Members of the Aravani Art Project, known for the murals they paint across Bangalore, created 'Diaspora' at the Venice Biennale. Photo: Andrea Avezzu
Members of the Aravani Art Project, known for the murals they paint across Bangalore, created 'Diaspora' at the Venice Biennale. Photo: Andrea Avezzu
Members of the Aravani Art Project, known for the murals they paint across Bangalore, created 'Diaspora' at the Venice Biennale. Photo: Andrea Avezzu
Members of the Aravani Art Project, known for the murals they paint across Bangalore, created 'Diaspora' at the Venice Biennale. Photo: Andrea Avezzu

Foreigners Everywhere at Venice Biennale celebrates the joy and grit of the Global South


Melissa Gronlund
  • English
  • Arabic

The title of Adriano Pedrosa’s new exhibition at the Venice Biennale, Foreigners Everywhere, is not the rebuke that it may seem from afar. Rather, the show highlights art that was overlooked during the past century and celebrates the multiculturalism of the Global South.

Containing contributions from more than 100 artists, the exhibition captures the joy and political grit of the work produced by otherwise marginalised artists while the rest of the art world was looking down the barrel of the gallery sale or keeping their eyes fixed on a Western canon.

The first section, the “contemporary nucleus”, is displayed in the Arsenale, the former arms storehouse for the former Venice Republic. A second section, the “nucleus of stories”, sits in the International Pavilion of the Giardini, the gardens where the Biennale’s national pavilions are arrayed.

Roughly, these two sections fall into contemporary and modernist works categories, but the Brazilian curator Pedrosa overlaps historical and contemporary throughout the show while also weaving across vastly different geographies.

Textiles are a key medium, particularly in the Arsenale. Long considered less impressive than oil painting – the preserve of women or folk traditions – work in embroidery, weaving and quilting is reclaimed here via historical practices such as that of Filipino artist Pacita Abad, the artist Claudia Alarcon from the Wichi people of northern Argentina (here working with the collective Silat), or the women who made embroidered arpilleras under Pinochet in Chile.

Pedrosa also underlines its potency as a contemporary medium, as in Dana Awartani’s stunning Come, let me heal your wounds. Let me mend your broken bones, as we stand here mourning (2024). Arranged as floating blocks of dyed silk, it maps instances of destruction of cultural sites across the Arab world, signalled by small tears in the fabric that the Saudi-Palestinian artist makes and then darns. The project was first developed for Al Burda festival in Abu Dhabi in 2019, and grows with each exhibition, with the latest tears reflecting the war in Gaza.

It is a connection to war, and art's role as testimony, that runs throughout both shows, giving a sense of art's urgency and vital necessity as a cultural medium.

Dana Awartani's work maps instances of cultural destruction in the Arab region. Photo: Marco Zorzanello
Dana Awartani's work maps instances of cultural destruction in the Arab region. Photo: Marco Zorzanello

Global modernisms

In the Giardini, two extraordinary, salon-style presentations display masterworks from global modernism: one devoted to abstraction and one devoted to portraits, from Latin America, the Middle East, and Asia.

“I feel like I can breathe,” says Sultan Sooud Al Qassemi at the preview. “It is such a relief to see work from the region without having to see it next to European paintings.”

Al Qassemi’s Barjeel Art Foundation, based in Sharjah, lent work to the show, alongside other regional entities such as Mathaf in Doha, the Dalloul Art Foundation in Lebanon, and the collection of Taimur Hassan. They were all first-time loaners, reflecting the importance of properly collecting the region's art history.

Pedrosa used these rooms to make new connections. Latin American abstraction and that of artists in the Middle East were both extraordinarily rich, exciting periods – with a flair for colour that largely surpassed Western painting.

This show brought out the potential for these correspondences to be studied more fully. A work of waves by Mohamed Melehi, for example, was paired with a painting of similar bands of colour by the Argentine artist Maria Martorell, both made in 1968.

The Dominican artist Freddy Rodriguez, who died in 2003, was making abstractions based on the landscape in much the same way that Samia Halaby uses her work to recall the Palestinian land of her childhood (Halaby was represented here by one of her great cross paintings).

This room devoted to global abstraction includes work by Iraqi artist Mahmoud Sabri (left), Lebanese artist Saloua Raouda Choucair (centre) and Dominican artist Freddy Rodriguez (right). Photo: Andrea Merola
This room devoted to global abstraction includes work by Iraqi artist Mahmoud Sabri (left), Lebanese artist Saloua Raouda Choucair (centre) and Dominican artist Freddy Rodriguez (right). Photo: Andrea Merola

The rooms were beautiful but they also run the risk of flattening out the work into mere visual patterns. The exhibition works hard to provide context, with short texts commissioned by scholars and writers who know what they are talking about, such as (from a Middle East perspective) Jessica Gerschultz, Rasha Salti and Saira Ansari. But the salon-style presentation of artworks displayed up and down the walls slightly inhibits individual works from speaking on their own terms.

The juxtaposition of different contexts works best in the diciest part of Pedrosa’s thesis: the idea of foreigners everywhere. The title, which derives from a work by the French collective Claire Fontaine, has been taken to task because of its apparent nod to nativist rhetoric – though Pedrosa clarifies that “foreigners” is meant to be read expansively, for instance to also include those who feel foreign in their own bodies or in their own minds.

People are at the heart of art-making and migration is at the heart of foreignness, he explains. This is underlined by the panoply of subjects in the installation of modernist portraiture. A number of paintings shows black figures in different regions; such as works by the South African artist George Pemba; the Nigerian Uche Okeke; the Brazilian artist Candio Portinari; and the Jamaican artists Barrington Watson and Osmond Watson. They operate as a document of the geographical breadth of the African diaspora – with its cause (slavery) hanging unsaid in the room.

This painting Cabeca de Mulato from 1934 by the Brazilian artist Candido Portinari is about migration. Photo: Venice Biennale
This painting Cabeca de Mulato from 1934 by the Brazilian artist Candido Portinari is about migration. Photo: Venice Biennale

Institutional amnesia

Despite its deliberate focus on historical practices, Foreigners Everywhere is ironically being treated as a departure from standard modes of curating. Pedrosa, for example, has been noted as the first South American to curate at the biennial, and the first “who has been born and is now based in the Global South”.

The parsing is telling – because Pedrosa is not the first curator from the Global South to put together the biennial, nor is he the first curator to deliberately bring in artists from marginalised identities. With the exception of the 2017 and 2019 editions, expanding art’s geographies has been the express leitmotif of the Biennale since Massimiliano Giani’s presentation in 2013.

The art world’s lack of institutional memory is significant. In part, it shows its need for novelty, but more importantly it acknowledges the compromised nature of the project: even though the players in the exhibition might change, the structure of the art world remains Western-dominated, with power and financial clout still in New York, London, Paris, and Berlin. The idea that “foreigners everywhere” is a new idea simply reflects that fact that the exhibition format is so steeped in Western modes of thinking that the inclusion of outlier artists still feels jarring to those who maintain them.

What is wonderful about the exhibition, though, is that many artworks do not really seem to care about their place in the Western art world. There were fewer dealers at the fair, fewer power brokers making a sale. Works like Rosa Elena Currurich’s from Guatemala, Aycoobo’s from Colombia, and the Aravani Art Project from Bangalore document political struggles closer to home or demonstrate different modes of belief and art practice.

They are a crucial reminder that art’s job – especially in the Global South – has so often been to resist official histories and to give voice to alternative realities. Rather than the similarities between these works being flattened out, the work of Foreigners Everywhere feels united in solidarity.

Company profile

Date started: December 24, 2018

Founders: Omer Gurel, chief executive and co-founder and Edebali Sener, co-founder and chief technology officer

Based: Dubai Media City

Number of employees: 42 (34 in Dubai and a tech team of eight in Ankara, Turkey)

Sector: ConsumerTech and FinTech

Cashflow: Almost $1 million a year

Funding: Series A funding of $2.5m with Series B plans for May 2020

MOUNTAINHEAD REVIEW

Starring: Ramy Youssef, Steve Carell, Jason Schwartzman

Director: Jesse Armstrong

Rating: 3.5/5

Ferrari 12Cilindri specs

Engine: naturally aspirated 6.5-liter V12

Power: 819hp

Torque: 678Nm at 7,250rpm

Price: From Dh1,700,000

Available: Now

The National's picks

4.35pm: Tilal Al Khalediah
5.10pm: Continous
5.45pm: Raging Torrent
6.20pm: West Acre
7pm: Flood Zone
7.40pm: Straight No Chaser
8.15pm: Romantic Warrior
8.50pm: Calandogan
9.30pm: Forever Young

Red flags
  • Promises of high, fixed or 'guaranteed' returns.
  • Unregulated structured products or complex investments often used to bypass traditional safeguards.
  • Lack of clear information, vague language, no access to audited financials.
  • Overseas companies targeting investors in other jurisdictions - this can make legal recovery difficult.
  • Hard-selling tactics - creating urgency, offering 'exclusive' deals.

Courtesy: Carol Glynn, founder of Conscious Finance Coaching

What sanctions would be reimposed?

Under ‘snapback’, measures imposed on Iran by the UN Security Council in six resolutions would be restored, including:

  • An arms embargo
  • A ban on uranium enrichment and reprocessing
  • A ban on launches and other activities with ballistic missiles capable of delivering nuclear weapons, as well as ballistic missile technology transfer and technical assistance
  • A targeted global asset freeze and travel ban on Iranian individuals and entities
  • Authorisation for countries to inspect Iran Air Cargo and Islamic Republic of Iran Shipping Lines cargoes for banned goods
How much do leading UAE’s UK curriculum schools charge for Year 6?
  1. Nord Anglia International School (Dubai) – Dh85,032
  2. Kings School Al Barsha (Dubai) – Dh71,905
  3. Brighton College Abu Dhabi - Dh68,560
  4. Jumeirah English Speaking School (Dubai) – Dh59,728
  5. Gems Wellington International School – Dubai Branch – Dh58,488
  6. The British School Al Khubairat (Abu Dhabi) - Dh54,170
  7. Dubai English Speaking School – Dh51,269

*Annual tuition fees covering the 2024/2025 academic year

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Pharaoh's curse

British aristocrat Lord Carnarvon, who funded the expedition to find the Tutankhamun tomb, died in a Cairo hotel four months after the crypt was opened.
He had been in poor health for many years after a car crash, and a mosquito bite made worse by a shaving cut led to blood poisoning and pneumonia.
Reports at the time said Lord Carnarvon suffered from “pain as the inflammation affected the nasal passages and eyes”.
Decades later, scientists contended he had died of aspergillosis after inhaling spores of the fungus aspergillus in the tomb, which can lie dormant for months. The fact several others who entered were also found dead withiin a short time led to the myth of the curse.

MATCH INFO

Uefa Champions League final:

Who: Real Madrid v Liverpool
Where: NSC Olimpiyskiy Stadium, Kiev, Ukraine
When: Saturday, May 26, 10.45pm (UAE)
TV: Match on BeIN Sports

SPEC%20SHEET%3A%20SAMSUNG%20GALAXY%20S24%20ULTRA
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England's all-time record goalscorers:
Wayne Rooney 53
Bobby Charlton 49
Gary Lineker 48
Jimmy Greaves 44
Michael Owen 40
Tom Finney 30
Nat Lofthouse 30
Alan Shearer 30
Viv Woodward 29
Frank Lampard 29

Evacuations to France hit by controversy
  • Over 500 Gazans have been evacuated to France since November 2023
  • Evacuations were paused after a student already in France posted anti-Semitic content and was subsequently expelled to Qatar
  • The Foreign Ministry launched a review to determine how authorities failed to detect the posts before her entry
  • Artists and researchers fall under a programme called Pause that began in 2017
  • It has benefited more than 700 people from 44 countries, including Syria, Turkey, Iran, and Sudan
  • Since the start of the Gaza war, it has also included 45 Gazan beneficiaries
  • Unlike students, they are allowed to bring their families to France
Temple numbers

Expected completion: 2022

Height: 24 meters

Ground floor banquet hall: 370 square metres to accommodate about 750 people

Ground floor multipurpose hall: 92 square metres for up to 200 people

First floor main Prayer Hall: 465 square metres to hold 1,500 people at a time

First floor terrace areas: 2,30 square metres  

Temple will be spread over 6,900 square metres

Structure includes two basements, ground and first floor 

'I Want You Back'

Director:Jason Orley

Stars:Jenny Slate, Charlie Day

Rating:4/5

The Voice of Hind Rajab

Starring: Saja Kilani, Clara Khoury, Motaz Malhees

Director: Kaouther Ben Hania

Rating: 4/5

Story%20behind%20the%20UAE%20flag
%3Cp%3EThe%20UAE%20flag%20was%20first%20unveiled%20on%20December%202%2C%201971%2C%20the%20day%20the%20UAE%20was%20formed.%C2%A0%3C%2Fp%3E%0A%3Cp%3EIt%20was%20designed%20by%20Abdullah%20Mohammed%20Al%20Maainah%2C%2019%2C%20an%20Emirati%20from%20Abu%20Dhabi.%C2%A0%3C%2Fp%3E%0A%3Cp%3EMr%20Al%20Maainah%20said%20in%20an%20interview%20with%20%3Cem%3EThe%20National%3C%2Fem%3E%20in%202011%20he%20chose%20the%20colours%20for%20local%20reasons.%C2%A0%3C%2Fp%3E%0A%3Cp%3EThe%20black%20represents%20the%20oil%20riches%20that%20transformed%20the%20UAE%2C%20green%20stands%20for%20fertility%20and%20the%20red%20and%20white%20colours%20were%20drawn%20from%20those%20found%20in%20existing%20emirate%20flags.%3C%2Fp%3E%0A
Results:

Men's wheelchair 800m T34: 1. Walid Ktila (TUN) 1.44.79; 2. Mohammed Al Hammadi (UAE) 1.45.88; 3. Isaac Towers (GBR) 1.46.46.

UAE currency: the story behind the money in your pockets
Europe wide
Some of French groups are threatening Friday to continue their journey to Brussels, the capital of Belgium and the European Union, and to meet up with drivers from other countries on Monday.

Belgian authorities joined French police in banning the threatened blockade. A similar lorry cavalcade was planned for Friday in Vienna but cancelled after authorities prohibited it.

Meatless Days
Sara Suleri, with an introduction by Kamila Shamsie
​​​​​​​Penguin 

The bio

Favourite vegetable: Broccoli

Favourite food: Seafood

Favourite thing to cook: Duck l'orange

Favourite book: Give and Take by Adam Grant, one of his professors at University of Pennsylvania

Favourite place to travel: Home in Kuwait.

Favourite place in the UAE: Al Qudra lakes

Specs

Engine: 51.5kW electric motor

Range: 400km

Power: 134bhp

Torque: 175Nm

Price: From Dh98,800

Available: Now

Gully Boy

Director: Zoya Akhtar
Producer: Excel Entertainment & Tiger Baby
Cast: Ranveer Singh, Alia Bhatt, Kalki Koechlin, Siddhant Chaturvedi​​​​​​​
Rating: 4/5 stars

Key findings of Jenkins report
  • Founder of the Muslim Brotherhood, Hassan al Banna, "accepted the political utility of violence"
  • Views of key Muslim Brotherhood ideologue, Sayyid Qutb, have “consistently been understood” as permitting “the use of extreme violence in the pursuit of the perfect Islamic society” and “never been institutionally disowned” by the movement.
  • Muslim Brotherhood at all levels has repeatedly defended Hamas attacks against Israel, including the use of suicide bombers and the killing of civilians.
  • Laying out the report in the House of Commons, David Cameron told MPs: "The main findings of the review support the conclusion that membership of, association with, or influence by the Muslim Brotherhood should be considered as a possible indicator of extremism."
The specs
  • Engine: 3.9-litre twin-turbo V8
  • Power: 640hp
  • Torque: 760nm
  • On sale: 2026
  • Price: Not announced yet
Specs

Engine: Dual-motor all-wheel-drive electric

Range: Up to 610km

Power: 905hp

Torque: 985Nm

Price: From Dh439,000

Available: Now

Labour dispute

The insured employee may still file an ILOE claim even if a labour dispute is ongoing post termination, but the insurer may suspend or reject payment, until the courts resolve the dispute, especially if the reason for termination is contested. The outcome of the labour court proceedings can directly affect eligibility.


- Abdullah Ishnaneh, Partner, BSA Law 

UAE currency: the story behind the money in your pockets
COMPANY%20PROFILE
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Indika
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While you're here
The five pillars of Islam

1. Fasting

2. Prayer

3. Hajj

4. Shahada

5. Zakat 

Benefits of first-time home buyers' scheme
  • Priority access to new homes from participating developers
  • Discounts on sales price of off-plan units
  • Flexible payment plans from developers
  • Mortgages with better interest rates, faster approval times and reduced fees
  • DLD registration fee can be paid through banks or credit cards at zero interest rates
Mercedes V250 Avantgarde specs

Engine: 2.0-litre in-line four-cylinder turbo

Gearbox: 7-speed automatic

Power: 211hp at 5,500rpm

Torque: 350Nm

Fuel economy, combined: 6.0 l/100 km

Price: Dh235,000

Volvo ES90 Specs

Engine: Electric single motor (96kW), twin motor (106kW) and twin motor performance (106kW)

Power: 333hp, 449hp, 680hp

Torque: 480Nm, 670Nm, 870Nm

On sale: Later in 2025 or early 2026, depending on region

Price: Exact regional pricing TBA

The specs

Engine: 1.5-litre turbo

Power: 181hp

Torque: 230Nm

Transmission: 6-speed automatic

Starting price: Dh79,000

On sale: Now

COMPANY PROFILE
Name: Kumulus Water
 
Started: 2021
 
Founders: Iheb Triki and Mohamed Ali Abid
 
Based: Tunisia 
 
Sector: Water technology 
 
Number of staff: 22 
 
Investment raised: $4 million 
Updated: April 29, 2024, 9:18 AM`