Warehouse421, in collaboration with Arab Film Studio, is holding a special screening on Sunday to commemorate Emirati Women’s Day.
The programme, titled Through Her Lens, will feature short works by five Emirati women. The filmmakers are all alumni of the Arab Film Studio documentary and narrative programmes, which are initiatives organised by Image Nation Abu Dhabi.
“Through Her Lens presents narrative, documentary and experimental short films by emerging Emirati female filmmakers whose work revolve around social and cultural issues, and histories from the UAE,” says Dana Al Mazrouei, who oversees the education initiative at Warehouse421.
“More specifically, the films address topics such as placehood and memory and women’s issues, as well as other questions that relate to identity, community and family histories.”
Why is My Grandfather's Bed in Our Living Room? by Sarah Alhashimi, for instance, tells the story of an Emirati family who have lost their ancestral home to a community modernisation scheme. The film focuses on a century-old wooden bed, which is the only tangible memory they have of the home. It embodies the bittersweet memories the family have of their old home.
Omnia by Amna Al Nowais focuses on a young Egyptian woman who, following a childhood incident, is left questioning what it means to be a girl and to be loved.
Osha’s Gift by Hind Abdullah, meanwhile, tells of a friendship between Emirati artist Ashwaq Abdullah and a young girl by the name of Osha. The two meet during an art therapy session and develop a bond that helps Ashwaq discover a new dimension of art.
Mariam Al Awadhi’s Mum confronts how Emiratis born from mixed marriages are viewed in local society. The film centres on the filmmaker herself, who, after 15 years of bottling her anxiety, begins to voice the uneasiness she felt about her mixed background in Emirati society.
Finally, Thoub by Raihana Alhashmi takes a leap into fantasy. The film features a magical dress, which helps an abused tailor teleport into the world of one of his affluent customers.
A discussion with some of the women will follow the screening. The panel will explore the contributions of female filmmakers in the local and international industries and will also include Makr director Hana Kazim.
“All of them have received accolades and awards for their work,” Al Mazrouei says. “Their work is invested in presenting new and critical ways of investigating, exploring and presenting topics that resonate with communities in the UAE and across the region.
“The arts ecosystem in the UAE has really flourished and matured in recent years, and we see that youth and younger generations, and especially young women, are finding creative careers more accessible.”
Film is one of those avenues of expression, Al Mazrouei says, and it is an indispensable medium through which audiences can learn about and engage with the experiences of all sorts of groups and communities.
“Film is a meaningful way for artists, like the women in this programme, to make their stories seen and heard, therefore highlighting a range of important social issues, one of them being women’s lived experiences," Al Mazrouei says.
"All the films in this program have female protagonists, further positioning women’s experiences front and center, therefore promoting a more equitable perspective.
“We’ve seen the role of women in the film and media industry grow and expand with the support of creative programs and initiatives like those of Image Nation Abu Dhabi, and our own programs that nurture the work of emerging artists, filmmakers, writers and creatives in general.”
Through Her Lens will take place at 6pm on August 28 at Warehouse421. Entry is free and visitors wishing to attend can register at warehouse421.ae
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Key facilities
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Conflict, drought, famine
Estimates of the number of deaths caused by the famine range from 400,000 to 1 million, according to a document prepared for the UK House of Lords in 2024.
It has been claimed that the policies of the Ethiopian government, which took control after deposing Emperor Haile Selassie in a military-led revolution in 1974, contributed to the scale of the famine.
Dr Miriam Bradley, senior lecturer in humanitarian studies at the University of Manchester, has argued that, by the early 1980s, “several government policies combined to cause, rather than prevent, a famine which lasted from 1983 to 1985. Mengistu’s government imposed Stalinist-model agricultural policies involving forced collectivisation and villagisation [relocation of communities into planned villages].
The West became aware of the catastrophe through a series of BBC News reports by journalist Michael Buerk in October 1984 describing a “biblical famine” and containing graphic images of thousands of people, including children, facing starvation.
Band Aid
Bob Geldof, singer with the Irish rock group The Boomtown Rats, formed Band Aid in response to the horrific images shown in the news broadcasts.
With Midge Ure of the band Ultravox, he wrote the hit charity single Do They Know it’s Christmas in December 1984, featuring a string of high-profile musicians.
Following the single’s success, the idea to stage a rock concert evolved.
Live Aid was a series of simultaneous concerts that took place at Wembley Stadium in London, John F Kennedy Stadium in Philadelphia, the US, and at various other venues across the world.
The combined event was broadcast to an estimated worldwide audience of 1.5 billion.
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UAE currency: the story behind the money in your pockets
How much do leading UAE’s UK curriculum schools charge for Year 6?
- Nord Anglia International School (Dubai) – Dh85,032
- Kings School Al Barsha (Dubai) – Dh71,905
- Brighton College Abu Dhabi - Dh68,560
- Jumeirah English Speaking School (Dubai) – Dh59,728
- Gems Wellington International School – Dubai Branch – Dh58,488
- The British School Al Khubairat (Abu Dhabi) - Dh54,170
- Dubai English Speaking School – Dh51,269
*Annual tuition fees covering the 2024/2025 academic year
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THE CLOWN OF GAZA
Director: Abdulrahman Sabbah
Starring: Alaa Meqdad
Rating: 4/5
Dust and sand storms compared
Sand storm
- Particle size: Larger, heavier sand grains
- Visibility: Often dramatic with thick "walls" of sand
- Duration: Short-lived, typically localised
- Travel distance: Limited
- Source: Open desert areas with strong winds
Dust storm
- Particle size: Much finer, lightweight particles
- Visibility: Hazy skies but less intense
- Duration: Can linger for days
- Travel distance: Long-range, up to thousands of kilometres
- Source: Can be carried from distant regions