Saudi Arabia needs more performance venues and better professional practices for its nascent music industry to reach its full potential, industry insiders claim.
These were some of the takeaways from XChange Sound, the first of a series of discussions organised by entertainment company MDL Beast.
The inaugural event took place at Hayy Jameel in Jeddah on Wednesday and will move to Riyadh in September, before Dubai in October.
Each event brings industry professionals and talent together to discuss ways to improve and expand Saudi Arabia's music ecosystem, as well as the wider Mena region’s.
The findings from the discussions will be presented to music industry and regional government delegates at the XP Music Futures conference in Riyadh, which runs from November 28 to 30.
The workshops are the latest initiative from MDL Beast, the parent company behind dance music festival Soundstorm and electronic music label MDL Beast Records.
The company’s director of strategy Nada Alhelabi tells The National it is imperative to have these exchanges featuring seasoned and aspiring talent.
"That's because we are building and thinking about the future of the music scene," she says. "We want to think about what we need to ensure the industry here is healthy and sustainable.
"With more events popping up in Riyadh, for example, we need to ask ourselves how we can create more venues. How can we have the right licensing deals? How can talent have more opportunities to perform? This applies to the general music industry here in the region.
“So when we come to Dubai, for example, we will focus our discussions about various policies regarding music rights, copyright, publishing and all these kinds of subjects.”
Music venues bring artists together
While the discussions in Jeddah featured Saudi artists and are based on their experiences, some of the challenges and opportunities presented by the kingdom’s music scene echo those of artists in other Mena countries, such as the UAE and Lebanon.
A key point raised within the four breakout sessions is the need for more music venues catering to local artists.
"The only time we see significant increase in the followership of our artists is when they are playing live, as opposed to them simply releasing music online," says Mostafa Fahmy, marketing director from Jeddah music label Wall of Sound during the XChange Sound sessions.
"While music videos do bring some attention, it is only when people see the artist sweating on stage and doing their job they immediately connect with them and that's how fan-bases are built.”
Rapper and producer Nashmi believes music venues also serve a bigger purpose than performance opportunities.
"It's about creating a collective space where we can all gather and see different music," he says. "It is in places like these that you can meet other people with different but interesting tastes and then maybe you can collaborate together.
“These smaller venues, in my opinion, are more important than big genre-specific festivals because it brings everyone together.”
Music venues also provide more agency to independent artists as they build their careers.
“It will allow me, for example, to book a place for a single or album launch,” says hip-hop artist Lil Eazy. “At the moment I can’t create my own event because of the lack of spaces and the permits involved.
“Instead I will have to wait for a Sandstorm festival or a show at Jeddah or Riyadh Season. While I am grateful for the opportunities, this is not ideal.”
Studying the music business
XChange Sound also had discussions about an apparent "lack of professionalism" inherent within the Saudi music industry, especially when it comes to artist management.
The delegates agreed wholeheartedly with the notion that such positions should be handled by those with industry knowledge.
"Rule number one: never hire family members or friends just because they are close to you," Nashmi says.
Asim Jaan, the manager of Saudi RnB singer Hamza Hawsawi, called for music business management to be studied as a course in universities and academies.
"It's a field that requires specific and important skills. We are talking about handling negotiations, being good with numbers, the ability to work under pressure, being patient and spotting future opportunities," he says.
"On top of that, you are also dealing with creative people who can often be moody. They need support and encouragement. So there are a lot of ingredients to the role.”
While these salient points will be factored into the programming and masterclasses of the XP Music Futures conference later in the year, artists are encouraged to be more proactive in the meantime.
This is what pushed Saudi hip-hop dancer and choreographer Khadija Alsheikh to come to XChange Sound.
“I wanted to connect with other people here and see how I can contribute to the culture and move it forward, because at the end of the day this is really what it is all about,” she tells The National.
“On a personal note, my goal is to incorporate more music into what I do as a dancer. So I wanted to come here and meet other musicians and producers and when I feel confident to step out of my comfort zone and begin that part of my creative journey, I know who I can reach out to.”
Keep on pushing
XChange Sound ended with live sets by two of Saudi Arabia's most seasoned electronic music acts: DJ Vinyl Mode and electronic music producer and vocalist Fulana.
"It is unbelievable what is happening here in Saudi because we are seeing a lot of our dreams coming to reality," said Vinyl Mode, real name Mohannad Nassar, before his performance. "But at the same time, we still have to keep building and we need to work.
"We waited for so long for the music to emerge from the underground to where it is now. But now that we are here, what are we going to do about it? How are we going to structure it? As Saudi artists we can’t just be sitting at home and hoping for things to happen.
“We have to keep working and pushing."
More information on XChange Sound is available on the XP Music Futures Instagram account.
The Bio
Ram Buxani earned a salary of 125 rupees per month in 1959
Indian currency was then legal tender in the Trucial States.
He received the wages plus food, accommodation, a haircut and cinema ticket twice a month and actuals for shaving and laundry expenses
Buxani followed in his father’s footsteps when he applied for a job overseas
His father Jivat Ram worked in general merchandize store in Gibraltar and the Canary Islands in the early 1930s
Buxani grew the UAE business over several sectors from retail to financial services but is attached to the original textile business
He talks in detail about natural fibres, the texture of cloth, mirrorwork and embroidery
Buxani lives by a simple philosophy – do good to all
UAE currency: the story behind the money in your pockets
How to wear a kandura
Dos
- Wear the right fabric for the right season and occasion
- Always ask for the dress code if you don’t know
- Wear a white kandura, white ghutra / shemagh (headwear) and black shoes for work
- Wear 100 per cent cotton under the kandura as most fabrics are polyester
Don’ts
- Wear hamdania for work, always wear a ghutra and agal
- Buy a kandura only based on how it feels; ask questions about the fabric and understand what you are buying
Killing of Qassem Suleimani
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How will Gen Alpha invest?
Mark Chahwan, co-founder and chief executive of robo-advisory firm Sarwa, forecasts that Generation Alpha (born between 2010 and 2024) will start investing in their teenage years and therefore benefit from compound interest.
“Technology and education should be the main drivers to make this happen, whether it’s investing in a few clicks or their schools/parents stepping up their personal finance education skills,” he adds.
Mr Chahwan says younger generations have a higher capacity to take on risk, but for some their appetite can be more cautious because they are investing for the first time. “Schools still do not teach personal finance and stock market investing, so a lot of the learning journey can feel daunting and intimidating,” he says.
He advises millennials to not always start with an aggressive portfolio even if they can afford to take risks. “We always advise to work your way up to your risk capacity, that way you experience volatility and get used to it. Given the higher risk capacity for the younger generations, stocks are a favourite,” says Mr Chahwan.
Highlighting the role technology has played in encouraging millennials and Gen Z to invest, he says: “They were often excluded, but with lower account minimums ... a customer with $1,000 [Dh3,672] in their account has their money working for them just as hard as the portfolio of a high get-worth individual.”
A State of Passion
Directors: Carol Mansour and Muna Khalidi
Stars: Dr Ghassan Abu-Sittah
Rating: 4/5
THE SPECS
Engine: 1.6-litre turbo
Transmission: six-speed automatic
Power: 165hp
Torque: 240Nm
Price: From Dh89,000 (Enjoy), Dh99,900 (Innovation)
On sale: Now
The%20Genius%20of%20Their%20Age
%3Cp%3EAuthor%3A%20S%20Frederick%20Starr%3Cbr%3EPublisher%3A%20Oxford%20University%20Press%3Cbr%3EPages%3A%20290%3Cbr%3EAvailable%3A%20January%2024%3C%2Fp%3E%0A
Wicked
Director: Jon M Chu
Stars: Cynthia Erivo, Ariana Grande, Jonathan Bailey
The%20specs
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MOUNTAINHEAD REVIEW
Starring: Ramy Youssef, Steve Carell, Jason Schwartzman
Director: Jesse Armstrong
Rating: 3.5/5
THE SPECS
Engine: 3.5-litre V6
Transmission: six-speed manual
Power: 325bhp
Torque: 370Nm
Speed: 0-100km/h 3.9 seconds
Price: Dh230,000
On sale: now
Business Insights
- As per the document, there are six filing options, including choosing to report on a realisation basis and transitional rules for pre-tax period gains or losses.
- SMEs with revenue below Dh3 million per annum can opt for transitional relief until 2026, treating them as having no taxable income.
- Larger entities have specific provisions for asset and liability movements, business restructuring, and handling foreign permanent establishments.
The specs
Engine: 2.0-litre 4-cyl turbo
Power: 201hp at 5,200rpm
Torque: 320Nm at 1,750-4,000rpm
Transmission: 6-speed auto
Fuel consumption: 8.7L/100km
Price: Dh133,900
On sale: now
Key findings of Jenkins report
- Founder of the Muslim Brotherhood, Hassan al Banna, "accepted the political utility of violence"
- Views of key Muslim Brotherhood ideologue, Sayyid Qutb, have “consistently been understood” as permitting “the use of extreme violence in the pursuit of the perfect Islamic society” and “never been institutionally disowned” by the movement.
- Muslim Brotherhood at all levels has repeatedly defended Hamas attacks against Israel, including the use of suicide bombers and the killing of civilians.
- Laying out the report in the House of Commons, David Cameron told MPs: "The main findings of the review support the conclusion that membership of, association with, or influence by the Muslim Brotherhood should be considered as a possible indicator of extremism."
The schedule
December 5 - 23: Shooting competition, Al Dhafra Shooting Club
December 9 - 24: Handicrafts competition, from 4pm until 10pm, Heritage Souq
December 11 - 20: Dates competition, from 4pm
December 12 - 20: Sour milk competition
December 13: Falcon beauty competition
December 14 and 20: Saluki races
December 15: Arabian horse races, from 4pm
December 16 - 19: Falconry competition
December 18: Camel milk competition, from 7.30 - 9.30 am
December 20 and 21: Sheep beauty competition, from 10am
December 22: The best herd of 30 camels
Stamp%20duty%20timeline
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