‘Their Algeria’ takes on the story of Aicha and Mabrouk, filmmaker Lina Soualem’s paternal grandparents who ended their marriage after 62 years. Courtesy Lina Soualem
‘Their Algeria’ takes on the story of Aicha and Mabrouk, filmmaker Lina Soualem’s paternal grandparents who ended their marriage after 62 years. Courtesy Lina Soualem
‘Their Algeria’ takes on the story of Aicha and Mabrouk, filmmaker Lina Soualem’s paternal grandparents who ended their marriage after 62 years. Courtesy Lina Soualem
‘Their Algeria’ takes on the story of Aicha and Mabrouk, filmmaker Lina Soualem’s paternal grandparents who ended their marriage after 62 years. Courtesy Lina Soualem

A family tribute: director Lina Soualem explores her grandparents’ troubled past in ‘Their Algeria’


Kaleem Aftab
  • English
  • Arabic

The powerful Their Algeria begins with footage filmed in 1992, of director Lina Soualem, then merely two years old, visiting her paternal grandparents' house in Thiers, central France, with her father, French actor Zinedine Soualem (her mother is acclaimed Palestinian actress Hiam Abbass). Cut to 2017, and Soualem is on Skype with her father on the other end of the video call, showing her around the empty apartment his parents used to live in. Then comes the heartbreaking revelation that after 62 years of marriage, the director's grandparents are separating.

Their Algeria, which won the inaugural Docs-in-Progress Award in Cannes last year, a €10,000 (Dh40,000) cash prize, is a documentary that details how the Soualem's grandparents cope with the split and their reminiscences about their marriage. The film is debuting at the 51st Visions du Reel festival this week.

The event, which usually takes place in Nyon, Switzerland, is happening virtually this year, amid the coronavirus pandemic. Swiss viewers will be able to access Soualem’s film online from Saturday, April 25, to Saturday, May 2.

Director Lina Soualem finds documentary filmmaking revelatory. Lina Soualem
Director Lina Soualem finds documentary filmmaking revelatory. Lina Soualem

“The difficult thing is that I heard about the separation while I was abroad,” Soualem says on the phone from her apartment in Paris. “When my grandparents separated, it was so sudden. No one was expecting it to happen.”

Initially, she only wanted to film her grandmother. It’s easy to see why when watching the documentary. Aicha Aidaoui Soualem lights up the screen, whether it’s the coy way in which she talks about her first encounter with Lina’s grandfather, Mabrouk Soualem, or her cooking food or describing how she and her husband had terrible levels of communication for decades. Remarkably, after their separation, the couple moved into, and still live in, apartments 30 metres apart from each other, and Aicha still cooks food for Mabrouk.

Filming was a revelatory experience for the director. “I had no idea that my grandparents had not met each other before they married,” she says, as it was an arranged marriage and the couple met for the first time on their wedding day. “I really loved it when she told me that their first encounter was like you see in the movies.”

But interviewing her grandmother wasn’t enough. Soualem realised she needed more voices in the film. “I couldn’t understand the story without understanding what my grandfather went through,” she says.

“Then I realised that something else was missing – the link between them and me, which is my own dad. So I decided to film him, too.”

The dynamic between the three protagonists is electrifying: “My grandmother and my father, they have this way of teasing each other, which I love,” says Soualem. “Then my grandfather and my dad have the same facial features, so little by little my dad took a more important place in the film.”

The daughter of the two famed actors rejected the film business for a long time. “I felt like I had a duty to do something more serious,” she says. “I studied history and political science, and did my master’s in international relations. I wanted to work in cultural diplomacy.”

However, things changed once she completed university. “I understood that I always wanted to be in cinema and the arts,” she says. “But I didn’t want to say so because both my parents were. Then I discovered documentary filmmaking. I started to programme for a human rights film festival in Argentina and saw that through documentary films, it’s possible to tackle social, political and historical issues. I could talk artistically about things that interest me.”

I realised I had no idea how my grandparents were involved in that political and historical context. I knew the region they were from, but I didn't know their social backgrounds, how they grew up, how they came to be in France

Soualem saw Their Algeria as an opportunity to talk about the relationship between France and Algeria. The film also incorporates archive footage from the 1940s and 1950s. Her grandparents left Algeria in the 1950s with the intention of returning when hostilities died down. However, by the time fighting lessened, their children were doing well at school, so returning to North Africa seemed like an upheaval.

A couple of years before they separated, I went to Algeria for the first time with my university,” says Soualem. “While there, I realised I had no idea how my grandparents were involved in that political and historical context. I knew the region they were from, but I didn’t know their social backgrounds, how they grew up, how they came to be in France.”

The documentary took on an added poignancy for the director earlier this year when her grandfather, who worked as a cutler, died. Their Algeria is dedicated to him. "It's weird," she says. "I'm happy he died before this pandemic. Otherwise, he would have been home alone, and we wouldn't have been able to take care of him. We could all be at his funeral and share this moment with my family because people who are dying now, it's difficult for the families."

Initially Soualem was reluctant to take part in a virtual world premiere, but her grandfather’s death encouraged her to ahead, as a way of celebrating his life. She knew there was no guarantee festivals would take place in the traditional way soon, and she didn’t want to wait.

The film is also dedicated to her grandfather Mabrouk Soualem, who passed away since Soualem made the film. Lina Soualem
The film is also dedicated to her grandfather Mabrouk Soualem, who passed away since Soualem made the film. Lina Soualem

Showing the documentary to her dad was the final task. “He was really touched because he sees his dad telling me things that they would never have been able to talk about.”

The 2020 Visions du Reel Film Festival is online from Friday, April 17 to Saturday, May 2

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If you are looking to build your long-term wealth in 2021 and beyond, the stock market is still the best place to do it as equities powered on despite the pandemic.

Investing in individual stocks is not for everyone and most private investors should stick to mutual funds and ETFs, but there are some thrilling opportunities for those who understand the risks.

Peter Garnry, head of equity strategy at Saxo Bank, says the 20 best-performing US and European stocks have delivered an average return year-to-date of 148 per cent, measured in local currency terms.

Online marketplace Etsy was the best performer with a return of 330.6 per cent, followed by communications software company Sinch (315.4 per cent), online supermarket HelloFresh (232.8 per cent) and fuel cells specialist NEL (191.7 per cent).

Mr Garnry says digital companies benefited from the lockdown, while green energy firms flew as efforts to combat climate change were ramped up, helped in part by the European Union’s green deal. 

Electric car company Tesla would be on the list if it had been part of the S&P 500 Index, but it only joined on December 21. “Tesla has become one of the most valuable companies in the world this year as demand for electric vehicles has grown dramatically,” Mr Garnry says.

By contrast, the 20 worst-performing European stocks fell 54 per cent on average, with European banks hit by the economic fallout from the pandemic, while cruise liners and airline stocks suffered due to travel restrictions.

As demand for energy fell, the oil and gas industry had a tough year, too.

Mr Garnry says the biggest story this year was the “absolute crunch” in so-called value stocks, companies that trade at low valuations compared to their earnings and growth potential.

He says they are “heavily tilted towards financials, miners, energy, utilities and industrials, which have all been hit hard by the Covid-19 pandemic”. “The last year saw these cheap stocks become cheaper and expensive stocks have become more expensive.” 

This has triggered excited talk about the “great value rotation” but Mr Garnry remains sceptical. “We need to see a breakout of interest rates combined with higher inflation before we join the crowd.”

Always remember that past performance is not a guarantee of future returns. Last year’s winners often turn out to be this year’s losers, and vice-versa.

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May 20 2020: PM and Carrie attend 'bring your own booze'
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