Louvre Abu Dhabi’s new exhibition is an homage to one of humanity’s most transformative breakthroughs: paper.
The museum has often presented works that reflect on historical cross-cultural interaction through a civilisational lens, but Stories of Paper marks a rare time that a single material takes centre stage to tell that story.
More than 100 paper-based objects from across the globe are on display at the exhibition. Together, they trace two millennia of intellectual, scientific and cultural exchange. The works are sourced from 16 museums, cultural institutions and private collections.
Works include Katsushika Hokusai’s renowned The Great Wave off Kanagawa, one of Louvre Abu Dhabi’s latest acquisitions and on display at the museum for the first time, as well as a 15th century Quran from Tunisia, scribed with silver ink on purple-dyed pages.
The exhibition is curated by the Musee du Louvre’s Xavier Salmon, general curator and director of the Department of Drawings and Prints, and Victor Hundsbuckler, curator at the Department of Drawings and Prints, with the support of Souraya Noujaim, director of Scientific, Curatorial and Collections Management at Louvre Abu Dhabi.
“With the emergence of digital transformation and the dematerialisation of our haptic experiences, it makes sense for Louvre Abu Dhabi, a universal museum, to celebrate paper as a common yet precious good,” says Manuel Rabate, director of Louvre Abu Dhabi.
"From books, manuscripts and drawings to contemporary artworks or installations made of paper, Stories of Paper retraces a chronological history of this single universal medium, considering the usage and key characteristics of paper, such as transparency and robustness to provide an original perspective on the use of paper throughout time and across the different regions.
"We are also very pleased to invite prominent Emirati artists to be to be part of this shared dialogue — with works on display by Hassan Sharif, Abdullah Al Saadi and Mohammed Kazem, all of whom are considered pioneers of Emirati conceptual art.”
A snaking arrangement of paper banners guide the exhibition, which is divided into 12 sections. The sections, nor the objects they exhibit, are arranged in chronological order. The paper banners, however, offer a historical and chronological thread to the show. Printed with text, they trace the history of paper, from its discovery in China somewhere around the 2nd century BCE, to its first fabrication in Damascus in the late 10th century. From the first use of watermark sheets in 1282, to Gutenberg’s printing of the Bible in the 15th century and beyond.
Sketches by Baroque-era French artists such as Philippe de Champaigne occupy the same area as Etel Adnan’s unpaginated fold-out The Sausalito Garden from 1996. Shoes and hats made out of Korean traditional paper during the 15th century Joseon dynasty are exhibited perpendicularly to the 2015 installation Dictionary by the late Sharif.
Yet, it doesn’t feel dizzying.
The exhibition is arranged thematically, highlighting different aspects of paper, including its versatility and its influence as an affordable material. While singular works may shine and command attention, the real star of the show, in its curation and sweeping timeline, is always the material itself.
Stories of Paper begins by paying tribute to the plants behind the material, showcasing the different production techniques developed across the world.
“You have a comparison of the way to do paper in Asia and in Europe,” says Salmon. “Paper first appeared in Asia and after it moved towards the West, first in the Islamic World, where it arrived via the Silk Road and then to Spain, to France and Italy.
“The difference is that in Asia, they worked directly with the plant. In the Islamic world and the occidental world, we worked with old linen cloths.”
While historical books, manuscripts and drawings are replete in the exhibition — not to mention a full-scale model of a traditional Korean house interior, made using traditional Korean paper — there are also 13 contemporary artworks, most of which are displayed in a boxed recess. Sharif’s The Dictionary is presented in its original form. A vertical oblong mass of pages from bilingual English-Arabic dictionaries held together by rope, the installation sits in one of the most esteemed spots in the exhibition, and captures attention right away.
A total of 16 museums, cultural institutions and private collections will be on display. These include books, manuscripts, drawings, a reproduction of a house and 13 contemporary artworks and installations made of paper. The exhibition will take visitors on a journey through time to discover the various ways in which paper was utilised across cultures. Visitors will also be able to enjoy a diverse public programme of wide-ranging cultural activities.
“The artwork is from one of the pioneers of contemporary art in the UAE,” says Amna Rashed Al Zaabi, senior curatorial assistant at the Louvre Abu Dhabi, who helped curate Stories of Paper.
“The artist used seven bilingual dictionaries to create the work. He deconstructed them and attached the pages to ropes. The work was inspired from memories the late artist had while studying in the College of Arts in London, where he had to learn English.”
A rich cultural and educational programme will accompany Stories of Paper, offering an array of events. An online talk and a recorded podcast by the exhibition’s curators will be available on Louvre Abu Dhabi’s website and mobile application.
The accompanying publication of Stories of Paper is in itself an art piece. With exposed spines and an ochre-coloured cover inspired by the country’s sands, the book is printed using several kinds of paper and expands on works from the exhibition.
“We were thinking we don't have the traditional catalogue, but we wanted a special book with special paper so you have different kinds of paper inside,” Salmon says. “It’s a very special book, like the exhibition, and is an homage to a fantastic material.”
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The low down on MPS
What is myofascial pain syndrome?
Myofascial pain syndrome refers to pain and inflammation in the body’s soft tissue. MPS is a chronic condition that affects the fascia (connective tissue that covers the muscles, which develops knots, also known as trigger points).
What are trigger points?
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What is myofascial or trigger-point release?
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Living in...
This article is part of a guide on where to live in the UAE. Our reporters will profile some of the country’s most desirable districts, provide an estimate of rental prices and introduce you to some of the residents who call each area home.
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T20 World Cup Qualifier
Final: Netherlands beat PNG by seven wickets
Qualified teams
1. Netherlands
2. PNG
3. Ireland
4. Namibia
5. Scotland
6. Oman
T20 World Cup 2020, Australia
Group A: Sri Lanka, PNG, Ireland, Oman
Group B: Bangladesh, Netherlands, Namibia, Scotland
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UAE currency: the story behind the money in your pockets
Uefa Champions League play-off
First leg: Wednesday, 11pm (UAE)
Ajax v Dynamo Kiev
Second leg: Tuesday, August 28, 11pm (UAE)
Dynamo Kiev v Ajax
The smuggler
Eldarir had arrived at JFK in January 2020 with three suitcases, containing goods he valued at $300, when he was directed to a search area.
Officers found 41 gold artefacts among the bags, including amulets from a funerary set which prepared the deceased for the afterlife.
Also found was a cartouche of a Ptolemaic king on a relief that was originally part of a royal building or temple.
The largest single group of items found in Eldarir’s cases were 400 shabtis, or figurines.
Khouli conviction
Khouli smuggled items into the US by making false declarations to customs about the country of origin and value of the items.
According to Immigration and Customs Enforcement, he provided “false provenances which stated that [two] Egyptian antiquities were part of a collection assembled by Khouli's father in Israel in the 1960s” when in fact “Khouli acquired the Egyptian antiquities from other dealers”.
He was sentenced to one year of probation, six months of home confinement and 200 hours of community service in 2012 after admitting buying and smuggling Egyptian antiquities, including coffins, funerary boats and limestone figures.
For sale
A number of other items said to come from the collection of Ezeldeen Taha Eldarir are currently or recently for sale.
Their provenance is described in near identical terms as the British Museum shabti: bought from Salahaddin Sirmali, "authenticated and appraised" by Hossen Rashed, then imported to the US in 1948.
- An Egyptian Mummy mask dating from 700BC-30BC, is on offer for £11,807 ($15,275) online by a seller in Mexico
- A coffin lid dating back to 664BC-332BC was offered for sale by a Colorado-based art dealer, with a starting price of $65,000
- A shabti that was on sale through a Chicago-based coin dealer, dating from 1567BC-1085BC, is up for $1,950
What are NFTs?
Are non-fungible tokens a currency, asset, or a licensing instrument? Arnab Das, global market strategist EMEA at Invesco, says they are mix of all of three.
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