A visitor at the Gateway: Fragments, Yesterday and Today exhibition, curated by Paolo Colombo. The show brings together objects from the Al Ain Museum and works by contemporary artsits to explore ilnks between anthropology and contemporary art. Reem Mohammed / The National
Visitors to Abu Dhabi Art interact with the work of Pakistani artist, Aisha Khalid. 'The Garden of Love is Green Without Limit' includes a hanging fabric structure that resembles the Kaaba and its cloth cover, and the tapestry’s colour is borrowed from the dome of the Prophet’s Mosque in Medina. Reem Mohammed / The National
Dana Awartani’s 'Come, let me Heal Your Wounds. Let me Mend Your Broken Bones, as we Stand Here Mourning' at Al Burda Endowment exhibition, at the 11th edition of Abu Dhabi Art. Reem Mohammed / The National
Aljoud Lootah’s 'Falak' at Al Burda Endowment exhibition, at the 11th edition of Abu Dhabi Art. Reem Mohammed / The National
Part of the fair's commissions programme, Beyond: Emerging Artists 2019 features the works of Ayesha Hadhir, Rawdha Khalifa Al Ketbi , Shaikha Fahad Al Ketbi. Reem Mohammed / The National
During the fair, a performance was staged as part of the Beyond: Emerging Artists exhibition. Reem Mohammed / The National
Titled 'Neither Visible nor Concealed', the exhibition by Ayesha Hadhir, Rawdha Khalifa Al Ketbi, Shaikha Fahad Al Ketbi explores how found objects are linked to memory and heritage. Reem Mohammed / The National
During the fair, a performance was staged as part of the Beyond: Emerging Artists exhibition. Reem Mohammed / The National
A visitor at the Gateway: Fragments, Yesterday and Today exhibition, curated by Paolo Colombo. Reem Mohammed / The National
A visitor at the Gateway: Fragments, Yesterday and Today exhibition, curated by Paolo Colombo. Reem Mohammed / The National
A visitor at the Gateway: Fragments, Yesterday and Today exhibition, curated by Paolo Colombo. The show brings together objects from the Al Ain Museum and works by contemporary artsits to explore ilnks between anthropology and contemporary art. Reem Mohammed / The National
Visitors to Abu Dhabi Art interact with the work of Pakistani artist, Aisha Khalid. 'The Garden of Love is Green Without Limit' includes a hanging fabric structure that resembles the Kaaba and its cloth cover, and the tapestry’s colour is borrowed from the dome of the Prophet’s Mosque in Medina. Reem Mohammed / The National
Dana Awartani’s 'Come, let me Heal Your Wounds. Let me Mend Your Broken Bones, as we Stand Here Mourning' at Al Burda Endowment exhibition, at the 11th edition of Abu Dhabi Art. Reem Mohammed / The National
Aljoud Lootah’s 'Falak' at Al Burda Endowment exhibition, at the 11th edition of Abu Dhabi Art. Reem Mohammed / The National
Part of the fair's commissions programme, Beyond: Emerging Artists 2019 features the works of Ayesha Hadhir, Rawdha Khalifa Al Ketbi , Shaikha Fahad Al Ketbi. Reem Mohammed / The National
During the fair, a performance was staged as part of the Beyond: Emerging Artists exhibition. Reem Mohammed / The National
Titled 'Neither Visible nor Concealed', the exhibition by Ayesha Hadhir, Rawdha Khalifa Al Ketbi, Shaikha Fahad Al Ketbi explores how found objects are linked to memory and heritage. Reem Mohammed / The National
During the fair, a performance was staged as part of the Beyond: Emerging Artists exhibition. Reem Mohammed / The National
A visitor at the Gateway: Fragments, Yesterday and Today exhibition, curated by Paolo Colombo. Reem Mohammed / The National
A visitor at the Gateway: Fragments, Yesterday and Today exhibition, curated by Paolo Colombo. Reem Mohammed / The National
A visitor at the Gateway: Fragments, Yesterday and Today exhibition, curated by Paolo Colombo. The show brings together objects from the Al Ain Museum and works by contemporary artsits to explore ilnks between anthropology and contemporary art. Reem Mohammed / The National
