Radhika Apte stars in Sister Midnight, a British-backed film by Karan Kandhari. Photo: Protagonist Pictures
Radhika Apte stars in Sister Midnight, a British-backed film by Karan Kandhari. Photo: Protagonist Pictures
Radhika Apte stars in Sister Midnight, a British-backed film by Karan Kandhari. Photo: Protagonist Pictures
Radhika Apte stars in Sister Midnight, a British-backed film by Karan Kandhari. Photo: Protagonist Pictures

Radhika Apte makes a career turn with genre-bending Sister Midnight


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“It was quite absurd,” laughs Radhika Apte. The popular Indian actress is thinking about the script for her new film, Karan Kandhari’s Sister Midnight.

“Just a bit bonkers. Like anything happens. I mean, you couldn’t imagine what happens. And it felt exciting. It was very honest. Karan had written exactly what he wanted to make without thinking about other things. Like, what would commercial producers think of it? It was solely his vision.”

A droll black comedy about newlyweds in Mumbai, the film was shown for the first time at Cannes earlier this year. It was one of several Indian-set movies at the world’s most famous film festival, signifying a banner year.

Now it is about to premiere in the UK at the BFI London Film Festival, where British audiences will get to see Apte, 39, in what may well be regarded as a key turning point in her career. “In India people are not very used to watching films like this," she remarks.

Well-known to Indian audiences for her work over the last 15 years, Apte came to prominence in 2014 with Lai Bhaari, the highest-grossing Marathi film of all time. But Sister Midnight, a British-backed film, is far removed from this or any Bollywood spectacle. She plays Uma, a spirited spouse who rebels against her arranged marriage and her weak-willed husband (Ashok Pathak). Seasoned with the wit of a Jim Jarmusch or a Wes Anderson movie, it is a genre-bending tale of female independence.

Radhika Apte has appeared in dozens of Bollywood films as well as movies in other Indian languages. Getty Images
Radhika Apte has appeared in dozens of Bollywood films as well as movies in other Indian languages. Getty Images

“It is completely different to anything I’ve done before,” Apte claims of Sister Midnight. “And it’s one of my favourite parts ever. She’s full of heart. The character is so endearing and innocent and rebellious. It was so interesting to be able to play something... it felt like my whole body had changed to be her. I really enjoyed it.”

The daughter of two doctors, Apte was raised in Pune, near Mumbai, and has worked and lived there over the years.

She adds: “I remember once telling Karan that this film felt like the tale of the city of Bombay, because it is a crumbling world and the spirit of Bombay survives and finds a way. So it is about that. It’s about domestic life. It’s about anything being trapped, and how the spirit escapes to find its own place.”

Apte pays tribute to Kandhari, an Indian-born director who studied film in London and made the acclaimed short Flight of the Pompadour. “He was juggling a lot and yet he was trying to maintain such a beautiful connection with me constantly,” she says.

Kandhari comes across as a details-oriented director, even given technical hitches. Apte explains: “The tiny monitor that he was given… basically, the resolution was so bad that people stopped looking at it for continuity or anything because you couldn’t see anything. It was just dark. And Karan would just find the minutest thing.”

Radhika Apte as Samira in Michael Winterbottom’s The Wedding Guest. Photo: IFC Films
Radhika Apte as Samira in Michael Winterbottom’s The Wedding Guest. Photo: IFC Films

Despite the film being made independently, it wasn’t so different from Apte’s earlier experiences in big-scale Indian movies, with huge crews. “It just comes with the territory... you have to in India, unfortunately," she says. “I did a film with Michael Winterbottom [The Wedding Guest, co-starring Dev Patel], where we had a very small crew. It was very productive. But in India, it’s impossible to have smaller crews for various reasons. There are so many people on set.”

Apte thinks Sister Midnight, with its interludes of animation and its genre-defying vibe, will be a real tonic – especially in India, where action rules. “Audiences get bored so quickly,” sighs Apte. “They don’t want silences. They don’t want to think. They don’t want to wait for something to reveal itself. They want to just know everything. And everything has to be active and loud. It’s what I see in content largely at the moment, which is very, very popular. I’m talking about really popular stuff. And this film is really not that.”

Radhika Apte with Saif Ali Khan and in the hit Netflix series Sacred Games. Photo: Netflix
Radhika Apte with Saif Ali Khan and in the hit Netflix series Sacred Games. Photo: Netflix

It's no surprise to learn that Apte has European sensibilities. Married to British composer and musician Benedict Taylor since 2012, the actress has since left India behind as she looks to find work abroad. “I’ve moved to the UK,” Apte reveals. “I have substantially reduced my work in India and I’m hoping to get more work in the UK.”

She recently shot The Last Days of John Allen Chow in a “very, very hot Thailand” for Justin Lin, the director best known for filming several of the Fast & Furious movies. It tells the real-life story of a missionary who attempted to make contact with the remote Sentinelese people. Whisper it quietly, but it looks like the Sister Midnight star is on the cusp of something very special.

Sister Midnight screens at the BFI London Film Festival on October 16, 17 and 20

No Shame

Lily Allen

(Parlophone)

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Rating: 4/5

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Brief scores:

Toss: Rajputs, elected to field first

Sindhis 94-6 (10 ov)

Watson 42; Munaf 3-20

Rajputs 96-0 (4 ov)

Shahzad 74 not out

Brief scores:

Kashima Antlers 0

River Plate 4

Zuculini 24', Martinez 73', 90 2', Borre 89' (pen)

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What to watch out for:

Algae, waste coffee grounds and orange peels will be used in the pavilion's walls and gangways

The hulls of three ships will be used for the roof

The hulls will painted to make the largest Italian tricolour in the country’s history

Several pillars more than 20 metres high will support the structure

Roughly 15 tonnes of steel will be used

Jetour T1 specs

Engine: 2-litre turbocharged

Power: 254hp

Torque: 390Nm

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UAE currency: the story behind the money in your pockets
Ferrari
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At Everton Appearances: 77; Goals: 17

At Manchester United Appearances: 559; Goals: 253

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Courtesy: Crystal Intelligence

Conflict, drought, famine

Estimates of the number of deaths caused by the famine range from 400,000 to 1 million, according to a document prepared for the UK House of Lords in 2024.
It has been claimed that the policies of the Ethiopian government, which took control after deposing Emperor Haile Selassie in a military-led revolution in 1974, contributed to the scale of the famine.
Dr Miriam Bradley, senior lecturer in humanitarian studies at the University of Manchester, has argued that, by the early 1980s, “several government policies combined to cause, rather than prevent, a famine which lasted from 1983 to 1985. Mengistu’s government imposed Stalinist-model agricultural policies involving forced collectivisation and villagisation [relocation of communities into planned villages].
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Germany: PKK collectors typically bring in $18 million in cash a year – amount has trebled since 2010

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Denmark: PKK one of two terrorist groups along with Iranian separatists ASMLA to raise “two-digit million amounts”

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Updated: October 15, 2024, 3:04 AM`