How Egyptian artist Ghada Amer has weaved an expression of feminism into her paintings


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In Ghada Amer's paintings, threads behave like coloured rivers, abstraction obscures figuration and unknown women proliferate. However, for the first time, familiar faces are appearing in Amer's work. Although the Egyptian artist, who lives and works in New York, calls the female figures she sources from popular culture – often men's magazines – her "friends", she has been looking to her own environment for her latest series.

Her assistant, a cousin, a fellow yoga student, and her sister, are all featured in a series called Women I Know. "I drew the faces based on photos I took and then found the right sentence with which to compose each portrait," Amer says. "Although I began this work in 2014, I was diagnosed with breast cancer just before the pandemic hit. I was home for a year and I had the strength to focus. I could think about how to continue the series," she explains.

“In the past, women were only allowed to do portraits. They couldn’t paint the church, wars or any of the important stuff,” she says. This is a familiar refrain, and Amer has consistently incorporated embroidery and feminised expression in her work as a critique of male-dominated genres in art history, where painting reigns supreme.

Known for her serial renderings of women's bodies in works, Amer refers to the hyper-masculine codes embedded in Abstract Expressionism (think of Jackson Pollock's drip paintings inspired by the act of his father urinating outdoors in patterns). Her candy-­coloured evocations of female figures in provocative poses constituted by skeins of thread are affixed by transparent gel and, at times, supplemented with paint. "In some canvases, I add paint because I needed more proximity to painting," she says. "Now that I can paint, I also use it as a material."

Amer has often told the story of when she was studying for her master's in fine arts at Villa Arson in Nice, France. There was only one professor of painting, who didn't accept her into his class. This sparked the beginnings of her inquiry into painting with thread.

Artist Ghada Amer standing in front of her work 'Women's Qualities' (2020) at Rockefeller Centre. Courtesy of Casey Kelbaugh/Frieze
Artist Ghada Amer standing in front of her work 'Women's Qualities' (2020) at Rockefeller Centre. Courtesy of Casey Kelbaugh/Frieze

“I mastered a series depicting women with thread and needle,” she says. “It became a way for me to paint, a technique. I wanted images that represented a separation from sewing … The essence of the work is about women having a place in painting. It’s not just a reference to women’s work.”

Amer's dangling threads are like sketches and lines before they commit to form; they read as shadowy outlines that bleed into bodies that blur and multiply. "I've always been interested in the female form, especially in live drawings during art school. In the Middle East, women are always appraising other women. It's different from the male gaze, where men often isolate and focus on parts of the body."

Her latest body of work integrates different strands of her practice: text and figuration. Amer superimposes phrases on the portraits, such as "Your silence will not protect you" by feminist poet Audre Lorde.

In Arabic culture, words are another form of painting – calligraphy is not merely a decorative form – so I don't see the difference between words and figures

"So many things have already been said. These are not new thoughts," says Amer. "My practice was influenced by the powerful statements of [American artists] Jenny Holzer and Barbara Kruger. When I read, I always take note of what inspires me, and it's these quotations that remain."

Incorporating writing is not unusual in Amer’s practice – her materiality has often been extended to language – but this is the first time both text and figure occupy equal space in her work.

“In Arabic culture, words are another form of painting – calligraphy is not merely a decorative form – so I don’t see the difference between words and figures. It’s not a strict dichotomy.”

In 2001, she created a 70-­metre-long public installation in Barcelona stating: "Today 70 per cent of the poor in the world are women" in Spanish. Her Encyclopedia of Pleasure comprises 57 canvas boxes inscribed with embroidered translations of a medieval Arabic text on spiritual and physical fulfilment in men and women, written by Ali ibn Nasr Al Katib. Amer's The Words I Love the Most (2010) is a hollow lattice-like sphere adorned with 100 Arabic expressions for love. In Sunset with Words (2013), a collaboration with American-Iranian artist Reza Farkhondeh, she stencilled: "Nobody gives you power you just take it" across a hazy degradation of rainbow colours. In another 2015 piece, Sindy in Pink, "We are the granddaughters of witches you cannot burn" can be read.

'The Words I Love The Most' (2012). Courtesy of the artist and Marianne Boesky Gallery, New York and Aspen, Christopher Burke Studios
'The Words I Love The Most' (2012). Courtesy of the artist and Marianne Boesky Gallery, New York and Aspen, Christopher Burke Studios

"I turned towards writing very early in my career, and like the images I source, the words are always found texts. I want to appropriate and remember."

The connection between words and images is analogous to the relationship between painting and sculpture in Amer’s work. Although her embroidered paintings and ceramic sculptures are separate as works, sometimes they merge into one configuration. Her art seems to explicitly comment on the levels of intimacy implicated in states of longing and language.

'Sunset with Words - RFGA' (2013). Courtesy of the artist and Marianne Boesky Gallery, New York and Aspen. © Ghada Amer
'Sunset with Words - RFGA' (2013). Courtesy of the artist and Marianne Boesky Gallery, New York and Aspen. © Ghada Amer

In one of her earlier series, Cinq femmes au travail (1991), showing women involved in domestic tasks, she depicted herself. "I am the fifth woman in the series, embroidering the others." In Women I Know, her self-portrait is the only black-and-white image, with words that are hard to make out. For this, she selected a controversial definition of feminism by televangelist and political commentator Pat Robinson: "Feminism is a socialist, anti-family political movement that encourages women to leave their husbands, kill their children, practise witchcraft, destroy capitalism and become lesbians."

In this vein of definitions, Amer has recently created a site-specific garden sculpture in Sunnylands, California, for Desert X, where she uses desert plants to spell out seven qualities of women that she identified through a poll. This installation, Women's Qualities, was first conceptualised for the Metropolitan Museum in Busan, South Korea, where descriptors such as "submissive" and "long-lashed" came up. She also did the project last year at the Rockefeller Centre in New York by sampling a wide range of people, from Mexican workers in her art studio to friends and family from Egypt.

'Cactus painting' (2018). Courtesy of the artist and Marianne Boesky Gallery, New York and Aspen
'Cactus painting' (2018). Courtesy of the artist and Marianne Boesky Gallery, New York and Aspen

The Desert X version includes qualities mentioned across the East and West coast: "resilient, beautiful, strong". But Amer has gone completely abstract in her public art, too, with earlier installations such as Cactus Painting (1998), made out of receding rectangles of 16,000 cacti, or with more recent ceramic sculptures such as The Black Knot (2014) and Yellow Lines (2015).

At the moment, Amer is working on new Women I Know works for her first solo exhibition in September, at Marianne Boesky Gallery in New York, where she will include more family members. Further pushing the relationship between text and image, her literary fragments are not easily visible in recent works, which separate words across the portraits. Employing her characteristic visual language, Amer brings certain elements into focus, while fading others from view.

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Creator: Jenna Lamia

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Tips to stay safe during hot weather
  • Stay hydrated: Drink plenty of fluids, especially water. Avoid alcohol and caffeine, which can increase dehydration.
  • Seek cool environments: Use air conditioning, fans, or visit community spaces with climate control.
  • Limit outdoor activities: Avoid strenuous activity during peak heat. If outside, seek shade and wear a wide-brimmed hat.
  • Dress appropriately: Wear lightweight, loose and light-coloured clothing to facilitate heat loss.
  • Check on vulnerable people: Regularly check in on elderly neighbours, young children and those with health conditions.
  • Home adaptations: Use blinds or curtains to block sunlight, avoid using ovens or stoves, and ventilate living spaces during cooler hours.
  • Recognise heat illness: Learn the signs of heat exhaustion and heat stroke (dizziness, confusion, rapid pulse, nausea), and seek medical attention if symptoms occur.
TRAP

Starring: Josh Hartnett, Saleka Shyamalan, Ariel Donaghue

Director: M Night Shyamalan

Rating: 3/5

Conflict, drought, famine

Estimates of the number of deaths caused by the famine range from 400,000 to 1 million, according to a document prepared for the UK House of Lords in 2024.
It has been claimed that the policies of the Ethiopian government, which took control after deposing Emperor Haile Selassie in a military-led revolution in 1974, contributed to the scale of the famine.
Dr Miriam Bradley, senior lecturer in humanitarian studies at the University of Manchester, has argued that, by the early 1980s, “several government policies combined to cause, rather than prevent, a famine which lasted from 1983 to 1985. Mengistu’s government imposed Stalinist-model agricultural policies involving forced collectivisation and villagisation [relocation of communities into planned villages].
The West became aware of the catastrophe through a series of BBC News reports by journalist Michael Buerk in October 1984 describing a “biblical famine” and containing graphic images of thousands of people, including children, facing starvation.

Band Aid

Bob Geldof, singer with the Irish rock group The Boomtown Rats, formed Band Aid in response to the horrific images shown in the news broadcasts.
With Midge Ure of the band Ultravox, he wrote the hit charity single Do They Know it’s Christmas in December 1984, featuring a string of high-profile musicians.
Following the single’s success, the idea to stage a rock concert evolved.
Live Aid was a series of simultaneous concerts that took place at Wembley Stadium in London, John F Kennedy Stadium in Philadelphia, the US, and at various other venues across the world.
The combined event was broadcast to an estimated worldwide audience of 1.5 billion.

The alternatives

• Founded in 2014, Telr is a payment aggregator and gateway with an office in Silicon Oasis. It’s e-commerce entry plan costs Dh349 monthly (plus VAT). QR codes direct customers to an online payment page and merchants can generate payments through messaging apps.

• Business Bay’s Pallapay claims 40,000-plus active merchants who can invoice customers and receive payment by card. Fees range from 1.99 per cent plus Dh1 per transaction depending on payment method and location, such as online or via UAE mobile.

• Tap started in May 2013 in Kuwait, allowing Middle East businesses to bill, accept, receive and make payments online “easier, faster and smoother” via goSell and goCollect. It supports more than 10,000 merchants. Monthly fees range from US$65-100, plus card charges of 2.75-3.75 per cent and Dh1.2 per sale.

2checkout’s “all-in-one payment gateway and merchant account” accepts payments in 200-plus markets for 2.4-3.9 per cent, plus a Dh1.2-Dh1.8 currency conversion charge. The US provider processes online shop and mobile transactions and has 17,000-plus active digital commerce users.

• PayPal is probably the best-known online goods payment method - usually used for eBay purchases -  but can be used to receive funds, providing everyone’s signed up. Costs from 2.9 per cent plus Dh1.2 per transaction.

The burning issue

The internal combustion engine is facing a watershed moment – major manufacturer Volvo is to stop producing petroleum-powered vehicles by 2021 and countries in Europe, including the UK, have vowed to ban their sale before 2040. The National takes a look at the story of one of the most successful technologies of the last 100 years and how it has impacted life in the UAE.

Part three: an affection for classic cars lives on

Read part two: how climate change drove the race for an alternative 

Read part one: how cars came to the UAE

UAE currency: the story behind the money in your pockets
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Founder: Ahmed Wadi

Launched: 2016

Employees: 76

Financing stage: Series A ($4 million)

Investors: Partech, Sawari Ventures, 500 Startups, Dubai Angel Investors, Phoenician Fund

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Starring: Idris Elba, Caleb McLaughlin, Jharrel Jerome

3.5/5 stars

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The nine articles of the 50-Year Charter

1. Dubai silk road

2.  A geo-economic map for Dubai

3. First virtual commercial city

4. A central education file for every citizen

5. A doctor to every citizen

6. Free economic and creative zones in universities

7. Self-sufficiency in Dubai homes

8. Co-operative companies in various sectors

­9: Annual growth in philanthropy

UAE currency: the story behind the money in your pockets
Match info

Bournemouth 0
Liverpool 4
(Salah 25', 48', 76', Cook 68' OG)

Man of the match: Andrew Robertson (Liverpool)

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DMZ facts
  • The DMZ was created as a buffer after the 1950-53 Korean War.
  • It runs 248 kilometers across the Korean Peninsula and is 4km wide.
  • The zone is jointly overseen by the US-led United Nations Command and North Korea.
  • It is littered with an estimated 2 million mines, tank traps, razor wire fences and guard posts.
  • Donald Trump and Kim Jong-Un met at a building in Panmunjom, where an armistice was signed to stop the Korean War.
  • Panmunjom is 52km north of the Korean capital Seoul and 147km south of Pyongyang, North Korea’s capital.
  • Former US president Bill Clinton visited Panmunjom in 1993, while Ronald Reagan visited the DMZ in 1983, George W. Bush in 2002 and Barack Obama visited a nearby military camp in 2012. 
  • Mr Trump planned to visit in November 2017, but heavy fog that prevented his helicopter from landing.
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