The new term last week was "almost Frieze", as Frieze Week in London went ahead without the physical art fair that initiated the week-long programme of openings, talks, performances and sales when it began 17 years ago. Due to the coronavirus, Frieze's regular tents in Regent's Park never appeared, but such is the fair's influence on the art world calendar that UK art professionals were still left clocking up the steps and Uber rides as they travelled from appointment viewing to appointment viewing.
One after another, the major autumn shows opened: the National Gallery's anticipated exhibition of the Baroque painter Artemisia Gentileschi; the Tate's slightly too small retrospective of American artist Bruce Nauman; Whitechapel Gallery's superb presentations of the German painter Kai Althoff and its new commission by Indian-Pakistani artist Nalini Malani; and the Barbican's celebration of choreographer Michael Clark.
Frieze itself was a hybrid event, with a live performance and exhibition programme complementing the online talks and viewing rooms in which Frieze's 250 galleries sold their wares. Despite some initial worries over the state of the art market and online viewing room fatigue, the overall feedback was sound. Two-dimensional work, especially paintings, led the way: Hauser & Wirth, the international mega-gallery, sold a Mark Bradford painting for $3.5 million; London gallery Lisson sold four diptychs by Laure Prouvost at €35,000 each ($41,300); and Lehmann Maupin from New York sold a Mandy El-Sayegh painting in the price range of £20,000-50,000.
Regional galleries also reported sales. Sunny Rahbar of the Third Line in Dubai sold two Nima Nabavi mathematically inspired geometric drawings to the Deutsch Bank Collection, and Sfeir-Semler in Beirut sold 12 drawings by Lebanese artist Mounira Al Solh to the Tate. These went via the £150,000 fund supported by Endeavor, part-owner of Frieze, for acquisitions from the fair for the Tate collection.
Green Art Gallery, from Alserkal Avenue in Dubai, set geometric paintings by Kamrooz Aram beside sculptures by the Brazilian artist Ana Mazzei, and reported reserves on some of the works.
Over at Cromwell Place, the new gallery network that also opened on Saturday, Lawrie Shabibi of Dubai reported impressive numbers: they sold three paintings by Mohamed Melehi at $35,000 each, as well as silkscreens by the Moroccan artist.
And – somewhat remarkably – there was still a physical event in the 1-54 African art fair, which takes place in the historic Somerset House, a former palace fronting the Thames. Benefiting from a smaller scale and being in a permanent institution, the fair was able to open with 30 galleries worldwide with artists from Africa or its diaspora.
Visitors came at appointed slots and followed a strict one-way system around the building. The fair, which has previously hovered on the periphery of the Frieze itinerary, was suddenly thrust front-and-centre, offering the pleasure of seeing new art in person, and buoyed also by the art world's long-overdue interest in black artists. The fair met the spotlight handily, with stand-out booths by Tafeta from London, Polartics from Lagos, Ubuntu Art Gallery from Cairo, and Gallery 1957 from Accra, which sold out its entire booth.
The star of the week were the gallery presentations, which also differed from previous years in a so-old-it's-new reversal: contemporary art galleries … in Mayfair. Galleries such as White Cube in Hoxton Square and Maureen Paley lured art professionals away from their traditional moneyed stomping grounds of Mayfair in central London.
But over the past few years galleries have been edging back. For Frieze Week, Studio Voltaire, Sadie Coles HQ, Lisson Gallery, Frieze Live and Stephen Friedman showed in pop-up sites on Cork Street, just a few steps away from Bond Street. This meant gallery-goers could take in around 50 exhibitions in central London before collapsing at Frieze's temporary HQ at the Fumoir bar at Claridge's. A mix of old glamour and new, international offerings and socially distanced catch-ups: it was as good an almost-Frieze Week as anyone could have hoped for.
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What is blockchain?
Blockchain is a form of distributed ledger technology, a digital system in which data is recorded across multiple places at the same time. Unlike traditional databases, DLTs have no central administrator or centralised data storage. They are transparent because the data is visible and, because they are automatically replicated and impossible to be tampered with, they are secure.
The main difference between blockchain and other forms of DLT is the way data is stored as ‘blocks’ – new transactions are added to the existing ‘chain’ of past transactions, hence the name ‘blockchain’. It is impossible to delete or modify information on the chain due to the replication of blocks across various locations.
Blockchain is mostly associated with cryptocurrency Bitcoin. Due to the inability to tamper with transactions, advocates say this makes the currency more secure and safer than traditional systems. It is maintained by a network of people referred to as ‘miners’, who receive rewards for solving complex mathematical equations that enable transactions to go through.
However, one of the major problems that has come to light has been the presence of illicit material buried in the Bitcoin blockchain, linking it to the dark web.
Other blockchain platforms can offer things like smart contracts, which are automatically implemented when specific conditions from all interested parties are reached, cutting the time involved and the risk of mistakes. Another use could be storing medical records, as patients can be confident their information cannot be changed. The technology can also be used in supply chains, voting and has the potential to used for storing property records.
Mubadala World Tennis Championship 2018 schedule
Thursday December 27
Men's quarter-finals
Kevin Anderson v Hyeon Chung 4pm
Dominic Thiem v Karen Khachanov 6pm
Women's exhibition
Serena Williams v Venus Williams 8pm
Friday December 28
5th place play-off 3pm
Men's semi-finals
Rafael Nadal v Anderson/Chung 5pm
Novak Djokovic v Thiem/Khachanov 7pm
Saturday December 29
3rd place play-off 5pm
Men's final 7pm
RESULTS
Cagliari 5-2 Fiorentina
Udinese 0-0 SPAL
Sampdoria 0-0 Atalanta
Lazio 4-2 Lecce
Parma 2-0 Roma
Juventus 1-0 AC Milan
Key findings of Jenkins report
- Founder of the Muslim Brotherhood, Hassan al Banna, "accepted the political utility of violence"
- Views of key Muslim Brotherhood ideologue, Sayyid Qutb, have “consistently been understood” as permitting “the use of extreme violence in the pursuit of the perfect Islamic society” and “never been institutionally disowned” by the movement.
- Muslim Brotherhood at all levels has repeatedly defended Hamas attacks against Israel, including the use of suicide bombers and the killing of civilians.
- Laying out the report in the House of Commons, David Cameron told MPs: "The main findings of the review support the conclusion that membership of, association with, or influence by the Muslim Brotherhood should be considered as a possible indicator of extremism."
Dubai World Cup nominations
UAE: Thunder Snow/Saeed bin Suroor (trainer), North America/Satish Seemar, Drafted/Doug Watson, New Trails/Ahmad bin Harmash, Capezzano, Gronkowski, Axelrod, all trained by Salem bin Ghadayer
USA: Seeking The Soul/Dallas Stewart, Imperial Hunt/Luis Carvajal Jr, Audible/Todd Pletcher, Roy H/Peter Miller, Yoshida/William Mott, Promises Fulfilled/Dale Romans, Gunnevera/Antonio Sano, XY Jet/Jorge Navarro, Pavel/Doug O’Neill, Switzerland/Steve Asmussen.
Japan: Matera Sky/Hideyuki Mori, KT Brace/Haruki Sugiyama. Bahrain: Nine Below Zero/Fawzi Nass. Ireland: Tato Key/David Marnane. Hong Kong: Fight Hero/Me Tsui. South Korea: Dolkong/Simon Foster.
Museum of the Future in numbers
- 78 metres is the height of the museum
- 30,000 square metres is its total area
- 17,000 square metres is the length of the stainless steel facade
- 14 kilometres is the length of LED lights used on the facade
- 1,024 individual pieces make up the exterior
- 7 floors in all, with one for administrative offices
- 2,400 diagonally intersecting steel members frame the torus shape
- 100 species of trees and plants dot the gardens
- Dh145 is the price of a ticket
Info
What: 11th edition of the Mubadala World Tennis Championship
When: December 27-29, 2018
Confirmed: men: Novak Djokovic, Rafael Nadal, Kevin Anderson, Dominic Thiem, Hyeon Chung, Karen Khachanov; women: Venus Williams
Tickets: www.ticketmaster.ae, Virgin megastores or call 800 86 823
Libya's Gold
UN Panel of Experts found regime secretly sold a fifth of the country's gold reserves.
The panel’s 2017 report followed a trail to West Africa where large sums of cash and gold were hidden by Abdullah Al Senussi, Qaddafi’s former intelligence chief, in 2011.
Cases filled with cash that was said to amount to $560m in 100 dollar notes, that was kept by a group of Libyans in Ouagadougou, Burkina Faso.
A second stash was said to have been held in Accra, Ghana, inside boxes at the local offices of an international human rights organisation based in France.
COMPANY%20PROFILE
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Kamindu Mendis bio
Full name: Pasqual Handi Kamindu Dilanka Mendis
Born: September 30, 1998
Age: 20 years and 26 days
Nationality: Sri Lankan
Major teams Sri Lanka's Under 19 team
Batting style: Left-hander
Bowling style: Right-arm off-spin and slow left-arm orthodox (that's right!)
UAE currency: the story behind the money in your pockets
UAE currency: the story behind the money in your pockets
Timeline
1947
Ferrari’s road-car company is formed and its first badged car, the 125 S, rolls off the assembly line
1962
250 GTO is unveiled
1969
Fiat becomes a Ferrari shareholder, acquiring 50 per cent of the company
1972
The Fiorano circuit, Ferrari’s racetrack for development and testing, opens
1976
First automatic Ferrari, the 400 Automatic, is made
1987
F40 launched
1988
Enzo Ferrari dies; Fiat expands its stake in the company to 90 per cent
2002
The Enzo model is announced
2010
Ferrari World opens in Abu Dhabi
2011
First four-wheel drive Ferrari, the FF, is unveiled
2013
LaFerrari, the first Ferrari hybrid, arrives
2014
Fiat Chrysler announces the split of Ferrari from the parent company
2015
Ferrari launches on Wall Street
2017
812 Superfast unveiled; Ferrari celebrates its 70th anniversary
F1 The Movie
Starring: Brad Pitt, Damson Idris, Kerry Condon, Javier Bardem
Director: Joseph Kosinski
Rating: 4/5
Company: Instabug
Founded: 2013
Based: Egypt, Cairo
Sector: IT
Employees: 100
Stage: Series A
Investors: Flat6Labs, Accel, Y Combinator and angel investors
It’ll be summer in the city as car show tries to move with the times
If 2008 was the year that rocked Detroit, 2019 will be when Motor City gives its annual car extravaganza a revamp that aims to move with the times.
A major change is that this week's North American International Auto Show will be the last to be held in January, after which the event will switch to June.
The new date, organisers said, will allow exhibitors to move vehicles and activities outside the Cobo Center's halls and into other city venues, unencumbered by cold January weather, exemplified this week by snow and ice.
In a market in which trends can easily be outpaced beyond one event, the need to do so was probably exacerbated by the decision of Germany's big three carmakers – BMW, Mercedes-Benz and Audi – to skip the auto show this year.
The show has long allowed car enthusiasts to sit behind the wheel of the latest models at the start of the calendar year but a more fluid car market in an online world has made sales less seasonal.
Similarly, everyday technology seems to be catching up on those whose job it is to get behind microphones and try and tempt the visiting public into making a purchase.
Although sparkly announcers clasp iPads and outline the technical gadgetry hidden beneath bonnets, people's obsession with their own smartphones often appeared to offer a more tempting distraction.
“It's maddening,” said one such worker at Nissan's stand.
The absence of some pizzazz, as well as top marques, was also noted by patrons.
“It looks like there are a few less cars this year,” one annual attendee said of this year's exhibitors.
“I can't help but think it's easier to stay at home than to brave the snow and come here.”
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