'Ajami', directed by Scandar Copti and Yaron Shani, tells five stories set in a mixed Jaffa neighbourhood. Courtesy NYUAD and Paris-Sorbonne University Abu Dhabi
'Ajami', directed by Scandar Copti and Yaron Shani, tells five stories set in a mixed Jaffa neighbourhood. Courtesy NYUAD and Paris-Sorbonne University Abu Dhabi

Director Scandar Copti opens up about his new film ‘Happy Holidays’, the Oscars and funding



Scandar Copti, the Palestinian director of the 2010 Oscar-nominated film Ajami, is working on his second feature film Happy Holidays. The docu-fiction film is inspired by real-life events in Palestine, and Copti will work with non-professional actors, similar to the style he followed in Ajami.

The story is set  in Galilee and Jerusalem and the action will blend fiction with reality amid everyday events, following the story of three main characters. 

“My film is a social story that again talks about reality construction and how education, the media and all the forces that regulate the way we are supposed to think affect our life, and then our realities become the consequence basically of what we do and not who we really are,” said Copti, who is based in Abu Dhabi and works as an Assistant Arts Professor of Film at New York University Abu Dhabi.

“It is again a sophisticated structure of three different characters that is very realistic, that talks about how even the Israeli holidays shape our understanding of our reality.”

Copti hopes to start shooting in spring of next year, and is looking to work with non-professional actors for three to four months, without a script, relying heavily on improvisation and allowing the events on the ground to shape the story and give it weight. 

“I like telling stories, but I also like listening to stories, so when I go to Nazareth and Jaffa, we [Copti and his wife] have two little kids and we meet people we don’t know and you start hearing stories,” he says. “Our role, as artists and filmmakers, is to collect what we see, give it our own interpretation, add an intention to it and release it.”

When Copti and his co-director Yaron Shani released Ajami, he didn't expect it to be a runaway success. The film was nominated for an Oscar in the Best Foreign Language Film category in 2010. 

"When we did Ajami nobody wanted to buy it, not in Europe, not in the States, not anywhere," he says. "Then suddenly we got the special mention in Cannes, then everybody started calling us, but still we were not able to distribute the film in a lot of countries.

“And only when we made it to the Oscars, we started getting tonnes of phone calls and I thought it is a little bit hypocritical...because the same people that told us, ‘OK listen, I don’t think it is a good film,’ suddenly believe in this film, and this is a global problem.”

The trailer for Ajami:

It’s a post-colonial mentality problem, he says, where artists in this part of the world think they’re not good enough.

Copti adds that artists in the region face a number of challenges, from a lack of sufficient funding for Arab films to few distribution companies espousing Arab films, that often don't make it to local, let alone international commercial screens.

Filmmakers such as Copti often have to turn to Europe – as he is doing today – in order to get funding for their work.

“I am writing my next feature film... but in my head I am thinking about the reader in the film fund in Germany that will read it,” he says.

“What I am doing is adjusting myself to meet the expectations of a non-Arab reader because we don’t have enough Arab film funds that could fully support a film.”

And also, fewer funds are coming out of Europe. "Europe is giving less money to non-European films because they have better things to fund, like refugees, and Brexit is on the way, so priorities have changed a little bit," he says.

"The same funds that gave me money for Ajami are now giving half to everybody."

So, more often  than not, filmmakers such as Copti have to rely on something outside their control – such as luck.

“I don’t believe in this capitalist equation that if you work hard, you will make it,” he says. “Are we saying that the Arab world is not working hard? I think it is a ridiculous capitalist claim. There is a lot of luck and other forces that are involved. There are a lot of forces that are causing us to either become who we are or to remain what we are in order to sustain the situation. The most immediate thing is the Israeli occupation of Palestine.”

While the occupation stares filmmakers such as Copti straight in the face, it doesn't overtake his films, which instead show subtly how it works to eat away at the everyday existence of so many people.

"I think occupation affects us on all the levels and I want to show those levels," he says. "You see how people who are suffering in Ajami, how they became violent because of oppression and because of the segregation and the racist law and racism that the occupation is bringing on us."

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Read more:

‘A Drowning Man’ pours heart into an undocumented migrant’s struggles

Scandar Copti speaks about the hometown inspiration of his Oscar-nominated movie Ajami

Dubai filmmaker Leen Alfaisal's Syria documentary premieres in London 

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Although some in the Arab world frowned upon the collaboration with Israel in the film, to give an accurate portrayal of events, Copti enlisted Israelis in Ajami, which was a joint Palestinian-Israeli production. It featured real Israeli police, paramedics and citizens. This time, he's seeking Arab-European funding but looking to work with Israelis to portray Israeli characters.

Despite all the challenges facing Arab cinema, Copti is optimistic, especially about the work the Arab diaspora is doing to boost the appeal of Arab cinema internationally.

“You see more Arab film festivals popping out in the States and in Europe,” he says. “Those diaspora communities are organising those Arab film festivals. Arab cinema can’t be done without a European co-producer and those co-producers. They push those films into European festivals and people watch them.”

if you go

The flights
Fly direct to Kutaisi with Flydubai from Dh925 return, including taxes. The flight takes 3.5 hours. From there, Svaneti is a four-hour drive. The driving time from Tbilisi is eight hours.
The trip
The cost of the Svaneti trip is US$2,000 (Dh7,345) for 10 days, including food, guiding, accommodation and transfers from and to ­Tbilisi or Kutaisi. This summer the TCT is also offering a 5-day hike in Armenia for $1,200 (Dh4,407) per person. For further information, visit www.transcaucasiantrail.org/en/hike/

WORLD CUP SEMI-FINALS

England v New Zealand

(Saturday, 12pm UAE)

Wales v South Africa

(Sunday, 12pm, UAE)

 

Specs

Engine: Dual-motor all-wheel-drive electric

Range: Up to 610km

Power: 905hp

Torque: 985Nm

Price: From Dh439,000

Available: Now

In numbers: China in Dubai

The number of Chinese people living in Dubai: An estimated 200,000

Number of Chinese people in International City: Almost 50,000

Daily visitors to Dragon Mart in 2018/19: 120,000

Daily visitors to Dragon Mart in 2010: 20,000

Percentage increase in visitors in eight years: 500 per cent

The Birkin bag is made by Hermès. 
It is named after actress and singer Jane Birkin
Noone from Hermès will go on record to say how much a new Birkin costs, how long one would have to wait to get one, and how many bags are actually made each year.

NO OTHER LAND

Director: Basel Adra, Yuval Abraham, Rachel Szor, Hamdan Ballal

Stars: Basel Adra, Yuval Abraham

Rating: 3.5/5

Dubai Bling season three

Cast: Loujain Adada, Zeina Khoury, Farhana Bodi, Ebraheem Al Samadi, Mona Kattan, and couples Safa & Fahad Siddiqui and DJ Bliss & Danya Mohammed 

Rating: 1/5

Skewed figures

In the village of Mevagissey in southwest England the housing stock has doubled in the last century while the number of residents is half the historic high. The village's Neighbourhood Development Plan states that 26% of homes are holiday retreats. Prices are high, averaging around £300,000, £50,000 more than the Cornish average of £250,000. The local average wage is £15,458. 

Jebel Ali card

1.45pm: Maiden Dh75,000 1,400m

2.15pm: Handicap Dh90,000 1,400m

2.45pm: Maiden Dh75,000 1,000m

3.15pm: Handicap Dh105,000 1,200m

3.45pm: Maiden Dh75,000 1,600m

4.15pm: Handicap Dh105,000 1,600m

4.45pm: Handicap Dh80,000 1,800m

 

The National selections

1.45pm: Cosmic Glow

2.15pm: Karaginsky

2.45pm: Welcome Surprise

3.15pm: Taamol

3.45pm: Rayig

4.15pm: Chiefdom

4.45pm: California Jumbo

WHAT%20IS%20THE%20LICENSING%20PROCESS%20FOR%20VARA%3F
%3Cp%3EVara%20will%20cater%20to%20three%20categories%20of%20companies%20in%20Dubai%20(except%20the%20DIFC)%3A%3C%2Fp%3E%0A%3Cp%3E%3Cstrong%3ECategory%20A%3A%3C%2Fstrong%3E%20Minimum%20viable%20product%20(MVP)%20applicants%20that%20are%20currently%20in%20the%20process%20of%20securing%20an%20MVP%20licence%3A%20This%20is%20a%20three-stage%20process%20starting%20with%20%5B1%5D%20a%20provisional%20permit%2C%20graduating%20to%20%5B2%5D%20preparatory%20licence%20and%20concluding%20with%20%5B3%5D%20operational%20licence.%20Applicants%20that%20are%20already%20in%20the%20MVP%20process%20will%20be%20advised%20by%20Vara%20to%20either%20continue%20within%20the%20MVP%20framework%20or%20be%20transitioned%20to%20the%20full%20market%20product%20licensing%20process.%3C%2Fp%3E%0A%3Cp%3E%3Cstrong%3ECategory%20B%3A%3C%2Fstrong%3E%20Existing%20legacy%20virtual%20asset%20service%20providers%20prior%20to%20February%207%2C%202023%2C%20which%20are%20required%20to%20come%20under%20Vara%20supervision.%20All%20operating%20service%20proviers%20in%20Dubai%20(excluding%20the%20DIFC)%20fall%20under%20Vara%E2%80%99s%20supervision.%3C%2Fp%3E%0A%3Cp%3E%3Cstrong%3ECategory%20C%3A%3C%2Fstrong%3E%20New%20applicants%20seeking%20a%20Vara%20licence%20or%20existing%20applicants%20adding%20new%20activities.%20All%20applicants%20that%20do%20not%20fall%20under%20Category%20A%20or%20B%20can%20begin%20the%20application%20process%20through%20their%20current%20or%20prospective%20commercial%20licensor%20%E2%80%94%20the%20DET%20or%20Free%20Zone%20Authority%20%E2%80%94%20or%20directly%20through%20Vara%20in%20the%20instance%20that%20they%20have%20yet%20to%20determine%20the%20commercial%20operating%20zone%20in%20Dubai.%C2%A0%3C%2Fp%3E%0A
In numbers: PKK’s money network in Europe

Germany: PKK collectors typically bring in $18 million in cash a year – amount has trebled since 2010

Revolutionary tax: Investigators say about $2 million a year raised from ‘tax collection’ around Marseille

Extortion: Gunman convicted in 2023 of demanding $10,000 from Kurdish businessman in Stockholm

Drug trade: PKK income claimed by Turkish anti-drugs force in 2024 to be as high as $500 million a year

Denmark: PKK one of two terrorist groups along with Iranian separatists ASMLA to raise “two-digit million amounts”

Contributions: Hundreds of euros expected from typical Kurdish families and thousands from business owners

TV channel: Kurdish Roj TV accounts frozen and went bankrupt after Denmark fined it more than $1 million over PKK links in 2013 

match details

Wales v Hungary

Cardiff City Stadium, kick-off 11.45pm

How to get there

Emirates (www.emirates.com) flies directly to Hanoi, Vietnam, with fares starting from around Dh2,725 return, while Etihad (www.etihad.com) fares cost about Dh2,213 return with a stop. Chuong is 25 kilometres south of Hanoi.
 

The National's picks

4.35pm: Tilal Al Khalediah
5.10pm: Continous
5.45pm: Raging Torrent
6.20pm: West Acre
7pm: Flood Zone
7.40pm: Straight No Chaser
8.15pm: Romantic Warrior
8.50pm: Calandogan
9.30pm: Forever Young

Company%C2%A0profile
%3Cp%3ECompany%3A%20Zywa%3Cbr%3EStarted%3A%202021%3Cbr%3EFounders%3A%20Nuha%20Hashem%20and%20Alok%20Kumar%3Cbr%3EBased%3A%20UAE%3Cbr%3EIndustry%3A%20FinTech%3Cbr%3EFunding%20size%3A%20%243m%3Cbr%3ECompany%20valuation%3A%20%2430m%3C%2Fp%3E%0A
UPI facts

More than 2.2 million Indian tourists arrived in UAE in 2023
More than 3.5 million Indians reside in UAE
Indian tourists can make purchases in UAE using rupee accounts in India through QR-code-based UPI real-time payment systems
Indian residents in UAE can use their non-resident NRO and NRE accounts held in Indian banks linked to a UAE mobile number for UPI transactions

The%20pillars%20of%20the%20Dubai%20Metaverse%20Strategy
%3Cp%3EEncourage%20innovation%20in%20the%20metaverse%20field%20and%20boost%20economic%20contribution%3C%2Fp%3E%0A%3Cp%3EDevelop%20outstanding%20talents%20through%20education%20and%20training%3C%2Fp%3E%0A%3Cp%3EDevelop%20applications%20and%20the%20way%20they%20are%20used%20in%20Dubai's%20government%20institutions%3C%2Fp%3E%0A%3Cp%3EAdopt%2C%20expand%20and%20promote%20secure%20platforms%20globally%3C%2Fp%3E%0A%3Cp%3EDevelop%20the%20infrastructure%20and%20regulations%3C%2Fp%3E%0A

Mercer, the investment consulting arm of US services company Marsh & McLennan, expects its wealth division to at least double its assets under management (AUM) in the Middle East as wealth in the region continues to grow despite economic headwinds, a company official said.

Mercer Wealth, which globally has $160 billion in AUM, plans to boost its AUM in the region to $2-$3bn in the next 2-3 years from the present $1bn, said Yasir AbuShaban, a Dubai-based principal with Mercer Wealth.

Within the next two to three years, we are looking at reaching $2 to $3 billion as a conservative estimate and we do see an opportunity to do so,” said Mr AbuShaban.

Mercer does not directly make investments, but allocates clients’ money they have discretion to, to professional asset managers. They also provide advice to clients.

“We have buying power. We can negotiate on their (client’s) behalf with asset managers to provide them lower fees than they otherwise would have to get on their own,” he added.

Mercer Wealth’s clients include sovereign wealth funds, family offices, and insurance companies among others.

From its office in Dubai, Mercer also looks after Africa, India and Turkey, where they also see opportunity for growth.

Wealth creation in Middle East and Africa (MEA) grew 8.5 per cent to $8.1 trillion last year from $7.5tn in 2015, higher than last year’s global average of 6 per cent and the second-highest growth in a region after Asia-Pacific which grew 9.9 per cent, according to consultancy Boston Consulting Group (BCG). In the region, where wealth grew just 1.9 per cent in 2015 compared with 2014, a pickup in oil prices has helped in wealth generation.

BCG is forecasting MEA wealth will rise to $12tn by 2021, growing at an annual average of 8 per cent.

Drivers of wealth generation in the region will be split evenly between new wealth creation and growth of performance of existing assets, according to BCG.

Another general trend in the region is clients’ looking for a comprehensive approach to investing, according to Mr AbuShaban.

“Institutional investors or some of the families are seeing a slowdown in the available capital they have to invest and in that sense they are looking at optimizing the way they manage their portfolios and making sure they are not investing haphazardly and different parts of their investment are working together,” said Mr AbuShaban.

Some clients also have a higher appetite for risk, given the low interest-rate environment that does not provide enough yield for some institutional investors. These clients are keen to invest in illiquid assets, such as private equity and infrastructure.

“What we have seen is a desire for higher returns in what has been a low-return environment specifically in various fixed income or bonds,” he said.

“In this environment, we have seen a de facto increase in the risk that clients are taking in things like illiquid investments, private equity investments, infrastructure and private debt, those kind of investments were higher illiquidity results in incrementally higher returns.”

The Abu Dhabi Investment Authority, one of the largest sovereign wealth funds, said in its 2016 report that has gradually increased its exposure in direct private equity and private credit transactions, mainly in Asian markets and especially in China and India. The authority’s private equity department focused on structured equities owing to “their defensive characteristics.”