Sisters Tessa and Tara Sakhi in front of their work 'Letters from Beirut' in the Giardini in Venice. The work gives a voice to those in Lebanon.
Sisters Tessa and Tara Sakhi in front of their work 'Letters from Beirut' in the Giardini in Venice. The work gives a voice to those in Lebanon.
Sisters Tessa and Tara Sakhi in front of their work 'Letters from Beirut' in the Giardini in Venice. The work gives a voice to those in Lebanon.
Sisters Tessa and Tara Sakhi in front of their work 'Letters from Beirut' in the Giardini in Venice. The work gives a voice to those in Lebanon.

Meet the artists behind 'Letters from Beirut'


Melissa Gronlund
  • English
  • Arabic

As the political and economic crisis continues in Lebanon, the country’s artists and designers are struggling to make sense of the worsening conditions. Designers Tara and Tessa Sakhi, sisters who collaborate as T Sakhi, have created an installation at the Venice Architecture Biennale that works as a pretext for communication.

In the weeks after the explosion at the Port of Beirut, the Sakhis put out a call on their website for messages about how people were feeling after the blast. The responses were angry and anguished.

“Help, we are prisoners,” reads one. “This country is hostage of its warlord government.”

“Yes to the resistance,” reads another.

The letters are personal and express the current state of mind and emotions of many Lebanese who have been impacted by the Beirut Port explosion. Courtesy the artists
The letters are personal and express the current state of mind and emotions of many Lebanese who have been impacted by the Beirut Port explosion. Courtesy the artists

The two sisters transcribed the responses on to rough, recycled paper, and placed the notes in small felt patches that had been woven by a craft collective in Sharjah. They then hung the more than 2,000 notes on wire mesh in the Giardini della Marinaressa in Venice, creating the effect of a tiled wall in the waterside garden.

Visitors are encouraged to pick up notes, read them and even take them away when they leave. By the end of the exhibition, in November, the sisters hope nothing will be left of Letters from Beirut, only open latticework where there once was a six-meter-high wall.

“The theme of the Architecture Biennale is ‘how will we live together today’? That's precisely what we wanted to elaborate, by showing how design and architecture can be an interface for dialogue and communication, if we allow it,” says Tara, the elder sister.

The installation allows visitors to pick up letters written by the Lebanese following the August 4 explosion at the Beirut Port. Courtesy of the artists
The installation allows visitors to pick up letters written by the Lebanese following the August 4 explosion at the Beirut Port. Courtesy of the artists

“Lebanon got a lot of attention in the two weeks after the explosion, but now the news has shifted towards other places,” adds Tessa. “We do not have any means anymore to communicate and to voice all the horrific things that are happening, which are now a huge humanitarian crisis. So we wanted to give these voices a chance – to give people a platform.”

Many of the notes were written by those who had experienced the blast directly, when 2,750 tons of ammonium nitrate detonated and destroyed most of the port area. But others were written by Lebanese expatriates, in places such as India, Spain and Germany.

The number of Lebanese who left the country in 2019 increased by 89 per cent on the previous year. In 2020, the percentage increase on 2019 was 47 per cent – despite the travel restrictions of the pandemic. The project acknowledges this steady brain drain, and the complexities of emotions among those who have entered the diaspora.

The wall was the embodiment of all the political and social barriers that we encountered in Lebanon, but again we tried to transform it into a means of communication
Tara Sakhi,
designer

“There were a lot of expats who wanted to add something because they felt badly that they were not there, ” says Tara. “They feel like they are not entitled to suffer, or that they're not victims. But their lives have also shifted. No one wants to leave their country – even us. We never wanted to leave.”

The sisters are now based between Beirut and Venice, where they settled after having worked for several years with glass blowers in Murano. They look like twins but are two years apart, and both studied architecture in Beirut, where they grew up in a Lebanese-Polish family. After graduation they took on interior design projects, gravitating to large-scale commercial work that allowed them to try more ambitious and creative ideas. They now balance their design work with exhibited and commissioned projects for design biennales and exhibitions, such as this one that was organised by the Cultural European Centre.

Their projects help support practices that are on the verge on being lost, which often translates into their working with tactile, natural material. For a recent collection of coffee tables, they used fragments of stone that were left as wastage in Lebanese quarries. In another recent project they are looking into wicker weaving, which is traditional in rural Lebanon.

For Letters from Beirut, they worked with the Irthi Contemporary Crafts Council in Sharjah, a collective that supports traditional crafts in the Mena region. They had met members of the collective at Dubai Design Week in 2019, when they represented Lebanon with a work that likewise used the metaphor of a wall that turns into a mode of connection.

The revolution had just begun and they were taking stock of what it had revealed about Lebanese society and the prospects for changing it. They created WAL(L)TZ out of mottled green recycled foam, cutting various shapes into it. It resembled a thick fence, overgrown with mossy plants, with nods to the kind of Memphis postmodernism that embraced playfulness within high design.

“The wall was the embodiment of all the political and social barriers that we encountered in Lebanon, but again we tried to transform it into a means of communication,” says Tara. They invited visitors to symbolically overcome the work, by peeking or even climbing through to the other side.

The project was more successful than they bargained for. In part because of the number of children who began playing on it, the recycled foam began coming apart towards the end of the project.

“It was really nice,” says Tessa. “We saw the wall almost completely disintegrate and the holes open up even larger, to break through even more boundaries and obstacles.”

T Sakhi installed their work 'Letters from Beirut' in the Giardini, as part of the Venice architecture biennale. Courtesy of the artists
T Sakhi installed their work 'Letters from Beirut' in the Giardini, as part of the Venice architecture biennale. Courtesy of the artists

WIth Letters from Beirut, too, the public take-up of the exhibition has been surprising. Some of the messages were left anonymously, but others included their writers’ email addresses. Many of the visitors to the Giardini have struck up correspondences with the notes’ authors.

“Writing is therapeutic,” says Tessa. “And receiving letters from strangers has been a form of compassion and empathy, like therapy for both.”

“People can relate to each other, whatever the situation is because feelings are feelings,” says Tara. “They cross borders. And it was really important to archive all these feelings because there are no reforms being done. We have not gotten any acknowledgement for what has happened. The government is pretending nothing happened, and they're just waiting and expecting the Lebanese people to move on and to be resilient as they have been after the Civil War. This is a way for us to resist against forgetfulness.”

Currently, the wire mesh is beginning to show in parts, opening up sight-lines across the garden – and the work's sentiments, generously given away, are travelling across the globe.

'Letters from Beirut' is at the Giardini della Marinaressa, Venice, open daily from 10am – 6pm until 21 November 2021. Entry is free

The%20specs
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The biog

From: Ras Al Khaimah

Age: 50

Profession: Electronic engineer, worked with Etisalat for the past 20 years

Hobbies: 'Anything that involves exploration, hunting, fishing, mountaineering, the sea, hiking, scuba diving, and adventure sports'

Favourite quote: 'Life is so simple, enjoy it'

UAE currency: the story behind the money in your pockets
THE%20HOLDOVERS
%3Cp%3E%3Cstrong%3EDirector%3A%20%3C%2Fstrong%3EAlexander%20Payne%3C%2Fp%3E%0A%3Cp%3E%3Cstrong%3EStarring%3A%3C%2Fstrong%3E%20Paul%20Giamatti%2C%20Da'Vine%20Joy%20Randolph%2C%20Dominic%20Sessa%3C%2Fp%3E%0A%3Cp%3E%3Cstrong%3ERating%3A%3C%2Fstrong%3E%204.5%2F5%3C%2Fp%3E%0A
Racecard

5pm: Al Maha Stables – Maiden (PA) Dh80,000 (Turf) 1,600m

5.30pm: Wathba Stallions Cup – Maiden (PA) Dh70,000 (T) 1,600m

6pm: Emirates Fillies Classic – Prestige (PA) Dh100,000 (T) 1,600m

6.30pm: Emirates Colts Classic – Prestige (PA) Dh100,000 (T) 1,600m

7pm: The President’s Cup – Group 1 (PA) Dh2,500,000 (T) 2,200m

7.30pm: The President’s Cup – Listed (TB) Dh380,000 (T) 1,400m

The specs
  • Engine: 3.9-litre twin-turbo V8
  • Power: 640hp
  • Torque: 760nm
  • On sale: 2026
  • Price: Not announced yet
Jetour T1 specs

Engine: 2-litre turbocharged

Power: 254hp

Torque: 390Nm

Price: From Dh126,000

Available: Now

How Voiss turns words to speech

The device has a screen reader or software that monitors what happens on the screen

The screen reader sends the text to the speech synthesiser

This converts to audio whatever it receives from screen reader, so the person can hear what is happening on the screen

A VOISS computer costs between $200 and $250 depending on memory card capacity that ranges from 32GB to 128GB

The speech synthesisers VOISS develops are free

Subsequent computer versions will include improvements such as wireless keyboards

Arabic voice in affordable talking computer to be added next year to English, Portuguese, and Spanish synthesiser

Partnerships planned during Expo 2020 Dubai to add more languages

At least 2.2 billion people globally have a vision impairment or blindness

More than 90 per cent live in developing countries

The Long-term aim of VOISS to reach the technology to people in poor countries with workshops that teach them to build their own device

Wicked: For Good

Director: Jon M Chu

Starring: Ariana Grande, Cynthia Erivo, Jonathan Bailey, Jeff Goldblum, Michelle Yeoh, Ethan Slater

Rating: 4/5

Moon Music

Artist: Coldplay

Label: Parlophone/Atlantic

Number of tracks: 10

Rating: 3/5

Biog

Mr Kandhari is legally authorised to conduct marriages in the gurdwara

He has officiated weddings of Sikhs and people of different faiths from Malaysia, Sri Lanka, Russia, the US and Canada

Father of two sons, grandfather of six

Plays golf once a week

Enjoys trying new holiday destinations with his wife and family

Walks for an hour every morning

Completed a Bachelor of Commerce degree in Loyola College, Chennai, India

2019 is a milestone because he completes 50 years in business

 

VEZEETA PROFILE

Date started: 2012

Founder: Amir Barsoum

Based: Dubai, UAE

Sector: HealthTech / MedTech

Size: 300 employees

Funding: $22.6 million (as of September 2018)

Investors: Technology Development Fund, Silicon Badia, Beco Capital, Vostok New Ventures, Endeavour Catalyst, Crescent Enterprises’ CE-Ventures, Saudi Technology Ventures and IFC

The specs

Engine: 2.0-litre 4-cylinder turbo

Power: 240hp at 5,500rpm

Torque: 390Nm at 3,000rpm

Transmission: eight-speed auto

Price: from Dh122,745

On sale: now

Cricket World Cup League Two

Oman, UAE, Namibia

Al Amerat, Muscat

 

Results

Oman beat UAE by five wickets

UAE beat Namibia by eight runs

 

Fixtures

Wednesday January 8 –Oman v Namibia

Thursday January 9 – Oman v UAE

Saturday January 11 – UAE v Namibia

Sunday January 12 – Oman v Namibia

The specs: 2018 BMW R nineT Scrambler

Price, base / as tested Dh57,000

Engine 1,170cc air/oil-cooled flat twin four-stroke engine

Transmission Six-speed gearbox

Power 110hp) @ 7,750rpm

Torque 116Nm @ 6,000rpm

Fuel economy, combined 5.3L / 100km

Joy%20Ride%20
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New UK refugee system

 

  • A new “core protection” for refugees moving from permanent to a more basic, temporary protection
  • Shortened leave to remain - refugees will receive 30 months instead of five years
  • A longer path to settlement with no indefinite settled status until a refugee has spent 20 years in Britain
  • To encourage refugees to integrate the government will encourage them to out of the core protection route wherever possible.
  • Under core protection there will be no automatic right to family reunion
  • Refugees will have a reduced right to public funds
THE BIO

Born: Mukalla, Yemen, 1979

Education: UAE University, Al Ain

Family: Married with two daughters: Asayel, 7, and Sara, 6

Favourite piece of music: Horse Dance by Naseer Shamma

Favourite book: Science and geology

Favourite place to travel to: Washington DC

Best advice you’ve ever been given: If you have a dream, you have to believe it, then you will see it.

LEADERBOARD
%3Cp%3E-19%20T%20Fleetwood%20(Eng)%3B%20-18%20R%20McIlroy%20(NI)%2C%20T%20Lawrence%20(SA)%3B%20-16%20J%20Smith%3B%20-15%20F%20Molinari%20(Ita)%3B%20-14%20Z%20Lombard%20(SA)%2C%20S%20Crocker%20(US)%3C%2Fp%3E%0A%3Cp%3E%3Cstrong%3ESelected%3A%20%3C%2Fstrong%3E-11%20A%20Meronk%20(Pol)%3B%20-10%20E%20Ferguson%20(Sco)%3B%20-8%20R%20Fox%20(NZ)%20-7%20L%20Donald%20(Eng)%3B%20-5%20T%20McKibbin%20(NI)%2C%20N%20Hoejgaard%20(Den)%3C%2Fp%3E%0A
Company profile

Company: Eighty6 

Date started: October 2021 

Founders: Abdul Kader Saadi and Anwar Nusseibeh 

Based: Dubai, UAE 

Sector: Hospitality 

Size: 25 employees 

Funding stage: Pre-series A 

Investment: $1 million 

Investors: Seed funding, angel investors  

MOUNTAINHEAD REVIEW

Starring: Ramy Youssef, Steve Carell, Jason Schwartzman

Director: Jesse Armstrong

Rating: 3.5/5

UAE currency: the story behind the money in your pockets
The Sand Castle

Director: Matty Brown

Stars: Nadine Labaki, Ziad Bakri, Zain Al Rafeea, Riman Al Rafeea

Rating: 2.5/5

LA LIGA FIXTURES

Friday Valladolid v Osasuna (Kick-off midnight UAE)

Saturday Valencia v Athletic Bilbao (5pm), Getafe v Sevilla (7.15pm), Huesca v Alaves (9.30pm), Real Madrid v Atletico Madrid (midnight)

Sunday Real Sociedad v Eibar (5pm), Real Betis v Villarreal (7.15pm), Elche v Granada (9.30pm), Barcelona v Levante (midnight)

Monday Celta Vigo v Cadiz (midnight)

In numbers: China in Dubai

The number of Chinese people living in Dubai: An estimated 200,000

Number of Chinese people in International City: Almost 50,000

Daily visitors to Dragon Mart in 2018/19: 120,000

Daily visitors to Dragon Mart in 2010: 20,000

Percentage increase in visitors in eight years: 500 per cent

Dubai Bling season three

Cast: Loujain Adada, Zeina Khoury, Farhana Bodi, Ebraheem Al Samadi, Mona Kattan, and couples Safa & Fahad Siddiqui and DJ Bliss & Danya Mohammed 

Rating: 1/5

'The Last Days of Ptolemy Grey'

Rating: 3/5

Directors: Ramin Bahrani, Debbie Allen, Hanelle Culpepper, Guillermo Navarro

Writers: Walter Mosley

Stars: Samuel L Jackson, Dominique Fishback, Walton Goggins

Gender equality in the workplace still 200 years away

It will take centuries to achieve gender parity in workplaces around the globe, according to a December report from the World Economic Forum.

The WEF study said there had been some improvements in wage equality in 2018 compared to 2017, when the global gender gap widened for the first time in a decade.

But it warned that these were offset by declining representation of women in politics, coupled with greater inequality in their access to health and education.

At current rates, the global gender gap across a range of areas will not close for another 108 years, while it is expected to take 202 years to close the workplace gap, WEF found.

The Geneva-based organisation's annual report tracked disparities between the sexes in 149 countries across four areas: education, health, economic opportunity and political empowerment.

After years of advances in education, health and political representation, women registered setbacks in all three areas this year, WEF said.

Only in the area of economic opportunity did the gender gap narrow somewhat, although there is not much to celebrate, with the global wage gap narrowing to nearly 51 per cent.

And the number of women in leadership roles has risen to 34 per cent globally, WEF said.

At the same time, the report showed there are now proportionately fewer women than men participating in the workforce, suggesting that automation is having a disproportionate impact on jobs traditionally performed by women.

And women are significantly under-represented in growing areas of employment that require science, technology, engineering and mathematics skills, WEF said.

* Agence France Presse

It's up to you to go green

Nils El Accad, chief executive and owner of Organic Foods and Café, says going green is about “lifestyle and attitude” rather than a “money change”; people need to plan ahead to fill water bottles in advance and take their own bags to the supermarket, he says.

“People always want someone else to do the work; it doesn’t work like that,” he adds. “The first step: you have to consciously make that decision and change.”

When he gets a takeaway, says Mr El Accad, he takes his own glass jars instead of accepting disposable aluminium containers, paper napkins and plastic tubs, cutlery and bags from restaurants.

He also plants his own crops and herbs at home and at the Sheikh Zayed store, from basil and rosemary to beans, squashes and papayas. “If you’re going to water anything, better it be tomatoes and cucumbers, something edible, than grass,” he says.

“All this throwaway plastic - cups, bottles, forks - has to go first,” says Mr El Accad, who has banned all disposable straws, whether plastic or even paper, from the café chain.

One of the latest changes he has implemented at his stores is to offer refills of liquid laundry detergent, to save plastic. The two brands Organic Foods stocks, Organic Larder and Sonnett, are both “triple-certified - you could eat the product”.  

The Organic Larder detergent will soon be delivered in 200-litre metal oil drums before being decanted into 20-litre containers in-store.

Customers can refill their bottles at least 30 times before they start to degrade, he says. Organic Larder costs Dh35.75 for one litre and Dh62 for 2.75 litres and refills will cost 15 to 20 per cent less, Mr El Accad says.

But while there are savings to be had, going green tends to come with upfront costs and extra work and planning. Are we ready to refill bottles rather than throw them away? “You have to change,” says Mr El Accad. “I can only make it available.”

Five films to watch

Castle in the Sky (1986)

Grave of the Fireflies (1988)

Only Yesterday (1991)

Pom Poki (1994)

The Tale of Princess Kaguya (2013)

SHADOWS%20AND%20LIGHT%3A%20THE%20EXTRAORDINARY%20LIFE%20OF%20JAMES%20MCBEY
%3Cp%3EAuthor%3A%20Alasdair%20Soussi%3C%2Fp%3E%0A%3Cp%3EPages%3A%20300%3C%2Fp%3E%0A%3Cp%3EPublisher%3A%20Scotland%20Street%20Press%3C%2Fp%3E%0A%3Cp%3EAvailable%3A%20December%201%3C%2Fp%3E%0A

Indoor cricket World Cup:
Insportz, Dubai, September 16-23

UAE fixtures:
Men

Saturday, September 16 – 1.45pm, v New Zealand
Sunday, September 17 – 10.30am, v Australia; 3.45pm, v South Africa
Monday, September 18 – 2pm, v England; 7.15pm, v India
Tuesday, September 19 – 12.15pm, v Singapore; 5.30pm, v Sri Lanka
Thursday, September 21 – 2pm v Malaysia
Friday, September 22 – 3.30pm, semi-final
Saturday, September 23 – 3pm, grand final

Women
Saturday, September 16 – 5.15pm, v Australia
Sunday, September 17 – 2pm, v South Africa; 7.15pm, v New Zealand
Monday, September 18 – 5.30pm, v England
Tuesday, September 19 – 10.30am, v New Zealand; 3.45pm, v South Africa
Thursday, September 21 – 12.15pm, v Australia
Friday, September 22 – 1.30pm, semi-final
Saturday, September 23 – 1pm, grand final

The alternatives

• Founded in 2014, Telr is a payment aggregator and gateway with an office in Silicon Oasis. It’s e-commerce entry plan costs Dh349 monthly (plus VAT). QR codes direct customers to an online payment page and merchants can generate payments through messaging apps.

• Business Bay’s Pallapay claims 40,000-plus active merchants who can invoice customers and receive payment by card. Fees range from 1.99 per cent plus Dh1 per transaction depending on payment method and location, such as online or via UAE mobile.

• Tap started in May 2013 in Kuwait, allowing Middle East businesses to bill, accept, receive and make payments online “easier, faster and smoother” via goSell and goCollect. It supports more than 10,000 merchants. Monthly fees range from US$65-100, plus card charges of 2.75-3.75 per cent and Dh1.2 per sale.

2checkout’s “all-in-one payment gateway and merchant account” accepts payments in 200-plus markets for 2.4-3.9 per cent, plus a Dh1.2-Dh1.8 currency conversion charge. The US provider processes online shop and mobile transactions and has 17,000-plus active digital commerce users.

• PayPal is probably the best-known online goods payment method - usually used for eBay purchases -  but can be used to receive funds, providing everyone’s signed up. Costs from 2.9 per cent plus Dh1.2 per transaction.

Updated: July 12, 2021, 5:33 AM