Posters from Pakistan's Swat Valley lined the top of the wall that Vikram Divecha hopes will be the start of his Wall House. Photo: Vikram Divecha
Posters from Pakistan's Swat Valley lined the top of the wall that Vikram Divecha hopes will be the start of his Wall House. Photo: Vikram Divecha
Posters from Pakistan's Swat Valley lined the top of the wall that Vikram Divecha hopes will be the start of his Wall House. Photo: Vikram Divecha
Posters from Pakistan's Swat Valley lined the top of the wall that Vikram Divecha hopes will be the start of his Wall House. Photo: Vikram Divecha

Artist Vikram Divecha is on a mission to create a museum of 100 walls


Melissa Gronlund
  • English
  • Arabic

“Unlike a photograph that records just a fraction of a second, a wall is akin to a photographic plate, produced through this long exposure over generations,” says the artist Vikram Divecha about his latest art work, Wall House.

“A wall is a material witness to people, cultures and tangible and intangible histories. Often when I explore buildings that are slated for demolition in the UAE, I encounter walls that so poignantly hold the imprints of time. I have been wanting to extract and preserve such walls for almost a decade now.”

Since Divecha presented his proposal for Wall House for the Art Here 2022 – Richard Mille Art Prize in November last year, the Dubai artist has been trying to get an ambitious, idiosyncratic project off the ground – a museum with hundreds of walls. The walls will be excised from buildings facing demolition from neighbourhoods across the world, selected by local researchers and communities.

“I am urging everyone to imagine a single address that holds hundreds of addresses from around the world,” Divecha says. “Visitors will walk through a timeline of contemporary civilisations – interior walls and exterior facade walls from homes, schools, bazaars and hundreds of forgotten addresses.

“Such a multicultural archive will deeply echo with the people of the UAE who often leave behind no records,” he continues. “The walls arriving to the UAE’s shores will invoke histories of movement, of ports that are open to people and ideas, and the deeper network of the UAE’s maritime history.”

The 3.5m by 3m wall section that Divecha excised from a building near Burjeel Hospital. Photo: Vikram Divecha
The 3.5m by 3m wall section that Divecha excised from a building near Burjeel Hospital. Photo: Vikram Divecha

Divecha already has one wall in store. For his commission for the Richard Mille Prize, he convinced the Department of Culture and Tourism – Abu Dhabi to help him excise a wall from a house that was being knocked down on Hazza bin Zayed the First Street, near Burjeel Hospital. Divecha assembled a team that cut out a 3.5 metre by 3 metre interior section from the two-storey building.

The wall is now encased in a self-standing frame in a storage warehouse in Mina Zayed. The artist took me to see it in March – we picked a path through the enormous space in Divecha’s car, and then he flipped on the headlights to illuminate the object itself.

Grubby and beige, with a bold orange stripe along the bottom, its key feature is the posters that line its upper edge: faded tourist images from Pakistan’s Swat Valley, showing arched colonnades, elegant bridges and a gushing river. The pictures are themselves newly documentary: Divecha was told that some of these structures were washed away in the torrential floods in Pakistan of last year.

A run of cables and ethernet wires along the bottom of the wall shows what Divecha calls the “digital archaeology” of the site, or the apparatus by which the inhabitants of the flat would have called their family back home in Pakistan.

Though Divecha was unable to exhibit the work at Louvre Abu Dhabi (he showed a maquette of Wall House instead), he is hoping to bring it to NYU Abu Dhabi, where he teaches, as a social object of study – and a provocation, daring others to see it as more than just a two-dimensional relic, and ideally spreading the idea of Wall House even further.

Divecha is already speaking to communities in Kerala, where his wife’s family is from, to preserve a wall from a type of house called the tharavad.

“Tharavads are large mansions that now stand as symbols of a matrilineal society, a system in Nair communities that came to an end almost a century ago,” he explains. “The property was passed down from mothers to daughters – and it was their identities that were associated with the tharavads, rather than their male partners or fathers.”

Vikram Divecha teaches at NYUAD. Courtesy the artist
Vikram Divecha teaches at NYUAD. Courtesy the artist

Many of the tharavads are now being razed down – but Wall House would be able to tell of the feminist practices they once contained.

This is all, of course, a guess. The tharavad wall might be just that: a wooden wall, slightly scratched, maybe a bit dilapidated. What stories can it really tell? But Divecha has always worked in offbeat, apparently logistical territory – unveiling aches and miseries of urban environments and creating space for new joys.

For his work Beej (seed in Hindi) at the 2017 Sharjah Biennial, he collaborated with the Sharjah government to transform a roundabout into an urban farm for the city’s Pakistani gardeners. The gardeners, who typically tended to the city’s roadside greenery, brought heirloom seeds from Pakistan – for tomatoes, turnips, spinach, mint and more – and had the chance to look after them in a garden-away-from-home.

For Road Markings (2017), he collaborated with the crew that maintains the white dividing lines and yellow arrows that orient Dubai drivers. The crew created stand-alone paintings comprised of these road markings that Divecha then hung at his Dubai gallery, Isabelle van den Eynde. The “paintings” became high-art – and in the process called attention to the starry crystals and patterns embedded in the roads, and the hidden labour that creates them.

Part of Vikram Divecha's practice involves co-ordinating with different stakeholders. Here, he worked with construction crews and DCT to excise the wall. Photo: Vikram Divecha
Part of Vikram Divecha's practice involves co-ordinating with different stakeholders. Here, he worked with construction crews and DCT to excise the wall. Photo: Vikram Divecha

Wall House also has a more specific precedent – a lesser-known project that Divecha did in 2013 called Reclaimed Void.

“I was given access to a factory in Dubai, and they showed me how precast panels for walls are made,” he says. “The way they would stack these panels was like pages, which allowed me to visualise these walls as pages of people's lives holding intimate stories.”

His next step is to persuade donors to become a patron of a wall by funding their salvaging and transportation, perhaps from their home country. He has already found three supporters, he says.

Wall House will eventually be shaped by the collaborators and supporters it finds. But it won’t just be a humongous sterile space with lots of walls in it,” he clarifies. “More than an architectural fragment I am interested in the wall as a social object. Researchers, artists and performers will build new communities around the walls. Through programming, education and performances the walls will be activated to bring their stories to life. And the more walls we have, the more stories we can tell in the future.

“I often wonder that all this sounds too far-fetched. But as an artist, one of my jobs is to imagine.”

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Director: S Shankar

Producer: Lyca Productions; presented by Dharma Films

Cast: Rajnikanth, Akshay Kumar, Amy Jackson, Sudhanshu Pandey

Rating: 3.5/5 stars

UAE currency: the story behind the money in your pockets
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MATCH INFO

Uefa Champions League semi-final, second leg result:

Ajax 2-3 Tottenham

Tottenham advance on away goals rule after tie ends 3-3 on aggregate

Final: June 1, Madrid

Tearful appearance

Chancellor Rachel Reeves set markets on edge as she appeared visibly distraught in parliament on Wednesday. 

Legislative setbacks for the government have blown a new hole in the budgetary calculations at a time when the deficit is stubbornly large and the economy is struggling to grow. 

She appeared with Keir Starmer on Thursday and the pair embraced, but he had failed to give her his backing as she cried a day earlier.

A spokesman said her upset demeanour was due to a personal matter.

Hydrogen: Market potential

Hydrogen has an estimated $11 trillion market potential, according to Bank of America Securities and is expected to generate $2.5tn in direct revenues and $11tn of indirect infrastructure by 2050 as its production increases six-fold.

"We believe we are reaching the point of harnessing the element that comprises 90 per cent of the universe, effectively and economically,” the bank said in a recent report.

Falling costs of renewable energy and electrolysers used in green hydrogen production is one of the main catalysts for the increasingly bullish sentiment over the element.

The cost of electrolysers used in green hydrogen production has halved over the last five years and will fall to 60 to 90 per cent by the end of the decade, acceding to Haim Israel, equity strategist at Merrill Lynch. A global focus on decarbonisation and sustainability is also a big driver in its development.

Key facilities
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Company name: Suraasa

Started: 2018

Founders: Rishabh Khanna, Ankit Khanna and Sahil Makker

Based: India, UAE and the UK

Industry: EdTech

Initial investment: More than $200,000 in seed funding

Dubai Bling season three

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Rating: 1/5

The specs

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Daniella Weiss and Nachala
Described as 'the grandmother of the settler movement', she has encouraged the expansion of settlements for decades. The 79 year old leads radical settler movement Nachala, whose aim is for Israel to annex Gaza and the occupied West Bank, where it helps settlers built outposts.

Harel Libi & Libi Construction and Infrastructure
Libi has been involved in threatening and perpetuating acts of aggression and violence against Palestinians. His firm has provided logistical and financial support for the establishment of illegal outposts.

Zohar Sabah
Runs a settler outpost named Zohar’s Farm and has previously faced charges of violence against Palestinians. He was indicted by Israel’s State Attorney’s Office in September for allegedly participating in a violent attack against Palestinians and activists in the West Bank village of Muarrajat.

Coco’s Farm and Neria’s Farm
These are illegal outposts in the West Bank, which are at the vanguard of the settler movement. According to the UK, they are associated with people who have been involved in enabling, inciting, promoting or providing support for activities that amount to “serious abuse”.

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China

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UAE

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Norway

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Canada

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Singapore

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Australia

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Winner: Fertile De Croate, Sam Hitchcott, Ibrahim Aseel

UAE currency: the story behind the money in your pockets
Sole survivors
  • Cecelia Crocker was on board Northwest Airlines Flight 255 in 1987 when it crashed in Detroit, killing 154 people, including her parents and brother. The plane had hit a light pole on take off
  • George Lamson Jr, from Minnesota, was on a Galaxy Airlines flight that crashed in Reno in 1985, killing 68 people. His entire seat was launched out of the plane
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December 29 - semi-finals
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December 30
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Final, 7pm

Benefits of first-time home buyers' scheme
  • Priority access to new homes from participating developers
  • Discounts on sales price of off-plan units
  • Flexible payment plans from developers
  • Mortgages with better interest rates, faster approval times and reduced fees
  • DLD registration fee can be paid through banks or credit cards at zero interest rates
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116 pitches

76 nations

26 UAE teams

15 Lebanese teams

2 Kuwaiti teams

ICC Awards for 2021

MEN

Cricketer of the Year – Shaheen Afridi (Pakistan)

T20 Cricketer of the Year – Mohammad Rizwan (Pakistan)

ODI Cricketer of the Year – Babar Azam (Pakistan)

Test Cricketer of the Year – Joe Root (England)

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Cricketer of the Year – Smriti Mandhana (India)

ODI Cricketer of the Year – Lizelle Lee (South Africa)

T20 Cricketer of the Year – Tammy Beaumont (England)

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Engine: Four electric motors, one at each wheel

Power: 579hp

Torque: 859Nm

Transmission: Single-speed automatic

Price: From Dh825,900

On sale: Now

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Education: Mr Al Bahar was born in 1979 and graduated in 2008 from the Judicial Institute. He took after his father, who was one of the first Emirati lawyers

ENGLAND TEAM

Alastair Cook, Mark Stoneman, James Vince, Joe Root (captain), Dawid Malan, Jonny Bairstow, Moeen Ali, Chris Woakes, Craig Overton, Stuart Broad, James Anderson

MATCH INFO

English Premiership semi-finals

Saracens 57
Wasps 33

Exeter Chiefs 36
Newcastle Falcons 5

Sinopharm vaccine explained

The Sinopharm vaccine was created using techniques that have been around for decades. 

“This is an inactivated vaccine. Simply what it means is that the virus is taken, cultured and inactivated," said Dr Nawal Al Kaabi, chair of the UAE's National Covid-19 Clinical Management Committee.

"What is left is a skeleton of the virus so it looks like a virus, but it is not live."

This is then injected into the body.

"The body will recognise it and form antibodies but because it is inactive, we will need more than one dose. The body will not develop immunity with one dose," she said.

"You have to be exposed more than one time to what we call the antigen."

The vaccine should offer protection for at least months, but no one knows how long beyond that.

Dr Al Kaabi said early vaccine volunteers in China were given shots last spring and still have antibodies today.

“Since it is inactivated, it will not last forever," she said.

The five pillars of Islam
Ferrari 12Cilindri specs

Engine: naturally aspirated 6.5-liter V12

Power: 819hp

Torque: 678Nm at 7,250rpm

Price: From Dh1,700,000

Available: Now

Scorecard

Scotland 220

K Coetzer 95, J Siddique 3-49, R Mustafa 3-35

UAE 224-3 in 43,5 overs

C Suri 67, B Hameed 63 not out

Recycle Reuse Repurpose

New central waste facility on site at expo Dubai South area to  handle estimated 173 tonne of waste generated daily by millions of visitors

Recyclables such as plastic, paper, glass will be collected from bins on the expo site and taken to the new expo Central Waste Facility on site

Organic waste will be processed at the new onsite Central Waste Facility, treated and converted into compost to be re-used to green the expo area

Of 173 tonnes of waste daily, an estimated 39 per cent will be recyclables, 48 per cent  organic waste  and 13 per cent  general waste.

About 147 tonnes will be recycled and converted to new products at another existing facility in Ras Al Khor

Recycling at Ras Al Khor unit:

Plastic items to be converted to plastic bags and recycled

Paper pulp moulded products such as cup carriers, egg trays, seed pots, and food packaging trays

Glass waste into bowls, lights, candle holders, serving trays and coasters

Aim is for 85 per cent of waste from the site to be diverted from landfill 

While you're here
Living in...

This article is part of a guide on where to live in the UAE. Our reporters will profile some of the country’s most desirable districts, provide an estimate of rental prices and introduce you to some of the residents who call each area home.

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UAE currency: the story behind the money in your pockets
Updated: May 27, 2023, 3:02 AM`