After a year of being shuttered because of the pandemic, Louvre Abu Dhabi's Children's Museum reopens on Friday, with a new interactive exhibition that puts feelings front and centre.
Emotions!: The New Art Adventure focuses on four basic emotions – joy, sadness, fear and anger – and allows children and their parents to explore them through artworks, games, creative activities and immersive experiences. It is suitable for children from ages 4 to 10.
While Louvre Abu Dhabi reopened in June 2020, the children's museum had to remain closed because of the UAE capital's Covid-19 restrictions for children. At the same time, the team had to produce the exhibition and reconfigure a few elements to follow safety guidelines.
“We reviewed the designs to ensure that we have as much of a touchless experience as possible and that we can maintain social distancing,” says Amine Kharchach, Louvre Abu Dhabi’s interpretation and mediation manager, who headed up the creation of Emotions!.
The museum also installed additional sanitisation stations and limited the capacity of visitors to its spaces.
As museum-goers enter the space, they can create personal profiles and receive wristbands to scan at certain game stations throughout the show. Players can earn points with each game.
The first of the exhibition’s three sections lays the foundation for its theme. At the centre of the room is an interactive display with a cascading four-coloured waterfall, with each hue corresponding to each of the four basic emotions.
We focused on works with facial expressions because this is more accessible to children
A total of 10 artworks from Louvre Abu Dhabi’s collection, as well as loans from the Louvre Museum in Paris, Musee d’Orsay and Musee du Quai Branly – Jacques Chirac, become points of discovery, offering close observation of the art and the emotions conveyed within.
To appeal to children, the artworks' subjects have corresponding cartoon versions that speak to visitors on text displays. The 17th-century painting Boy with a Soap Bubble by Frans Hals the Elder, for example, is used as a model of happiness.
“This artwork shows me when I’m really happy. I’m so pleased my cheeks are all pink,” the character says, pointing out aspects of his painter’s style, too. “Frans has a talent for showing his models in a realistic manner with expressive spontaneous poses.”
A series of observation games on nearby screens, where players must find hidden details in the work and imagine the cause for his joy, encourages children to pay closer attention to the subject’s expression and mood.
“We always try to create the right level of engagement, so we rely on gamification and observational challenges that will make children look closer at the artworks,” Kharchach says.
The rest of the works span various periods and geographies, including a wooden mask from traditional Japanese theatre that represents a tragic prince figure, and a 2,000-year-old miniature terracotta mask with a fear-stricken expression from ancient Greek theatre.
Kharchach explains that he and his team considered both art history and scientific insights to select the works and find ways to utilise them.
Read More
From pandemic hobby to newfound passion: why more people are turning to ceramic art in the UAE
eL Seed reveals new 'Love' sculpture that appeared at Italy's Duomo of Milan for one day only
“We looked at the scientific literature on emotions and most experts agree on these four basic emotions that children can feel and experience, sometimes all in one day,” he says.
“Then we worked with art history to see how artists throughout the ages and civilisations worked with emotions and expressed them through their creations.
“We focused on works with facial expressions because this is more accessible to children,” he explains. “But we also added an example of a landscape painting and a sculpture that shows emotion through body gestures.”
Kharchach is referring to a clay sculpture entitled Weeping Woman, which dates back 2,700 years and shows a sorrowful female figure with her arms placed on her head and chest.
The second section of Emotions! moves from observation to creation, with three stations for children to draw, create a collage or a sculpture. For this, Louvre Abu Dhabi’s Children’s Museum worked with local artists to film instructional videos that are played on a loop at each station.
Ali Kashwani's tutorial teaches children how to draw facial expressions, while Shaima Al Amri helps them create a collage with stickers and Maryam Al Atouly shows them how to fashion sculptures from coloured pipe cleaners.
While the first section focuses on visual demonstrations of emotion, a digital DJ or music booth in the second section explores it aurally. By switching from different coloured vinyls, visitors can play sounds that echo feelings of happiness, sadness, fear and anger.
The final section of Emotions!, decked out as more of a playground, is where feelings can be expressed and released. In one display, The Anger Eater, children are asked to write or draw something that upset them on a piece of paper, then feed it to a giant mask with a gaping mouth.
Housed under the museum's dome, the section also features a colourful Tree of Joy, whose branches can be filled with visitors’ replies to prompts on leaf-shaped notes, as well as an artificial stream for paper boats covered in confessional scribbles.
On one side, individuals can spin a wheel of emotions that details how to deal with certain feelings when they arise. By registering for a wristband at the start of the show, visitors can receive a similar colour wheel of emotion that they can print out and use at home.
Though vaccination rates are on the rise and lockdowns are easing around the world, the pandemic has, undeniably, had a lingering effect on people's mental health. With many children adjusting to hybrid schooling and parents working from home alongside them, issues of emotional well-being have come to the forefront in many households. Kharchach is hoping that Emotions! can serve as a place to start a conversation for families.
“When we’re able to trigger interactions that encourage parents and children to explore together, sometimes this whole experience is important than the content itself,” he says.
Entry to Louvre Abu Dhabi and the Children’s Museum is free for visitors aged 18 and under. Admission tickets for accompanying adults are valid for both the museum’s galleries and exhibitions, as well as the Children’s Museum.
Emotions!: The New Art Adventure opens to the public on Friday, June 18 and runs until May 2023. More information is available at louvreabudhabi.ae
WHAT IS A BLACK HOLE?
1. Black holes are objects whose gravity is so strong not even light can escape their pull
2. They can be created when massive stars collapse under their own weight
3. Large black holes can also be formed when smaller ones collide and merge
4. The biggest black holes lurk at the centre of many galaxies, including our own
5. Astronomers believe that when the universe was very young, black holes affected how galaxies formed
RESULTS
Bantamweight title:
Vinicius de Oliveira (BRA) bt Xavier Alaoui (MAR)
(KO round 2)
Catchweight 68kg:
Sean Soriano (USA) bt Noad Lahat (ISR)
(TKO round 1)
Middleweight:
Denis Tiuliulin (RUS) bt Juscelino Ferreira (BRA)
(TKO round 1)
Lightweight:
Anas Siraj Mounir (MAR) bt Joachim Tollefsen (DEN)
(Unanimous decision)
Catchweight 68kg:
Austin Arnett (USA) bt Daniel Vega (MEX)
(TKO round 3)
Lightweight:
Carrington Banks (USA) bt Marcio Andrade (BRA)
(Unanimous decision)
Catchweight 58kg:
Corinne Laframboise (CAN) bt Malin Hermansson (SWE)
(Submission round 2)
Bantamweight:
Jalal Al Daaja (CAN) bt Juares Dea (CMR)
(Split decision)
Middleweight:
Mohamad Osseili (LEB) bt Ivan Slynko (UKR)
(TKO round 1)
Featherweight:
Tarun Grigoryan (ARM) bt Islam Makhamadjanov (UZB)
(Unanimous decision)
Catchweight 54kg:
Mariagiovanna Vai (ITA) bt Daniella Shutov (ISR)
(Submission round 1)
Middleweight:
Joan Arastey (ESP) bt Omran Chaaban (LEB)
(Unanimous decision)
Welterweight:
Bruno Carvalho (POR) bt Souhil Tahiri (ALG)
(TKO)
Afro%20salons
%3Cp%3E%3Cstrong%3EFor%20women%3A%3C%2Fstrong%3E%3Cbr%3ESisu%20Hair%20Salon%2C%20Jumeirah%201%2C%20Dubai%3Cbr%3EBoho%20Salon%2C%20Al%20Barsha%20South%2C%20Dubai%3Cbr%3EMoonlight%2C%20Al%20Falah%20Street%2C%20Abu%20Dhabi%3Cbr%3E%3Cstrong%3EFor%20men%3A%3C%2Fstrong%3E%3Cbr%3EMK%20Barbershop%2C%20Dar%20Al%20Wasl%20Mall%2C%20Dubai%3Cbr%3ERegency%20Saloon%2C%20Al%20Zahiyah%2C%20Abu%20Dhabi%3Cbr%3EUptown%20Barbershop%2C%20Al%20Nasseriya%2C%20Sharjah%3C%2Fp%3E%0A
Tightening the screw on rogue recruiters
The UAE overhauled the procedure to recruit housemaids and domestic workers with a law in 2017 to protect low-income labour from being exploited.
Only recruitment companies authorised by the government are permitted as part of Tadbeer, a network of labour ministry-regulated centres.
A contract must be drawn up for domestic workers, the wages and job offer clearly stating the nature of work.
The contract stating the wages, work entailed and accommodation must be sent to the employee in their home country before they depart for the UAE.
The contract will be signed by the employer and employee when the domestic worker arrives in the UAE.
Only recruitment agencies registered with the ministry can undertake recruitment and employment applications for domestic workers.
Penalties for illegal recruitment in the UAE include fines of up to Dh100,000 and imprisonment
But agents not authorised by the government sidestep the law by illegally getting women into the country on visit visas.
More on animal trafficking
SHADOWS%20AND%20LIGHT%3A%20THE%20EXTRAORDINARY%20LIFE%20OF%20JAMES%20MCBEY
%3Cp%3EAuthor%3A%20Alasdair%20Soussi%3C%2Fp%3E%0A%3Cp%3EPages%3A%20300%3C%2Fp%3E%0A%3Cp%3EPublisher%3A%20Scotland%20Street%20Press%3C%2Fp%3E%0A%3Cp%3EAvailable%3A%20December%201%3C%2Fp%3E%0A
England's all-time record goalscorers:
Wayne Rooney 53
Bobby Charlton 49
Gary Lineker 48
Jimmy Greaves 44
Michael Owen 40
Tom Finney 30
Nat Lofthouse 30
Alan Shearer 30
Viv Woodward 29
Frank Lampard 29
Labour dispute
The insured employee may still file an ILOE claim even if a labour dispute is ongoing post termination, but the insurer may suspend or reject payment, until the courts resolve the dispute, especially if the reason for termination is contested. The outcome of the labour court proceedings can directly affect eligibility.
- Abdullah Ishnaneh, Partner, BSA Law
All%20We%20Imagine%20as%20Light
%3Cp%3E%3Cstrong%3EDirector%3A%20%3C%2Fstrong%3EPayal%20Kapadia%3C%2Fp%3E%0A%3Cp%3E%3Cstrong%3EStarring%3A%3C%2Fstrong%3E%20Kani%20Kusruti%2C%20Divya%20Prabha%2C%20Chhaya%20Kadam%3C%2Fp%3E%0A%3Cp%3E%3Cstrong%3ERating%3A%3C%2Fstrong%3E%204%2F5%3C%2Fp%3E%0A
How Voiss turns words to speech
The device has a screen reader or software that monitors what happens on the screen
The screen reader sends the text to the speech synthesiser
This converts to audio whatever it receives from screen reader, so the person can hear what is happening on the screen
A VOISS computer costs between $200 and $250 depending on memory card capacity that ranges from 32GB to 128GB
The speech synthesisers VOISS develops are free
Subsequent computer versions will include improvements such as wireless keyboards
Arabic voice in affordable talking computer to be added next year to English, Portuguese, and Spanish synthesiser
Partnerships planned during Expo 2020 Dubai to add more languages
At least 2.2 billion people globally have a vision impairment or blindness
More than 90 per cent live in developing countries
The Long-term aim of VOISS to reach the technology to people in poor countries with workshops that teach them to build their own device
The Voice of Hind Rajab
Starring: Saja Kilani, Clara Khoury, Motaz Malhees
Director: Kaouther Ben Hania
Rating: 4/5
Ferrari 12Cilindri specs
Engine: naturally aspirated 6.5-liter V12
Power: 819hp
Torque: 678Nm at 7,250rpm
Price: From Dh1,700,000
Available: Now
Coal Black Mornings
Brett Anderson
Little Brown Book Group
Recent winners
2002 Giselle Khoury (Colombia)
2004 Nathalie Nasralla (France)
2005 Catherine Abboud (Oceania)
2007 Grace Bijjani (Mexico)
2008 Carina El-Keddissi (Brazil)
2009 Sara Mansour (Brazil)
2010 Daniella Rahme (Australia)
2011 Maria Farah (Canada)
2012 Cynthia Moukarzel (Kuwait)
2013 Layla Yarak (Australia)
2014 Lia Saad (UAE)
2015 Cynthia Farah (Australia)
2016 Yosmely Massaad (Venezuela)
2017 Dima Safi (Ivory Coast)
2018 Rachel Younan (Australia)
At a glance
Global events: Much of the UK’s economic woes were blamed on “increased global uncertainty”, which can be interpreted as the economic impact of the Ukraine war and the uncertainty over Donald Trump’s tariffs.
Growth forecasts: Cut for 2025 from 2 per cent to 1 per cent. The OBR watchdog also estimated inflation will average 3.2 per cent this year
Welfare: Universal credit health element cut by 50 per cent and frozen for new claimants, building on cuts to the disability and incapacity bill set out earlier this month
Spending cuts: Overall day-to day-spending across government cut by £6.1bn in 2029-30
Tax evasion: Steps to crack down on tax evasion to raise “£6.5bn per year” for the public purse
Defence: New high-tech weaponry, upgrading HM Naval Base in Portsmouth
Housing: Housebuilding to reach its highest in 40 years, with planning reforms helping generate an extra £3.4bn for public finances
3%20Body%20Problem
%3Cp%3E%3Cstrong%3ECreators%3A%3C%2Fstrong%3E%20David%20Benioff%2C%20D%20B%20Weiss%2C%20Alexander%20Woo%3C%2Fp%3E%0A%3Cp%3E%3Cstrong%3EStarring%3A%20%3C%2Fstrong%3EBenedict%20Wong%2C%20Jess%20Hong%2C%20Jovan%20Adepo%2C%20Eiza%20Gonzalez%2C%20John%20Bradley%2C%20Alex%20Sharp%3C%2Fp%3E%0A%3Cp%3E%3Cstrong%3ERating%3A%3C%2Fstrong%3E%203%2F5%3C%2Fp%3E%0A