The March Meeting coincides with the Sharjah Biennial and reflects on its theme To Carry. Antonie Robertson / The National
The March Meeting coincides with the Sharjah Biennial and reflects on its theme To Carry. Antonie Robertson / The National
The March Meeting coincides with the Sharjah Biennial and reflects on its theme To Carry. Antonie Robertson / The National
The March Meeting coincides with the Sharjah Biennial and reflects on its theme To Carry. Antonie Robertson / The National

Sharjah's March Meeting to explore how art, food and music tell stories about culture and history


Razmig Bedirian
  • English
  • Arabic

Sharjah’s March Meeting is taking place during Ramadan this year, and much of its programming echoes the communal nature of the holy month.

The annual event, organised by the Sharjah Art Foundation, is being held from Friday to Sunday at Al Qasimiyah School. It coincides with the Sharjah Biennial, which is running under the title To Carry, reflecting on what we individually carry, from memories to languages, histories, wounds and ruptures.

The March Meeting's performances and discussions examine the meanings behind the biennial’s theme, but with an added focus. This year, under the title To Carry Song, they examine how songs contain cultural memories and hereditary knowledge.

The programme also addresses other modes of storytelling, including cooking, and aims to underscore the role of communities to conserve and pass on knowledge. To accommodate schedules during Ramadan, the programme will run between 10pm and 1am.

Here is what to look forward to at this year’s March Meeting.

Conversations

March Meeting will be held between Friday and Sunday at Al Qasimiyah School. Photo: Sharjah Art Foundation
March Meeting will be held between Friday and Sunday at Al Qasimiyah School. Photo: Sharjah Art Foundation

Panel discussions are always a focal point of the March Meeting. The platform attracts cultural figures and artists from around the world to discuss pressing subjects that resonate with the art world, particularly in the Global South.

On Friday, Emirati artist Hashel Al Lamki and Amal Khalaf, one of the biennial’s co-curators, will discuss how contemporary art practices are shaped by cross-cultural dialogue as well as experimentation with different materials. The discussion will reflect on Al Lamki’s own process, particularly related to projects the artist is presenting at the biennial, including Maat and Part-Time Lovers.

Gazan artists Mohammed Al-Hawajri and Dina Mattar will take part in a panel discussion on Friday. The couple, who moved to the UAE last year after their home in Gaza was bombed by Israeli forces, will be discussing their artistic process and the role art plays in preserving cultural identity in the face of existential uncertainty.

Mohammed Al-Hawajri and Dina Mattar at Al Jahili Fort, with Mattar's paintings in the background. Photo: DCT-Abu Dhabi
Mohammed Al-Hawajri and Dina Mattar at Al Jahili Fort, with Mattar's paintings in the background. Photo: DCT-Abu Dhabi

Swiss-Iranian poet Athena Farrokhzad and Indian poet Meena Kandasamy will be part of a panel discussion on Saturday about poethics, a portmanteau combining the words poetics and ethics. The discussion, moderated by Sharjah Biennial co-curator Natasha Ginwala, will explore the power of poetry to reflect upon political, environmental and social issues.

Also on Saturday, Navajo composer and artist Raven Chacon will delve into his artistic practice and the convergence of music, art and activism. He will be joined by Yakthan artist and filmmaker Subash Thebe Limbu, who will talk about Adivasi Futurism, a concept and art movement that incorporates elements from Adivasi culture within themes of science fiction and fantasy. Also joining the panel are Nici Cumpston, director of Kluge-Ruhe Aboriginal art collection at the University of Virginia. Megan Tamati-Quennell, co-curator of the Sharjah Biennial, will be moderating the panel.

On Sunday, UK and Stockholm-based artist Olivia Plender and British social anthropologist Celia Plender will examine the transition between feudalism and colonialism, while highlighting the continuing impact of these historic power structures.

Later that day, New Zealand artist Luke Willis Thompson will discuss his work Whakamoemoea. The film piece is characterised as a political sci-fi. It was shot at Te Whare Runanga, a famous example of Maori architecture, carved from timber and incorporating other organic materials. It is a meeting house at the Waitangi Treaty Grounds, where the founding document of Aotearoa/New Zealand was signed. Whakamoemoea is set in 2040, and presents a news broadcast that announces Aotearoa's movement from colonial governance to an indigenous, plurinational state.

The curators of the Sharjah Biennal are, from left: Natasha Ginwala, Amal Khalaf, Zeynep Oz, Alia Swastika and Megan Tamati-Quennell. Photo: Sharjah Art Foundation
The curators of the Sharjah Biennal are, from left: Natasha Ginwala, Amal Khalaf, Zeynep Oz, Alia Swastika and Megan Tamati-Quennell. Photo: Sharjah Art Foundation

Istanbul-born artist Dilek Winchester and New Zealand artist Ana Iti will then discuss how their two practices have a similarity in the way they deal with language as systems of knowledge. Winchester explores how Turkey’s adoption of the Latin alphabet impacted Turkish culture. Iti, on the other hand, examines the role of the printing press in disseminating the Maori language. The session will be moderated by Zeynep Oz, a co-curator of the biennial.

The five co-curators will come together in the final panel of the March Meeting to discuss their experiences of curating the event, and how their diverse backgrounds bolstered their collaboration.

Performances

Performances at the March Meeting will mirror many of the themes discussed. Houaida, known for her dreamy, otherworldly soundscapes, will conclude the inaugural day. New Zealand musician Mara TK will take the stage in the opening performance on Saturday, presenting soulful music informed by an intimate understanding of Te Reo Maori, the Maori language.

Later that day, Indonesian artists Suvi Wahyudianto and Dicky Senda will present a lecture and cooking performance. They will then discuss with biennial co-curator Alia Swastika how culinary practices have a role to play in the process of decolonisation.

Ata Ratu, from East Sumba, Indonesia, will conclude Saturday’s performances. Ratu will play the four-stringed jungga, a zither instrument from the island.

A concert by Chaar Yaar – the Faqiri Quartet on Sunday will be final performance of the March Meeting. The ensemble draws inspiration from 12th and 13th century Punjabi legends. Their work also touches upon more recent history, such as the partition of India and Pakistan, as well as devotional traditions that express love, friendship and exile.

Sharjah Art Foundation's March Meeting is running until Sunday at Al Qasimiyah School. Timings and a detailed programming is available online

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The Norwegian Nobel Committee, which awards the prestigious peace prize, held its final meeting on Monday, the Nobel Institute said on Thursday, a day ahead of the announcement of the 2025 laureate.

This means a decision was made about the laureate or laureates before the conclusion of an agreement between Israel and Hamas, which included a ceasefire and the release of hostages.

President Donald Trump pushed for the ceasefire as part of a 20-point plan to resolve the Gaza war. 

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Picture of Joumblatt and Hariri breaking bread sets Twitter alight

Mr Joumblatt’s pessimism regarding the Lebanese political situation didn’t stop him from enjoying a cheerful dinner on Tuesday with several politicians including Mr Hariri.

Caretaker Culture Minister Ghattas Khoury tweeted a picture of the group sitting around a table at a discrete fish restaurant in Beirut’s upscale Sodeco area.

Mr Joumblatt told The National that the fish served at Kelly’s Fish lounge had been very good.

“They really enjoyed their time”, remembers the restaurant owner. “Mr Hariri was taking selfies with everybody”.

Mr Hariri and Mr Joumblatt often have dinner together to discuss recent political developments.

Mr Joumblatt was a close ally of Mr Hariri’s assassinated father, former prime minister Rafik Hariri. The pair were leading figures in the political grouping against the 15-year Syrian occupation of Lebanon that ended after mass protests in 2005 in the wake of Rafik Hariri’s murder. After the younger Hariri took over his father’s mantle in 2004, the relationship with Mr Joumblatt endured.

However, the pair have not always been so close. In the run-up to the election last year, Messrs Hariri and Joumblatt went months without speaking over an argument regarding the new proportional electoral law to be used for the first time. Mr Joumblatt worried that a proportional system, which Mr Hariri backed, would see the influence of his small sect diminished.

With so much of Lebanese politics agreed in late-night meetings behind closed doors, the media and pundits put significant weight on how regularly, where and with who senior politicians meet.

In the picture, alongside Messrs Khoury and Hariri were Mr Joumbatt and his wife Nora, PSP politician Wael Abou Faour and Egyptian ambassador to Lebanon Nazih el Nagari.

The picture of the dinner led to a flurry of excitement on Twitter that it signified an imminent government formation. “God willing, white smoke will rise soon and Walid Beik [a nickname for Walid Joumblatt] will accept to give up the minister of industry”, one user replied to the tweet. “Blessings to you…We would like you to form a cabinet”, wrote another.  

The next few days will be crucial in determining whether these wishes come true.

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The internal combustion engine is facing a watershed moment – major manufacturer Volvo is to stop producing petroleum-powered vehicles by 2021 and countries in Europe, including the UK, have vowed to ban their sale before 2040. The National takes a look at the story of one of the most successful technologies of the last 100 years and how it has impacted life in the UAE. 

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Youngest F1 driver (17 years 3 days Japan 2014)
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The flights

Flydubai operates up to seven flights a week to Helsinki. Return fares to Helsinki from Dubai start from Dh1,545 in Economy and Dh7,560 in Business Class.

The stay

Golden Crown Igloos in Levi offer stays from Dh1,215 per person per night for a superior igloo; www.leviniglut.net 

Panorama Hotel in Levi is conveniently located at the top of Levi fell, a short walk from the gondola. Stays start from Dh292 per night based on two people sharing; www. golevi.fi/en/accommodation/hotel-levi-panorama

Arctic Treehouse Hotel in Rovaniemi offers stays from Dh1,379 per night based on two people sharing; www.arctictreehousehotel.com

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Benefits:  No tax, no restrictions on dual citizenship, no requirement to visit or reside to retain a passport. Visa-free access to 129 countries.

Updated: March 06, 2025, 2:38 PM