A gold pendant discovered in a Bronze Age tomb. Photo: Department of Culture and Tourism Abu Dhabi
A gold pendant discovered in a Bronze Age tomb. Photo: Department of Culture and Tourism Abu Dhabi
A gold pendant discovered in a Bronze Age tomb. Photo: Department of Culture and Tourism Abu Dhabi
A gold pendant discovered in a Bronze Age tomb. Photo: Department of Culture and Tourism Abu Dhabi

Zayed National Museum adds three ancient treasures to growing collection


Saeed Saeed
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Three artefacts excavated in the UAE are among the many ancient gems that will be featured in Zayed National Museum, The National can exclusively reveal.

The items include an official stamp dating back to the Iron Age, a gold pendant from the Bronze Age and an ashlar block from the third millennium BC. They are among more than 1,000 items that will be displayed at the highly anticipated museum coming up on Abu Dhabi's Saadiyat Island.

They artefacts join previously announced pieces such as the Magan Boat – a pristine, full-sized reconstruction of the ancient maritime vessel that sailed the Arabian Peninsula during the Bronze Age – as well as the Blue Quran, which dates back to the 9th century and is distinguished by its indigo-dyed parchment and gold Kufic script.

“These objects are not just historical artefacts,” says Ammar Al Banna, associate curator at Zayed National Museum. “They reflect the ingenuity, identity and belief systems of the people who lived here thousands of years ago – and show how deeply connected this land was with surrounding regions, both culturally and economically.”

Here is what you need to know about the latest items.

1. Camel stamp, Iron Age

The stamp indicates the regional importance of the camel as far back as the first millennium BC. Photo: Department of Culture and Tourism Abu Dhabi
The stamp indicates the regional importance of the camel as far back as the first millennium BC. Photo: Department of Culture and Tourism Abu Dhabi

A flat, black, square-shaped stamp etched with a camel motif dates back to the first millennium BC. Set to go on display in the Through Our Connections gallery at Zayed National Museum, the artefact highlights how ancient communities in this region harnessed technology and materials in the service of trade.

“Stamps like these were used for bureaucratic purposes – for sealing merchandise or documents. What’s especially telling is the depiction of the camel, which was being domesticated during this time. It wasn’t just a practical animal – it was central to people's identity and for expanding communal life,” Al Banna explains “These iconographies were rooted in their daily life. By using the camel on a stamp, they were embedding their surroundings into their systems of trade and record – creating a visual language that tied community to commerce.”

2. Gold pendant, Bronze Age

On display in the To Our Ancestors gallery will be a gold ornament resembling a brooch. Dating back to the second millennium BC, it features two animals positioned back to back. Three of the legs are missing, while fine lines are visible on the edges and remaining limbs.

“This pendant was discovered in a Bronze Age tomb belonging to the Umm Al Nar civilisation,” Al Banna says. “Alongside it were other precious items, which tells us about their belief system – they buried their dead with prized possessions, suggesting ideas of status, spirituality and continuity beyond life.”

He adds that the motifs in the piece mirror designs found in burial sites at Al Ain’s Hili Grand Tomb – part of the Al Ain Archaeological Park – showing how the civilisation used symbolism across generations. “These figures, whether carved or cast, were not merely decorative. They were expressions of identity and belief,” he says. “It’s a powerful example of how communities in this region developed their own iconographic language, long before written script.”

3. Ashlar block, third millennium BC

A stone panel from a tomb from the Umm Al Nar civilisation, features a camel carved in relief. Photo: Department of Culture and Tourism Abu Dhabi
A stone panel from a tomb from the Umm Al Nar civilisation, features a camel carved in relief. Photo: Department of Culture and Tourism Abu Dhabi

A stone panel, once part of a large circular tomb wall in Umm Al Nar, features a carved relief of a camel. The restored panel, reassembled from four fragments, offers insight into the burial practices of the civilisation.

“This structure was part of a monumental communal tomb, possibly housing hundreds of individuals over time,” says Al Banna. “What’s fascinating is the effort it took to build these eight-metre-wide structures. They weren’t made for elites alone, they were built by and for the community.”

The carvings are also seen as artworks, offering a glimpse into how ancient communities used imagery to express ideas affecting all facets of society. “The carvings show oryx, deer, camels and even humans. These weren’t random; they were deliberately chosen,” Al Banna explains. “The people of that era used their surroundings to communicate their relationship with life, death and each other. They wanted to leave their identity on these tombs to say: ‘We were here.'”

When does Zayed National Museum open?

Saadiyat Cultural District. Photo: Zayed National Museum
Saadiyat Cultural District. Photo: Zayed National Museum

While no official opening date has been announced, The National previously reported that all attractions within the Saadiyat Cultural District – including the Guggenheim Abu Dhabi and the Natural History Museum Abu Dhabi – are scheduled for completion this year.

In April, teamLab Phenomena, a 17,000-square-metre digital art space, opened to the public.

The Zayed National Museum will celebrate the history and culture of the UAE, while paying tribute to the legacy of UAE Founding Father, the late Sheikh Zayed bin Sultan Al Nahyan.

Conflict, drought, famine

Estimates of the number of deaths caused by the famine range from 400,000 to 1 million, according to a document prepared for the UK House of Lords in 2024.
It has been claimed that the policies of the Ethiopian government, which took control after deposing Emperor Haile Selassie in a military-led revolution in 1974, contributed to the scale of the famine.
Dr Miriam Bradley, senior lecturer in humanitarian studies at the University of Manchester, has argued that, by the early 1980s, “several government policies combined to cause, rather than prevent, a famine which lasted from 1983 to 1985. Mengistu’s government imposed Stalinist-model agricultural policies involving forced collectivisation and villagisation [relocation of communities into planned villages].
The West became aware of the catastrophe through a series of BBC News reports by journalist Michael Buerk in October 1984 describing a “biblical famine” and containing graphic images of thousands of people, including children, facing starvation.

Band Aid

Bob Geldof, singer with the Irish rock group The Boomtown Rats, formed Band Aid in response to the horrific images shown in the news broadcasts.
With Midge Ure of the band Ultravox, he wrote the hit charity single Do They Know it’s Christmas in December 1984, featuring a string of high-profile musicians.
Following the single’s success, the idea to stage a rock concert evolved.
Live Aid was a series of simultaneous concerts that took place at Wembley Stadium in London, John F Kennedy Stadium in Philadelphia, the US, and at various other venues across the world.
The combined event was broadcast to an estimated worldwide audience of 1.5 billion.

MATCH INFO

Qalandars 109-3 (10ovs)

Salt 30, Malan 24, Trego 23, Jayasuriya 2-14

Bangla Tigers (9.4ovs)

Fletcher 52, Rossouw 31

Bangla Tigers win by six wickets

Updated: May 15, 2025, 3:02 AM`