Emirati artist Mohamed Ahmed Ibrahim’s installation of 128 sculptures, Between Sunrise and Sunset, at the Venice Biennale's National Pavilion UAE, drew a record number of visitors. All photos: Ismail Noor / National Pavilion UAE
Emirati artist Mohamed Ahmed Ibrahim’s installation of 128 sculptures, Between Sunrise and Sunset, at the Venice Biennale's National Pavilion UAE, drew a record number of visitors. All photos: Ismail Noor / National Pavilion UAE
Arranged in a thick column in the cavernous Arsenale room, the tree-like sculptures were inspired by Ibrahim's hometown of Khorfakkan
Arranged in a thick column in the cavernous Arsenale room, the tree-like sculptures were inspired by Ibrahim's hometown of Khorfakkan
The exhibition featured clusters of tree-like forms, which tranisitioned from bright colours at one end of the room to monochromatic sculptures on the other
The exhibition featured clusters of tree-like forms, which tranisitioned from bright colours at one end of the room to monochromatic sculptures on the other
Made of papier-mache, the objects seemed painted but actually gained their colour from the paper used to create them
Made of papier-mache, the objects seemed painted but actually gained their colour from the paper used to create them
Ibrahim mixed coloured sheaves of paper as a painter mixes paint, and also incorporated everyday, organic material from around him — leaves from trees in his garden in Khorfakkan, tobacco, tea, coffee, and even the cardboard packaging from toys which his grandchildren would save for him
Ibrahim mixed coloured sheaves of paper as a painter mixes paint, and also incorporated everyday, organic material from around him — leaves from trees in his garden in Khorfakkan, tobacco, tea, coffee, and even the cardboard packaging from toys which his grandchildren would save for him
Curated by Maya Allison, executive director and chief curator of NYU Abu Dhabi Art Gallery, the exhibition presented a major new work by a pioneering Emirati artist
Curated by Maya Allison, executive director and chief curator of NYU Abu Dhabi Art Gallery, the exhibition presented a major new work by a pioneering Emirati artist
Bright colours changed into a more desolate landscape of blacks and whites, mirroring the movement of the sun setting over the mountains of Khorfakkan
Bright colours changed into a more desolate landscape of blacks and whites, mirroring the movement of the sun setting over the mountains of Khorfakkan
The work, and the performative walk around it, affected the transition from day to night, as seen by the eye
The work, and the performative walk around it, affected the transition from day to night, as seen by the eye
In some ways, the sculptures resembled trees and animals, but the artist said they represented neither
In some ways, the sculptures resembled trees and animals, but the artist said they represented neither
Mohamed Ahmed Ibrahim: Between Sunrise and Sunset was the UAE's take on the biennale's theme – The Milk of Dreams – exploring the representation of bodies and their metamorphoses, and the connection between bodies and Earth
Mohamed Ahmed Ibrahim: Between Sunrise and Sunset was the UAE's take on the biennale's theme – The Milk of Dreams – exploring the representation of bodies and their metamorphoses, and the connection between bodies and Earth

Culture

Art & Design

National Pavilion UAE director reflects on record-breaking showing at Venice Art Biennale

Almost a third of the biennale's 800,000 visitors took in the UAE's pavilion to experience Emirati artist Mohamed Ahmed Ibrahim's work

Hareth Al Bustani
Hareth Al Bustani

December 05, 2022

  • English
  • Arabic

With more than 800,000 tickets sold, Venice's most recent Biennale Arte shattered its previous records, with attendance up by 35 per cent compared with pre-pandemic levels. The National Pavilion UAE, which included an exhibition by Emirati artist Mohamed Ahmed Ibrahim, Between Sunrise and Sunset, drew in more than a third of these guests — setting its own record of 277,203 visitors.

Reflecting the biennale's theme, The Milk of Dreams — questioning the representation of bodies and their metamorphoses, and the connection between bodies and earth — Ibrahim's exhibition included 128 sculptures, exploring the way sunlight traverses over the mountains of his home, Khorfakkan. Together, they form a single work, with biomorphic sculptures clustering together in undulating colour and movement.

Laila Binbrek, director of National Pavilion UAE — La Biennale di Venezia, says the narrative and presentation of Ibrahim's exhibition resonated emotionally with visitors from around the world at the art exhibition.

"Mohamed Ahmed Ibrahim has been a practising artist over the last four decades, and is a key member of a group of experimental, conceptual artists who have led the vanguard of the visual art scene in the UAE since the 1980s. He is an artist who has a deep and intimate relationship with his home town of Khorfakkan and this relationship is clearly expressed in all his work," Binbrek tells The National.

Laila Binbrek, director of National Pavilion UAE — La Biennale di Venezia, says the narrative and presentation of Emirati artist Mohamed Ahmed Ibrahim's exhibition resonated emotionally with visitors. Pawan Singh / The National
Laila Binbrek, director of National Pavilion UAE — La Biennale di Venezia, says the narrative and presentation of Emirati artist Mohamed Ahmed Ibrahim's exhibition resonated emotionally with visitors. Pawan Singh / The National

"The exhibition presented at the pavilion is a direct homage to Mohamed’s home town and his ongoing dialogue with the mountains and the light that reflects on it; this relationship was easily relatable to anyone who visited our pavilion."

Binbrek says it is always rewarding to see another story from the UAE being presented on the global platform of La Biennale di Venezia, as the country's creatives stand alongside their international peers. Commissioned by the Salama bint Hamdan Al Nahyan Foundation and supported by the Ministry of Culture & Youth, the UAE's National Pavilion has a permanent space at the Venice Biennale’s Arsenale — Sale d’Armi.

"Our consistent presence at La Biennale means each year we have an opportunity to build on those untold stories, and this year was no exception. It was interesting to see audiences, who had seen previous UAE pavilions, discover and absorb Mohamed’s work, and in some cases be able to put it in context to the overall story we have been building on over the years."

Binbrek says the success of this year's biennale was a clear indicator of the public's appetite to return and come together again. "The international art exhibition saw 58 national participations, including five from the region, including the Sultanate of Oman in their inaugural participation, Saudi Arabia, Egypt, Lebanon, and Syria."

Although the biennale closed last month, National Pavilion UAE is still offering virtual tours of the exhibition online at nationalpavilionuae.org. The pavilion has also released an accompanying publication, Mohamed Ahmed Ibrahim: Between Sunrise and Sunset / Works 1986-2022, which pieces together years of in-depth research and personal interactions with the artist.

One of the book's editors is the exhibition's curator Maya Allison, executive director and chief curator of the New York University Abu Dhabi Art Gallery. Allison says that the artist's work played a formative role in developing the UAE's "thriving creative scene". "What he has brought to Venice for the UAE Pavilion shows his complete commitment to exploration, curiosity and our interconnectedness through art — the very characteristics that I love about the UAE's art scene," she says.

Maya Allison, executive director and chief curator of the NYU Abu Dhabi Art Gallery, with Emirati artist Mohamed Ahmed Ibrahim. Photo: Augustine Paredes / National Pavilion UAE La Biennale Di Venezia
Maya Allison, executive director and chief curator of the NYU Abu Dhabi Art Gallery, with Emirati artist Mohamed Ahmed Ibrahim. Photo: Augustine Paredes / National Pavilion UAE La Biennale Di Venezia

Ibrahim, meanwhile, says it was a great honour to represent his country at "one of the most international and prestigious platforms for the arts".

"It was a huge responsibility to have my work act as a conduit through which the world could see the diversity and dynamism of the Emirati arts scene.

"I chose to highlight my authenticity in my artwork to encourage the next generation of artists in the UAE to embrace their originality and never lose their individuality as they go on to become the future of arts in the Emirates."

Cecilia Alemani, who curated the wider biennale, says it was a challenge organising the event during the pandemic. "I have conceived this exhibition remotely, with hundreds of studio visits done on Zoom with artists from all over the world. Very few artists were able to come and do site visits," Alemani says.

"Nobody knew if the artworks would get to Venice on time. Even if now things seem to have returned to a sort of normalcy, we all know it was an extraordinary period and that it took more than two years to get to this point. The fact that this exhibition could open on time back in April is still somewhat miraculous."

Mohamed Ahmed Ibrahim's works draw from the landscape of Khorfakkan. Photo: John Varghese / National Pavilion UAE La Biennale di Venezia
Mohamed Ahmed Ibrahim's works draw from the landscape of Khorfakkan. Photo: John Varghese / National Pavilion UAE La Biennale di Venezia

Alemani says the 800,000 visitors "demonstrate that art has the power to foster participation, and that after so many months of isolation, people want to celebrate and see art in person, in a joyful and communal experience shared with many friends, families, colleagues and art lovers".

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"In times like this, as the history of La Biennale di Venezia clearly shows, art and artists can help us imagine new modes of coexistence and infinite new possibilities of transformation.”

Now that Biennale Arte is over, Binbrek says the UAE Pavilion is excited about the coming architectural biennale.

"We look forward to next year’s exhibition at Biennale Architettura 2023, which will be curated by Faysal Tabbarah, associate dean and associate professor of architecture at the American University of Sharjah. Tabbarah and his team aim to explore the relationship between architecture and arid landscapes in the UAE and reimagine them as spaces of abundance and productivity.”

Scroll through images of this year's Biennale Arte below

The sculpture 'Anonymous' is part of the Sovereignty exhibition at the Venice Art Biennale, featuring works by US artist Simone Leigh at the US pavilion. Leigh was awarded the Golden Lion for the best presentation. EPA
The sculpture 'Anonymous' is part of the Sovereignty exhibition at the Venice Art Biennale, featuring works by US artist Simone Leigh at the US pavilion. Leigh was awarded the Golden Lion for the best presentation. EPA
Simone Leigh's sculpture of an eyeless African-American woman, surrounded by Cuban artist Belkis Ayon's prints of a secret Afro-Cuban society in the main exhibition The Milk of Dreams. Photo: Roberto Marossi
Simone Leigh's sculpture of an eyeless African-American woman, surrounded by Cuban artist Belkis Ayon's prints of a secret Afro-Cuban society in the main exhibition The Milk of Dreams. Photo: Roberto Marossi
Francis Alys’ 'The Name of the Game' at the Belgian pavilion. Photo: Roberto Ruiz
Francis Alys’ 'The Name of the Game' at the Belgian pavilion. Photo: Roberto Ruiz
Textiles, and their evocations of craft and slow, painstaking labour, were an important theme, as was spirituality. Both came together in Myrlande Constant's Voodoo flags. Photo: Roberto Marossi
Textiles, and their evocations of craft and slow, painstaking labour, were an important theme, as was spirituality. Both came together in Myrlande Constant's Voodoo flags. Photo: Roberto Marossi
Brazilian artist Solange Pessoa paints creatures on the verge of transformation in 'Sonhiferas, I, 2020', on view in the Arsenale. Photo: Roberto Marossi
Brazilian artist Solange Pessoa paints creatures on the verge of transformation in 'Sonhiferas, I, 2020', on view in the Arsenale. Photo: Roberto Marossi
Visitors take in Pessoa's work. EPA
Visitors take in Pessoa's work. EPA
The Milk of Dreams had several 'capsule' shows. One of the best explored the work of female surrealists, or women whose work can be considered in line with Surrealism, such as the Algerian artist Baya Mahieddine. Photo: Marco Cappelletti
The Milk of Dreams had several 'capsule' shows. One of the best explored the work of female surrealists, or women whose work can be considered in line with Surrealism, such as the Algerian artist Baya Mahieddine. Photo: Marco Cappelletti
Belkis Ayon's prints document the secret Afro-Cuban society known as Abakua. Photo: Roberto Marossi
Belkis Ayon's prints document the secret Afro-Cuban society known as Abakua. Photo: Roberto Marossi
Cecilia Alemani, the Italian curator of the 59th Venice Art Biennale. AFP
Cecilia Alemani, the Italian curator of the 59th Venice Art Biennale. AFP
The Milk of Dreams is notable for its wide geographical representation. In the Arsenale, the late US artist Ficre Ghebreyesus shows memories of his youth in Asmara, Eritrea. Photo: Roberto Marossi
The Milk of Dreams is notable for its wide geographical representation. In the Arsenale, the late US artist Ficre Ghebreyesus shows memories of his youth in Asmara, Eritrea. Photo: Roberto Marossi
In the section focused on organic forms, this installation by Ruth Asawa is called 'A Leaf a Gourd a Shell a Net a Bag a Sling a Sack a Bottle a Pot a Box a Container'. Photo: Roberto Marossi
In the section focused on organic forms, this installation by Ruth Asawa is called 'A Leaf a Gourd a Shell a Net a Bag a Sling a Sack a Bottle a Pot a Box a Container'. Photo: Roberto Marossi
Visitors at Asawa's installation. AFP
Visitors at Asawa's installation. AFP
Delcy Morelos' 'Earthly Paradise, 2022', fills the cavernous Arsenale with packed, redolent earth. Photo: Roberto Marossi
Delcy Morelos' 'Earthly Paradise, 2022', fills the cavernous Arsenale with packed, redolent earth. Photo: Roberto Marossi
Monira Al Qadiri's drill bits, 'Orbital, 2022', resemble a trio of sci-fi temples. Photo: Roberto Marossi
Monira Al Qadiri's drill bits, 'Orbital, 2022', resemble a trio of sci-fi temples. Photo: Roberto Marossi
A video and collage by Lynn Hershman Leeson, who connects digital culture to new modes of identity. Cyborgs and digital art are a major sub-theme of the Venice Art Biennale. Photo: Roberto Marossi
A video and collage by Lynn Hershman Leeson, who connects digital culture to new modes of identity. Cyborgs and digital art are a major sub-theme of the Venice Art Biennale. Photo: Roberto Marossi
Veteran New York artist Barbara Kruger has been given a whole room to fill with her cutting proclamations on politics and social responsibilities. Photo: Roberto Marossi
Veteran New York artist Barbara Kruger has been given a whole room to fill with her cutting proclamations on politics and social responsibilities. Photo: Roberto Marossi
Portia Zvavahera creates oil-based stencils on linen, in invocations of animals and subjects. Photo: Roberto Marossi
Portia Zvavahera creates oil-based stencils on linen, in invocations of animals and subjects. Photo: Roberto Marossi
Lebanese artist Ali Cherri's 'Titans, 2022', resemble gods made from the earth itself. Photo: Roberto Marossi
Lebanese artist Ali Cherri's 'Titans, 2022', resemble gods made from the earth itself. Photo: Roberto Marossi
Visitors look at the 'Untitled' installation by Lebanese artist Ali Cherri. EPA
Visitors look at the 'Untitled' installation by Lebanese artist Ali Cherri. EPA
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Mamma Mia

Best piece of advice to someone looking for a career at Google?

If you’re interested in a career at Google, deep dive into the different career paths and pinpoint the space you want to join. When you know your space, you’re likely to identify the skills you need to develop.  

 

Zayed%20Centre%20for%20Research
%3Cp%3EThe%20Zayed%20Centre%20for%20Research%20is%20a%20partnership%20between%20Great%20Ormond%20Street%20Hospital%2C%20University%20College%20London%20and%20Great%20Ormond%20Street%20Hospital%20Children%E2%80%99s%20Charity%20and%20was%20made%20possible%20thanks%20to%20a%20generous%20%C2%A360%20million%20gift%20in%202014%20from%20Sheikha%20Fatima%20bint%20Mubarak%2C%20Chairwoman%20of%20the%20General%20Women's%20Union%2C%20President%20of%20the%20Supreme%20Council%20for%20Motherhood%20and%20Childhood%2C%20and%20Supreme%20Chairwoman%20of%20the%20Family%20Development%20Foundation.%3C%2Fp%3E%0A
Mohammed bin Zayed Majlis
Lexus LX700h specs

Engine: 3.4-litre twin-turbo V6 plus supplementary electric motor

Power: 464hp at 5,200rpm

Torque: 790Nm from 2,000-3,600rpm

Transmission: 10-speed auto

Fuel consumption: 11.7L/100km

On sale: Now

Price: From Dh590,000

More from Rashmee Roshan Lall
'Doctor Strange in the Multiverse Of Madness' 

   

 

Director: Sam Raimi

 

Cast: Benedict Cumberbatch, Elizabeth Olsen, Chiwetel Ejiofor, Benedict Wong, Xochitl Gomez, Michael Stuhlbarg and Rachel McAdams

 

Rating: 3/5

 
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Yahya Al Ghassani's bio

Date of birth: April 18, 1998

Playing position: Winger

Clubs: 2015-2017 – Al Ahli Dubai; March-June 2018 – Paris FC; August – Al Wahda

While you're here
Kareem Shaheen on Canada
Key facilities
  • Olympic-size swimming pool with a split bulkhead for multi-use configurations, including water polo and 50m/25m training lanes
  • Premier League-standard football pitch
  • 400m Olympic running track
  • NBA-spec basketball court with auditorium
  • 600-seat auditorium
  • Spaces for historical and cultural exploration
  • An elevated football field that doubles as a helipad
  • Specialist robotics and science laboratories
  • AR and VR-enabled learning centres
  • Disruption Lab and Research Centre for developing entrepreneurial skills
The specs

Engine: 8.0-litre, quad-turbo 16-cylinder

Transmission: 7-speed auto

0-100kmh 2.3 seconds

0-200kmh 5.5 seconds

0-300kmh 11.6 seconds

Power: 1500hp

Torque: 1600Nm

Price: Dh13,400,000

On sale: now

SPEC%20SHEET%3A%20SAMSUNG%20GALAXY%20Z%20FOLD%204
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Rahul Gandhi in UAE:
Mohammed bin Zayed Majlis

No Shame

Lily Allen

(Parlophone)

Sole survivors
  • Cecelia Crocker was on board Northwest Airlines Flight 255 in 1987 when it crashed in Detroit, killing 154 people, including her parents and brother. The plane had hit a light pole on take off
  • George Lamson Jr, from Minnesota, was on a Galaxy Airlines flight that crashed in Reno in 1985, killing 68 people. His entire seat was launched out of the plane
  • Bahia Bakari, then 12, survived when a Yemenia Airways flight crashed near the Comoros in 2009, killing 152. She was found clinging to wreckage after floating in the ocean for 13 hours.
  • Jim Polehinke was the co-pilot and sole survivor of a 2006 Comair flight that crashed in Lexington, Kentucky, killing 49.
Mohammed bin Zayed Majlis
MATCH INFO

Barcelona 2
Suarez (10'), Messi (52')

Real Madrid 2
Ronaldo (14'), Bale (72')

Generation Start-up: Awok company profile

Started: 2013

Founder: Ulugbek Yuldashev

Sector: e-commerce

Size: 600 plus

Stage: still in talks with VCs

Principal Investors: self-financed by founder

The specs
  • Engine: 3.9-litre twin-turbo V8
  • Power: 640hp
  • Torque: 760nm
  • On sale: 2026
  • Price: Not announced yet
GAC GS8 Specs

Engine: 2.0-litre 4cyl turbo

Power: 248hp at 5,200rpm

Torque: 400Nm at 1,750-4,000rpm

Transmission: 8-speed auto

Fuel consumption: 9.1L/100km

On sale: Now

Price: From Dh149,900

RESULTS

5pm: Handicap (PA) Dh80,000 (Turf) 2,200m
Winner: Jawal Al Reef, Fernando Jara (jockey), Ahmed Al Mehairbi (trainer)

5.30pm: Handicap (PA) Dh80,000 (T) 1,600m
Winner: AF Seven Skies, Bernardo Pinheiro, Qais Aboud

6pm: Maiden (PA) Dh80,000 (T) 1,200m
Winner: Almahroosa, Fabrice Veron, Eric Lemartinel

6.30pm: Maiden (PA) Dh80,000 (T) 1,200m
Winner: AF Sumoud, Tadhg O’Shea, Ernst Oertel

7pm: Wathba Stallions Cup Handicap (PA) Dh70,000 (T) 1,200m
Winner: AF Majalis, Tadhg O’Shea, Ernst Oertel

7.30pm: Handicap (TB) Dh90,000 (T) 1,400m
Winner: Adventurous, Sandro Paiva, Ali Rashid Al Raihe

INFO

Everton 0

Arsenal 0

Man of the Match: Djibril Sidibe (Everton)

Updated: December 05, 2022, 11:43 AM`
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