A portable inflatable cinema in the remote but picturesque town of Leh in Ladakh, northern India. Photo: Picture Time
A portable inflatable cinema in the remote but picturesque town of Leh in Ladakh, northern India. Photo: Picture Time
A portable inflatable cinema in the remote but picturesque town of Leh in Ladakh, northern India. Photo: Picture Time
A portable inflatable cinema in the remote but picturesque town of Leh in Ladakh, northern India. Photo: Picture Time

Is it a bird? Is it a plane? No, it's a balloon theatre bringing the cinema experience to rural India


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When a bright yellow inflatable structure appeared in the heart of Leh, a remote Himalayan town 3,505 metres above sea level, Jigmet Angchok initially mistook it for a bouncy castle.

But when he stepped inside the "balloon theatre" he found a fully-fledged cinema equipped with Dolby digital sound, plush pushback seats and stunning picture quality.

The radio DJ, 32, was inside the world’s highest-altitude cinema and couldn’t contain his excitement. “I was always curious about what it was like to watch a film on a big screen,” Angchok tells The National. “This wonderful theatre had appeared in front of my eyes, just like the ones in big cities.”

Cinema frenzy nation

Balloon theatres can seat between 120 to 180 people. Photo: Picture Time
Balloon theatres can seat between 120 to 180 people. Photo: Picture Time

India is a nation of movie buffs, with 2,000 different Hindi or Bollywood and regional productions shown in cinemas each year. But for millions, particularly in rural parts of the country, a night at the cinema has long been a distant and expensive dream.

Since 1913, when a film was shown on the big screen for the first time, cinemas have evolved from single screen theatres to multiplexes. But there are only 10,000 cinemas and 30,000 screens in a country that is home to 1.4 billion people. Most of them are in big cities or towns, according to research by the Producers Guild of India.

For movie buffs like Angchok, watching a film in a brick-and-mortar cineplex was, for a long time, a far-fetched dream. There was not a single cinema hall in Ladakh, an arid region in northern India which generally remains covered in five metres of snow for four months during winter, until Picture Time arrived in 2021 to install an inflatable cinema.

Its mobile movie theatres are designed to give an unparalleled experience to enthusiasts like Angchok.

“There used to be a cinema hall in town during my childhood, but it closed in the late 2000s,” Angchok says. “So I grew up watching films on CD players or screened at a community hall. I always longed to watch a film at a cinema on a big screen.”

Movie buff Jigmet Angchok outside one of the balloon theatres in Leh, Ladakh in northern India. Photo: Jigmet Angchok
Movie buff Jigmet Angchok outside one of the balloon theatres in Leh, Ladakh in northern India. Photo: Jigmet Angchok

About 1,500km from Leh, the capital of Ladakh, Tarun Soni had a similar experience. The cinephile had to travel 150km from his small town of Nagaur to a nearby city like Jodhpur in the desert region of Rajasthan, a journey of three hours each way, to watch a film on a big screen.

All that changed for Soni when the inflatable cinema arrived. “Initially we were apprehensive,” says the school principal, 30. “This is a windy place and we were worried that the structure would be blown away. But once inside, we din’t feel any difference. One time we were watching a film and it was raining heavily, but we did not feel a thing. The picture and sound quality is excellent.

“It is a small town and we had never had a theatrical experience before. Since this concept was introduce, people have been excited about films, especially families, because they now have a place to go for an outing.”

Cinema in small towns

A balloon theatre in Ladakh. Photo: Picture Time
A balloon theatre in Ladakh. Photo: Picture Time

Picture Time is the brainchild of Delhi-based entrepreneur Sushil Chaudhary, who strongly believes watching films in a cinema is “not just entertainment but a fundamental part of life”.

Chaudhary, 50, came up with the idea of bringing the big screen experience to small towns.

“Multiplex cinemas are in malls, but there is a shortage around the country,” he explains. “I wanted something that would be more accessible and thought a portable cinema could solve the problem.”

Delhi-based entrepreneur Sushil Chaudhary came up with the idea for Picture Time, a brand of inflatable cinemas. Photo: Picture Time
Delhi-based entrepreneur Sushil Chaudhary came up with the idea for Picture Time, a brand of inflatable cinemas. Photo: Picture Time

After years of research, Picture Time opened an experimental inflatable cinema in Chhattisgarh in 2019. It was a huge success, encouraging Chaudhary to replicate his idea across India. He has since set up more than 27 cinemas, from Ladakh to Bommidi in Tamil Nadu in southern India.

His inflatable theatres have 120 to 180 seats and can be set up to stand on any ground for 15 years. That idea came to him when he was at a birthday party which had a bouncy castle.

“We were designing at the time,” Chaudhary recalls. “My aim was to create an air-conditioned cinema that was easy to erect and portable.”

His inflatable cinema has proper acoustics and is fire-resistant. Balanced air circulation ensures it can withstand high temperatures.

Streaming challenge

Streaming is all the rage these days, but a 2023 study by online platform BookMyShow found that 98 per cent of Indians still believe in the magic of cinema.

India has 547.3 million users on streaming platforms but only 100 million paid subscribers, according to research by media consulting firm Ormax Media. Cinema's popularity endures.

People queue outside an inflatable cinema. Photo: Picture Time
People queue outside an inflatable cinema. Photo: Picture Time

“When we release a big film, 300 to 400 people turn up every day,” says Stenzin Tankyong, an entrepreneur who owns a Picture Time franchise in Ladakh.

The big screen and audio experience are only part of the attraction. Angchok points out that cinemas give audiences a chance to enjoy a film with friends over a large tub of popcorn.

“Cinemas have charm,” he says. “They are the complete package. People enjoy watching films on big screens with popcorn and this experience is not available at home.”

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Match statistics

Dubai Sports City Eagles 8 Dubai Exiles 85

Eagles
Try:
Bailey
Pen: Carey

Exiles
Tries:
Botes 3, Sackmann 2, Fourie 2, Penalty, Walsh, Gairn, Crossley, Stubbs
Cons: Gerber 7
Pens: Gerber 3

Man of the match: Tomas Sackmann (Exiles)

Day 5, Abu Dhabi Test: At a glance

Moment of the day When Dilruwan Perera dismissed Yasir Shah to end Pakistan’s limp resistance, the Sri Lankans charged around the field with the fevered delirium of a side not used to winning. Trouble was, they had not. The delivery was deemed a no ball. Sri Lanka had a nervy wait, but it was merely a stay of execution for the beleaguered hosts.

Stat of the day – 5 Pakistan have lost all 10 wickets on the fifth day of a Test five times since the start of 2016. It is an alarming departure for a side who had apparently erased regular collapses from their resume. “The only thing I can say, it’s not a mitigating excuse at all, but that’s a young batting line up, obviously trying to find their way,” said Mickey Arthur, Pakistan’s coach.

The verdict Test matches in the UAE are known for speeding up on the last two days, but this was extreme. The first two innings of this Test took 11 sessions to complete. The remaining two were done in less than four. The nature of Pakistan’s capitulation at the end showed just how difficult the transition is going to be in the post Misbah-ul-Haq era.

Day 1, Abu Dhabi Test: At a glance

Moment of the day Dimuth Karunaratne had batted with plenty of pluck, and no little skill, in getting to within seven runs of a first-day century. Then, while he ran what he thought was a comfortable single to mid-on, his batting partner Dinesh Chandimal opted to stay at home. The opener was run out by the length of the pitch.

Stat of the day - 1 One six was hit on Day 1. The boundary was only breached 18 times in total over the course of the 90 overs. When it did arrive, the lone six was a thing of beauty, as Niroshan Dickwella effortlessly clipped Mohammed Amir over the square-leg boundary.

The verdict Three wickets down at lunch, on a featherbed wicket having won the toss, and Sri Lanka’s fragile confidence must have been waning. Then Karunaratne and Chandimal's alliance of precisely 100 gave them a foothold in the match. Dickwella’s free-spirited strokeplay meant the Sri Lankans were handily placed at 227 for four at the close.

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TCL INFO

Teams:
Punjabi Legends 
Owners: Inzamam-ul-Haq and Intizar-ul-Haq; Key player: Misbah-ul-Haq
Pakhtoons Owners: Habib Khan and Tajuddin Khan; Key player: Shahid Afridi
Maratha Arabians Owners: Sohail Khan, Ali Tumbi, Parvez Khan; Key player: Virender Sehwag
Bangla Tigers Owners: Shirajuddin Alam, Yasin Choudhary, Neelesh Bhatnager, Anis and Rizwan Sajan; Key player: TBC
Colombo Lions Owners: Sri Lanka Cricket; Key player: TBC
Kerala Kings Owners: Hussain Adam Ali and Shafi Ul Mulk; Key player: Eoin Morgan

Venue Sharjah Cricket Stadium
Format 10 overs per side, matches last for 90 minutes
When December 14-17

Updated: May 31, 2025, 3:05 AM`