<span>With so much excitement locally over </span><span><em>Capernaum</em></span><span>'s nomination for Best Foreign Language Film, and the seemingly unstoppable march of </span><span><em>Roma</em></span><span> to Oscars glory, it's worth remembering that the Academy Awards</span><span> are a pretty big deal outside the Middle East and Mexico, too, celebrating as they do the very best in Hollywood and world cinema.</span> <span>With that in mind, here's a breakdown of the main categories and their nominees, and our predictions on the likely </span><span>winners.</span> <span>Clearly the momentum is with </span><span><em>Roma </em></span><span>for the top prize, and few would argue. Alfonso Cuaron maybe deserves the award for sheer nerve alone – taking $15 million (Dh55m) of Netflix's money and handing back a plodding, black and white, highly stylised and personal meditation in Spanish and Mixtec, certainly takes confidence. The fact that Cuaron, in the process, also delivered the cinematic event of the year, makes the film all the more remarkable. Plus, the Academy loves a bit of black-and-white art</span><span> house.</span> <span>If there's one crumb of hope for </span><span><em>Roma</em></span><span>'s competitors, it's that the film doesn't have a Best Editing nomination. That might sound irrelevant, but only 10 films have ever won Best Picture without one. The last was </span><span><em>Birdman </em></span><span>in 2015, but since that was shot in one continuous take, there was no real editing to reward, and before that we have to go all the way back to </span><span><em>Ordinary People </em></span><span>in 1980.</span> <span>So which film could take advantage of </span><span><em>Roma's </em></span><span>editing oversight? </span><span><em>The Favourite</em></span><span>, with a </span><span><em>Roma-</em></span><span>equalling 10 nominations would seem the favourite, but given that even the British Academy overlooked this British film in favour of </span><span><em>Roma </em></span><span>for best picture at the B</span><span>aftas, surely their American counterparts wouldn't turn the tables?</span> <span>Diversity is the issue of the day in Hollywood, so that could benefit a trio of racially charged films at this year's awards. However, </span><span><em>Green Book </em></span><span>has faced accusations of showing an overly white point-of-view and of essentially being a "white saviour" film. </span> <span>As if that wasn't bad enough, Viggo Mortensen's "n-word" controversy and the resurfacing of an Islam</span><span>ophobic Tweet from writer Nick Vallelonga in the middle of the film's awards campaign should ensure voters give it a wide berth. </span> <span><em>Black Panther </em></span><span>is a superhero film, and the Academy simply will not give it the award, so that leaves </span><span><em>BlackKkKlansman</em></span><span> as the most likely diversity-friendly winner. Thankfully, it's also a great film.</span> <span><em>A Star is Born </em></span><span>and </span><span><em>Bohemian Rhapsody</em></span><span> simply aren't good enough (and the sexual misconduct allegations surrounding director Bryan Singer will keep voters away from the latter)</span><span>. </span><span><em>Vice</em></span><span> is too politically divisive</span><span>, so it looks like a heavily weighted three-way race.</span> <span><strong>What will win? </strong></span><span><em>Roma</em></span> <span><strong>What should win?</strong></span><span> </span><span><em>Roma</em></span> <span><strong>Possible surprise win?</strong></span><span> </span><span><em>BlacKkKlansman</em></span> Rami Malek is the clear front-runner here for his role as Queen frontman Freddie Mercury in <em>Bohemian Rhapsody</em>. He's already picked up the Golden Globe and the Bafta for his role, and the Best Actor prize should be able to steer clear of the controversy surrounding the film due to allegations surrounding director Bryan Singer. Christian Bale is likely to be Malek's closest contender, in what is certainly at least an equally inspired performance as two-time US vice-president Dick Cheney in <em>Vice</em>. On the downside, not many fans of Cheney will be voting for Bale's portrayal. Willem Dafoe should be in the running on performance alone, though with a single-figure box-office take and no other nominations, <em>At Eternity's Gate </em>doesn't really seem to have captured the public's imagination. <em>A Star is Born </em>has made a habit of being overlooked during awards season, and nothing is likely to change for Bradley Cooper here. <strong>Who will win?</strong><strong> </strong>Rami Malek <strong>Who should win</strong><strong>? </strong>Christian Bale <strong>Possible surprise winner? </strong>Willem Dafoe Lady Gaga and Melissa McCarthy should probably be pleased with a nomination here while the heavyweights battle it out. Glenn Close has to be the favourite for her captivating role in <em>The Wife</em>, though the film hasn't picked up any other nominations. Two films that aren't lacking traction are <em>Roma </em>and <em>The Favourite</em>, with 10 nominations apiece. It would be great to see <em>Roma</em>'s Yalitza Aparicio become the first indigenous Mexican actress to pick up a Best Actress award, though it could prove a big ask for the first-time actress. Olivia Colman, meanwhile, is a slightly divisive nomination. She gives a great performance in <em>The Favourite</em>, but isn't she technically a supporting actress? Confusingly, both of that film's "leads" Rachel Weisz and Emma Stone, are nominated in the Best Supporting Actress category. Given all that, plus Close’s Golden Globes win, and the fact that this is her eighth nomination to date with still no win so far, 2019 should finally be her year. <strong>Who will win? </strong>Glenn Close <strong>Who should win?</strong><strong> </strong>Emma Stone <strong>Possible surprise win?</strong><strong> </strong>Yalitza Aparicio Failing some rupture in the space-time continuum, we can reasonably write Adam McKay (<em>Vice</em>) and Pawel Pawlikowski (<em>Cold War</em>) off as making up the numbers. <em>Vice </em>again will prove too divisive to win a majority, and Pawlikowski is likely to prove too obscure for the Academy's more mainstream voting members, plus it would be unusual to pick up a directing award for a movie that isn't nominated for Best Film. That leaves us with a three-way race once again. <em>Roma</em> is undoubtedly the most visually arresting of the three films, but Cuaron is likely to pick up a cinematography award for that, so may be excused at the top table for directing. Of the remaining two films, Yorgos Lanthimos has perhaps constructed the more technically and creatively perfect movie (<em>The Favourite</em>) but Spike Lee (<em>BlacKkKlansman</em>) has the advantage of the pervading atmosphere in Hollywood, and the small matter of a 30-year-plus oversight to finally nominate him for Best Director, in his favour. <strong>Who will win?</strong><strong> </strong>Spike Lee <strong>Who should win? </strong>Yorgos Lanthimos <strong>Possible surprise win? </strong>Alfonso Cuaron (though not the world's biggest surprise)