'Where to? Wherever it chances' (2019) by Ramin Haerizadeh, Rokni Haerizadeh, Hesam Rahmanian. Photo: NYUAD Art Gallery
'Where to? Wherever it chances' (2019) by Ramin Haerizadeh, Rokni Haerizadeh, Hesam Rahmanian. Photo: NYUAD Art Gallery
'Where to? Wherever it chances' (2019) by Ramin Haerizadeh, Rokni Haerizadeh, Hesam Rahmanian. Photo: NYUAD Art Gallery
'Where to? Wherever it chances' (2019) by Ramin Haerizadeh, Rokni Haerizadeh, Hesam Rahmanian. Photo: NYUAD Art Gallery

NYUAD Art Gallery centres on Gulf art practices for its 2022 programme


Alexandra Chaves
  • English
  • Arabic

The NYU Abu Dhabi (NYUAD) Art Gallery has announced its programme for 2022, with artistic practices in the Gulf forming the focus of its coming major exhibitions.

In March, Ramin Haerizadeh, Rokni Haerizadeh and Hesam Rahmanian will present their first institutional solo exhibition in the UAE.

The three artists from Iran often work together to create surreal and immersive projects that range from performances to paintings. Having been in Dubai for 13 years, they have been key figures in the art community – collaborating with other artists, mentoring younger practitioners and even involving the public in their artistic activations.

They have exhibited at international biennials and institutions, including the Liverpool Biennial and Sydney Biennial, as well as the Kunsthalle Zurich and MACBA Barcelona. The trio are also working on a project for the Hayward Gallery, London.

Titled Parthenogenesis: Ramin Haerizadeh, Rokni Haerizadeh, Hesam Rahmanian, the exhibition at NYUAD Art Gallery will follow the artists’ methods as they will take over the space to establish a “landscape” within the gallery, seeing how artworks transform through collective and collaborative actions. It will run from March 1 to June 12.

For its autumn exhibition, the university’s gallery will showcase a historical survey of modern art movements across the GCC in the exhibition Khaleej Modern.

The show is curated by Dr Aisha Stoby, a curator and researcher who has recently worked with Oman’s Ministry of Culture. Stoby will also curate the first Oman Pavilion at the Venice Biennale this year.

Khaleej Modern marks a critical analysis of the Gulf’s modern art history, before the oil boom of the 1970s and through to 2008, bringing more narratives and art movements from the region to light.

The opening date for Khaleej Modern will be announced later this year.

This year, NYUAD Art Gallery has established two collaborations, one with the National Pavilion UAE for its exhibition at the Venice Biennale in April, where the presentation on Mohamed Ahmed Ibrahim has been curated by NYUAD’s chief curator Maya Allison.

The second partnership is with the Middle East Institute in Washington, DC for the exhibition Between the Sky and the Earth, which was curated by Munira Al Sayegh and showcased 12 contemporary artists living and working in the UAE.

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Founded over 50 years ago, the National Archives collects valuable historical material relating to the UAE, and is the oldest and richest archive relating to the Arabian Gulf.

Much of the material can be viewed on line at the Arabian Gulf Digital Archive - https://www.agda.ae/en

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Navdeep Suri, India's Ambassador to the UAE

There has been a longstanding need from the Indian community to have a religious premises where they can practise their beliefs. Currently there is a very, very small temple in Bur Dubai and the community has outgrown this. So this will be a major temple and open to all denominations and a place should reflect India’s diversity.

It fits so well into the UAE’s own commitment to tolerance and pluralism and coming in the year of tolerance gives it that extra dimension.

What we will see on April 20 is the foundation ceremony and we expect a pretty broad cross section of the Indian community to be present, both from the UAE and abroad. The Hindu group that is building the temple will have their holiest leader attending – and we expect very senior representation from the leadership of the UAE.

When the designs were taken to the leadership, there were two clear options. There was a New Jersey model with a rectangular structure with the temple recessed inside so it was not too visible from the outside and another was the Neasden temple in London with the spires in its classical shape. And they said: look we said we wanted a temple so it should look like a temple. So this should be a classical style temple in all its glory.

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It is hugely important – it will take a couple of years to complete given the scale. It is going to be remarkable and will contribute something not just to the landscape in terms of visual architecture but also to the ethos. Here will be a real representation of UAE’s pluralism.

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Updated: February 01, 2022, 1:14 PM`