Art Dubai 2024 features works from 120 galleries including Mother and Child by Chandraguptha Thenuwara. Chris Whiteoak / The National
Art Dubai 2024 features works from 120 galleries including Mother and Child by Chandraguptha Thenuwara. Chris Whiteoak / The National
Art Dubai 2024 features works from 120 galleries including Mother and Child by Chandraguptha Thenuwara. Chris Whiteoak / The National
Art Dubai 2024 features works from 120 galleries including Mother and Child by Chandraguptha Thenuwara. Chris Whiteoak / The National

10 artworks you must see at Art Dubai 2024


Maan Jalal
  • English
  • Arabic

Art Dubai 2024's diverse offering this year ranges in style, medium and geography.

Now in its 17th year and held at Madinat Jumeirah from Friday to Sunday, the fair features 120 galleries from more than 40 countries, where art enthusiasts can wander and get their fix of every kind of artwork imaginable.

From the abstract to the figurative and the digital and the modern, there’s plenty of incredible work to check out. Not sure where to start? The National has curated a list of our favourite art pieces that you must see.

Charm Anklet by Summer Wheat – Contemporary Section

Charm Anklet, (2022) and Claws (2022) by Summer Wheat from Zidoun-Bossuyt Gallery. Chris Whiteoak / The National
Charm Anklet, (2022) and Claws (2022) by Summer Wheat from Zidoun-Bossuyt Gallery. Chris Whiteoak / The National

Summer Wheat’s vibrant work is certainly eye-catching.

At first glance, the US artist's large-scale works – Charm Anklet and Claws at the Zidoun-Bossuyt Gallery booth – instantly attract the viewer to her expressive forms and colour combination.

The works initially appear to be colossal embroidered pieces, when in fact Wheat uses a particular technique to create this tactile effect.

She applies acrylic paint at the back of the painting, which she pushes through the grooves of the canvas, slowly and precisely, with the paint taking the form of its surface.

Mirror of the Mind series by Krista Kim – Digital Section

Mirror of the Mind v.3, v.7 and v.8 by Krista Kim in The Digital section. Chris Whiteoak / The National
Mirror of the Mind v.3, v.7 and v.8 by Krista Kim in The Digital section. Chris Whiteoak / The National

The work of acclaimed digital artist Krista Kim is mesmerising and harks back to her desire to create experiential, meditative moments for the viewer.

Displayed in the digital section of the festival, the series entitled Mirror of the Mind v.3, v.7 and v.8 shows jewelled globes on screens, combining Kim’s technical skill with her interest in light and colour.

She is one of the few artists who present digital work in a way that doesn’t feel as though it's on the screen, but connects with the viewer through its colour and composition as a traditional artwork would.

Bon Appetit III by Carlos Aires – Contemporary Section

Bon Appetit III by Carlos Aires from Zilberman Gallery. Chris Whiteoak / The National
Bon Appetit III by Carlos Aires from Zilberman Gallery. Chris Whiteoak / The National

Bon Appetit III by Carlos Aires (2021) consists of porcelain glazed plates, forex and magnets. Displayed in Zilberman Gallery from Istanbul, the work is beautifully presented and comments on several familial, historical and domestic themes.

The piece also showcases an innovative combination of traditional representations of print and drawing on coveted material such as porcelain in a contemporary way.

Man & Mountain No. 3 by Hassan Sharif – Dubai Collection

Man & Mountain No. 3 by Hassan Sharif is part of the Encounters exhibition presented by The Dubai Collection. Chris Whiteoak / The National
Man & Mountain No. 3 by Hassan Sharif is part of the Encounters exhibition presented by The Dubai Collection. Chris Whiteoak / The National

Man & Mountain No. 3 by the renowned Emirati artist and writer Hassan Sharif is part of the Encounters exhibition presented by Dubai Collection. This year, it displays diverse work from UAE artists across several generations, genres and styles.

This work is a striking example of his command over large-scale canvasses, masterfully creating atmosphere through composition, colour schemes and gesture.

Sharif was one of the few Arab artists who rejected calligraphic abstraction, being more interested in a contemporary and experimental approach.

Thickets XXI by Sandra Strele – Contemporary Section

Exhibitions that never happened: Thickets XXI by Sandra Strele from Rooster Gallery. Chris Whiteoak / The National
Exhibitions that never happened: Thickets XXI by Sandra Strele from Rooster Gallery. Chris Whiteoak / The National

This unconventionally shaped painting by Sandra Strele is made with acrylic, water-based paint and pigments on canvas.

Thickets XXI is from her series entitled Exhibitions That Never Happened, which suggests the concepts of pieces that were either never meant to exist or an exhibition that never took place.

Strele’s style is interesting in that she references many other artistic practices and influences such as the work of David Hockney, while adding her own distinct voice.

Mother and Child II by Chandraguptha Thenuwara – Modern Section

Chandraguptha Thenuwara Mother and Child II from Saskia Fernando Gallery. Photo: Art Dubai
Chandraguptha Thenuwara Mother and Child II from Saskia Fernando Gallery. Photo: Art Dubai

Renowned Sri Lankan artist Chandraguptha Thenuwara’s Mother and Child is an emotive portrait of a traditional theme, executed in his own distinct style.

Displayed by Saskia Fernando Gallery in the Modern section of the fair, the painting draws on a number of symbolic motifs like barrels, barricades, lotuses, guns, soldiers and conceptual figures that are camouflaged in the background, commenting on the state of Sri Lanka’s history and society.

Sculptures by Alia Hussain Lootah – Contemporary Section

Emirati artist Alia Hussain Lootah’s delicate but substantial sculptures from Aisha Alabbar Gallery. Chris Whiteoak / The National
Emirati artist Alia Hussain Lootah’s delicate but substantial sculptures from Aisha Alabbar Gallery. Chris Whiteoak / The National

Emirati artist Alia Hussain Lootah’s delicate but substantial sculptures are a must-see.

Playing with a number of contrasting concepts, from the soft and hard, to the industrial and organic, along with weight and materiality, Lootah's sculptures are considered and wonderfully presented to the viewer.

Untitled by Marcos Grigorian – Modern Section

Untitled by Marcos Grigorian from Leila Heller Gallery. Chris Whiteoak / The National
Untitled by Marcos Grigorian from Leila Heller Gallery. Chris Whiteoak / The National

This is an incredibly powerful work by Iranian-Armenian artist Marcos Grigorian.

Like much of his work, Untitled uses organic materials such as hay, straw, sand, soil and clay to create harmonious geometric compositions.

Grigorian is known for his exploration of themes such as the Holocaust, land art, and the human condition.

Ur-schrift ovvero Avant-testo by Irma Blank – Contemporary Section

Ur-schrift ovvero Avant-testo I by Irma Blank from P420 gallery. Chris Whiteoak / The National
Ur-schrift ovvero Avant-testo I by Irma Blank from P420 gallery. Chris Whiteoak / The National

Based on a printed text that she transcribed in ink, Ur-schrift ovvero Avant-testo by Irma Blank is an intimate work that showcases her meticulous and masterful craft as an artist.

She has always aimed to create work that is universal and, in essence, draws language without using words while connecting with the viewer on some level.

Don't Pull My Hair by Afra Al Dhaheri – Dubai Collection

Don't Pull My Hair by Afra Al Dhaheri is part of the Encounters exhibition presented by The Dubai Collection. Chris Whiteoak / The National
Don't Pull My Hair by Afra Al Dhaheri is part of the Encounters exhibition presented by The Dubai Collection. Chris Whiteoak / The National

Emirati conceptual artist Afra Al Dhaheri's sculpture invites people to have a moment of stillness as they observe the materiality and her composition.

Entitled, Don’t Pull My Hair, the sculpture – and a large body of Al Dhaheri’s work – are influenced by the concept and symbolism of hair from a personal, regional and universal perspective.

Andachtsbild #716 by Christian Eckart – Contemporary Section

Andachtsbild #716 by Christian Eckart from Galerie Tanit at Art Dubai. Chris Whiteoak / The National
Andachtsbild #716 by Christian Eckart from Galerie Tanit at Art Dubai. Chris Whiteoak / The National

Christian Eckart’s Andachtsbild #716 painting is part of a series that explored Andachtsbilder – a German term used to describe Christian devotional images used as aids for prayer.

However, they were often commissioned by the merchant class in the 18th century and are seen as the roots of what we now refer to as the concept of capitalism.

Eckart takes these themes that intersect between art, commerce and religion and reframes them in a contemporary context while still referencing the 18th-century art movement through the use of gold and framing.

Art Dubai 2024 will take place at Madinat Jumeirah, Dubai, from Friday to Sunday. More information is available at www.artdubai.ae

The burning issue

The internal combustion engine is facing a watershed moment – major manufacturer Volvo is to stop producing petroleum-powered vehicles by 2021 and countries in Europe, including the UK, have vowed to ban their sale before 2040. The National takes a look at the story of one of the most successful technologies of the last 100 years and how it has impacted life in the UAE.

Read part three: the age of the electric vehicle begins

Read part two: how climate change drove the race for an alternative 

Read part one: how cars came to the UAE

Our legal consultant

Name: Hassan Mohsen Elhais

Position: legal consultant with Al Rowaad Advocates and Legal Consultants.

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Day 2

England: 277 & 19-0

West Indies: 154

Jawab Iteiqal
Director: Mohamed Sammy
Starring: Mohamed Ramadan, Ayad Nasaar, Mohamed Adel and Sabry Fawaz
2 stars

The five pillars of Islam

1. Fasting

2. Prayer

3. Hajj

4. Shahada

5. Zakat 

WHAT IS GRAPHENE?

It was discovered in 2004, when Russian-born Manchester scientists Andrei Geim and Kostya Novoselov were experimenting with sticky tape and graphite, the material used as lead in pencils.

Placing the tape on the graphite and peeling it, they managed to rip off thin flakes of carbon. In the beginning they got flakes consisting of many layers of graphene. But when they repeated the process many times, the flakes got thinner.

By separating the graphite fragments repeatedly, they managed to create flakes that were just one atom thick. Their experiment led to graphene being isolated for the very first time.

In 2010, Geim and Novoselov were awarded the Nobel Prize for Physics. 

UAE currency: the story behind the money in your pockets
Defence review at a glance

• Increase defence spending to 2.5% of GDP by 2027 but given “turbulent times it may be necessary to go faster”

• Prioritise a shift towards working with AI and autonomous systems

• Invest in the resilience of military space systems.

• Number of active reserves should be increased by 20%

• More F-35 fighter jets required in the next decade

• New “hybrid Navy” with AUKUS submarines and autonomous vessels

The years Ramadan fell in May

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1921

1888

Specs

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War and the virus
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Squid Game season two

Director: Hwang Dong-hyuk 

Stars:  Lee Jung-jae, Wi Ha-joon and Lee Byung-hun

Rating: 4.5/5

Real estate tokenisation project

Dubai launched the pilot phase of its real estate tokenisation project last month.

The initiative focuses on converting real estate assets into digital tokens recorded on blockchain technology and helps in streamlining the process of buying, selling and investing, the Dubai Land Department said.

Dubai’s real estate tokenisation market is projected to reach Dh60 billion ($16.33 billion) by 2033, representing 7 per cent of the emirate’s total property transactions, according to the DLD.

Young women have more “financial grit”, but fall behind on investing

In an October survey of young adults aged 16 to 25, Charles Schwab found young women are more driven to reach financial independence than young men (67 per cent versus. 58 per cent). They are more likely to take on extra work to make ends meet and see more value than men in creating a plan to achieve their financial goals. Yet, despite all these good ‘first’ measures, they are investing and saving less than young men – falling early into the financial gender gap.

While the women surveyed report spending 36 per cent less than men, they have far less savings than men ($1,267 versus $2,000) – a nearly 60 per cent difference.

In addition, twice as many young men as women say they would invest spare cash, and almost twice as many young men as women report having investment accounts (though most young adults do not invest at all). 

“Despite their good intentions, young women start to fall behind their male counterparts in savings and investing early on in life,” said Carrie Schwab-Pomerantz, senior vice president, Charles Schwab. “They start off showing a strong financial planning mindset, but there is still room for further education when it comes to managing their day-to-day finances.”

Ms Schwab-Pomerantz says parents should be conveying the same messages to boys and girls about money, but should tailor those conversations based on the individual and gender.

"Our study shows that while boys are spending more than girls, they also are saving more. Have open and honest conversations with your daughters about the wage and savings gap," she said. "Teach kids about the importance of investing – especially girls, who as we see in this study, aren’t investing as much. Part of being financially prepared is learning to make the most of your money, and that means investing early and consistently."

UAE currency: the story behind the money in your pockets
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FORSPOKEN
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Final%20Fantasy%20XVI
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Diablo%20IV
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Baldur's%20Gate%203
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Starfield
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Selected fixtures

All times UAE

Wednesday
Poland v Portugal 10.45pm
Russia v Sweden 10.45pm

Friday
Belgium v Switzerland 10.45pm
Croatia v England 10.45pm

Saturday
Netherlands v Germany 10.45pm
Rep of Ireland v Denmark 10.45pm

Sunday
Poland v Italy 10.45pm

Monday
Spain v England 10.45pm

Tuesday
France v Germany 10.45pm
Rep of Ireland v Wales 10.45pm

Ferrari
%3Cp%3E%3Cstrong%3EDirector%3A%3C%2Fstrong%3E%20Michael%20Mann%26nbsp%3B%3C%2Fp%3E%0A%3Cp%3E%3Cstrong%3EStarring%3A%3C%2Fstrong%3E%20Adam%20Driver%2C%20Penelope%20Cruz%2C%20Shailene%20Woodley%2C%20Patrick%20Dempsey%3C%2Fp%3E%0A%3Cp%3E%3Cstrong%3ERating%3A%3C%2Fstrong%3E%203%2F5%3C%2Fp%3E%0A
HAJJAN
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North Pole stats

Distance covered: 160km

Temperature: -40°C

Weight of equipment: 45kg

Altitude (metres above sea level): 0

Terrain: Ice rock

South Pole stats

Distance covered: 130km

Temperature: -50°C

Weight of equipment: 50kg

Altitude (metres above sea level): 3,300

Terrain: Flat ice
 

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UAE currency: the story behind the money in your pockets
Key figures in the life of the fort

Sheikh Dhiyab bin Isa (ruled 1761-1793) Built Qasr Al Hosn as a watchtower to guard over the only freshwater well on Abu Dhabi island.

Sheikh Shakhbut bin Dhiyab (ruled 1793-1816) Expanded the tower into a small fort and transferred his ruling place of residence from Liwa Oasis to the fort on the island.

Sheikh Tahnoon bin Shakhbut (ruled 1818-1833) Expanded Qasr Al Hosn further as Abu Dhabi grew from a small village of palm huts to a town of more than 5,000 inhabitants.

Sheikh Khalifa bin Shakhbut (ruled 1833-1845) Repaired and fortified the fort.

Sheikh Saeed bin Tahnoon (ruled 1845-1855) Turned Qasr Al Hosn into a strong two-storied structure.

Sheikh Zayed bin Khalifa (ruled 1855-1909) Expanded Qasr Al Hosn further to reflect the emirate's increasing prominence.

Sheikh Shakhbut bin Sultan (ruled 1928-1966) Renovated and enlarged Qasr Al Hosn, adding a decorative arch and two new villas.

Sheikh Zayed bin Sultan (ruled 1966-2004) Moved the royal residence to Al Manhal palace and kept his diwan at Qasr Al Hosn.

Sources: Jayanti Maitra, www.adach.ae

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While you're here
Updated: March 01, 2024, 11:22 AM`