The Cold War had a cultural frontier, and it had a marked impact on the art of the Global South.
The Modern section at Art Dubai this year is highlighting connections that formed in this era, specifically between artists from the region and the former Soviet Union.
The geopolitical landscape following the Second World War was dominated by an ideological binary, as western powers and the Soviet Union scuffled to bring in as many countries as they could into their fold. While arms, science and ideology were the most apparent grounds for this face-off, art was not exempt.
Initiatives, scholarships, grants and group exhibitions were organised in hopes of luring artists to the West – to the US and its allies – or on the other side of the spectrum, the Soviet bloc. Ideology sometimes trickled into the works of artists as they were influenced by either side of this geopolitical tension and were swayed either towards socialist notions or the more individual-centric ideas of the West.
However, politics was by no means a definitive drive. Global South artists who travelled abroad went to places where opportunities arose for them, and as a consequence, they were inspired by the art history of these new destinations. A creative dialogue took hold as they merged their own cultural backgrounds with artistic movements they encountered. This paved the way for experimentation and resulted in works that upended expectations, blending disparate influences in novel ways.
However, today many are more familiar with how artists from the Global South responded to the influences that arose from countries such as the US, UK and France. Their Soviet counterparts have been left largely unexplored. This has a lot to do with how the Cold War ended, Christianna Bonin, curator of the Art Dubai Modern, says.
“How the various sort of global superpowers tried to engage with the Global South, the non-aligned countries in the 1950s and 1960s, the US was a huge part of that,” Bonin, who is also an assistant professor of art history at the American University of Sharjah, says. “We know more about that history because of the outcome of the Cold War, because the Soviet Union collapsed.”
Bonin has been researching the topic for more than a decade. Her research focuses on the artistic interactions that have formed from the 19th century onwards between Europe, Russia and Central Asia. Her scholarship was pivotal to how she approached the curation of Art Dubai Modern. The section features nine galleries, each of which is presenting artists from the Global South who had ties with the Soviet Union, whether directly or indirectly.
“Each of the artists that are in the section come from their own particular cultural backgrounds so they were affected by this new context in a different way,” she says. “It's really interesting because it plays out in many ways, so differently.”
Among the artists featured at Art Dubai Modern is Samuel Kakaire, a Ugandan artist who took cues from the Byzantine wall paintings and iconography that he encountered during his studies in Saint Petersburg. Kakaire’s work will be exhibited at Art Dubai by Afriart Gallery.
“In Uganda, it was really through music – through sound rather than through the visual – that things like hopes aspirations fears, social memory, were communicated,” Bonin says. “But Samuel Kakaire goes to Leningrad, he studies mosaics, goes to the Hermitage, sees icons, he’s learning how to paint with oil, learning how to restore gold leaf.”
For Kakaire, these are totally foreign materials that he encounters, and influenced by his own cultural background, begins to reimagine new ways of adapting iconographic approaches, producing, as Bonin says, “a totally different material world".
Another artist who was inspired by icon paintings was Chandraguptha Thenuwara. The Sri Lankan artist studied at the Surikov Academy in Moscow from 1985 to 1992.
“Some artists went to the Soviet Union in the 1980s and into the early 90s, they went right before it collapsed, and then they stayed. Chandraguptha is one of them. His tenure in the Soviet Union bridged its collapse, which is a different experience than an artist like Mahmoud Sabri, who goes there in the 1960s when there's much more of a sense that Soviet Union is forever, nobody thought that it would collapse,” Bonin says.
“Chandraguptha Thenuwara talks very openly about Perestroika, the kind of openness and dynamism of the place. He talks about the chaos of the collapse, the poverty that he sees. Thenuwara is similar to Sabri and Kakaire. He becomes fascinated with the icon as a way of expression. He uses it in his own work in very personal ways. He uses it not as religious image, but as something that he uses to talk about pain and suffering in his own country. It becomes a kind of visual vehicle for that.”
While Kakaire, Sabri and Thenuwara found inspiration in iconography, others were drawn to realism, such as Yemeni artist Hakim Al Akel, who studied at the Moscow State Academy in the years around the collapse of the Soviet Union. The artist, Bonin says, was drawn to the idea “that you could represent the human figure to tell a historical narrative. These types of expressions are really new to them". Several other artists were drawn to the realism that was an artistic pillar in the Soviet Union, including Syrian artist Abdul Mannan Shamma, whose work will also be displayed in the Modern section. Shamma, like Thenuwara, studied at the Surikov Academy of Fine Arts in Moscow. However, he attended the academy decades before, studying there between 1958 and 1966. Since then, he has become renowned for his murals and social realist paintings.
Then there were artists who sought to break away from traditional materials and approaches altogether, such as in the case of Marcos Grigorian, whose work will be exhibited by Leila Heller Gallery. The Iranian-Armenian artist is known for incorporating materials such as clay and straw in his works, alluding to the mixture used to build houses in Iranian villages.
“He's still kind of engaged with abstraction, because a lot of the shapes he uses are very basic shapes, but Grigorian's work is a lot a lot about place. It's connected to his native Iran,” Bonin says. “He has an incredible story. He’s Armenian-Iranian, born in Russia, lived in the United States for a while, he's really the kind of consummate global migrant artist of the 20th century.”
Like Girgorian, Ukrainian artist Fedir Tetianych also sought to break from traditional approaches in painting. “They were both very interested in just escaping oil on canvas as a medium,” Bonin says.
Tetianych, presented by Voloshyn Gallery, was an artist who didn’t really fit “in any of the typical academic boxes in Kyiv". He made art from found materials, scraps of paper, and earth, something along the vein of Arte Povera, an Italian artistic movement prevalent in the 1960s and 1970s that sought to use recycled and common materials to challenge the commercialisation of art. “It's not because he couldn't paint, he did make some paintings, but often they were on cardboard, some of those will be in the fair also,” Bonin says. “It’s just he was searching for different materials and really thinking about […] how Earth is the material, it doesn't have to be limited to a particular canvas.”
Also featured in the Art Dubai Modern is Dia Al Azzawi, represented by Dubai’s Meem Gallery. Unlike most of the artists being exhibited at Art Dubai Modern, the Iraqi artist did not study in the Soviet Union. But his presence in the section is vital, particularly as it signifies the Soviet Union’s interest in the artworks that were emerging from the Middle East and Africa in the mid-20th century.
“Meem is doing a really interesting booth that is focused on Iraq, including Mahmoud Sabri as well,” Bonin says. “Iraq in the 1960s was such a dynamic place for the arts. A character like Azzawi was not someone who studied in the Soviet Union, but whose work was included in exhibitions of Iraqi art that were organized by the Soviet Union. There were a few major exhibitions of Iraqi art – and one was in the late 1950s. There was another that circulated around a few cities in the 1960s. [Azzawi’s] work was featured in publications as well."
These works, Bonin says, are still important today, as they present some of the first publications that were made about regional artists.
“There was a huge interest in art from all over Arab countries and from African countries,” Bonin adds. “It was a part of the Soviet knowledge production about new places, newly independent countries or countries going through periods of unrest, upheaval, shifts that defined so much of the decolonizing world in this period.”
There are several other artists being highlighted in the section, each of whom gleaned specific aspects of the art prevalent in the Soviet Union and those exhibited in its museums. These include Lebanese artists Wahib Bteddini and Fatima El Hajj, Azerbaijani artist Ashraf Murad, as well as Saudi artist Abdulsattar Al Mussa.
It is worth noting that most of the artists being exhibited at Art Dubai Modern are men. In fact, the only female artist exhibited in the section is El Hajj, but that just touches upon the gender imbalance that was prevalent during that time.
“Fatima El Hajj is an exception, and I’m happy Mark Hachem is bringing her work. She studied painting in in Moscow, landscape painting, and she has these incredibly, like, vibrant, impressionistic paintings,” Bonin says. Nevertheless, her solitary presence as a woman poses certain questions about the opportunities, or lack thereof, presented to women artists from the Global South.
“It's interesting just to reflect the names we know, whose artworks were being promoted, what is the gender also the people who were going right, and who do we know about?” Bonin says. “The issue of gender is a question that’s of interest to me. Was it really mostly men who were going to these academies? Looking at the pictures, and the research that I've done, it is mostly men who you see going to the art academies or architecture schools.”
UAE currency: the story behind the money in your pockets
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- loss of confidence and appetite
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Tips to help overcome burnout
Acknowledge how you are feeling by listening to your warning signs. Set boundaries and learn to say ‘no’
Do activities that you want to do as well as things you have to do
Undertake at least 30 minutes of exercise per day. It releases an abundance of feel-good hormones
Find your form of relaxation and make time for it each day e.g. soothing music, reading or mindful meditation
Sleep and wake at the same time every day, even if your sleep pattern was disrupted. Without enough sleep condition such as stress, anxiety and depression can thrive.
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Top financial tips for graduates
Araminta Robertson, of the Financially Mint blog, shares her financial advice for university leavers:
1. Build digital or technical skills: After graduation, people can find it extremely hard to find jobs. From programming to digital marketing, your early twenties are for building skills. Future employers will want people with tech skills.
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The low down on MPS
What is myofascial pain syndrome?
Myofascial pain syndrome refers to pain and inflammation in the body’s soft tissue. MPS is a chronic condition that affects the fascia (connective tissue that covers the muscles, which develops knots, also known as trigger points).
What are trigger points?
Trigger points are irritable knots in the soft tissue that covers muscle tissue. Through injury or overuse, muscle fibres contract as a reactive and protective measure, creating tension in the form of hard and, palpable nodules. Overuse and sustained posture are the main culprits in developing trigger points.
What is myofascial or trigger-point release?
Releasing these nodules requires a hands-on technique that involves applying gentle sustained pressure to release muscular shortness and tightness. This eliminates restrictions in connective tissue in orderto restore motion and alleviate pain. Therapy balls have proven effective at causing enough commotion in the tissue, prompting the release of these hard knots.
The specs: 2018 Nissan Altima
Price, base / as tested: Dh78,000 / Dh97,650
Engine: 2.5-litre in-line four-cylinder
Power: 182hp @ 6,000rpm
Torque: 244Nm @ 4,000rpm
Transmission: Continuously variable tranmission
Fuel consumption, combined: 7.6L / 100km
Living in...
This article is part of a guide on where to live in the UAE. Our reporters will profile some of the country’s most desirable districts, provide an estimate of rental prices and introduce you to some of the residents who call each area home.
Dark Souls: Remastered
Developer: From Software (remaster by QLOC)
Publisher: Namco Bandai
Price: Dh199
T20 World Cup Qualifier
Final: Netherlands beat PNG by seven wickets
Qualified teams
1. Netherlands
2. PNG
3. Ireland
4. Namibia
5. Scotland
6. Oman
T20 World Cup 2020, Australia
Group A: Sri Lanka, PNG, Ireland, Oman
Group B: Bangladesh, Netherlands, Namibia, Scotland
Titanium Escrow profile
Started: December 2016
Founder: Ibrahim Kamalmaz
Based: UAE
Sector: Finance / legal
Size: 3 employees, pre-revenue
Stage: Early stage
Investors: Founder's friends and Family
RACE CARD
6.30pm: Al Maktoum Challenge Round-3 – Group 1 (PA) $65,000 (Dirt) 2,000m
7.05pm: Handicap (TB) $65,000 (Turf) 1,800m
7.40pm: Meydan Classic – Listed (TB) $88,000 (T) 1,600m
8.15pm: Nad Al Sheba Trophy – Group 3 (TB) $195,000 (T) 2,810m
8.50pm: Dubai Millennium Stakes – Group 3 (TB) $130,000 (T) 2,000m
9.25pm: Meydan Challenge – Listed Handicap (TB) $88,000 (T) 1,400m
UAE currency: the story behind the money in your pockets
Uefa Champions League play-off
First leg: Wednesday, 11pm (UAE)
Ajax v Dynamo Kiev
Second leg: Tuesday, August 28, 11pm (UAE)
Dynamo Kiev v Ajax
The smuggler
Eldarir had arrived at JFK in January 2020 with three suitcases, containing goods he valued at $300, when he was directed to a search area.
Officers found 41 gold artefacts among the bags, including amulets from a funerary set which prepared the deceased for the afterlife.
Also found was a cartouche of a Ptolemaic king on a relief that was originally part of a royal building or temple.
The largest single group of items found in Eldarir’s cases were 400 shabtis, or figurines.
Khouli conviction
Khouli smuggled items into the US by making false declarations to customs about the country of origin and value of the items.
According to Immigration and Customs Enforcement, he provided “false provenances which stated that [two] Egyptian antiquities were part of a collection assembled by Khouli's father in Israel in the 1960s” when in fact “Khouli acquired the Egyptian antiquities from other dealers”.
He was sentenced to one year of probation, six months of home confinement and 200 hours of community service in 2012 after admitting buying and smuggling Egyptian antiquities, including coffins, funerary boats and limestone figures.
For sale
A number of other items said to come from the collection of Ezeldeen Taha Eldarir are currently or recently for sale.
Their provenance is described in near identical terms as the British Museum shabti: bought from Salahaddin Sirmali, "authenticated and appraised" by Hossen Rashed, then imported to the US in 1948.
- An Egyptian Mummy mask dating from 700BC-30BC, is on offer for £11,807 ($15,275) online by a seller in Mexico
- A coffin lid dating back to 664BC-332BC was offered for sale by a Colorado-based art dealer, with a starting price of $65,000
- A shabti that was on sale through a Chicago-based coin dealer, dating from 1567BC-1085BC, is up for $1,950
What are NFTs?
Are non-fungible tokens a currency, asset, or a licensing instrument? Arnab Das, global market strategist EMEA at Invesco, says they are mix of all of three.
You can buy, hold and use NFTs just like US dollars and Bitcoins. “They can appreciate in value and even produce cash flows.”
However, while money is fungible, NFTs are not. “One Bitcoin, dollar, euro or dirham is largely indistinguishable from the next. Nothing ties a dollar bill to a particular owner, for example. Nor does it tie you to to any goods, services or assets you bought with that currency. In contrast, NFTs confer specific ownership,” Mr Das says.
This makes NFTs closer to a piece of intellectual property such as a work of art or licence, as you can claim royalties or profit by exchanging it at a higher value later, Mr Das says. “They could provide a sustainable income stream.”
This income will depend on future demand and use, which makes NFTs difficult to value. “However, there is a credible use case for many forms of intellectual property, notably art, songs, videos,” Mr Das says.
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Tori Amos
Native Invader
Decca
The specs
- Engine: 3.9-litre twin-turbo V8
- Power: 640hp
- Torque: 760nm
- On sale: 2026
- Price: Not announced yet
Safety 'top priority' for rival hyperloop company
The chief operating officer of Hyperloop Transportation Technologies, Andres de Leon, said his company's hyperloop technology is “ready” and safe.
He said the company prioritised safety throughout its development and, last year, Munich Re, one of the world's largest reinsurance companies, announced it was ready to insure their technology.
“Our levitation, propulsion, and vacuum technology have all been developed [...] over several decades and have been deployed and tested at full scale,” he said in a statement to The National.
“Only once the system has been certified and approved will it move people,” he said.
HyperloopTT has begun designing and engineering processes for its Abu Dhabi projects and hopes to break ground soon.
With no delivery date yet announced, Mr de Leon said timelines had to be considered carefully, as government approval, permits, and regulations could create necessary delays.
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Price, base: Dh1,731,672
Engine: 6.5-litre V12
Gearbox: Seven-speed automatic
Power: 770hp @ 8,500rpm
Torque: 720Nm @ 6,750rpm
Fuel economy: 19.6L / 100km
Company%20profile
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'C'mon C'mon'
Director:Mike Mills
Stars:Joaquin Phoenix, Gaby Hoffmann, Woody Norman
Rating: 4/5
HIJRA
Starring: Lamar Faden, Khairiah Nathmy, Nawaf Al-Dhufairy
Director: Shahad Ameen
Rating: 3/5
Our legal consultant
Name: Hassan Mohsen Elhais
Position: legal consultant with Al Rowaad Advocates and Legal Consultants.
Name: Colm McLoughlin
Country: Galway, Ireland
Job: Executive vice chairman and chief executive of Dubai Duty Free
Favourite golf course: Dubai Creek Golf and Yacht Club
Favourite part of Dubai: Palm Jumeirah
The White Lotus: Season three
Creator: Mike White
Starring: Walton Goggins, Jason Isaacs, Natasha Rothwell
Rating: 4.5/5
UAE squad
Esha Oza (captain), Al Maseera Jahangir, Emily Thomas, Heena Hotchandani, Indhuja Nandakumar, Katie Thompson, Lavanya Keny, Mehak Thakur, Michelle Botha, Rinitha Rajith, Samaira Dharnidharka, Siya Gokhale, Sashikala Silva, Suraksha Kotte, Theertha Satish (wicketkeeper) Udeni Kuruppuarachchige, Vaishnave Mahesh.
UAE tour of Zimbabwe
All matches in Bulawayo
Friday, Sept 26 – First ODI
Sunday, Sept 28 – Second ODI
Tuesday, Sept 30 – Third ODI
Thursday, Oct 2 – Fourth ODI
Sunday, Oct 5 – First T20I
Monday, Oct 6 – Second T20I
Five films to watch
Castle in the Sky (1986)
Grave of the Fireflies (1988)
Only Yesterday (1991)
Pom Poki (1994)
The Tale of Princess Kaguya (2013)
Monster
Directed by: Anthony Mandler
Starring: Kelvin Harrison Jr., John David Washington
3/5
Benefits of first-time home buyers' scheme
- Priority access to new homes from participating developers
- Discounts on sales price of off-plan units
- Flexible payment plans from developers
- Mortgages with better interest rates, faster approval times and reduced fees
- DLD registration fee can be paid through banks or credit cards at zero interest rates
MOUNTAINHEAD REVIEW
Starring: Ramy Youssef, Steve Carell, Jason Schwartzman
Director: Jesse Armstrong
Rating: 3.5/5
From Zero
Artist: Linkin Park
Label: Warner Records
Number of tracks: 11
Rating: 4/5
BULKWHIZ PROFILE
Date started: February 2017
Founders: Amira Rashad (CEO), Yusuf Saber (CTO), Mahmoud Sayedahmed (adviser), Reda Bouraoui (adviser)
Based: Dubai, UAE
Sector: E-commerce
Size: 50 employees
Funding: approximately $6m
Investors: Beco Capital, Enabling Future and Wain in the UAE; China's MSA Capital; 500 Startups; Faith Capital and Savour Ventures in Kuwait
