The National Symphony Orchestra’s conductor, Andrew Berryman, who says the season-opening concert in Abu Dhabi will appeal to all music lovers. Courtesy NSO
The National Symphony Orchestra’s conductor, Andrew Berryman, who says the season-opening concert in Abu Dhabi will appeal to all music lovers. Courtesy NSO

The National Symphony Orchestra kick off new season with a night at the movies in Abu Dhabi



From the blockbuster music of Star Trek to a playful suite of familiar cartoon tunes, the National Symphony Orchestra's sixth season-opening concert at Emirates Palace this weekend will be packed with unexpected delights.

In keeping with tradition, the NSO will begin their new season with A Night at the Movies … Extreme, but this year they raise the bar with an eccentric version that might catch connoisseurs of classical music by surprise.

“The first night is always a film night, playing all your Hollywood spectaculars that the audience expects,” says Andrew Berryman, the orchestra’s conductor and musical director. “So we can’t break that mould totally – but we can try to do some things a little bit different.”

Berryman says they want to kick-off the season with a concert that entices all kinds of music enthusiasts.

“The flag we like to fly is that classical music isn’t elitist,” he says. “It is for everybody, so we try to make it as interesting as we can with a programme that isn’t all your usual Hollywood greats, because people have had enough of this.”

Therefore, as well as music from Star Trek Into Darkness, the concert will be peppered with pieces from cult sci-fi films and cartoons.

“Each piece will be an extreme of the previous one, so right from the opening to sci-fi horror music, the music styles will be very different,” says Berryman.

The 60-piece orchestra, including strings, brass, woodwinds, percussion and a choir, will be led by Berryman and concertmaster Min Yang.

The concert will open with 19th-century German composer Richard Strauss's Also Sprach Zarathustra, as featured in Stanley Kubrick's 1968 sci-fi epic 2001: A Space Odyssey, followed by Igor Stravinsky's Infernal Dance from the Firebird Suite, which was featured in Disney's Fantasia 2000. "If you play the whole of The Firebird in the UAE to a relatively unestablished audience, it would be too much down the classical street, so we will be giving little snippets of it," says Berryman, who has conducted more than 100 performances in the region.

“And since this is a film night, all the music has been played in some film.”

Disney's Fantasia 2000, the 1999 sequel to the 1940 original,fused animation and classical music. "This will continue into Mambo No 5 by Perez Prado, and here we will have the audience participate and sing along," he says.

NSO will also perform the world premiere of a piece by award-winning British composer James Griffiths. A Starlight Horizon suite, from the new sci-fi short film Darkwave: Edge of the Storm, has been specifically adapted for the UAE by Griffiths.

The Cartoon Network suite will appeal to the youngsters in the audience. Berryman says British composer John Parkinson was commissioned to put together a selection of tunes from popular TV cartoons.

He has strung together music from We Bare Bears, Dexter's Laboratory, The Powerpuff Girls, Adventure Time, Steven Universe and Mansour for this cheerful piece.

“We were given permission by The Cartoon Network to use these,” says the director. “At the concert, we are going to show a video put together by the network showing part of each cartoon as we play the suite.”

The first-half will end with Ennio Morricone's music from the 1988 film Cinema Paradiso and Star Trek Into Darkness by Michael Giacchino. After the interval, the tempo will change with Fanfare for the Common Man by Aaron Copland, which will put the orchestra's brass and percussion players in the spotlight.

The piece, written in 1942, was partly inspired by a speech by Henry A Wallace, the 33rd vice president of the United States.

The climax of the show will be Beethoven's grandiose work, the finale from Symphony No 9.

“This is an interesting fact, that Beethoven was on stage for this performance, sitting next to conductor of the orchestra and choir to indicate the tempo in 1824,” says Berryman.

“It was such a spectacular success that the audience burst into cheers, but unfortunately he couldn’t hear it. So the soprano had to turn him around to face the audience and see their response.” Berryman says this season will include other classical concerts ideal for people with less knowledge of the genre.

“Last year, for the first time, we gave a performance of a full symphony,” he says. “The turnout was fantastic, with a 1,500-strong audience. We will do that again this year.”

A Night at the Movies … Extreme is at Emirates Palace, Abu Dhabi, at 4.30pm and 7.30pm on Friday. Ticket prices start from Dh75 at www.ticketmaster.ae

aahmed@thenational.ae

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UAE currency: the story behind the money in your pockets

Mercer, the investment consulting arm of US services company Marsh & McLennan, expects its wealth division to at least double its assets under management (AUM) in the Middle East as wealth in the region continues to grow despite economic headwinds, a company official said.

Mercer Wealth, which globally has $160 billion in AUM, plans to boost its AUM in the region to $2-$3bn in the next 2-3 years from the present $1bn, said Yasir AbuShaban, a Dubai-based principal with Mercer Wealth.

Within the next two to three years, we are looking at reaching $2 to $3 billion as a conservative estimate and we do see an opportunity to do so,” said Mr AbuShaban.

Mercer does not directly make investments, but allocates clients’ money they have discretion to, to professional asset managers. They also provide advice to clients.

“We have buying power. We can negotiate on their (client’s) behalf with asset managers to provide them lower fees than they otherwise would have to get on their own,” he added.

Mercer Wealth’s clients include sovereign wealth funds, family offices, and insurance companies among others.

From its office in Dubai, Mercer also looks after Africa, India and Turkey, where they also see opportunity for growth.

Wealth creation in Middle East and Africa (MEA) grew 8.5 per cent to $8.1 trillion last year from $7.5tn in 2015, higher than last year’s global average of 6 per cent and the second-highest growth in a region after Asia-Pacific which grew 9.9 per cent, according to consultancy Boston Consulting Group (BCG). In the region, where wealth grew just 1.9 per cent in 2015 compared with 2014, a pickup in oil prices has helped in wealth generation.

BCG is forecasting MEA wealth will rise to $12tn by 2021, growing at an annual average of 8 per cent.

Drivers of wealth generation in the region will be split evenly between new wealth creation and growth of performance of existing assets, according to BCG.

Another general trend in the region is clients’ looking for a comprehensive approach to investing, according to Mr AbuShaban.

“Institutional investors or some of the families are seeing a slowdown in the available capital they have to invest and in that sense they are looking at optimizing the way they manage their portfolios and making sure they are not investing haphazardly and different parts of their investment are working together,” said Mr AbuShaban.

Some clients also have a higher appetite for risk, given the low interest-rate environment that does not provide enough yield for some institutional investors. These clients are keen to invest in illiquid assets, such as private equity and infrastructure.

“What we have seen is a desire for higher returns in what has been a low-return environment specifically in various fixed income or bonds,” he said.

“In this environment, we have seen a de facto increase in the risk that clients are taking in things like illiquid investments, private equity investments, infrastructure and private debt, those kind of investments were higher illiquidity results in incrementally higher returns.”

The Abu Dhabi Investment Authority, one of the largest sovereign wealth funds, said in its 2016 report that has gradually increased its exposure in direct private equity and private credit transactions, mainly in Asian markets and especially in China and India. The authority’s private equity department focused on structured equities owing to “their defensive characteristics.”