Abu Dhabi Art will run at Manarat Al Saadiyat from November 20 to 24. Photo: Abu Dhabi Art
Abu Dhabi Art will run at Manarat Al Saadiyat from November 20 to 24. Photo: Abu Dhabi Art
Abu Dhabi Art will run at Manarat Al Saadiyat from November 20 to 24. Photo: Abu Dhabi Art
Abu Dhabi Art will run at Manarat Al Saadiyat from November 20 to 24. Photo: Abu Dhabi Art

More than 100 art galleries to showcase work at Abu Dhabi Art this year


Maan Jalal
  • English
  • Arabic

This year’s Abu Dhabi Art will have more than 100 local, regional and international galleries displaying works.

Surpassing the number of galleries that were showcased last year, the art fair, set to run at Manarat Al Saadiyat from November 20 to 24, will feature 102 regional and international galleries from 31 countries. Last year, 92 galleries joined the event.

“This year marks our biggest edition to date,” Abu Dhabi Art director Dyala Nusseibeh tells The National. “We are starting to see some very interesting developments in our local and regional art market, a reassessment of the importance of modern and contemporary artists from our part of the world, who have a vital role to play in shaping narratives about our past, present and future.”

Across seven sections, which will cover various facets of modern and contemporary art, three are new. The first, Something Bold, Something New, will focus on modern artists from the region. The second, the Collectors Salon, will be a space where galleries can showcase artefacts, historical objects, manuscripts and artworks. The third, Silk Road: Drifting Identities, will highlight galleries and artists from Central Asia and the Caucasus.

Les Cueilleuses de Dattes (The Date Pickers) by the Egyptian painter and activist Inji Aflatoun. Photo: Abu Dhabi Art
Les Cueilleuses de Dattes (The Date Pickers) by the Egyptian painter and activist Inji Aflatoun. Photo: Abu Dhabi Art

Something Bold, Something New is curated by arts consultant Myrna Ayad. It will consider seminal artists who have played a significant role in the evolution of styles and art practices in the region. They include Palestinian artists Emily Fanous Azar and Nabila Hilmi; Egyptian painter and activist Inji Aflatoun; Lebanese artist Halim Jurdak; Saudi artist Sami Al Marzoogi; and Tunisian painters Aly Ben Salem and Rafik El Kamel.

“Arab artists always feature prominently in our fair – being a fair rooted in the Middle East how could this be otherwise?” Nusseibeh says. She adds that there will be a plethora of Arab artists contributing to the fair this year.

Pioneering Emirati artist Mohammed Kazem is creating the visual identity for the fair. Nusseibeh says that through design, Kazem aims to remind visitors that “we are interconnected, through our geographies and in our networks with each other, through the sea and through trade”.

Nusseibeh also highlights the installation by Lebanese visual artist Raed Yassin titled City Mirage, which is comprised of 130 vintage Beirut shop sign letters, a work that “is a haunting recollection of the devastations the city has endured”.

The fair will also focus on the ties and synergies between the Arab world and other cultures and countries through art. In the Gateway exhibition this year, Nusseibeh says curators have been invited to consider the long-standing cultural ties between the Arab world and South America, an area that is both “under-researched and fascinating”.

A mother and son look at an artwork by the Ghanaian sculptor El Anatsui at Abu Dhabi Art last year. Victor Besa / The National
A mother and son look at an artwork by the Ghanaian sculptor El Anatsui at Abu Dhabi Art last year. Victor Besa / The National

“I think of Abu Dhabi Art as a useful platform for knowledge production and sharing in the field of art. It shapes the exhibition programmes and selection of galleries participating,” she says.

“Another exhibition will consider the historical presence of Arab artists in Paris. In our commercial gallery presentations, with works for sale, we are introducing a section dedicated to art, manuscripts and artefacts that span centuries including a rare seventh-century leaf from a Quran and an Ottoman ceremonial saddlery.”

Given the tumultuous and violent events, and resulting unsettlement, in the region over the past year, Nusseibeh highlights that art acts as a means to understand and explain our collective feelings, issues and trauma that are often difficult to express in any other way.

“We are in a time of existential crisis and of deep trauma for the region,” she says. “There are things that can’t be expressed or found in ordinary conversations among us. Visual poetry and art can somehow fill these voids that we are all facing and can form bridges across the seemingly incomprehensible. We may not find reconciliation in such events, but we can make sense of more, perhaps, because of them.”

Abu Dhabi Art also revealed this year’s community partners, who will be coming together in an exhibition that pays homage to crafts.

House of Artisans, the Abu Dhabi centre dedicated to preserving Emirati traditions and handicrafts, will be leading the exhibition. Titled Crafts as a Language, the show will highlight how crafts make use of natural resources to produce objects that, while serving a particular function, are also a means of creative expression.

Others include Abu Dhabi Music and Arts Foundation, 81 Designs, Kalimat Foundation, Zayed University’s College of Arts and Creative Enterprises, MFA in Art and Media department at NYU Abu Dhabi and 1971 Design.

The fair’s Art and Tech programme will also be returning to connect art and technology students with visual artists. The initiative, which launched in 2017, aims to foster collaborations between the country’s art and tech sectors. Students from eight universities across the UAE will be taking part in this year’s programme. They will be working with artists Afra Al Suwaidi and Marina Fedorova. Al Suwaidi has guided students in creating an installation that will be revealed at the fair. Fedorova, meanwhile, worked with students to produce an artwork that makes use of augmented reality.

“This programme not only merges cutting-edge technology with contemporary art, but also offers a unique space for innovation and expression,” Al Suwaidi said. “I am grateful to have shared this opportunity with passionate students, who have displayed unimaginable talent and eagerness to showcase their creativity.”

Art Abu Dhabi will run at Manarat Al Saadiyat from November 20 to 24

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Date started: January, 2014

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The burning issue

The internal combustion engine is facing a watershed moment – major manufacturer Volvo is to stop producing petroleum-powered vehicles by 2021 and countries in Europe, including the UK, have vowed to ban their sale before 2040. The National takes a look at the story of one of the most successful technologies of the last 100 years and how it has impacted life in the UAE. 

Read part four: an affection for classic cars lives on

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Read part one: how cars came to the UAE

 

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Ali Kasheif, Salim Rashid, Khalifa Al Hammadi, Khalfan Mubarak, Ali Mabkhout, Omar Abdulrahman, Mohammed Al Attas, Abdullah Ramadan, Zayed Al Ameri (Al Jazira), Mohammed Al Shamsi, Hamdan Al Kamali, Mohammed Barghash, Khalil Al Hammadi (Al Wahda), Khalid Essa, Mohammed Shaker, Ahmed Barman, Bandar Al Ahbabi (Al Ain), Al Hassan Saleh, Majid Suroor (Sharjah) Walid Abbas, Ahmed Khalil (Shabab Al Ahli), Tariq Ahmed, Jasim Yaqoub (Al Nasr), Ali Saleh, Ali Salmeen (Al Wasl), Hassan Al Muharami (Baniyas) 

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The flights 

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Key changes

Commission caps

For life insurance products with a savings component, Peter Hodgins of Clyde & Co said different caps apply to the saving and protection elements:

• For the saving component, a cap of 4.5 per cent of the annualised premium per year (which may not exceed 90 per cent of the annualised premium over the policy term). 

• On the protection component, there is a cap  of 10 per cent of the annualised premium per year (which may not exceed 160 per cent of the annualised premium over the policy term).

• Indemnity commission, the amount of commission that can be advanced to a product salesperson, can be 50 per cent of the annualised premium for the first year or 50 per cent of the total commissions on the policy calculated. 

• The remaining commission after deduction of the indemnity commission is paid equally over the premium payment term.

• For pure protection products, which only offer a life insurance component, the maximum commission will be 10 per cent of the annualised premium multiplied by the length of the policy in years.

Disclosure

Customers must now be provided with a full illustration of the product they are buying to ensure they understand the potential returns on savings products as well as the effects of any charges. There is also a “free-look” period of 30 days, where insurers must provide a full refund if the buyer wishes to cancel the policy.

“The illustration should provide for at least two scenarios to illustrate the performance of the product,” said Mr Hodgins. “All illustrations are required to be signed by the customer.”

Another illustration must outline surrender charges to ensure they understand the costs of exiting a fixed-term product early.

Illustrations must also be kept updatedand insurers must provide information on the top five investment funds available annually, including at least five years' performance data.

“This may be segregated based on the risk appetite of the customer (in which case, the top five funds for each segment must be provided),” said Mr Hodgins.

Product providers must also disclose the ratio of protection benefit to savings benefits. If a protection benefit ratio is less than 10 per cent "the product must carry a warning stating that it has limited or no protection benefit" Mr Hodgins added.

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Director Hansal Mehta

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Three stars

The five pillars of Islam

1. Fasting

2. Prayer

3. Hajj

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5. Zakat 

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  • An elevated football field that doubles as a helipad
  • Specialist robotics and science laboratories
  • AR and VR-enabled learning centres
  • Disruption Lab and Research Centre for developing entrepreneurial skills

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Ipaf in numbers

Established: 2008

Prize money:  $50,000 (Dh183,650) for winners and $10,000 for those on the shortlist.

Winning novels: 13

Shortlisted novels: 66

Longlisted novels: 111

Total number of novels submitted: 1,780

Novels translated internationally: 66

UAE currency: the story behind the money in your pockets
UAE currency: the story behind the money in your pockets
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Evacuations to France hit by controversy
  • Over 500 Gazans have been evacuated to France since November 2023
  • Evacuations were paused after a student already in France posted anti-Semitic content and was subsequently expelled to Qatar
  • The Foreign Ministry launched a review to determine how authorities failed to detect the posts before her entry
  • Artists and researchers fall under a programme called Pause that began in 2017
  • It has benefited more than 700 people from 44 countries, including Syria, Turkey, Iran, and Sudan
  • Since the start of the Gaza war, it has also included 45 Gazan beneficiaries
  • Unlike students, they are allowed to bring their families to France
HIJRA

Starring: Lamar Faden, Khairiah Nathmy, Nawaf Al-Dhufairy

Director: Shahad Ameen

Rating: 3/5

Updated: November 08, 2024, 10:43 AM`