The temporary artworks also symbolise Louvre Abu Dhabi's role as a convergence point for ages and civilisations. Photo: Galleria Continua
The temporary artworks also symbolise Louvre Abu Dhabi's role as a convergence point for ages and civilisations. Photo: Galleria Continua
The temporary artworks also symbolise Louvre Abu Dhabi's role as a convergence point for ages and civilisations. Photo: Galleria Continua
The temporary artworks also symbolise Louvre Abu Dhabi's role as a convergence point for ages and civilisations. Photo: Galleria Continua

How Michelangelo Pistoletto's mirror paintings at Louvre Abu Dhabi bend time and space


Razmig Bedirian
  • English
  • Arabic

Mirrors have long held our collective hopes and fears in their silver depths.

For the great Argentine writer Jorge Luis Borges, they were the madness of the infinite. In the Brothers Grimm fairy tale Snow White, the magic mirror was the voice of truth. In her lauded A Room of One’s Own, Virginia Woolf writes: “Whatever may be their use in civilised societies, mirrors are essential to all violent and heroic action.”

For Italian artist Michelangelo Pistoletto, mirrors are a fragile means to defy time and space. His mirror paintings at Louvre Abu Dhabi connect the museum, its artworks and visitors to its older Parisian sibling. Displayed across the permanent galleries of the museum, the mirror paintings can easily be missed at first glance. Depicting ancient sculptures and viewers admiring them, the work is camouflaged within the space, making it easy to mistake with the surrounding pieces.

The paintings, which come as part of Louvre Abu Dhabi’s fifth anniversary celebrations are on display until May 15. They continue from Year 1, Paradise on Earth, the 2013 work Pistoletto created for Musee du Louvre. For Louvre Abu Dhabi, the artist created 11 new mirror works depicting visitors and works from the collection of Musee du Louvre. The aim, Pistoletto says, was to create a dialogue from one Louvre to another.

“When I take a photograph of a sculpture, I can transport it to another place through my mirror paintings. That sculpture will then be connected to another place. You have in Abu Dhabi the works that are in Paris. Now, I would like to make a series in Paris featuring sculptures and viewers and the people of Abu Dhabi. I want to transport them to Paris,” Pistoletto tells The National.

Pistoletto's work was exhibited at Art Dubai 2020 at Dubai International Financial Centre. EPA
Pistoletto's work was exhibited at Art Dubai 2020 at Dubai International Financial Centre. EPA

Most of Pistoletto’s mirror paintings are composed around a series of oppositions: between people of the past and those of the present, between the nude and clothed body, and between a body of flesh and one of stone.

“The paintings are composed by a mirror surface and an image taken by photography. With technology, it was painted [or printed] on the mirror,” Pistoletto says. “It is reflecting the viewer, the space. It is of the realities existing through the mirror.”

Louvre + 1 Mirror Paintings, Pistoletto says, also covers the three aspects of time: past (photography), present (reflection in the mirror) and future (the photography becoming the memory of a moment that follows all succeeding moments).

“We have the dimension of time, the dimension of history,” he says. “When you put the work in a museum, you have a reflection of the history of the museum. We can see not only the history, but also the present and the viewer is included in the history and takes it into the future.

The temporary artworks also symbolise Louvre Abu Dhabi's roles as a mirror of humanity and a convergence point for ages and civilisations. Pistoletto is renowned for smashing his mirror paintings after his exhibitions conclude. He takes a sledgehammer to them, shattering their bottomless silver and suggestions of infinity. He did not specify whether he would do the same for the works at Louvre Abu Dhabi.

Michelangelo Pistoletto, Labirinto e Grande Pozzo. Victor Besa / The National
Michelangelo Pistoletto, Labirinto e Grande Pozzo. Victor Besa / The National

Louvre + 1 Mirror Paintings is not the first work Pistoletto has exhibited at Louvre Abu Dhabi. As part of the Stories of Paper exhibition, which took place in the summer of 2022, the artist presented his monumental Labirinto e Grande Pozzo installation, a snaking labyrinth of cardboard.

“The labyrinth was a way to make people enter the work physically,” he says. “The viewer is not just looking but is included in the work of art, moving inside of it.”

Louvre + 1 Mirror Paintings will be on display at Louvre Abu Dhabi until May 15

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4. Daniel Ricciardo, Red Bull 177

5. Kimi Raikkonen, Ferrari 138

6. Max Verstappen, Red Bull 93

7. Sergio Perez, Force India 86

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The Abu Dhabi Supreme Petroleum Council was established in 1988 and is the highest governing body in Abu Dhabi’s oil and gas industry. The council formulates, oversees and executes the emirate’s petroleum-related policies. It also approves the allocation of capital spending across state-owned Adnoc’s upstream, downstream and midstream operations and functions as the company’s board of directors. The SPC’s mandate is also required for auctioning oil and gas concessions in Abu Dhabi and for awarding blocks to international oil companies. The council is chaired by Sheikh Khalifa, the President and Ruler of Abu Dhabi while Sheikh Mohamed bin Zayed, Abu Dhabi’s Crown Prince and Deputy Supreme Commander of the Armed Forces, is the vice chairman.

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Sector: HealthTech / MedTech

Size: 300 employees

Funding: $22.6 million (as of September 2018)

Investors: Technology Development Fund, Silicon Badia, Beco Capital, Vostok New Ventures, Endeavour Catalyst, Crescent Enterprises’ CE-Ventures, Saudi Technology Ventures and IFC

UAE currency: the story behind the money in your pockets
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The firm’s main hedge fund fell 9 per cent in December, extending this year’s decline to 34 percent, according to an investor update viewed by Bloomberg.

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Moment of the day Just three balls remained in an exhausting day for Sri Lanka’s bowlers when they were afforded some belated cheer. Nuwan Pradeep, unrewarded in 15 overs to that point, let slip a seemingly innocuous delivery down the legside. Babar Azam feathered it behind, and Niroshan Dickwella dived to make a fine catch.

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Chancellor Rachel Reeves set markets on edge as she appeared visibly distraught in parliament on Wednesday. 

Legislative setbacks for the government have blown a new hole in the budgetary calculations at a time when the deficit is stubbornly large and the economy is struggling to grow. 

She appeared with Keir Starmer on Thursday and the pair embraced, but he had failed to give her his backing as she cried a day earlier.

A spokesman said her upset demeanour was due to a personal matter.

Updated: April 25, 2023, 7:13 AM`