Khaled Zaki captures movements through sculptures in new Dubai show


Maan Jalal
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There is a stillness in the movements that Khaled Zaki captures in his latest body of work, now showing at Tabari Artspace in DIFC.

The celebrated Egyptian artist, known for his pivotal role in shaping Modernist sculpture in the Middle East, has created a collection of seven white statuary Carrara marble sculptures and one bronze piece that embody a serene balance between tranquillity and momentum.

Titled The Journey, the sculptures, created over the course of three years, are stark white and smooth, placed on black plinths that stand on black tiles. The horses seem to stand and glide, simultaneously, in a motion that is about to begin or has never stopped.

“Horses possess the most sophisticated and complicated form,” Zaki tells The National. “My issue went further than recreating this. My research was about the form of the horse instead of the creature itself.”

Sculpted with the lines that have become synonymous with his style, Zaki's horses are more than an exploration of form and movement. They delve into his deep interest and ongoing exploration between movement and spiritual experience.

In 2013, when Zaki was nominated to represent Egypt at the 55th Venice Biennale, his country was also facing civil unrest when current president Abdel Fattah El Sisi, as defence minister, led the military overthrow of then president Mohamed Morsi amid mass protests.

It was during this upheaval that Zaki started to explore the idea that in order to be closer to God, one had to interact with the world through peaceful means.

Already engaged in the works of 13th-century Persian poet, Islamic scholar and Sufi mystic Rumi and that of Ibn Arabi, the Arab-Andalusian Muslim scholar, poet and philosopher, Zaki's practice began to reflect ideas of spiritual states of being and existence.

The piece he created and showed at the Venice Biennale in 2013, Treasuries of Knowledge, was his most minimalist one.

And if his new body of work shows anything, it’s that Zaki’s understanding of the power of simplicity of form is beyond par.

“I started to find peace in these minimal forms,” Zaki says.

“But it was also a challenge. How can I capture the spirit of a horse and the man on a horse in an elegant way? How can I make it elegant and monumental? I can tell you it's much easier to create a horse with the correct muscles and proportions.”

Horses hold a prominent place as subject matter in art — whether representing the noble classes or warriors, a force of reckoning on the battlefield, a dynamic spirit or a symbol of myth and spirituality.

It took Zaki more than three years of research, examining horses as they exist in works of art, in photos, films and in real life, to understand their form and movements.

“I respected a lot of the anatomy, the rules of the bones, and the dimensions of the height and the length,” Zaki says. “Those are kinds of approvals I have to put into consideration while I'm exaggerating the form in different places.”

It was an arduous process of many trials and errors. When frustrated, Zaki would leave the subject matter and return to it many times.

“I built up and destroyed tens of models because I was not happy,” he says. “God created the horse in a very perfect way. When you close the spaces between the legs, from the front, back and under the stomach, it’s difficult to find elegance there. It becomes like a big mass.”

Zaki continued to experiment until he was completely satisfied.

The results are enchanting.

Not only does each sculpture show stillness and movement, but when viewed from different angles, one sees captured movements in the form.

Stunning, seamlessly polished details — where a dervish figure and horse are fused — meld into smooth masses of white marble. Floating not only in space but also between the figurative and abstract, each sculpture is a mesmerising feat.

“I was not looking to create a horse,” Zaki says.

“I was trying to create some form that was innovative, challenging and belongs to me. This was important. I wanted my point of view, I wanted my horse.”

The Journey by Khaled Zaki is on show at Tabari Artspace in DIFC until November 11

Impressionism Exhibition at Louvre Abu Dhabi - in pictures

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Commission caps

For life insurance products with a savings component, Peter Hodgins of Clyde & Co said different caps apply to the saving and protection elements:

• For the saving component, a cap of 4.5 per cent of the annualised premium per year (which may not exceed 90 per cent of the annualised premium over the policy term). 

• On the protection component, there is a cap  of 10 per cent of the annualised premium per year (which may not exceed 160 per cent of the annualised premium over the policy term).

• Indemnity commission, the amount of commission that can be advanced to a product salesperson, can be 50 per cent of the annualised premium for the first year or 50 per cent of the total commissions on the policy calculated. 

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Disclosure

Customers must now be provided with a full illustration of the product they are buying to ensure they understand the potential returns on savings products as well as the effects of any charges. There is also a “free-look” period of 30 days, where insurers must provide a full refund if the buyer wishes to cancel the policy.

“The illustration should provide for at least two scenarios to illustrate the performance of the product,” said Mr Hodgins. “All illustrations are required to be signed by the customer.”

Another illustration must outline surrender charges to ensure they understand the costs of exiting a fixed-term product early.

Illustrations must also be kept updatedand insurers must provide information on the top five investment funds available annually, including at least five years' performance data.

“This may be segregated based on the risk appetite of the customer (in which case, the top five funds for each segment must be provided),” said Mr Hodgins.

Product providers must also disclose the ratio of protection benefit to savings benefits. If a protection benefit ratio is less than 10 per cent "the product must carry a warning stating that it has limited or no protection benefit" Mr Hodgins added.

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Where to buy art books in the UAE

There are a number of speciality art bookshops in the UAE.

In Dubai, The Lighthouse at Dubai Design District has a wonderfully curated selection of art and design books. Alserkal Avenue runs a pop-up shop at their A4 space, and host the art-book fair Fully Booked during Art Week in March. The Third Line, also in Alserkal Avenue, has a strong book-publishing arm and sells copies at its gallery. Kinokuniya, at Dubai Mall, has some good offerings within its broad selection, and you never know what you will find at the House of Prose in Jumeirah. Finally, all of Gulf Photo Plus’s photo books are available for sale at their show. 

In Abu Dhabi, Louvre Abu Dhabi has a beautiful selection of catalogues and art books, and Magrudy’s – across the Emirates, but particularly at their NYU Abu Dhabi site – has a great selection in art, fiction and cultural theory.

In Sharjah, the Sharjah Art Museum sells catalogues and art books at its museum shop, and the Sharjah Art Foundation has a bookshop that offers reads on art, theory and cultural history.

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Total votes: 1.8 million

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Germany: PKK collectors typically bring in $18 million in cash a year – amount has trebled since 2010

Revolutionary tax: Investigators say about $2 million a year raised from ‘tax collection’ around Marseille

Extortion: Gunman convicted in 2023 of demanding $10,000 from Kurdish businessman in Stockholm

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It's Monty Python's Crashing Rocket Circus

To the theme tune of the famous zany British comedy TV show, SpaceX has shown exactly what can go wrong when you try to land a rocket.

The two minute video posted on YouTube is a compilation of crashes and explosion as the company, created by billionaire Elon Musk, refined the technique of reusable space flight.

SpaceX is able to land its rockets on land  once they have completed the first stage of their mission, and is able to resuse them multiple times - a first for space flight.

But as the video, How Not to Land an Orbital Rocket Booster, demonstrates, it was a case if you fail, try and try again.

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Updated: October 15, 2022, 4:45 AM`