Felukah, real name Sara El Messiry, performs at the Recording Academy in New York. Getty Images
Felukah, real name Sara El Messiry, performs at the Recording Academy in New York. Getty Images
Felukah, real name Sara El Messiry, performs at the Recording Academy in New York. Getty Images
Felukah, real name Sara El Messiry, performs at the Recording Academy in New York. Getty Images

Egyptian rapper Felukah: Singing for the Grammys and how to expand boundaries of Arabic music


Saeed Saeed
  • English
  • Arabic

Last week in New York, amid the urgent meetings at the UN General Assembly, a nearby gig also had the potential to reshape the region. At the Recording Academy's invite-only event, Egyptian rapper and singer Felukah delivered an intimate performance for select music tastemakers and diplomats, aiming to elevate the Middle East and North Africa on the global music map.

In many ways, it was a celebration for the recently launched Mena Recording Academy. Run under the auspices of the parent organisation, it aims to use its expertise and influence to develop the regional music scene before ultimately launching a new version of the Grammy Awards dedicated to artists from the region and Turkey.

Felukah is working on her fourth album, which will be released next year. Photo: Sammy Ray
Felukah is working on her fourth album, which will be released next year. Photo: Sammy Ray

The choice of Felukah, real name Sara El Messiry who is a burgeoning independent artist from Egypt, underlines the organisation's ambition to highlight current and future sounds from the Arab world.

“To be honest, I only now understand fully how important it was that they chose me to perform there instead of a big Arab superstar,” she tells The National. “As an independent artist, being recognised by an institution as prestigious as the Recording Academy is a dream.

"It wasn’t just about me, it was also about validating a whole community of artists – rappers, singers, dancers – who are all part of this cultural movement that never had access to such a big stage because they didn’t have the necessary backing or infrastructure behind them.”

In many ways, Felukah’s career growth mirrors the expansion of the region's music industry, with global streaming platforms Spotify and Apple Music launching here a year before the release of her 2019 debut album Citadel.

“While there was a strong independent Arabic hip-hop scene led by people such as [Iraqi rapper] Narcy and [British-Palestinian rapper] Shadia Mansour, to name just a few of the OGs, the scene is still very dominated and dictated in a way by major record labels,” she says. “I am not making a point that major labels are bad in any way, I am just pointing out that there were a lot of great storytellers from the scene who couldn’t have their voices heard.

"But with the streaming platforms coming into the region and creating regional playlists with our works and faces on them, it really helped in getting our work out there. And now with the Recording Academy being in Mena, it does feel like the cherry on top because they expose our work to different markets and other artists as well.”

Felukah is already seeing the potential benefits of the Recording Academy’s regional push from the immediate reception to her gig. “There is this interest and curiosity from record label people and artists about what is happening here in the scene,” she says. “And what I hope is that these discussions open doors to collaborations with international artists because that’s really what the Arabic music scene needs. While it’s great to collaborate internally we need to work with artists from Latin America and the West to help expand the boundaries of what Arabic music actually means today.”

Felukah's initimate performance featured signature tracks such as Egyptian Lover. Photo by Getty Images for the Recording Academy.
Felukah's initimate performance featured signature tracks such as Egyptian Lover. Photo by Getty Images for the Recording Academy.

Felukah hinted at the promise of such an approach with a whirlwind set of songs deftly fusing Arabic and English hip-hop with neo-soul and Arabic folk. Backed by a percussionist on the darbuka and an accordionist, she performed tracks including Birds in Cairo and Egyptian Lover. She recalls the latter’s interpolation of Beyonce’s 2003 hit Baby Boy wasn’t lost on the New York crowd.

"I wanted to show them that our music can be regionally focused while being outward looking at the same time," she says. "I even wore a gold dress to mirror the Grammy Award I want to win one day."

Until that day comes, Felukah hopes to earn her plaudits on the road. On October 21, she will embark on her first international solo tour taking in European cities like Berlin, Paris and Amsterdam before coming to Dubai for a November 15 gig at the Monkey Bar.

Trailed by new single Honey Suckle, she is already working on her fourth album. She describes it as a return to her hip-hop roots. "You heard it here first: it will be out next year and called Hibiscus," Felukah says. "It will be me coming back to the source and that's rapping. It feels like a new beginning."

Sole survivors
  • Cecelia Crocker was on board Northwest Airlines Flight 255 in 1987 when it crashed in Detroit, killing 154 people, including her parents and brother. The plane had hit a light pole on take off
  • George Lamson Jr, from Minnesota, was on a Galaxy Airlines flight that crashed in Reno in 1985, killing 68 people. His entire seat was launched out of the plane
  • Bahia Bakari, then 12, survived when a Yemenia Airways flight crashed near the Comoros in 2009, killing 152. She was found clinging to wreckage after floating in the ocean for 13 hours.
  • Jim Polehinke was the co-pilot and sole survivor of a 2006 Comair flight that crashed in Lexington, Kentucky, killing 49.
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Established in 1998, the Sheikh Mohammed Centre for Cultural Understanding was created with a vision to teach residents about the traditions and customs of the UAE. Its motto is ‘open doors, open minds’. All year-round, visitors can sign up for a traditional Emirati breakfast, lunch or dinner meal, as well as a range of walking tours, including ones to sites such as the Jumeirah Mosque or Al Fahidi Historical Neighbourhood.

Every year during Ramadan, an iftar programme is rolled out. This allows guests to break their fast with the centre’s presenters, visit a nearby mosque and observe their guides while they pray. These events last for about two hours and are open to the public, or can be booked for a private event.

Until the end of Ramadan, the iftar events take place from 7pm until 9pm, from Saturday to Thursday. Advanced booking is required.

For more details, email openminds@cultures.ae or visit www.cultures.ae

 

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Updated: October 03, 2024, 2:04 PM`