notion his material is safe. Just because his jokes are not racy, he says, doesn't mean they lack finesse and technique. He adds that working within established guidelines can also be rewarding.
“A lot of this has to do with the culture I am from. In Iran, particularly at the very beginning of the current regime, it was very difficult for filmmakers because they had very strict boundaries,” he says.
“But the interesting thing is that they learnt to work within that structure and produce some amazing work. They took their inspiration from classical music where composers like Bach and Bartok faced their own restrictions – like only being able to use a certain number of notes per octave – and they went on to create beautiful music.”
The time he was sacked from a Johnny Depp film
Then again, there are certain limits Djalili can't help but overstep, such as his experience working on Pirates of the Caribbean: At World's End.
As a well-regarded screen and stage actor, Djalili built a solid Hollywood career with supporting roles in Gladiator (2000), Spy Game (2001) and 2018's Mamma Mia! Here We Go Again.
Not even the experience of working on outlandish productions such as 1999's The Mummy and the James Bond film The World is Not Enough could have prepared him for the ridiculousness of playing swashbuckling pirate Askay in the 2007 film.
“I got fired from that,” he said. “I was playing this role where I had a sword. The crew was looking for a simple sweeping camera shot but they kept stopping because I kept messing about. I was doing all these samurai moves. Then they took the sword away from me and gave me a gun. Then I pretended to be James Bond. Then I was taken off the set and was told to pack up my bags because my flight was in three hours. Just like that I was out ... I am quite proud of that experience, actually.”
Omid Djalili performs at Dubai Opera on Saturday, November 7 at 8pm. Tickets from Dh195. For details, visit dubaiopera.com
AT%20A%20GLANCE
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Voy!%20Voy!%20Voy!
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Founders: Michele Ferrario, Nino Ulsamer and Freddy Lim
Started: established in 2016 and launched in July 2017
Based: Singapore, with offices in the UAE, Malaysia, Hong Kong, Thailand
Sector: FinTech, wealth management
Initial investment: $500,000 in seed round 1 in 2016; $2.2m in seed round 2 in 2017; $5m in series A round in 2018; $12m in series B round in 2019; $16m in series C round in 2020 and $25m in series D round in 2021
Current staff: more than 160 employees
Stage: series D
Investors: EightRoads Ventures, Square Peg Capital, Sequoia Capital India
RACE CARD
6.30pm Mazrat Al Ruwayah – Group 2 (PA) $36,000 (Dirt) 1,600m
7.05pm Handicap (TB) $68,000 (Turf) 2,410m
7.40pm Meydan Trophy – Conditions (TB) $50,000 (T) 1,900m
8.15pm Al Maktoum Challenge Round 2 - Group 2 (TB) $293,000 (D) 1,900m
8.50pm Al Rashidiya – Group 2 (TB) $163,000 (T) 1,800m
9.25pm Handicap (TB) $65,000 (T) 1,000m
MATCH INFO
Uefa Champions League semi-final, first leg
Bayern Munich 1
Kimmich (27')
Real Madrid 2
Marcelo (43'), Asensio (56')
The years Ramadan fell in May
Is it worth it? We put cheesecake frap to the test.
The verdict from the nutritionists is damning. But does a cheesecake frappuccino taste good enough to merit the indulgence?
My advice is to only go there if you have unusually sweet tooth. I like my puddings, but this was a bit much even for me. The first hit is a winner, but it's downhill, slowly, from there. Each sip is a little less satisfying than the last, and maybe it was just all that sugar, but it isn't long before the rush is replaced by a creeping remorse. And half of the thing is still left.
The caramel version is far superior to the blueberry, too. If someone put a full caramel cheesecake through a liquidiser and scooped out the contents, it would probably taste something like this. Blueberry, on the other hand, has more of an artificial taste. It's like someone has tried to invent this drink in a lab, and while early results were promising, they're still in the testing phase. It isn't terrible, but something isn't quite right either.
So if you want an experience, go for a small, and opt for the caramel. But if you want a cheesecake, it's probably more satisfying, and not quite as unhealthy, to just order the real thing.
Silent Hill f
Publisher: Konami
Platforms: PlayStation 5, Xbox Series X/S, PC
Rating: 4.5/5
COMPANY%20PROFILE
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RESULT
Shabab Al Ahli Dubai 0 Al Ain 6
Al Ain: Caio (5', 73'), El Shahat (10'), Berg (65'), Khalil (83'), Al Ahbabi (90' 2)
More coverage from the Future Forum
Virtuzone GCC Sixes
Date and venue Friday and Saturday, ICC Academy, Dubai Sports City
Time Matches start at 9am
Groups
A Blighty Ducks, Darjeeling Colts, Darjeeling Social, Dubai Wombats; B Darjeeling Veterans, Kuwait Casuals, Loose Cannons, Savannah Lions; C Awali Taverners, Darjeeling, Dromedary, Darjeeling Good Eggs
Killing of Qassem Suleimani
The Sand Castle
Director: Matty Brown
Stars: Nadine Labaki, Ziad Bakri, Zain Al Rafeea, Riman Al Rafeea
Rating: 2.5/5
Global state-owned investor ranking by size
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The Perfect Couple
Starring: Nicole Kidman, Liev Schreiber, Jack Reynor
Creator: Jenna Lamia
Rating: 3/5
The Bio
Favourite place in UAE: Al Rams pearling village
What one book should everyone read: Any book written before electricity was invented. When a writer willingly worked under candlelight, you know he/she had a real passion for their craft
Your favourite type of pearl: All of them. No pearl looks the same and each carries its own unique characteristics, like humans
Best time to swim in the sea: When there is enough light to see beneath the surface
Children who witnessed blood bath want to help others
Aged just 11, Khulood Al Najjar’s daughter, Nora, bravely attempted to fight off Philip Spence. Her finger was injured when she put her hand in between the claw hammer and her mother’s head.
As a vital witness, she was forced to relive the ordeal by police who needed to identify the attacker and ensure he was found guilty.
Now aged 16, Nora has decided she wants to dedicate her career to helping other victims of crime.
“It was very horrible for her. She saw her mum, dying, just next to her eyes. But now she just wants to go forward,” said Khulood, speaking about how her eldest daughter was dealing with the trauma of the incident five years ago. “She is saying, 'mama, I want to be a lawyer, I want to help people achieve justice'.”
Khulood’s youngest daughter, Fatima, was seven at the time of the attack and attempted to help paramedics responding to the incident.
“Now she wants to be a maxillofacial doctor,” Khulood said. “She said to me ‘it is because a maxillofacial doctor returned your face, mama’. Now she wants to help people see themselves in the mirror again.”
Khulood’s son, Saeed, was nine in 2014 and slept through the attack. While he did not witness the trauma, this made it more difficult for him to understand what had happened. He has ambitions to become an engineer.