Conservators Claire Cuyaubere and Duygu Camurcuoglu work on a Byzantine jug, dating back to 400–500 AD. Photo: Trustees of the British Museum and the American University of Beirut
Conservators Claire Cuyaubere and Duygu Camurcuoglu work on a Byzantine jug, dating back to 400–500 AD. Photo: Trustees of the British Museum and the American University of Beirut
Conservators Claire Cuyaubere and Duygu Camurcuoglu work on a Byzantine jug, dating back to 400–500 AD. Photo: Trustees of the British Museum and the American University of Beirut
Conservators Claire Cuyaubere and Duygu Camurcuoglu work on a Byzantine jug, dating back to 400–500 AD. Photo: Trustees of the British Museum and the American University of Beirut

Culture

Art

British Museum displays newly restored ancient glass vessels damaged in Beirut explosion

Discoveries made during the reconstruction process shed light on glass production in Lebanon 2,000 years ago

Maan Jalal
Maan Jalal

August 29, 2022

  • English
  • Arabic

Eight ancient glass vessels, damaged in the 2020 Beirut port explosion, have just gone on display at the British Museum in London as part of the exhibition Shattered Glass of Beirut.

The vessels, dating back to the Roman, Islamic and Byzantine periods, include bowls, a flask, beaker, jug and cup that were meticulously pieced back together as part of an ongoing collaborative restoration project between the British Museum and the Archaeological Museum of the American University of Beirut, which began last year.

On August 2020, a stockpile of ammonium nitrate exploded at the port of Beirut in Lebanon, killing at least 218 people, injuring 7,000, displacing 300,000 and causing $15 billion worth of damage.

The explosion shattered the AUB museum’s windows, doors and a case containing 74 glass vessels, shattering all but two pieces.

As part of an emergency recovery campaign, 18 vessels have been pieced back together. Conservators at the British Museum and the AUB museum hope that at least half of the remaining 46 objects can also be restored soon.

A team separates fragments of broken vessels from the shattered glass of the display case and nearby windows, at the Archaeological Museum of the American University of Beirut, in 2020. Photo: AUB Office of Communications and Archaeological Museum
A team separates fragments of broken vessels from the shattered glass of the display case and nearby windows, at the Archaeological Museum of the American University of Beirut, in 2020. Photo: AUB Office of Communications and Archaeological Museum

Over three months, experts from the Archaeological Museum and the British Museum laboriously sorted through fragments of the broken vessels and sensitively reassembled them.

Conservators at both institutions made the decision to reconstruct the vessels to be structurally sound but leave the visible damage caused by the explosion. Lighting will be used in the display to highlight the flaws and cracks in the glass, which have now become part of the history of the ancient objects.

“Reconstructing these fragmented glass vessels one tiny bit at a time, helped to reunite, to recognise their heritage value and to build a sense of community,” said Nadine Panayot, curator of AUB's Archaeological Museum.

“To see these shattered and delicate vessels reassembled not only sparked a healing process, but also inspired me to hope for a better future.”

Playing footage of the reconstruction process alongside recorded interviews with the conservators, Shattered Glass of Beirut will demonstrate the emotional impact of the explosion, and the emergency response to it.

“The footage of the Beirut explosion came as a huge shock, and I replayed the images repeatedly in disbelief,” said Zeina Klink-Hoppe, curator at the British Museum.

“Working with colleagues at the British Museum and at the Archaeological Museum in Beirut to piece together some of the artefacts that were shattered in the explosion has been an emotional journey, but also a meaningful small step in the preservation of Beirut’s heritage and pride and in the recovery of its citizens as they gradually rebuild their lives.”

During the reconstruction process, individual fragments underwent scientific analysis at the British Museum and University College London’s Institute of Archaeology. Non-destructive scanning techniques revealed new information about the provenance of glass production and the nature of the glass materials, along with interesting manufacturing details.

The vessels were made at sites along the eastern Mediterranean coast — six were produced using early glass-blowing technology, revealing experimentation in the function and form of the pieces. Two others date to the early Islamic and late Byzantine periods, and were possibly imported to Lebanon from present-day Syria or Egypt.

From left, Roman bowl, 50-70 AD; Roman beaker, first century AD; Byzantine cup, 500–700 AD; Byzantine jug, 400–500 AD. Photo: Archaeological Museum of the American University of Beirut, Lebanon
From left, Roman bowl, 50-70 AD; Roman beaker, first century AD; Byzantine cup, 500–700 AD; Byzantine jug, 400–500 AD. Photo: Archaeological Museum of the American University of Beirut, Lebanon

Some of the vessels revealed signs of recycling in their production, with craftspeople possibly using older glass to make new objects.

While experts have found it fascinating to identify the similarities between today's glass recycling techniques and those from 2,000 years ago, the discoveries have also shed light on the habits and practices of glass producers and consumers of Lebanon in the first century BC.

The development of glass-blowing technology in the Levant enabled the mass production of glass objects, revolutionising production of the material in the region.

The Shattered Glass of Beirut exhibition will be on show at The Asahi Shimbun Displays, British Museum, until October 23.

British Museum Egyptian hieroglyphs exhibition - in pictures

An exhibition by the British Museum, scheduled to open to the public on October 13, will mark 200 years since the decipherment of ancient Egyptian hieroglyphs. Photo: The Trustees of the British Museum
An exhibition by the British Museum, scheduled to open to the public on October 13, will mark 200 years since the decipherment of ancient Egyptian hieroglyphs. Photo: The Trustees of the British Museum
The Rosetta Stone provided the key to decoding hieroglyphs and expanding modern knowledge of Egypt’s history. Photo: The Trustees of the British Museum
The Rosetta Stone provided the key to decoding hieroglyphs and expanding modern knowledge of Egypt’s history. Photo: The Trustees of the British Museum
The temple lintel of Amenemhat III, a pharoah from ancient Egypt and the sixth king of the 12th Dynasty of the Middle Kingdom of Egypt. Photo: The Trustees of the British Museum
The temple lintel of Amenemhat III, a pharoah from ancient Egypt and the sixth king of the 12th Dynasty of the Middle Kingdom of Egypt. Photo: The Trustees of the British Museum
The exhibition will feature 'The Enchanted Basin', a large black granite sarcophagus covered with hieroglyphs from about 600 BC. The hieroglyphs were believed to have magical powers, and bathing in the basin was expected to offer relief from the torments of love. Photo: Trustees of the British Museum
The exhibition will feature 'The Enchanted Basin', a large black granite sarcophagus covered with hieroglyphs from about 600 BC. The hieroglyphs were believed to have magical powers, and bathing in the basin was expected to offer relief from the torments of love. Photo: Trustees of the British Museum
The outer coffin containing the mummified remains of a woman called Baktenhor, who lived between 1070 and 713 BC in Thebes, now called Luxor. Photo: The Trustees of the British Museum
The outer coffin containing the mummified remains of a woman called Baktenhor, who lived between 1070 and 713 BC in Thebes, now called Luxor. Photo: The Trustees of the British Museum
An image of Dr Thomas Young (1773-1829) on a copper medal. Young was instrumental in the decipherment of Egyptian hieroglyphs, specifically the Rosetta Stone. Photo: The Trustees of the British Museum
An image of Dr Thomas Young (1773-1829) on a copper medal. Young was instrumental in the decipherment of Egyptian hieroglyphs, specifically the Rosetta Stone. Photo: The Trustees of the British Museum
Senior conservator Stephanie Vasiliou cleans ‘The Enchanted Basin’ in preparation for the exhibition. Photo: The Trustees of the British Museum
Senior conservator Stephanie Vasiliou cleans ‘The Enchanted Basin’ in preparation for the exhibition. Photo: The Trustees of the British Museum
The mummy bandage of Aberuait from the Ptolemaic period, which has never been displayed in the UK, will also be on show. Photo: Musee du Louvre
The mummy bandage of Aberuait from the Ptolemaic period, which has never been displayed in the UK, will also be on show. Photo: Musee du Louvre
A 19th century portrait of Jean-François Champollion (1790–1832). Champollion was able to decipher the hieroglyphs through the oval shapes found in the hieroglyphic text, which are known as Kharratis and include the names of kings and queens. Photo: Musee Champollion
A 19th century portrait of Jean-François Champollion (1790–1832). Champollion was able to decipher the hieroglyphs through the oval shapes found in the hieroglyphic text, which are known as Kharratis and include the names of kings and queens. Photo: Musee Champollion
Ms Vasiliou and conservation student Shoun Obana clean ‘The Enchanted Basin’. The reused ritual bath was discovered near a mosque in Cairo. Photo: The Trustees of the British Museum
Ms Vasiliou and conservation student Shoun Obana clean ‘The Enchanted Basin’. The reused ritual bath was discovered near a mosque in Cairo. Photo: The Trustees of the British Museum
Mr Obana cleans ‘The Enchanted Basin’, which was later identified as the sarcophagus of Hapmen, a nobleman of the 26th Dynasty. Photo: The Trustees of the British Museum
Mr Obana cleans ‘The Enchanted Basin’, which was later identified as the sarcophagus of Hapmen, a nobleman of the 26th Dynasty. Photo: The Trustees of the British Museum
The limestone statue of a scribe dating back to ancient Egypt's Sixth Dynasty will also be on display. Photo: Musee du Louvre
The limestone statue of a scribe dating back to ancient Egypt's Sixth Dynasty will also be on display. Photo: Musee du Louvre
Queen Nedjmet's 3,000-year-old 'Book of the Dead' will feature alongside a set of canopic vessels that preserved the organs of the deceased. Photo: The Trustees of the British Museum
Queen Nedjmet's 3,000-year-old 'Book of the Dead' will feature alongside a set of canopic vessels that preserved the organs of the deceased. Photo: The Trustees of the British Museum
A royal cubit rod belonging to Amenemope, a scribe from ancient Egypt. The exhibition explores the inscriptions and objects that helped academics unlock an 'ancient civilisation' two centuries ago.
A royal cubit rod belonging to Amenemope, a scribe from ancient Egypt. The exhibition explores the inscriptions and objects that helped academics unlock an 'ancient civilisation' two centuries ago.
Visitors looking at the Rosetta Stone. Photo: The Trustees of the British Museum
Visitors looking at the Rosetta Stone. Photo: The Trustees of the British Museum
Installation of an amulet in front of The Book of the Dead. Photo: The Trustees of the British Museum
Installation of an amulet in front of The Book of the Dead. Photo: The Trustees of the British Museum
A visitor views Egyptian sculptures of cats. Photo: The Trustees of the British Museum
A visitor views Egyptian sculptures of cats. Photo: The Trustees of the British Museum
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