Baya: Algeria's teen star turned Modern art giant is focus of Sharjah Art Museum's next show


Alexandra Chaves
  • English
  • Arabic

Defying category and expectation, Baya Mahieddine charted her own artistic path. More commonly known by only her first name, the self-taught Algerian artist, orphaned at a young age, rose to fame at 16 and went on to become a key figure in Modern Arab art.

Next month, Sharjah Art Museum will present a major retrospective of her work as part of its Lasting Impressions exhibition series, which highlights established Arab artists throughout the ages. “We look at prolific names in Arab art history … they might be famous, but they have not necessarily had a proper retrospective in any Arab museum or institution,” says Alya Al Mulla, a curator at the museum who put together the show alongside Suheyla Takesh, a curator at the Barjeel Art Foundation.

Lasting Impressions: Baya Mahieddine will open on Wednesday, February 24, with more than 70 artworks on display. The show germinated in late 2018 and was postponed from last year owing to the pandemic. In the first half of 2020, the museum carried out the loan process, which brought in works from private collectors and institutions around the world. A few works are also from the collections of Sharjah Art Museum and the Barjeel Art Foundation.

In many ways, she was a traditional woman, but she was also radical in how bold, distinct, and unapologetic her artistic vision was. Baya had a remarkable certainty about her

Baya is a fascinating figure partly because of her life story. Born Fatima Haddad in French-occupied Algeria in 1931, she lost her parents at the age of 5 and was raised by her grandmother, a housekeeper at a colonial farm.

When Baya was 11, her grandmother’s employer, a French art collector named Marguerite Caminat, recruited the young girl to be her helper in Algiers and eventually adopted her.

Caminat offered Baya schooling and art supplies, encouraging her to create work. It was through her connections that Baya’s art caught the attention of French dealer Aime Maeght, who put together a solo exhibition of her works in Paris in 1947. Surrealists took notice and Baya, who was only a teenager, was thrust into the art spotlight.

She was soon in the orbit of respected figures such as Andre Breton, Jean Dubuffet and Pablo Picasso. She met Picasso while studying pottery in Vallauris, south-eastern France, and he was impressed with her work.

Suheyla Takesh, one of the curators of Sharjah Art Museum's Lasting Impressions exhibition on Baya. Supplied
Suheyla Takesh, one of the curators of Sharjah Art Museum's Lasting Impressions exhibition on Baya. Supplied

Baya’s paintings are characterised by central female figures bearing expressive eyes, and occupying the canvas with their august, undulating forms and boldly coloured dresses.

They were often surrounded by elements such as flowers, fruits, feathers and guitars. Baya's works were quick to be labelled as surrealist or naive due to their "child-like" quality, though none of these suited her, as she did not want to be branded with terms from western art.

“In many ways, she was a traditional woman, but she was also radical in how bold, distinct and unapologetic her artistic vision was. Baya had a remarkable certainty about her,” says Takesh.

Throughout her practice, Baya held fast to her motifs of women and nature, eventually incorporating Andalusian musical elements that were inspired by her musician husband.

“You often find that artists are influenced by one another or by the art market, but she had an exceptional confidence in her vision, one that was shaped by her immersion in multiple contexts and cultures, including Amazigh, Arab, Islamic, as well as exposure to European Modernism," Takesh says. "She created something that is so unique, it really shakes up the canon.”

Alya Al Mulla, one of the curators of Sharjah Art Museum's Lasting Impressions exhibition on Baya. Supplied
Alya Al Mulla, one of the curators of Sharjah Art Museum's Lasting Impressions exhibition on Baya. Supplied

Al Mulla says: “Other artists go through different journeys and different phases in their work, but Baya always did the same thing, which was for her a kind of escape to a happier mindset.”

Baya’s faithfulness to her style is part of her artistic power, setting her apart from her male contemporaries. “She is painting from a woman’s perspective, as an Algerian woman. She is not painting Femmes d’Alger in the way that Picasso did,” says Takesh, referring to the Spanish artist’s series of Cubist paintings of female nudes, which were reportedly inspired by Baya. “With her, you get a representation that is more reliable one that is not skewed by a male or a colonial lens.”

Later in life Baya expanded her oeuvre to include ceramics and large-scale works, but the motifs – of women and nature – remained. Her characteristic vision informs how the show will unfold – thematically, rather than chronically, connecting the various threads in Baya’s practice.

A unique element to the exhibition is the research material gathered by Al Mulla and Takesh. This includes an interview between Baya and Salwa Mikdadi, an academic and curator who featured the artist’s work in Forces of Change, a major exhibition of female Arab artists, shown in 1994 at the National Museum of Women in the Arts in Washington.

The curators say the interview reveals details about Baya’s personal life in ways that go beyond the fabled narrative of her beginnings. A video of the interview will be screened, and a transcript of an interview between Mikdadi and Manal Ataya, director general of Sharjah Museums Authority, where the two discuss the artist, will be published in the exhibition catalogue. An education programme is also planned to complement the exhibition, plus virtual talks with other institutions involved.

The museum’s retrospective on Baya, who died in 1998, marks the fourth time a female artist has been recognised in the series, which started in 2010. It will also mark the foremost major show of the artist in the region, after her first US solo show at New York University’s Grey Art Gallery in 2018.

Though Baya’s practice paused while she was married and during the Algerian War from 1953 to 1963, she ultimately picked up the brush again and returned to the undaunted female figures she knew. “She never succumbed to critics or society or her peers, and certainly not to categories,” says Al Mulla. “She held her ground, and that’s her legacy.”

Lasting Impressions: Baya Mahieddine will be on view at Sharjah Art Museum from Wednesday, February 24 to Saturday, July 31

Six large-scale objects on show
  • Concrete wall and windows from the now demolished Robin Hood Gardens housing estate in Poplar
  • The 17th Century Agra Colonnade, from the bathhouse of the fort of Agra in India
  • A stagecloth for The Ballet Russes that is 10m high – the largest Picasso in the world
  • Frank Lloyd Wright’s 1930s Kaufmann Office
  • A full-scale Frankfurt Kitchen designed by Margarete Schütte-Lihotzky, which transformed kitchen design in the 20th century
  • Torrijos Palace dome
What can victims do?

Always use only regulated platforms

Stop all transactions and communication on suspicion

Save all evidence (screenshots, chat logs, transaction IDs)

Report to local authorities

Warn others to prevent further harm

Courtesy: Crystal Intelligence

Iftar programme at the Sheikh Mohammed Centre for Cultural Understanding

Established in 1998, the Sheikh Mohammed Centre for Cultural Understanding was created with a vision to teach residents about the traditions and customs of the UAE. Its motto is ‘open doors, open minds’. All year-round, visitors can sign up for a traditional Emirati breakfast, lunch or dinner meal, as well as a range of walking tours, including ones to sites such as the Jumeirah Mosque or Al Fahidi Historical Neighbourhood.

Every year during Ramadan, an iftar programme is rolled out. This allows guests to break their fast with the centre’s presenters, visit a nearby mosque and observe their guides while they pray. These events last for about two hours and are open to the public, or can be booked for a private event.

Until the end of Ramadan, the iftar events take place from 7pm until 9pm, from Saturday to Thursday. Advanced booking is required.

For more details, email openminds@cultures.ae or visit www.cultures.ae

 

Sole survivors
  • Cecelia Crocker was on board Northwest Airlines Flight 255 in 1987 when it crashed in Detroit, killing 154 people, including her parents and brother. The plane had hit a light pole on take off
  • George Lamson Jr, from Minnesota, was on a Galaxy Airlines flight that crashed in Reno in 1985, killing 68 people. His entire seat was launched out of the plane
  • Bahia Bakari, then 12, survived when a Yemenia Airways flight crashed near the Comoros in 2009, killing 152. She was found clinging to wreckage after floating in the ocean for 13 hours.
  • Jim Polehinke was the co-pilot and sole survivor of a 2006 Comair flight that crashed in Lexington, Kentucky, killing 49.
Tearful appearance

Chancellor Rachel Reeves set markets on edge as she appeared visibly distraught in parliament on Wednesday. 

Legislative setbacks for the government have blown a new hole in the budgetary calculations at a time when the deficit is stubbornly large and the economy is struggling to grow. 

She appeared with Keir Starmer on Thursday and the pair embraced, but he had failed to give her his backing as she cried a day earlier.

A spokesman said her upset demeanour was due to a personal matter.

Iran's dirty tricks to dodge sanctions

There’s increased scrutiny on the tricks being used to keep commodities flowing to and from blacklisted countries. Here’s a description of how some work.

1 Going Dark

A common method to transport Iranian oil with stealth is to turn off the Automatic Identification System, an electronic device that pinpoints a ship’s location. Known as going dark, a vessel flicks the switch before berthing and typically reappears days later, masking the location of its load or discharge port.

2. Ship-to-Ship Transfers

A first vessel will take its clandestine cargo away from the country in question before transferring it to a waiting ship, all of this happening out of sight. The vessels will then sail in different directions. For about a third of Iranian exports, more than one tanker typically handles a load before it’s delivered to its final destination, analysts say.

3. Fake Destinations

Signaling the wrong destination to load or unload is another technique. Ships that intend to take cargo from Iran may indicate their loading ports in sanction-free places like Iraq. Ships can keep changing their destinations and end up not berthing at any of them.

4. Rebranded Barrels

Iranian barrels can also be rebranded as oil from a nation free from sanctions such as Iraq. The countries share fields along their border and the crude has similar characteristics. Oil from these deposits can be trucked out to another port and documents forged to hide Iran as the origin.

* Bloomberg

ON%20TRACK
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Key facilities
  • Olympic-size swimming pool with a split bulkhead for multi-use configurations, including water polo and 50m/25m training lanes
  • Premier League-standard football pitch
  • 400m Olympic running track
  • NBA-spec basketball court with auditorium
  • 600-seat auditorium
  • Spaces for historical and cultural exploration
  • An elevated football field that doubles as a helipad
  • Specialist robotics and science laboratories
  • AR and VR-enabled learning centres
  • Disruption Lab and Research Centre for developing entrepreneurial skills

Coal Black Mornings

Brett Anderson

Little Brown Book Group 

Global state-owned investor ranking by size

1.

United States

2.

China

3.

UAE

4.

Japan

5

Norway

6.

Canada

7.

Singapore

8.

Australia

9.

Saudi Arabia

10.

South Korea

Company%20Profile
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COMPANY%20PROFILE
%3Cp%3E%3Cstrong%3ECompany%20name%3A%3C%2Fstrong%3E%20Switch%20Foods%3Cbr%3E%3Cstrong%3EStarted%3A%3C%2Fstrong%3E%202022%3Cbr%3E%3Cstrong%3EFounder%3A%3C%2Fstrong%3E%20Edward%20Hamod%3Cbr%3E%3Cstrong%3EBased%3A%3C%2Fstrong%3E%20Abu%20Dhabi%2C%20UAE%3Cbr%3E%3Cstrong%3EIndustry%3A%3C%2Fstrong%3E%20Plant-based%20meat%20production%3Cbr%3E%3Cstrong%3ENumber%20of%20employees%3A%3C%2Fstrong%3E%2034%3Cbr%3E%3Cstrong%3EFunding%3A%3C%2Fstrong%3E%20%246.5%20million%3Cbr%3E%3Cstrong%3EFunding%20round%3A%3C%2Fstrong%3E%20Seed%3Cbr%3E%3Cstrong%3EInvestors%3A%3C%2Fstrong%3E%20Based%20in%20US%20and%20across%20Middle%20East%3C%2Fp%3E%0A
COMPANY PROFILE
Name: HyperSpace
 
Started: 2020
 
Founders: Alexander Heller, Rama Allen and Desi Gonzalez
 
Based: Dubai, UAE
 
Sector: Entertainment 
 
Number of staff: 210 
 
Investment raised: $75 million from investors including Galaxy Interactive, Riyadh Season, Sega Ventures and Apis Venture Partners
EMERGENCY PHONE NUMBERS

Estijaba – 8001717 –  number to call to request coronavirus testing

Ministry of Health and Prevention – 80011111

Dubai Health Authority – 800342 – The number to book a free video or voice consultation with a doctor or connect to a local health centre

Emirates airline – 600555555

Etihad Airways – 600555666

Ambulance – 998

Knowledge and Human Development Authority – 8005432 ext. 4 for Covid-19 queries

UAE currency: the story behind the money in your pockets
Indoor cricket World Cup:
Insportz, Dubai, September 16-23

UAE fixtures:
Men

Saturday, September 16 – 1.45pm, v New Zealand
Sunday, September 17 – 10.30am, v Australia; 3.45pm, v South Africa
Monday, September 18 – 2pm, v England; 7.15pm, v India
Tuesday, September 19 – 12.15pm, v Singapore; 5.30pm, v Sri Lanka
Thursday, September 21 – 2pm v Malaysia
Friday, September 22 – 3.30pm, semi-final
Saturday, September 23 – 3pm, grand final

Women
Saturday, September 16 – 5.15pm, v Australia
Sunday, September 17 – 2pm, v South Africa; 7.15pm, v New Zealand
Monday, September 18 – 5.30pm, v England
Tuesday, September 19 – 10.30am, v New Zealand; 3.45pm, v South Africa
Thursday, September 21 – 12.15pm, v Australia
Friday, September 22 – 1.30pm, semi-final
Saturday, September 23 – 1pm, grand final

ESSENTIALS

The flights

Emirates flies from Dubai to Phnom Penh via Yangon from Dh2,700 return including taxes. Cambodia Bayon Airlines and Cambodia Angkor Air offer return flights from Phnom Penh to Siem Reap from Dh250 return including taxes. The flight takes about 45 minutes.

The hotels

Rooms at the Raffles Le Royal in Phnom Penh cost from $225 (Dh826) per night including taxes. Rooms at the Grand Hotel d'Angkor cost from $261 (Dh960) per night including taxes.

The tours

A cyclo architecture tour of Phnom Penh costs from $20 (Dh75) per person for about three hours, with Khmer Architecture Tours. Tailor-made tours of all of Cambodia, or sites like Angkor alone, can be arranged by About Asia Travel. Emirates Holidays also offers packages. 

TCL INFO

Teams:
Punjabi Legends 
Owners: Inzamam-ul-Haq and Intizar-ul-Haq; Key player: Misbah-ul-Haq
Pakhtoons Owners: Habib Khan and Tajuddin Khan; Key player: Shahid Afridi
Maratha Arabians Owners: Sohail Khan, Ali Tumbi, Parvez Khan; Key player: Virender Sehwag
Bangla Tigers Owners: Shirajuddin Alam, Yasin Choudhary, Neelesh Bhatnager, Anis and Rizwan Sajan; Key player: TBC
Colombo Lions Owners: Sri Lanka Cricket; Key player: TBC
Kerala Kings Owners: Hussain Adam Ali and Shafi Ul Mulk; Key player: Eoin Morgan

Venue Sharjah Cricket Stadium
Format 10 overs per side, matches last for 90 minutes
Timeline October 25: Around 120 players to be entered into a draft, to be held in Dubai; December 21: Matches start; December 24: Finals

UPI facts

More than 2.2 million Indian tourists arrived in UAE in 2023
More than 3.5 million Indians reside in UAE
Indian tourists can make purchases in UAE using rupee accounts in India through QR-code-based UPI real-time payment systems
Indian residents in UAE can use their non-resident NRO and NRE accounts held in Indian banks linked to a UAE mobile number for UPI transactions

Mina Cup winners

Under 12 – Minerva Academy

Under 14 – Unam Pumas

Under 16 – Fursan Hispania

Under 18 – Madenat

How to avoid crypto fraud
  • Use unique usernames and passwords while enabling multi-factor authentication.
  • Use an offline private key, a physical device that requires manual activation, whenever you access your wallet.
  • Avoid suspicious social media ads promoting fraudulent schemes.
  • Only invest in crypto projects that you fully understand.
  • Critically assess whether a project’s promises or returns seem too good to be true.
  • Only use reputable platforms that have a track record of strong regulatory compliance.
  • Store funds in hardware wallets as opposed to online exchanges.
UAE%20medallists%20at%20Asian%20Games%202023
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